Christopher Keyte (operatic bass)

~ Person

Relationships

Discogs:	https://www.discogs.com/artist/862698 [info]
other databases:	http://id.loc.gov/authorities/names/n84123324 [info] https://catalogue.bnf.fr/ark:/12148/cb139307449 [info] https://d-nb.info/gnd/128819308 [info]
Allmusic:	https://www.allmusic.com/artist/mn0002186012 [info]
VIAF ID:	24789939 [info]

Appearances

Date	Title	Attributes	Artist	Length
	vocals
1964-08-03 – 1964-08-04	"My beloved spake" (Z.28)	baritone vocals	Charles Brett, Robert Tear, Christopher Bevan, Christopher Keyte, Brian Runnett, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest	10:45
1964-08-03 – 1964-08-04	Jehova, quam multi sunt, sacred song for tenor, bass, chorus & continuo, Z. 135	baritone vocals	The Choir of St John’s College, Cambridge	6:39
1964-08-03 – 1964-08-04	Lord, how long wilt thou be angry? (Z.25)	baritone vocals	Charles Brett, Wilfred Brown, Christopher Keyte, Choir of St John’s College, Cambridge, Brian Runnett, George Guest	3:48
1964-08-03 – 1964-08-04	O sing unto the Lord a new song, Z.44	baritone vocals	Roger Parker, Charles Brett, Wilfred Brown, Christopher Keyte, Brian Runnett, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest	13:23
1964-08-03 – 1964-08-04	Who Hath Believed Our Report, Z.64	baritone vocals	Charles Brett, Wilfred Brown, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Brian Runnett, George Guest	8:28
1966	Magnificat in C major: IV. "Suscepit Israel"	bass vocals	Choir of King’s College, Cambridge, Christopher Keyte, Ian Partridge, Academy of St Martin in the Fields, Sir David Willcocks	1:50
1967-06-15 – 1967-06-16	Mass in B-flat major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10, Ed. Landon, Füssl & Landon: II. Gloria	bass vocals and solo	April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest	9:20
1967-06-15 – 1967-06-16	Mass in B-flat major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10, Ed. Landon, Füssl & Landon: III. Credo	bass vocals and solo	April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Academy of St Martin in the Fields, Choir of St John’s College, Cambridge, George Guest	10:05
1967-07	Messe de Minuit pour Noel: Agnus Dei	bass vocals	April Cantelo, Choir of King’s College, Cambridge, Helen Gelmar, Christopher Keyte, Ian Partridge, Andrew Davis, English Chamber Orchestra, Sir David Willcocks	2:53
1967-07	Messe de Minuit pour Noel: Credo	bass vocals	April Cantelo, Choir of King’s College, Cambridge, Helen Gelmar, Christopher Keyte, Ian Partridge, Andrew Davis, English Chamber Orchestra, Sir David Willcocks	11:26
1967-07	Messe de Minuit pour Noel: Gloria	bass vocals	April Cantelo, Choir of King’s College, Cambridge, Helen Gelmar, Christopher Keyte, Ian Partridge, Andrew Davis, English Chamber Orchestra, Sir David Willcocks	6:12
1967-07	Messe de Minuit pour Noel: Kyrie	bass vocals	April Cantelo, Choir of King’s College, Cambridge, Helen Gelmar, Christopher Keyte, Ian Partridge, Andrew Davis, English Chamber Orchestra, Sir David Willcocks	6:27
1967-07	Messe de Minuit pour Noel: Offertoire	bass vocals	Marc‐Antoine Charpentier	4:45
1967-07	Messe de Minuit pour Noel: Sanctus	bass vocals	April Cantelo, Choir of King’s College, Cambridge, Helen Gelmar, Christopher Keyte, Ian Partridge, Andrew Davis, English Chamber Orchestra, Sir David Willcocks	2:49
1967	Deuxieme Lecon	baritone vocals	Maurice Bevan, Alfred Deller, Mark Deller, Neil Jenkins, Christopher Keyte	13:31
1967	Premiere Lecon	baritone vocals	Maurice Bevan, Alfred Deller, Mark Deller, Neil Jenkins, Christopher Keyte	7:31
1970-04	Israel in Egypt, HWV 54, Part II - Moses' Song: 17. Duet (Bass I & II): The Lord is a man of war	bass vocals	Christopher Keyte, Michael Rippon, English Chamber Orchestra, Charles Mackerras	6:18
1971-04-13 – 1971-04-16	Mentre Vaga Angioletta	bass vocals [Baẞ]	Christopher Keyte, Ian Partridge, Nigel Rogers, Jürgen Jürgens	9:01
1971-04-13 – 1971-04-16	Ninfa Che Scalza Il Piede / Qui Deh Meco T'Arresta / Dell'Usate Mie Corde	bass vocals [Baẞ]	Christopher Keyte, Ian Partridge, Nigel Rogers, Jürgen Jürgens	4:47
1971-04-13 – 1971-04-16	O Mio Bene	bass vocals [Baẞ]	Christopher Keyte, Ian Partridge, Nigel Rogers, Jürgen Jürgens	3:57
1971-04-13 – 1971-04-16	Se Vittorie Sì Belle	bass vocals [Baẞ]	Christopher Keyte, Ian Partridge, Nigel Rogers, Jürgen Jürgens	2:20
1971-04-13 – 1971-04-16	Zefiro Torna E di Soavi Accenti	bass vocals [Baẞ]	Christopher Keyte, Ian Partridge, Nigel Rogers, Jürgen Jürgens	5:33
1973-07-18 – 1973-07-19	Mass in C, op. 86: Agnus Dei	bass vocals	Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest	7:57
1973-07-18 – 1973-07-19	Mass in C, op. 86: Benedictus	bass vocals	Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest	9:10
1973-07-18 – 1973-07-19	Mass in C, op. 86: Credo	bass vocals	Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest	12:40
1973-07-18 – 1973-07-19	Mass in C, op. 86: Gloria	bass vocals	Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest	10:29
1973-07-18 – 1973-07-19	Mass in C, op. 86: Kyrie	bass vocals	Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest	4:16
1973-07-18 – 1973-07-19	Mass in C, op. 86: Sanctus	bass vocals	Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest	3:14
1974-03-15 – 1974-03-16	Requiem, op. 9: Domine Jesu Christe	baritone vocals	Christopher Keyte, Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest	8:49
1974-03-15 – 1974-03-16	Requiem, op. 9: Libera me	baritone vocals	Christopher Keyte, Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest	6:01
1974-08-02	Mass no. 6 in E-flat major, D.950: Benedictus	bass vocals	Felicity Palmer, Helen Watts, Kenneth Bowen, Christopher Keyte, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest	5:56
1974-08-02	Mass no. 6 in E-flat major, D.950: Dona nobis pacem	bass vocals	Felicity Palmer, Helen Watts, Kenneth Bowen, Christopher Keyte, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest	5:10
1975-03	Mentre vaga Angioletta	bass vocals	Christopher Keyte, Ian Partridge, Nigel Rogers, Colin Tilney	9:04
1975-03	Non voglio amare	bass vocals	Christopher Keyte, Ian Partridge, Nigel Rogers, Colin Tilney, Jürgen Jürgens	1:13
1975-03	O mio bene, o mia vita	bass vocals	Christopher Keyte, Ian Partridge, Nigel Rogers, Colin Tilney	4:01
1975-03	Vaga su spina ascosa	bass vocals	Christopher Keyte, Ian Partridge, Nigel Rogers, Colin Tilney, Jürgen Jürgens	2:47
1975-03	Zefire torna e di soavi accenti (Ciaccona)	bass vocals	Christopher Keyte, Ian Partridge, Nigel Rogers, Colin Tilney	5:37
1976-03-12 – 1976-03-13	By the Waters of Babylon	bass vocals	James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest	13:16
1976-03-12 – 1976-03-13	O give thanks unto the Lord	bass vocals	James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest	11:01
1976-03-12 – 1976-03-13	Sing unto the Lord, O ye Saints	bass vocals	James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest	11:36
1976-03-12 – 1976-03-13	The King Shall Rejoice	bass vocals	James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest	11:41
1976-03-12 – 1976-03-13	When the Son of Man shall come in all His Glory	bass vocals	James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest	5:17
1976-07-29 – 1976-07-30	Mass in A flat, D. 678: Agnus Dei	bass vocals	Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest	3:45
1976-07-29 – 1976-07-30	Mass in A flat, D. 678: Credo: Et resurrexit	bass vocals	Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest	4:20
1976-07-29 – 1976-07-30	Mass in A flat, D. 678: Dona nobis pacem	bass vocals	Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest	2:51
1976-07-29 – 1976-07-30	Mass in A flat, D. 678: Gloria: Domine Deus, Agnus Dei	bass vocals	Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest	8:18
1976-07-29 – 1976-07-30	Mass in A flat, D. 678: Gloria: Gloria in excelsis Deo	bass vocals	Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest	2:53
1976-07-29 – 1976-07-30	Mass in A flat, D. 678: Gloria: Gratias agimus	bass vocals	Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest	4:11
1976-07-29 – 1976-07-30	Mass in A flat, D. 678: Kyrie	bass vocals	Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest	5:56
1977-03-11 – 1977-03-12	Stabat Mater: VIII. Juxta crucem tecum flere	bass vocals	Christopher Keyte, Philomusica of London, George Guest	2:09
1977-03-11 – 1977-03-12	Stabat Mater: XII. Fac me cruce custodiri	bass vocals	Christopher Keyte, Philomusica of London, George Guest	2:04
1978-02-26 – 1978-06-05	Madama Butterfly: Atto I. “Tutti zitti!”	bass vocals [Il Commissario Imperiale]	Florindo Andreolli, Christopher Keyte, Philharmonia Orchestra, Lorin Maazel	3:10
1978-08-03 – 1978-08-04	Messa di Santa Cecilia (1720): Agnus Dei	bass vocals	Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest	6:34
1978-08-03 – 1978-08-04	Messa di Santa Cecilia (1720): Credo - Et incarnatus est	bass vocals	Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest	8:10
1978-08-03 – 1978-08-04	Messa di Santa Cecilia (1720): Credo - Et vitam venturi	bass vocals	Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest	2:53
1978-08-03 – 1978-08-04	Messa di Santa Cecilia (1720): Credo in unum Deum	bass vocals	Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest	3:00
1978-08-03 – 1978-08-04	Messa di Santa Cecilia (1720): Gloria - Gratias agimus tibi	bass vocals	Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest	7:18
1978-08-03 – 1978-08-04	Messa di Santa Cecilia (1720): Gloria - Qui tollis peccata mundi	bass vocals	Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest	6:41
1978-08-03 – 1978-08-04	Messa di Santa Cecilia (1720): Gloria - Quoniam tu solus sanctus	bass vocals	Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest	4:37
1978-08-03 – 1978-08-04	Messa di Santa Cecilia (1720): Gloria in excelsis Deo	bass vocals	Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest	5:07
1978-08-03 – 1978-08-04	Messa di Santa Cecilia (1720): Kyrie	bass vocals	Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest	6:36
1978-08-03 – 1978-08-04	Messa di Santa Cecilia (1720): Sanctus	bass vocals	Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest	2:10
1978-08	Messa di Santa Cecilia (1720) - Agnus Dei	bass vocals	Alessandro Scarlatti	6:39
1978-08	Messa di Santa Cecilia (1720) - Credo - Credo in unum Deum	bass vocals	Alessandro Scarlatti	3:05
1978-08	Messa di Santa Cecilia (1720) - Credo - Et incarnatus est	bass vocals	Alessandro Scarlatti	8:10
1978-08	Messa di Santa Cecilia (1720) - Credo - Et vitam venturi	bass vocals	Alessandro Scarlatti	2:54
1978-08	Messa di Santa Cecilia (1720) - Gloria - Gloria in excelsis Deo	bass vocals	Alessandro Scarlatti	5:07
1978-08	Messa di Santa Cecilia (1720) - Gloria - Gratias agimus tibi	bass vocals	Alessandro Scarlatti	7:18
1978-08	Messa di Santa Cecilia (1720) - Gloria - Qui tollis peccata mundi	bass vocals	Alessandro Scarlatti	6:41
1978-08	Messa di Santa Cecilia (1720) - Gloria - Quoniam tu solus Sanctus	bass vocals	Alessandro Scarlatti	4:36
1978-08	Messa di Santa Cecilia (1720) - Kyrie	bass vocals	Alessandro Scarlatti	6:35
1978-08	Messa di Santa Cecilia (1720) - Sanctus	bass vocals	Alessandro Scarlatti	2:10
1979-03	Jephtha, Act I: No. 3. Recitative: It Must Be So – or These Vile Ammonites (Zebul)	bass vocals [Zebul]	Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner	1:27
1979-03	Jephtha, Act I: No. 4. Air: Pour Forth No More Unheeded Pray’Rs (Zebul)	bass vocals [Zebul]	Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner	3:16
1979-03	Jephtha, Act I: No. 6. Recitative: But Jephtha Comes. Kind Heaven, Assist Our Plea (Zebul)	bass vocals [Zebul]	Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner	1:01
1979-03	Jephtha, Act I: No. 22. Recitative: Such, Jephtha, Was the Haughty King’s Reply (Zebul) / No. 23. Chorus: When His Loud Voice in Thunder Spoke	bass vocals [Zebul]	Academy of St. Martin in the Fields Chorus, Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner	5:14
1979-03	Jephtha, Act II: No. 29. Recitative: Again Heav’n Smiles on His Repentant People (Zebul) / No. 30. Air: Freedom Now Once More Possessing (Zebul)	bass vocals [Zebul]	Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner	4:05
1979-03	Jephtha, Act II: No. 31. Recitative: Zebul, Thy Deeds Were Valiant (Jephtha) / No. 32. Air: His Mighty Arm, With Sudden Blow (Fephtha)	bass vocals [Zebul]	Christopher Keyte, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner	6:05
1979-03	Jephtha, Act II: No. 39. Recitative: Why Is My Brother Thus Afflicted? (Zebul)	bass vocals [Zebul]	Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner	1:15
1979-03	Jephtha, Act II: No. 43. Quartet: O Spare Your Daughter (Zebul, Storgè, Hamor, Jephtha)	bass vocals [Zebul]	Paul Esswood, Alfreda Hodgson, Christopher Keyte, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner	2:40
1979-03	Jephtha, Act III: No. 58. Recitative: Let Me Congratulate This Happy Turn (Zebul) / No. 59. Air: Laud Her, All Ye Virgin Train (Zebul)	bass vocals [Zebul]	Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner	1:45
1979-03	Jephtha, Act III: No. 64. Recitative: My Faithful Hamor, May That Providence (Iphis) / No. 65. Quintet: All That Is in Hamor Mine (Iphis, Hamor, Storgè, Jephtha, Zebul)	bass vocals [Zebul]	Paul Esswood, Alfreda Hodgson, Christopher Keyte, Margaret Marshall, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner	4:21
1980-07-05 – 1980-07-15	La traviata: Atto Secondo, Scena Prima: Scena & Aria: "Ah, vive sol quel core"	bass vocals [Commissionario]	Renato Bruson, Max-René Cosotti, Christopher Keyte, Alfredo Kraus, Philharmonia Orchestra, Riccardo Muti	2:37
1986-12-15 – 1986-12-16	Mass of the Sea, op. 47: Agnus Dei	bass vocals	László Heltay, Brighton Festival Chorus, Christopher Keyte, Ann Mackay, Royal Philharmonic Orchestra, Geoffrey Simon	6:34
1986-12-15 – 1986-12-16	Mass of the Sea, op. 47: Flood	bass vocals	László Heltay, Brighton Festival Chorus, Christopher Keyte, Royal Philharmonic Orchestra, Geoffrey Simon	8:55
1986-12-15 – 1986-12-16	Mass of the Sea, op. 47: Gloria	bass vocals	László Heltay, Brighton Festival Chorus, Christopher Keyte, Ann Mackay, Royal Philharmonic Orchestra, Geoffrey Simon	6:40
1986-12-15 – 1986-12-16	Mass of the Sea, op. 47: Kyrie	bass vocals	László Heltay, Brighton Festival Chorus, Christopher Keyte, Ann Mackay, Royal Philharmonic Orchestra, Geoffrey Simon	9:33
1986-12-15 – 1986-12-16	Mass of the Sea, op. 47: Recitative	bass vocals	László Heltay, Brighton Festival Chorus, Christopher Keyte, Royal Philharmonic Orchestra, Geoffrey Simon	0:54
1997-11-05 – 1997-11-09	The Pilgrim’s Progress: Act III, Scene 1. Vanity Fair. "Buy! What will ye buy!" (Chorus of Traders)	baritone vocals	Rebecca Evans, Pamela Helen Stephen, Adrian Thompson, Gerald Finley, Jonathan Fisher, Christopher Keyte, Neil Gillespie, John Kerr, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Hickox	7:23
	Agnus Dei	bass vocals	James Bowman, Choir of King’s College, Cambridge, Christopher Keyte, Ian Partridge, English Chamber Orchestra, Sir David Willcocks	2:55
	Agnus Dei & Communio	bass vocals	Pro Cantione Antiqua	5:53
	Asperges me	bass vocals	Pro Cantione Antiqua	4:25
	Asperges me	bass vocals	Pro Cantione Antiqua	5:01
	Billy Budd: Act I, Scene I. "Pull, me bantams!"	baritone vocals	Benjamin Britten	6:43
	Billy Budd: Act I, Scene I. "What's that? What's those whistles?"	baritone vocals	Benjamin Britten	1:16
	Bonduca: Divine Andate, presidents of war	bass vocals [3rd Druid]	Andrew Parrott, James Bowman, Martyn Hill, Christopher Keyte, Taverner Choir, Academy of Ancient Music, Christopher Hogwood	5:53
	Commissa mea	bass vocals	Pro Cantione Antiqua	4:28
	Crux fidelis	bass vocals	Pro Cantione Antiqua	9:55
	Ego dilecto meo	bass vocals	Pro Cantione Antiqua	4:25
	From "Gloria"	bass vocals	Vivaldi	11:04
	See all 142 relationships
	engineered
	Hold Me in Your Arms	assistant	Rick Astley
	vocals
	Beethoven: Mass in C / Bruckner: Five Motets	bass vocals and solo	Beethoven, Bruckner; Choir of St John’s College, Cambridge, George Guest
	Hippolyte et Aricie	bass vocals [Neptune]	Rameau; Robert Tear, Angela Hickey, Janet Baker, John Shirley‐Quirk, English Chamber Orchestra, Anthony Lewis

Christopher Keyte (operatic bass)

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