Acintyas | | | | | | | |
Adagio and Allegro for Saxophone & String Orchestra | | | | | | | |
Apollo: Scene 1. The Birth of Apollo | | | | | | | |
Apollo: Scene 2. Apothéose | | | | | | | |
Apollo: Scene 2. Coda | | | | | | | |
Apollo: Scene 2. Pas d'action | | | | | | | |
Apollo: Scene 2. Pas de deux | | | | | | | |
Apollo: Scene 2. Variation d'Apollon (I) | | | | | | | |
Apollo: Scene 2. Variation d'Apollon (II) | | | | | | | |
Apollo: Scene 2. Variation de Calliope | | | | | | | |
Apollo: Scene 2. Variation de Polymnie | | | | | | | |
Apollo: Scene 2. Variation de Terpsichore | | | | | | | |
Ave Maria | | | | Song | | | |
Blå vinter | | | | | | | |
Concertino d'hiver, op. 327 | | | | Concerto | | | |
Concertino for Trombone and String Orchestra, op. 45 no. 7: I. Preludium | | | | | | | |
Concertino for Trombone and String Orchestra, op. 45 no. 7: II. Aria | | | | | | | |
Concertino for Trombone and String Orchestra, op. 45 no. 7: III. Finale | | | | | | | |
Concerto for Oboe, Harp and Strings | | | | Concerto | | | |
Concerto for Piano and Strings | | | | Concerto | | | |
Concerto grosso no. 1: I. Preludio: Andante – | | - Tatiana Grindenko, Gidon Kremer, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff
- Tatjana Grindenko, Gidon Kremer, London Symphony Orchestra, Gennadi Roshdestvensky
- I Musici de Montréal, Yuli Turovsky, Eleonora Turovsky, Natalya Turovsky, Catherine Perrin
- Stockholms Nya Kammarorkester, Lev Markiz, Christian Bergqvist, Patrik Swedrup, Roland Pöntinen
- Det Norske Kammerorkester, Charlie Siem, Øyvind Bjorå, Gonzalo Moreno
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Concerto grosso no. 1: II. Toccata: Allegro – | | - Tatiana Grindenko, Gidon Kremer, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff
- Tatjana Grindenko, Gidon Kremer, London Symphony Orchestra, Gennadi Roshdestvensky
- I Musici de Montréal, Yuli Turovsky, Eleonora Turovsky, Natalya Turovsky, Catherine Perrin
- Stockholms Nya Kammarorkester, Lev Markiz, Christian Bergqvist, Patrik Swedrup, Roland Pöntinen
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Concerto grosso no. 1: III. Recitativo: Lento – | | - Tatiana Grindenko, Gidon Kremer, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff
- Tatjana Grindenko, Gidon Kremer, London Symphony Orchestra, Gennadi Roshdestvensky
- I Musici de Montréal, Yuli Turovsky, Eleonora Turovsky, Natalya Turovsky, Catherine Perrin
- Stockholms Nya Kammarorkester, Lev Markiz, Christian Bergqvist, Patrik Swedrup, Roland Pöntinen
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Concerto grosso no. 1: IV. Cadenza – | | - Tatiana Grindenko, Gidon Kremer, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff
- Tatjana Grindenko, Gidon Kremer, London Symphony Orchestra, Gennadi Roshdestvensky
- I Musici de Montréal, Yuli Turovsky, Eleonora Turovsky, Natalya Turovsky, Catherine Perrin
- Stockholms Nya Kammarorkester, Lev Markiz, Christian Bergqvist, Patrik Swedrup, Roland Pöntinen
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Concerto grosso no. 1: V. Rondo: Agitato – | | - Tatiana Grindenko, Gidon Kremer, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff
- Tatjana Grindenko, Gidon Kremer, London Symphony Orchestra, Gennadi Roshdestvensky
- I Musici de Montréal, Yuli Turovsky, Eleonora Turovsky, Natalya Turovsky, Catherine Perrin
- Stockholms Nya Kammarorkester, Lev Markiz, Christian Bergqvist, Patrik Swedrup, Roland Pöntinen
- Det Norske Kammerorkester, Charlie Siem, Øyvind Bjorå, Gonzalo Moreno
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Concerto grosso no. 1: VI. Postludio: Andante | | - Tatiana Grindenko, Gidon Kremer, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff
- Tatjana Grindenko, Gidon Kremer, London Symphony Orchestra, Gennadi Roshdestvensky
- I Musici de Montréal, Yuli Turovsky, Eleonora Turovsky, Natalya Turovsky, Catherine Perrin
- Stockholms Nya Kammarorkester, Lev Markiz, Christian Bergqvist, Patrik Swedrup, Roland Pöntinen
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Concerto Grosso no. 3: I. Allegro | | | | | | | |
Concerto Grosso no. 3: II. Risoluto | | | | | | | |
Concerto Grosso no. 3: III. Pesante | | | | | | | |
Concerto Grosso no. 3: IV. | | | | | | | |
Concerto Grosso no. 3: V. Moderato | | | | | | | |
Concerto in D major for string orchestra "Basle Concerto": I. Vivace | | | | | | | |
Concerto in D major for string orchestra "Basle Concerto": II. Arioso. Andantino | | | | | | | |
Concerto in D major for string orchestra "Basle Concerto": III. Rondo. Allegro | | | | | | | |
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto | | | | | | - 0O7-3717-0 (JASRAC ID)
- F minor (Key)
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Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo | | | | | | | |
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro | | | | | | | |
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: III. Minuetto | | | | | | | |
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: Minuet | | | | | | | |
Duett-Concertino for Clarinet, Bassoon and Strings: I. Allegro moderato | | | | | | | |
Duett-Concertino for Clarinet, Bassoon and Strings: II. Andante | | | | | | | |
Duett-Concertino for Clarinet, Bassoon and Strings: III. Rondo. Allegro ma non troppo | | | | | | | |
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” | | | | Song | | | |
Lachrymae: Reflections on a song of Dowland, op. 48a | | | | | | | |
Les Illuminations, op. 18: I. Fanfare | | | | Song | | | |
Les Illuminations, op. 18: II. Villes | | | | Song | | | |
Les Illuminations, op. 18: IIIa. Phrase | | | | Song | | | |
Les Illuminations, op. 18: IIIb. Antique | | | | Song | | | |
Les Illuminations, op. 18: IV. Royauté | | | | Song | | | |
Les Illuminations, op. 18: IX. Départ | | | | Song | | | |
Les Illuminations, op. 18: V. Marine | | | | Song | | | |
Les Illuminations, op. 18: VI. Interlude | | | | Song | | | |
Les Illuminations, op. 18: VII. Being Beauteous | | | | Song | | | |
Les Illuminations, op. 18: VIII. Parade | | | | Song | | | |
Lille suite for strygere, op. 1: I. Præludium | | | | | | | |
Lille suite for strygere, op. 1: II. Intermezzo | | | | | | | |
Lille suite for strygere, op. 1: III. Finale | | | | | | | |
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus | | | | Song | | | |
Metamorphosen, study for 23 solo strings | | | | | | | |
Oboe Concerto in C minor: I. Grave | | | | | | | |
Oboe Concerto in C minor: II. Allegro | | | | | | | |
Oboe Concerto in C minor: III. Andante | | | | | | | |
Oboe Concerto in C minor: IV. Vivace | | | | | | | |
Pietà, Signore | | | | Aria | | | |
Requiem, op. 48: IV. Pie Jesu | | | | | | | |
Salve o Maria | | | | | | | |
Saxophone Concerto in E-flat major, op. 109 | | | | Concerto | | | |
Saxophone Concerto, op. 14: I. Allegro molto moderato | | | | | | | |
Saxophone Concerto, op. 14: II. Adagio | | | | | | | |
Saxophone Concerto, op. 14: III. Allegro scherzando | | | | | | | |
Serenade for Strings in C major, op. 48: I. Pezzo in forma di Sonatina | | | | | | | |
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse | | | | | | | |
Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco | | | | | | | |
Serenade for Strings in C major, op. 48: IV. Finale. Tema russo | | | | | | | |
Serenade for Strings in E major, op. 22, B. 52: I. Moderato | | - Hungarian State Orchestra, Nemzeti Filharmonikus zenekar, ORF Radio‐Symphonieorchester Wien, Stuttgarter Kammerorchester, Milan Horvat, Reinhardt Lutz, Martin Sieghart
- [unknown]
- Academy of St Martin in the Fields, Sir Neville Marriner
- Marian Lapsansky, Peter Toperczer, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Pro Arte Orchester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel
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Serenade for Strings in E major, op. 22, B. 52: II. Tempo di valse | | - Hungarian State Orchestra, Nemzeti Filharmonikus zenekar, ORF Radio‐Symphonieorchester Wien, Stuttgarter Kammerorchester, Milan Horvat, Reinhardt Lutz, Martin Sieghart
- Camerata Romana, Camerata Salzburg, Pro Arte Orchester, Leipzig Philharmonic Orchestra, Münchner Symphonieorkester, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel
- Capella Istropolitana, Jaroslav Krček
- Academy of St Martin in the Fields, Sir Neville Marriner
- (show 64 more)
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Serenade for Strings in E major, op. 22, B. 52: III. Scherzo. Vivace | | - Academy of St Martin in the Fields, Sir Neville Marriner
- Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Kammerorchester Pro Arte München, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel
- Hungarian State Orchestra, Nemzeti Filharmonikus zenekar, Radio‐Symphonieorchester Wien, Stuttgarter Kammerorchester, Milan Horvat, Reinhardt Lutz, Martin Sieghart
- Capella Istropolitana, Jaroslav Krček
- (show 55 more)
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Serenade for Strings in E major, op. 22, B. 52: IV. Larghetto | | - Marian Lapsansky, Peter Toperczer, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Pro Arte Orchester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel
- Academy of St Martin in the Fields, Sir Neville Marriner
- Capella Istropolitana, Jaroslav Krček
- Hungarian State Orchestra, Nemzeti Filharmonikus zenekar, Radio‐Symphonieorchester Wien, Simfonični orkester RTV Slovenija, Stuttgarter Kammerorchester, Milan Horvat, Reinhardt Lutz, Marko Munih, Martin Sieghart
- (show 68 more)
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Serenade for Strings in E major, op. 22, B. 52: V. Finale. Allegro vivace | | - Marian Lapsansky, Peter Toperczer, Pro Arte Orchester, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel, Philharmonie Leipzig
- Academy of St Martin in the Fields, Sir Neville Marriner
- Hungarian State Orchestra, Radio‐Symphonieorchester Wien, Stuttgarter Kammerorchester, Milan Horvat, Reinhardt Lutz, Martin Sieghart
- Capella Istropolitana, Jaroslav Krček
- (show 56 more)
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Sonata no. 1 for Violin and Chamber Orchestra: I. Andante | | | | | | | |
Sonata no. 1 for Violin and Chamber Orchestra: II. Allegretto | | | | | | | |
Sonata no. 1 for Violin and Chamber Orchestra: III. Largo | | | | | | | |
Sonata no. 1 for Violin and Chamber Orchestra: IV. Allegretto – Allegro – Largo | | | | | | | |
String Quartet no. 2 in F-sharp minor, op. 10: I. Mäßig (Moderato) | | | | | | | |
String Quartet no. 2 in F-sharp minor, op. 10: II. Sehr rasch | | | | | | | |
String Quartet no. 2 in F-sharp minor, op. 10: III. "Litanei". Langsam | | | | | | | |
String Quartet no. 2 in F-sharp minor, op. 10: IV. Entrückung. Sehr langsam | | | | | | | |
String Sextet | | | | | | | |
Symphony no. 22 in E-flat major, Hob. I:22 “Der Philosoph”: I. Adagio | | | | | | | |
Symphony no. 22 in E-flat major, Hob. I:22 “Der Philosoph”: II. Presto | | | | | | | |
Symphony no. 22 in E-flat major, Hob. I:22 “Der Philosoph”: III. Menuetto & Trio | | | | | | | |
Symphony no. 22 in E-flat major, Hob. I:22 “Der Philosoph”: IV. Finale: Presto | | | | | | | |
Symphony no. 78 in C minor, Hob. I:78: I. Vivace | | | | | | | |
Symphony no. 78 in C minor, Hob. I:78: II. Adagio | | | | | | | |
Symphony no. 78 in C minor, Hob. I:78: III. Menuetto and Trio. Allegretto | | | | | | | |
Symphony no. 78 in C minor, Hob. I:78: IV. Finale. Presto | | | | | | | |
Symphony no. 82 in C major, Hob. I:82 "L'Ours": I. Vivace assai | | | | | | | |
Symphony no. 82 in C major, Hob. I:82 "L'Ours": II. Allegretto | | | | | | | |
Symphony no. 82 in C major, Hob. I:82 "L'Ours": III. Menuet - Trio - Menuet | | | | | | | |
Symphony no. 82 in C major, Hob. I:82 "L'Ours": IV. Finale. Vivace | | | | | | | |