| vocals |
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1964-08-03 – 1964-08-04 | "My beloved spake" (Z.28) | baritone vocals | Charles Brett, Robert Tear, Christopher Bevan, Christopher Keyte, Brian Runnett, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | 10:45 |
1964-08-03 – 1964-08-04 | Jehova, quam multi sunt, sacred song for tenor, bass, chorus & continuo, Z. 135 | baritone vocals | The Choir of St John’s College, Cambridge | 6:39 |
1964-08-03 – 1964-08-04 | Lord, how long wilt thou be angry? (Z.25) | baritone vocals | Charles Brett, Wilfred Brown, Christopher Keyte, Choir of St John’s College, Cambridge, Brian Runnett, George Guest | 3:48 |
1964-08-03 – 1964-08-04 | O sing unto the Lord a new song, Z.44 | baritone vocals | Roger Parker, Charles Brett, Wilfred Brown, Christopher Keyte, Brian Runnett, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | 13:23 |
1964-08-03 – 1964-08-04 | Who Hath Believed Our Report, Z.64 | baritone vocals | Charles Brett, Wilfred Brown, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Brian Runnett, George Guest | 8:28 |
1966 | Magnificat in C major: IV. "Suscepit Israel" | bass vocals | Choir of King’s College, Cambridge, Christopher Keyte, Ian Partridge, Academy of St Martin in the Fields, Sir David Willcocks | 1:50 |
1967-06-15 – 1967-06-16 | Mass in B-flat major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10, Ed. Landon, Füssl & Landon: II. Gloria | bass vocals and solo | April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | 9:20 |
1967-06-15 – 1967-06-16 | Mass in B-flat major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10, Ed. Landon, Füssl & Landon: III. Credo | bass vocals and solo | April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Academy of St Martin in the Fields, Choir of St John’s College, Cambridge, George Guest | 10:05 |
1967-07 | Messe de Minuit pour Noel: Agnus Dei | bass vocals | April Cantelo, Choir of King’s College, Cambridge, Helen Gelmar, Christopher Keyte, Ian Partridge, Andrew Davis, English Chamber Orchestra, Sir David Willcocks | 2:53 |
1967-07 | Messe de Minuit pour Noel: Credo | bass vocals | April Cantelo, Choir of King’s College, Cambridge, Helen Gelmar, Christopher Keyte, Ian Partridge, Andrew Davis, English Chamber Orchestra, Sir David Willcocks | 11:26 |
1967-07 | Messe de Minuit pour Noel: Gloria | bass vocals | April Cantelo, Choir of King’s College, Cambridge, Helen Gelmar, Christopher Keyte, Ian Partridge, Andrew Davis, English Chamber Orchestra, Sir David Willcocks | 6:12 |
1967-07 | Messe de Minuit pour Noel: Kyrie | bass vocals | April Cantelo, Choir of King’s College, Cambridge, Helen Gelmar, Christopher Keyte, Ian Partridge, Andrew Davis, English Chamber Orchestra, Sir David Willcocks | 6:27 |
1967-07 | Messe de Minuit pour Noel: Offertoire | bass vocals | Marc‐Antoine Charpentier | 4:45 |
1967-07 | Messe de Minuit pour Noel: Sanctus | bass vocals | April Cantelo, Choir of King’s College, Cambridge, Helen Gelmar, Christopher Keyte, Ian Partridge, Andrew Davis, English Chamber Orchestra, Sir David Willcocks | 2:49 |
1967 | Deuxieme Lecon | baritone vocals | Maurice Bevan, Alfred Deller, Mark Deller, Neil Jenkins, Christopher Keyte | 13:31 |
1967 | Premiere Lecon | baritone vocals | Maurice Bevan, Alfred Deller, Mark Deller, Neil Jenkins, Christopher Keyte | 7:31 |
1970-04 | Israel in Egypt, HWV 54, Part II - Moses' Song: 17. Duet (Bass I & II): The Lord is a man of war | bass vocals | Christopher Keyte, Michael Rippon, English Chamber Orchestra, Charles Mackerras | 6:18 |
1971-04-13 – 1971-04-16 | Mentre Vaga Angioletta | bass vocals [Baẞ] | Christopher Keyte, Ian Partridge, Nigel Rogers, Jürgen Jürgens | 9:01 |
1971-04-13 – 1971-04-16 | Ninfa Che Scalza Il Piede / Qui Deh Meco T'Arresta / Dell'Usate Mie Corde | bass vocals [Baẞ] | Christopher Keyte, Ian Partridge, Nigel Rogers, Jürgen Jürgens | 4:47 |
1971-04-13 – 1971-04-16 | O Mio Bene | bass vocals [Baẞ] | Christopher Keyte, Ian Partridge, Nigel Rogers, Jürgen Jürgens | 3:57 |
1971-04-13 – 1971-04-16 | Se Vittorie Sì Belle | bass vocals [Baẞ] | Christopher Keyte, Ian Partridge, Nigel Rogers, Jürgen Jürgens | 2:20 |
1971-04-13 – 1971-04-16 | Zefiro Torna E di Soavi Accenti | bass vocals [Baẞ] | Christopher Keyte, Ian Partridge, Nigel Rogers, Jürgen Jürgens | 5:33 |
1973-07-18 – 1973-07-19 | Mass in C, op. 86: Agnus Dei | bass vocals | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | 7:57 |
1973-07-18 – 1973-07-19 | Mass in C, op. 86: Benedictus | bass vocals | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | 9:10 |
1973-07-18 – 1973-07-19 | Mass in C, op. 86: Credo | bass vocals | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | 12:40 |
1973-07-18 – 1973-07-19 | Mass in C, op. 86: Gloria | bass vocals | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | 10:29 |
1973-07-18 – 1973-07-19 | Mass in C, op. 86: Kyrie | bass vocals | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | 4:16 |
1973-07-18 – 1973-07-19 | Mass in C, op. 86: Sanctus | bass vocals | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | 3:14 |
1974-03-15 – 1974-03-16 | Requiem, op. 9: Domine Jesu Christe | baritone vocals | Christopher Keyte, Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest | 8:49 |
1974-03-15 – 1974-03-16 | Requiem, op. 9: Libera me | baritone vocals | Christopher Keyte, Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest | 6:01 |
1974-08-02 | Mass no. 6 in E-flat major, D.950: Benedictus | bass vocals | Felicity Palmer, Helen Watts, Kenneth Bowen, Christopher Keyte, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | 5:56 |
1974-08-02 | Mass no. 6 in E-flat major, D.950: Dona nobis pacem | bass vocals | Felicity Palmer, Helen Watts, Kenneth Bowen, Christopher Keyte, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | 5:10 |
1975-03 | Mentre vaga Angioletta | bass vocals | Christopher Keyte, Ian Partridge, Nigel Rogers, Colin Tilney | 9:04 |
1975-03 | Non voglio amare | bass vocals | Christopher Keyte, Ian Partridge, Nigel Rogers, Colin Tilney, Jürgen Jürgens | 1:13 |
1975-03 | O mio bene, o mia vita | bass vocals | Christopher Keyte, Ian Partridge, Nigel Rogers, Colin Tilney | 4:01 |
1975-03 | Vaga su spina ascosa | bass vocals | Christopher Keyte, Ian Partridge, Nigel Rogers, Colin Tilney, Jürgen Jürgens | 2:47 |
1975-03 | Zefire torna e di soavi accenti (Ciaccona) | bass vocals | Christopher Keyte, Ian Partridge, Nigel Rogers, Colin Tilney | 5:37 |
1976-03-12 – 1976-03-13 | By the Waters of Babylon | bass vocals | James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest | 13:16 |
1976-03-12 – 1976-03-13 | O give thanks unto the Lord | bass vocals | James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest | 11:01 |
1976-03-12 – 1976-03-13 | Sing unto the Lord, O ye Saints | bass vocals | James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest | 11:36 |
1976-03-12 – 1976-03-13 | The King Shall Rejoice | bass vocals | James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest | 11:41 |
1976-03-12 – 1976-03-13 | When the Son of Man shall come in all His Glory | bass vocals | James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest | 5:17 |
1976-07-29 – 1976-07-30 | Mass in A flat, D. 678: Agnus Dei | bass vocals | Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest | 3:45 |
1976-07-29 – 1976-07-30 | Mass in A flat, D. 678: Credo: Et resurrexit | bass vocals | Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest | 4:20 |
1976-07-29 – 1976-07-30 | Mass in A flat, D. 678: Dona nobis pacem | bass vocals | Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest | 2:51 |
1976-07-29 – 1976-07-30 | Mass in A flat, D. 678: Gloria: Domine Deus, Agnus Dei | bass vocals | Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest | 8:18 |
1976-07-29 – 1976-07-30 | Mass in A flat, D. 678: Gloria: Gloria in excelsis Deo | bass vocals | Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest | 2:53 |
1976-07-29 – 1976-07-30 | Mass in A flat, D. 678: Gloria: Gratias agimus | bass vocals | Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest | 4:11 |
1976-07-29 – 1976-07-30 | Mass in A flat, D. 678: Kyrie | bass vocals | Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest | 5:56 |
1977-03-11 – 1977-03-12 | Stabat Mater: VIII. Juxta crucem tecum flere | bass vocals | Christopher Keyte, Philomusica of London, George Guest | 2:09 |
1977-03-11 – 1977-03-12 | Stabat Mater: XII. Fac me cruce custodiri | bass vocals | Christopher Keyte, Philomusica of London, George Guest | 2:04 |
1978-02-26 – 1978-06-05 | Madama Butterfly: Atto I. “Tutti zitti!” | bass vocals [Il Commissario Imperiale] | Florindo Andreolli, Christopher Keyte, Philharmonia Orchestra, Lorin Maazel | 3:10 |
1978-08-03 – 1978-08-04 | Messa di Santa Cecilia (1720): Agnus Dei | bass vocals | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | 6:34 |
1978-08-03 – 1978-08-04 | Messa di Santa Cecilia (1720): Credo - Et incarnatus est | bass vocals | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | 8:10 |
1978-08-03 – 1978-08-04 | Messa di Santa Cecilia (1720): Credo - Et vitam venturi | bass vocals | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | 2:53 |
1978-08-03 – 1978-08-04 | Messa di Santa Cecilia (1720): Credo in unum Deum | bass vocals | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | 3:00 |
1978-08-03 – 1978-08-04 | Messa di Santa Cecilia (1720): Gloria - Gratias agimus tibi | bass vocals | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | 7:18 |
1978-08-03 – 1978-08-04 | Messa di Santa Cecilia (1720): Gloria - Qui tollis peccata mundi | bass vocals | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | 6:41 |
1978-08-03 – 1978-08-04 | Messa di Santa Cecilia (1720): Gloria - Quoniam tu solus sanctus | bass vocals | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | 4:37 |
1978-08-03 – 1978-08-04 | Messa di Santa Cecilia (1720): Gloria in excelsis Deo | bass vocals | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | 5:07 |
1978-08-03 – 1978-08-04 | Messa di Santa Cecilia (1720): Kyrie | bass vocals | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | 6:36 |
1978-08-03 – 1978-08-04 | Messa di Santa Cecilia (1720): Sanctus | bass vocals | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | 2:10 |
1978-08 | Messa di Santa Cecilia (1720) - Agnus Dei | bass vocals | Alessandro Scarlatti | 6:39 |
1978-08 | Messa di Santa Cecilia (1720) - Credo - Credo in unum Deum | bass vocals | Alessandro Scarlatti | 3:05 |
1978-08 | Messa di Santa Cecilia (1720) - Credo - Et incarnatus est | bass vocals | Alessandro Scarlatti | 8:10 |
1978-08 | Messa di Santa Cecilia (1720) - Credo - Et vitam venturi | bass vocals | Alessandro Scarlatti | 2:54 |
1978-08 | Messa di Santa Cecilia (1720) - Gloria - Gloria in excelsis Deo | bass vocals | Alessandro Scarlatti | 5:07 |
1978-08 | Messa di Santa Cecilia (1720) - Gloria - Gratias agimus tibi | bass vocals | Alessandro Scarlatti | 7:18 |
1978-08 | Messa di Santa Cecilia (1720) - Gloria - Qui tollis peccata mundi | bass vocals | Alessandro Scarlatti | 6:41 |
1978-08 | Messa di Santa Cecilia (1720) - Gloria - Quoniam tu solus Sanctus | bass vocals | Alessandro Scarlatti | 4:36 |
1978-08 | Messa di Santa Cecilia (1720) - Kyrie | bass vocals | Alessandro Scarlatti | 6:35 |
1978-08 | Messa di Santa Cecilia (1720) - Sanctus | bass vocals | Alessandro Scarlatti | 2:10 |
1979-03 | Jephtha, Act I: No. 3. Recitative: It Must Be So – or These Vile Ammonites (Zebul) | bass vocals [Zebul] | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | 1:27 |
1979-03 | Jephtha, Act I: No. 4. Air: Pour Forth No More Unheeded Pray’Rs (Zebul) | bass vocals [Zebul] | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | 3:16 |
1979-03 | Jephtha, Act I: No. 6. Recitative: But Jephtha Comes. Kind Heaven, Assist Our Plea (Zebul) | bass vocals [Zebul] | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | 1:01 |
1979-03 | Jephtha, Act I: No. 22. Recitative: Such, Jephtha, Was the Haughty King’s Reply (Zebul) / No. 23. Chorus: When His Loud Voice in Thunder Spoke | bass vocals [Zebul] | Academy of St. Martin in the Fields Chorus, Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | 5:14 |
1979-03 | Jephtha, Act II: No. 29. Recitative: Again Heav’n Smiles on His Repentant People (Zebul) / No. 30. Air: Freedom Now Once More Possessing (Zebul) | bass vocals [Zebul] | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | 4:05 |
1979-03 | Jephtha, Act II: No. 31. Recitative: Zebul, Thy Deeds Were Valiant (Jephtha) / No. 32. Air: His Mighty Arm, With Sudden Blow (Fephtha) | bass vocals [Zebul] | Christopher Keyte, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | 6:05 |
1979-03 | Jephtha, Act II: No. 39. Recitative: Why Is My Brother Thus Afflicted? (Zebul) | bass vocals [Zebul] | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | 1:15 |
1979-03 | Jephtha, Act II: No. 43. Quartet: O Spare Your Daughter (Zebul, Storgè, Hamor, Jephtha) | bass vocals [Zebul] | Paul Esswood, Alfreda Hodgson, Christopher Keyte, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | 2:40 |
1979-03 | Jephtha, Act III: No. 58. Recitative: Let Me Congratulate This Happy Turn (Zebul) / No. 59. Air: Laud Her, All Ye Virgin Train (Zebul) | bass vocals [Zebul] | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | 1:45 |
1979-03 | Jephtha, Act III: No. 64. Recitative: My Faithful Hamor, May That Providence (Iphis) / No. 65. Quintet: All That Is in Hamor Mine (Iphis, Hamor, Storgè, Jephtha, Zebul) | bass vocals [Zebul] | Paul Esswood, Alfreda Hodgson, Christopher Keyte, Margaret Marshall, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | 4:21 |
1980-07-05 – 1980-07-15 | La traviata: Atto Secondo, Scena Prima: Scena & Aria: "Ah, vive sol quel core" | bass vocals [Commissionario] | Renato Bruson, Max-René Cosotti, Christopher Keyte, Alfredo Kraus, Philharmonia Orchestra, Riccardo Muti | 2:37 |
1986-12-15 – 1986-12-16 | Mass of the Sea, op. 47: Agnus Dei | bass vocals | László Heltay, Brighton Festival Chorus, Christopher Keyte, Ann Mackay, Royal Philharmonic Orchestra, Geoffrey Simon | 6:34 |
1986-12-15 – 1986-12-16 | Mass of the Sea, op. 47: Flood | bass vocals | László Heltay, Brighton Festival Chorus, Christopher Keyte, Royal Philharmonic Orchestra, Geoffrey Simon | 8:55 |
1986-12-15 – 1986-12-16 | Mass of the Sea, op. 47: Gloria | bass vocals | László Heltay, Brighton Festival Chorus, Christopher Keyte, Ann Mackay, Royal Philharmonic Orchestra, Geoffrey Simon | 6:40 |
1986-12-15 – 1986-12-16 | Mass of the Sea, op. 47: Kyrie | bass vocals | László Heltay, Brighton Festival Chorus, Christopher Keyte, Ann Mackay, Royal Philharmonic Orchestra, Geoffrey Simon | 9:33 |
1986-12-15 – 1986-12-16 | Mass of the Sea, op. 47: Recitative | bass vocals | László Heltay, Brighton Festival Chorus, Christopher Keyte, Royal Philharmonic Orchestra, Geoffrey Simon | 0:54 |
1997-11-05 – 1997-11-09 | The Pilgrim’s Progress: Act III, Scene 1. Vanity Fair. "Buy! What will ye buy!" (Chorus of Traders) | baritone vocals | Rebecca Evans, Pamela Helen Stephen, Adrian Thompson, Gerald Finley, Jonathan Fisher, Christopher Keyte, Neil Gillespie, John Kerr, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Hickox | 7:23 |
| Agnus Dei | bass vocals | James Bowman, Choir of King’s College, Cambridge, Christopher Keyte, Ian Partridge, English Chamber Orchestra, Sir David Willcocks | 2:55 |
| Agnus Dei & Communio | bass vocals | Pro Cantione Antiqua | 5:53 |
| Asperges me | bass vocals | Pro Cantione Antiqua | 4:25 |
| Asperges me | bass vocals | Pro Cantione Antiqua | 5:01 |
| Billy Budd: Act I, Scene I. "Pull, me bantams!" | baritone vocals | Benjamin Britten | 6:43 |
| Billy Budd: Act I, Scene I. "What's that? What's those whistles?" | baritone vocals | Benjamin Britten | 1:16 |
| Bonduca: Divine Andate, presidents of war | bass vocals [3rd Druid] | Andrew Parrott, James Bowman, Martyn Hill, Christopher Keyte, Taverner Choir, Academy of Ancient Music, Christopher Hogwood | 5:53 |
| Commissa mea | bass vocals | Pro Cantione Antiqua | 4:28 |
| Crux fidelis | bass vocals | Pro Cantione Antiqua | 9:55 |
| Ego dilecto meo | bass vocals | Pro Cantione Antiqua | 4:25 |
| From "Gloria" | bass vocals | Vivaldi | 11:04 |
| See all 142 relationships |
| engineered |
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| Hold Me in Your Arms | assistant | Rick Astley | |
| vocals |
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| Beethoven: Mass in C / Bruckner: Five Motets | bass vocals and solo | Beethoven, Bruckner; Choir of St John’s College, Cambridge, George Guest | |
| Hippolyte et Aricie | bass vocals [Neptune] | Rameau; Robert Tear, Angela Hickey, Janet Baker, John Shirley‐Quirk, English Chamber Orchestra, Anthony Lewis | |