| Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus "Tot! Tot, stöhnt es durch die öde Nacht" (solo quartet) | | - Eesti Riiklik Sümfooniaorkester, Tõnu Kaljuste, Mati Kõrts, Leonid Savitski, Teele Jõks, Fiona Cameron
- Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann
- Eesti Riiklik Sümfooniaorkester, Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste
- Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam
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| Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus "Tot, stöhnt es durch die öde Nacht" (solo quartet) | | - Eesti Riiklik Sümfooniaorkester, Tõnu Kaljuste, Mati Kõrts, Leonid Savitski, Teele Jõks, Fiona Cameron
- Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann
- Eesti Riiklik Sümfooniaorkester, Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste
- Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam
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| Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
| Il tabarro: “To’! guarda la mia vecchia!… Che narravi?” (Il Talpa, la Frugola, Michele, Luigi, il Tinca) | | - Ricardo Cassinelli, Enrico Fissore, Carlo Guelfi, Neil Shicoff, Elena Zilio, London Symphony Orchestra, Antonio Pappano
- Brian Jagde, Simeon Esper, Martin-Jan Nijhof, Lester Lynch, Roxana Constantinescu, Dresdner Philharmonie, Marek Janowski
- Giuseppe Giacomini, Franco de Grandis, Piero de Palma, Juan Pons, Gloria Scalchi, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti
- Coro del Maggio Musicale Fiorentino, Lucia Danieli, Mario Del Monaco, Renato Ercolani, Silvio Maionica, Robert Merrill, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli
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| La traviata: Atto I. “Dell’invito trascorsa è già l’ora” (Coro, Violetta, Flora, Gastone, Alfredo, Barone, Marchese) | | - Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Ileana Cotrubaș, Plácido Domingo, Giovanni Foiani, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber
- Alberto Albertini, Maria Callas, Mariano Caruso, Coro Cetra, Francesco Albanese, Ede Marietti Gandolfo, Mario Zorgniotti, Orchestra Sinfonica di Torino della RAI, Gabriele Santini
- Maria Callas, Coro del Teatro alla Scala di Milano, Arturo La Porta, Giuseppe Zampieri, Silvana Zanolli, Antonio Zerbini, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Carlo Maria Giulini
- Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Salvatore Cordella, Paul Gay, Anna Netrebko, Luigi Roni, Helene Schneiderman, Rolando Villazón, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi
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| La traviata: Atto I. “Ebben? Che diavol fate?” (Gastone, Violetta, Alfredo) | | - Ileana Cotrubaș, Plácido Domingo, Walter Gullino, Bayerisches Staatsorchester, Carlos Kleiber
- Maria Callas, Giuseppe Zampieri, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Carlo Maria Giulini
- Maria Callas, Mariano Caruso, Francesco Albanese, Orchestra Sinfonica di Torino della RAI, Gabriele Santini
- Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
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| La traviata: Atto II, scena 2. “Alfredo! Voi!” (Alfredo, Flora, Barone, Violetta, Gastone, Coro) | | - Ileana Cotrubaș, Plácido Domingo, Paul Friess, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber
- Alberto Albertini, Maria Callas, Mariano Caruso, Francesco Albanese, Ede Marietti Gandolfo, Coro di Torino della RAI, Orchestra Sinfonica di Torino della RAI, Gabriele Santini
- Maria Callas, Coro del Teatro alla Scala di Milano, Arturo La Porta, Giuseppe Zampieri, Silvana Zanolli, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Carlo Maria Giulini
- Paul Gay, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
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| La traviata: Atto II, scena 2. “Di Madride noi siam mattadori” (Gastone, Mattadori, Coro) | | | | | | | |
| Linda From Chamonix: Act I, Scene 4: Linda and Carlo's Love Duet "Linda! Linda!" | | | | | | | |
| Otello: Atto III. Canzone del gondoliero: “Nessun maggior dolore” … “Oh come infino al core” (Gondoliero, Desdemona, Emilia) | | - Joyce DiDonato, Orchestra dell’Accademia Nazionale di Santa Cecilia, Edoardo Müller
- Geraldine Chauvet, Leonardo Cortellazzi, Jessica Pratt, Virtuosi Brunensis, Antonino Fogliani
- Barry Banks, Elizabeth Futral, Enkelejda Shkosa, Philharmonia Orchestra, David Parry
- Nucci Condò, Alfonso Leoz, Frederica von Stade, Philharmonia Orchestra, Jesús López Cobos
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| Requiem, op. 5: IX. Sanctus | | - Luciano Pavarotti
- Ronald Dowd, London Symphony Chorus, Wandsworth School Boys’ Choir, London Symphony Orchestra, Sir Colin Davis
- Ernst‐Senff‐Chor, Luciano Pavarotti, Berliner Philharmoniker, James Levine
- Léopold Simoneau, New England Conservatory Chorus, Boston Symphony Orchestra, Charles Munch
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| Semiramide: Atto I. “Ah! sconvolta nell'ordine eterno” (Semiramide, Assur, Idreno, L'ombra di Nino, Arsace, Azema, Oroe) | | - Gregory Kunde, Michele Pertusi, Gloria Scalchi, Iano Tamar, Monica Valenti, Sergey Zadvorny, Ildebrando d’Arcangelo, Orchestra del Teatro Comunale di Bologna, Alberto Zedda
- Barry Banks, Daniela Barcellona, Gianluca Buratto, Opera Rara Chorus, Mirco Palazzi, James Platt, Albina Shagimuratova, Orchestra of the Age of Enlightenment, Sir Mark Elder
- Ambrosian Opera Chorus, Julia Faulkner, Jennifer Larmore, Frank Lopardo, Samuel Ramey, Jan‐Hendrik Rootering, Cheryl Studer, London Symphony Orchestra, Ion Marin
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| Semiramide: Atto I. “D'un semidio che adoro” (Semiramide, Assur, Idreno, l'ombra di Nino, Arsace, Oroe) | | - Raffaele Facciola, Andrea Mastroni, John Osborn, Alex Penda, Marianna Pizzolato, Lorenzo Regazzo, Virtuosi Brunensis, Antonino Fogliani
- Gregory Kunde, Michele Pertusi, Gloria Scalchi, Iano Tamar, Sergey Zadvorny, Ildebrando d’Arcangelo, Orchestra del Teatro Comunale di Bologna, Alberto Zedda
- Barry Banks, Daniela Barcellona, Gianluca Buratto, Mirco Palazzi, James Platt, Albina Shagimuratova, Orchestra of the Age of Enlightenment, Sir Mark Elder
- Jennifer Larmore, Frank Lopardo, Samuel Ramey, Jan‐Hendrik Rootering, Cheryl Studer, Romuald Tesarowicz, London Symphony Orchestra, Ion Marin
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| Semiramide: Atto I. “Di tanti regi e popoli” (Oroe, Idreno, Assur, Semiramide) | | - Andrea Mastroni, John Osborn, Alex Penda, Lorenzo Regazzo, Virtuosi Brunensis, Antonino Fogliani
- Barry Banks, Gianluca Buratto, Mirco Palazzi, Albina Shagimuratova, Orchestra of the Age of Enlightenment, Sir Mark Elder
- Frank Lopardo, Samuel Ramey, Jan‐Hendrik Rootering, Cheryl Studer, London Symphony Orchestra, Ion Marin
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| Semiramide: Atto I. “I vostri voti omai” … “Giuri ognuno” (Semiramide, Arsace, Idreno, Oroe, Assur, Coro) | | - Barry Banks, Daniela Barcellona, Gianluca Buratto, Opera Rara Chorus, Mirco Palazzi, Albina Shagimuratova, Orchestra of the Age of Enlightenment, Sir Mark Elder
- Andrea Mastroni, Alex Penda, Marianna Pizzolato, Poznań Camerata Bach Choir, Lorenzo Regazzo, Virtuosi Brunensis, Antonino Fogliani
- Gregory Kunde, Michele Pertusi, Coro Filarmonico di Praga, Gloria Scalchi, Iano Tamar, Ildebrando d’Arcangelo, Orchestra del Teatro Comunale di Bologna, Alberto Zedda
- Ambrosian Opera Chorus, Jennifer Larmore, Frank Lopardo, Samuel Ramey, Jan‐Hendrik Rootering, Cheryl Studer, London Symphony Orchestra, Ion Marin
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| Semiramide: Atto I. “L'alto eroe“ (Semiramide, Idreno, Assur, Arsace, Oroe, Azema, Coro) | | - Marija Jokovic, Andrea Mastroni, John Osborn, Alex Penda, Marianna Pizzolato, Poznań Camerata Bach Choir, Lorenzo Regazzo, Virtuosi Brunensis, Antonino Fogliani
- Gregory Kunde, Michele Pertusi, Coro Filarmonico di Praga, Gloria Scalchi, Iano Tamar, Monica Valenti, Ildebrando d’Arcangelo, Orchestra del Teatro Comunale di Bologna, Alberto Zedda
- Barry Banks, Daniela Barcellona, Gianluca Buratto, Susana Gaspar, Opera Rara Chorus, Mirco Palazzi, Albina Shagimuratova, Orchestra of the Age of Enlightenment, Sir Mark Elder
- Ambrosian Opera Chorus, Julia Faulkner, Jennifer Larmore, Frank Lopardo, Samuel Ramey, Jan‐Hendrik Rootering, Cheryl Studer, London Symphony Orchestra, Ion Marin
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| Semiramide: Atto I. “Là dal Gange“ (Idreno, Assur, Oroe, Coro) | | - Andrea Mastroni, John Osborn, Poznań Camerata Bach Choir, Lorenzo Regazzo, Virtuosi Brunensis, Antonino Fogliani
- Gregory Kunde, Michele Pertusi, Coro Filarmonico di Praga, Ildebrando d’Arcangelo, Orchestra del Teatro Comunale di Bologna, Alberto Zedda
- Barry Banks, Gianluca Buratto, Opera Rara Chorus, Mirco Palazzi, Orchestra of the Age of Enlightenment, Sir Mark Elder
- Ambrosian Opera Chorus, Frank Lopardo, Samuel Ramey, Jan‐Hendrik Rootering, London Symphony Orchestra, Ion Marin
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| Semiramide: Atto I. “Qual mesto gemito“ (Semiramide, Idreno, Arsace, Oroe, Assur, Coro) | | - Andrea Mastroni, John Osborn, Alex Penda, Marianna Pizzolato, Poznań Camerata Bach Choir, Lorenzo Regazzo, Virtuosi Brunensis, Antonino Fogliani
- Gregory Kunde, Michele Pertusi, Coro Filarmonico di Praga, Gloria Scalchi, Iano Tamar, Ildebrando d’Arcangelo, Orchestra del Teatro Comunale di Bologna, Alberto Zedda
- Barry Banks, Daniela Barcellona, Gianluca Buratto, Susana Gaspar, Opera Rara Chorus, Mirco Palazzi, Albina Shagimuratova, Orchestra of the Age of Enlightenment, Sir Mark Elder
- Ambrosian Opera Chorus, Jennifer Larmore, Frank Lopardo, Samuel Ramey, Jan‐Hendrik Rootering, Cheryl Studer, London Symphony Orchestra, Ion Marin
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| Semiramide: Atto I. “Regina, all'ara” … “Ah! già il sacro foco è spento” (Assur, Semiramide, Idreno, Oroe, Coro) | | - Barry Banks, Gianluca Buratto, Opera Rara Chorus, Mirco Palazzi, Albina Shagimuratova, Orchestra of the Age of Enlightenment, Sir Mark Elder
- Andrea Mastroni, John Osborn, Alex Penda, Poznań Camerata Bach Choir, Lorenzo Regazzo, Virtuosi Brunensis, Antonino Fogliani
- Gregory Kunde, Michele Pertusi, Coro Filarmonico di Praga, Iano Tamar, Ildebrando d’Arcangelo, Orchestra del Teatro Comunale di Bologna, Alberto Zedda
- Ambrosian Opera Chorus, Frank Lopardo, Samuel Ramey, Jan‐Hendrik Rootering, Cheryl Studer, London Symphony Orchestra, Ion Marin
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| Semiramide: Atto I. No. 4. Aria “Ah! dov'è, dov'è il cimento?” … “E, se ancor libero” (Idreno) | | | | | | | |
| Semiramide: Atto I. Recitativo “Oh tu de' Magi” (Semiramide, Oroe, Idreno, Assur) | | - Andrea Mastroni, John Osborn, Alex Penda, Lorenzo Regazzo, Virtuosi Brunensis, Antonino Fogliani
- Gregory Kunde, Michele Pertusi, Iano Tamar, Ildebrando d’Arcangelo, Orchestra del Teatro Comunale di Bologna, Alberto Zedda
- Barry Banks, Gianluca Buratto, Mirco Palazzi, Albina Shagimuratova, Orchestra of the Age of Enlightenment, Sir Mark Elder
- Frank Lopardo, Samuel Ramey, Jan‐Hendrik Rootering, Cheryl Studer, London Symphony Orchestra, Ion Marin
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| Semiramide: Atto I. Recitativo “Oh! me felice!” (Azema, Idreno) | | - Marija Jokovic, John Osborn, Virtuosi Brunensis, Antonino Fogliani
- Gregory Kunde, Monica Valenti, Orchestra del Teatro Comunale di Bologna, Alberto Zedda
- Barry Banks, Susana Gaspar, Orchestra of the Age of Enlightenment, Sir Mark Elder
- Julia Faulkner, Frank Lopardo, London Symphony Orchestra, Ion Marin
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| Semiramide: Atto II. No. 10 Aria “La speranza più soave” … “Tu mia sposa” … “Sì, sperar voglio contento” (Idreno, Coro) | | - Gregory Kunde, Coro Filarmonico di Praga, Orchestra del Teatro Comunale di Bologna, Alberto Zedda
- Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Carlo Rizzi
- Barry Banks, Opera Rara Chorus, Orchestra of the Age of Enlightenment, Sir Mark Elder
- John Osborn, Poznań Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani
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| Semiramide: Atto II. Recitativo “Calmati, principessa” (Mitrane, Azema, Idreno) | | - Marija Jokovic, Vassilis Kavayas, John Osborn, Virtuosi Brunensis, Antonino Fogliani
- Gregory Kunde, Luigi Petroni, Monica Valenti, Orchestra del Teatro Comunale di Bologna, Alberto Zedda
- Barry Banks, Susana Gaspar, David Butt Philip, Orchestra of the Age of Enlightenment, Sir Mark Elder
- Octavio Arevalo, Julia Faulkner, Frank Lopardo, London Symphony Orchestra, Ion Marin
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| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) | | | | | | | |
