| vocals |
|---|
| 1986-09-30 – 1986-10-01 | Gloria | tenor vocals | John Mark Ainsley, Rogers Covey‐Crump, Peter Harvey, Colin Mason, Leigh Nixon, Christopher Page | 3:56 |
| 1986-09-30 – 1986-10-01 | Sanctus | tenor vocals | John Mark Ainsley, Rogers Covey‐Crump, Leigh Nixon, Margaret Philpot, Christopher Page | 5:25 |
| 1986-09-30 – 1986-10-01 | Sanctus | tenor vocals | John Mark Ainsley, Rogers Covey‐Crump, Peter Harvey, Colin Mason, Christopher Page | 3:18 |
| 1986-09-30 – 1986-10-01 | Singularis laudis digna | tenor vocals | John Mark Ainsley, Rogers Covey‐Crump, Peter Harvey, Christopher Page | 5:06 |
| 1986-09-30 – 1986-10-01 | Speciosa facta es | tenor vocals | John Mark Ainsley, Rogers Covey‐Crump, Margaret Philpot, Christopher Page | 2:12 |
| 1986-09-30 – 1986-10-01 | The Agincourt Carol | tenor vocals | John Mark Ainsley, Rogers Covey‐Crump, Peter Harvey, Leigh Nixon, Margaret Philpot, Christopher Page | 3:58 |
| 1988-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis" | tenor vocals | David Hill, Julian Smith, John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | 4:50 |
| 1988-11 | Of old, when heroes thought it base, Z. 333: “And in each trach of glory since” (tenor, bass, chorus) | tenor vocals | The English Concert, Trevor Pinnock | 3:29 |
| 1988-11 | Of old, when heroes thought it base, Z. 333: “And now when the renown'd Nassau” (countertenor, tenor) | tenor vocals | The English Concert, Trevor Pinnock | 1:56 |
| 1988-11 | Of old, when heroes thought it base, Z. 333: “So when the glitt'ring Queen of Night” (tenor) | tenor vocals | The English Concert, Trevor Pinnock | 3:36 |
| 1988-11 | Of old, when heroes thought it base, Z. 333: “The bashful Thames, for beauty so renowned” (tenor, chorus) | tenor vocals | The English Concert, Trevor Pinnock | 3:37 |
| 1988-11 | Welcome to all the pleasures, Z. 339: “Beauty, thou scene of love” (tenor) | tenor vocals | The English Concert, Trevor Pinnock | 3:41 |
| 1988-11 | Welcome to all the pleasures, Z. 339: “In a consort of voices” (tenor, chorus) | tenor vocals | The English Concert, Trevor Pinnock | 1:13 |
| 1988-11 | Welcome to all the pleasures, Z. 339: “Then lift up your voices” (bass, chorus) / “The pow'r shall divert us a pleasanter way” (countertenor, tenor, bass, chorus) | tenor vocals | The English Concert, Trevor Pinnock | 1:43 |
| 1988-11 | Welcome to all the pleasures, Z. 339: “Welcome to all the pleasures” (countertenor, tenor, bass, chorus) | tenor vocals | The English Concert, Trevor Pinnock | 1:49 |
| 1989-01-18 – 1989-01-20 | Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia" | tenor vocals | Edward Higginbottom, John Mark Ainsley, James Bowman, Choir of New College Oxford, Gillian Fisher, Michael George, The King’s Consort, Robert King | 4:11 |
| 1989-01-18 – 1989-01-20 | Ode, Z 328 "Hail! bright Cecilia": VII. Aria (Alto, Tenor, Bass) "With that sublime Celestial Lay" | tenor vocals | John Mark Ainsley, James Bowman, Simon Keenlyside, The King’s Consort, Robert King | 3:11 |
| 1989-01-18 – 1989-01-20 | Ode, Z 328 "Hail! bright Cecilia": X. Aria (Alto, Tenor) "In vain the Am'rous Flute" | tenor vocals | John Mark Ainsley, James Bowman, The King’s Consort, Robert King | 5:56 |
| 1989-01-18 – 1989-01-20 | Ode, Z 328 "Hail! bright Cecilia": XI. Aria (Tenor) "The Fife and all the Harmony of War" | tenor vocals | John Mark Ainsley, The King’s Consort, Robert King | 3:09 |
| 1989-01-18 – 1989-01-20 | Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia" | tenor vocals | Edward Higginbottom, John Mark Ainsley, James Bowman, Choir of New College Oxford, Rogers Covey‐Crump, Michael George, The King’s Consort, Robert King | 4:22 |
| 1989-01-18 – 1989-01-20 | Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain" | tenor vocals | John Mark Ainsley, Tessa Bonner, James Bowman, Rogers Covey‐Crump, Gillian Fisher, Michael George, The King’s Consort, Robert King | 5:12 |
| 1989-01-18 – 1989-01-20 | Ode, Z 342 "Who can from joy refrain": VI. Aria (Tenor) "Sound the Trumpet" | tenor vocals | John Mark Ainsley, Crispian Steele‐Perkins, The King’s Consort, Robert King | 2:29 |
| 1989-07-10 – 1989-07-13 | Acis and Galatea, HWV 49a: Part One: Air “Love in Her Eyes Sits Playing” (Acis) | tenor vocals [Acis] | John Mark Ainsley, The King’s Consort, Robert King | 7:48 |
| 1989-07-10 – 1989-07-13 | Acis and Galatea, HWV 49a: Part One: Air “Where Shall I Seek the Charming Fair?” (Acis) | tenor vocals [Acis] | John Mark Ainsley, The King’s Consort, Robert King | 3:19 |
| 1989-07-10 – 1989-07-13 | Acis and Galatea, HWV 49a: Part One: Chorus “Oh, the Pleasure of the Plains!” | tenor vocals | John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King | 5:50 |
| 1989-07-10 – 1989-07-13 | Acis and Galatea, HWV 49a: Part One: Duet “Happy We!” (Galatea & Acis) | tenor vocals [Acis] | John Mark Ainsley, Claron McFadden, The King’s Consort, Robert King | 2:45 |
| 1989-07-10 – 1989-07-13 | Acis and Galatea, HWV 49a: Part One: Recitative “Lo! Here My Love, Turn, Galatea, Hither Turn Thy Eyes” (Acis) | tenor vocals [Acis] | John Mark Ainsley, The King’s Consort, Robert King | 0:24 |
| 1989-07-10 – 1989-07-13 | Acis and Galatea, HWV 49a: Part Two: Accompagnato “Help, Galatea! Help, Ye Parent Gods!” (Acis) | tenor vocals [Acis] | John Mark Ainsley, The King’s Consort, Robert King | 1:09 |
| 1989-07-10 – 1989-07-13 | Acis and Galatea, HWV 49a: Part Two: Air “Love Sounds th’ Alarm” (Acis) | tenor vocals [Acis] | John Mark Ainsley, The King’s Consort, Robert King | 5:04 |
| 1989-07-10 – 1989-07-13 | Acis and Galatea, HWV 49a: Part Two: Chorus “Galatea, Dry Thy Tears” | tenor vocals | John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King | 3:29 |
| 1989-07-10 – 1989-07-13 | Acis and Galatea, HWV 49a: Part Two: Chorus “Mourn, All Ye Muses! Weep, All Ye Swains!” | tenor vocals | John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King | 3:09 |
| 1989-07-10 – 1989-07-13 | Acis and Galatea, HWV 49a: Part Two: Chorus “Wretched Lovers! Fate Has Passed” | tenor vocals | John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King | 3:57 |
| 1989-07-10 – 1989-07-13 | Acis and Galatea, HWV 49a: Part Two: Chorus & Solo “Must I My Acis Still Bemoan?” (Galatea) | tenor vocals | John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King | 4:12 |
| 1989-07-10 – 1989-07-13 | Acis and Galatea, HWV 49a: Part Two: Recitative “His Hideous Love Provokes My Rage” (Acis) | tenor vocals [Acis] | John Mark Ainsley, The King’s Consort, Robert King | 0:20 |
| 1989-07-10 – 1989-07-13 | Acis and Galatea, HWV 49a: Part Two: Trio “The Flocks Shall Leave the Mountains” (Galatea, Acis & Polyphemus) | tenor vocals [Acis] | John Mark Ainsley, Michael George, Claron McFadden, The King’s Consort, Robert King | 2:30 |
| 1989-07-10 – 1989-07-13 | Look Down, Harmonious Saint | tenor vocals | John Mark Ainsley, The King’s Consort, Robert King | 11:56 |
| 1990-02-18 – 1990-02-19 | Serenade to Music | tenor vocals | John Mark Ainsley, Sir Thomas Allen, Elizabeth Connell, John Connell, Arthur Davies, Maldwyn Davies, Anne Dawson, Martyn Hill, Gwynne Howell, Linda Kitchen, Diana Montague, Alan Opie, Jean Rigby, Amanda Roocroft, Sarah Walker, Catherine Wyn‐Rogers, English Chamber Orchestra, Matthew Best | 13:45 |
| 1990-04-18 – 1990-04-20 | Lamentationes pro hebdomada sancta "Lamentationes Jeremiæ prophetæ", ZWV 53: Lamentationes pro die jovis sancto, No. 1: HETH. Cogitavit Dominus dissipare | tenor vocals | John Mark Ainsley, The Chandos Baroque Players | 1:32 |
| 1990-04-18 – 1990-04-20 | Lamentationes pro hebdomada sancta "Lamentationes Jeremiæ prophetæ", ZWV 53: Lamentationes pro die jovis sancto, No. 1: Jerusalem, Jerusalem | tenor vocals | John Mark Ainsley, The Chandos Baroque Players | 3:43 |
| 1990-04-18 – 1990-04-20 | Lamentationes pro hebdomada sancta "Lamentationes Jeremiæ prophetæ", ZWV 53: Lamentationes pro die jovis sancto, No. 1: Sederunt in terra | tenor vocals | John Mark Ainsley, The Chandos Baroque Players | 1:48 |
| 1990-04-18 – 1990-04-20 | Lamentationes pro hebdomada sancta "Lamentationes Jeremiæ prophetæ", ZWV 53: Lamentationes pro die jovis sancto, No. 1: TETH. Defixae sund int terra portae eius | tenor vocals | John Mark Ainsley, The Chandos Baroque Players | 1:47 |
| 1990-04-18 – 1990-04-20 | Lamentationes pro hebdomada sancta "Lamentationes Jeremiæ prophetæ", ZWV 53: Lamentationes pro die jovis sancto, No. 1: YOD | tenor vocals | John Mark Ainsley, The Chandos Baroque Players | 1:27 |
| 1990-04-18 – 1990-04-20 | Lamentationes pro hebdomada sancta "Lamentationes Jeremiæ prophetæ", ZWV 53: Lamentationes pro die veneris sancto, No. 1: HETH | tenor vocals | John Mark Ainsley, The Chandos Baroque Players | 1:58 |
| 1990-04-18 – 1990-04-20 | Lamentationes pro hebdomada sancta "Lamentationes Jeremiæ prophetæ", ZWV 53: Lamentationes pro die veneris sancto, No. 1: Misericordiae Domini quia non sumus consumpti | tenor vocals | John Mark Ainsley, The Chandos Baroque Players | 2:17 |
| 1990-04-18 – 1990-04-20 | Lamentationes pro hebdomada sancta "Lamentationes Jeremiæ prophetæ", ZWV 53: Lamentationes pro die veneris sancto, No. 1: TETH. Bonus est Dominus sperantibus in eum | tenor vocals | John Mark Ainsley, The Chandos Baroque Players | 3:18 |
| 1990-04-18 – 1990-04-20 | Lamentationes pro hebdomada sancta "Lamentationes Jeremiæ prophetæ", ZWV 53: Lamentationes pro die veneris sancto, No. 1: YOD. Dabit percutienti se maxillam | tenor vocals | John Mark Ainsley, The Chandos Baroque Players | 2:44 |
| 1990-04-18 – 1990-04-20 | Lamentationes pro hebdomada sancta "Lamentationes Jeremiæ prophetæ", ZWV 53: Lamentationes pro die veneris sancto, No. 1: YOD. Sedebit solitarius, et tacebit | tenor vocals | John Mark Ainsley, The Chandos Baroque Players | 4:07 |
| 1990-06-18 – 1990-11-29 | Canticum Sacrum: I. Dedicatio | tenor vocals | John Mark Ainsley, Stephen Roberts, Westminster Cathedral Choir, Iain Simcock, City of London Sinfonia, James O’Donnell | 0:46 |
| 1990-06-18 – 1990-11-29 | Canticum Sacrum: III. Surge, aquilo | tenor vocals | John Mark Ainsley, Westminster Cathedral Choir, City of London Sinfonia, James O’Donnell | 2:59 |
| 1990-06-18 – 1990-11-29 | Canticum Sacrum: V. Qui confidunt | tenor vocals | John Mark Ainsley, Stephen Roberts, Westminster Cathedral Choir, Iain Simcock, City of London Sinfonia, James O’Donnell | 2:13 |
| 1990-07-13 – 1990-07-31 | Joshua: Act I. "To long posterity we here record" | tenor vocals [Joshua] | John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King | 2:21 |
| 1990-07-31 – 1990-08-05 | Joshua: Act I. "Behold, my friends" | tenor vocals [Joshua] | John Mark Ainsley, Michael George, The King’s Consort, Robert King | 1:02 |
| 1990-07-31 – 1990-08-05 | Joshua: Act I. "Caleb, attend to all I now prescribe" | tenor vocals [Joshua] | John Mark Ainsley, The King’s Consort, Robert King | 0:43 |
| 1990-07-31 – 1990-08-05 | Joshua: Act I. "Haste, Israel haste" | tenor vocals [Joshua] | John Mark Ainsley, The King’s Consort, Robert King | 2:24 |
| 1990-07-31 – 1990-08-05 | Joshua: Act I. "Joshua, I come commission'd from on high" | tenor vocals [Joshua] | Aidan Oliver, John Mark Ainsley, The King’s Consort, Robert King | 2:00 |
| 1990-07-31 – 1990-08-05 | Joshua: Act I. "O first in wisdom" | bass vocals [Caleb] | John Mark Ainsley, The King’s Consort, Robert King | 2:22 |
| 1990-07-31 – 1990-08-05 | Joshua: Act I. "So long the memory shall last" | tenor vocals [Joshua] | John Mark Ainsley, The King’s Consort, Robert King | 0:42 |
| 1990-07-31 – 1990-08-05 | Joshua: Act I. "While Kedron's brook to Jordan's stream" | tenor vocals [Joshua] | John Mark Ainsley, The King’s Consort, Robert King | 4:46 |
| 1990-07-31 – 1990-08-05 | Joshua: Act II. "'Tis well" | tenor vocals [Joshua] | John Mark Ainsley, The King’s Consort, Robert King | 0:24 |
| 1990-07-31 – 1990-08-05 | Joshua: Act II. "Almight ruler of the skies" | tenor vocals [Joshua] | John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King | 2:20 |
| 1990-07-31 – 1990-08-05 | Joshua: Act II. "Brethren and friends" | tenor vocals [Joshua] | John Mark Ainsley, Michael George, The King’s Consort, Robert King | 1:05 |
| 1990-07-31 – 1990-08-05 | Joshua: Act II. "Glory to God!" | tenor vocals [Joshua] | John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King | 5:45 |
| 1990-07-31 – 1990-08-05 | Joshua: Act II. "Let all the seed of Abrah'm now prepare" | tenor vocals [Joshua] | John Mark Ainsley, The King’s Consort, Robert King | 0:22 |
| 1990-07-31 – 1990-08-05 | Joshua: Act II. "Oh! thou bright orb" | tenor vocals [Joshua] | John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King | 3:36 |
| 1990-07-31 – 1990-08-05 | Joshua: Act II. "Whence this dejection?" | tenor vocals [Joshua] | John Mark Ainsley, The King’s Consort, Robert King | 0:22 |
| 1990-07-31 – 1990-08-05 | Joshua: Act II. "With redoubled rage return" | tenor vocals [Joshua] | John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King | 3:42 |
| 1990-07-31 – 1990-08-05 | Joshua: Act III. "Caleb, for holy Eleazer send" | tenor vocals [Joshua] | John Mark Ainsley, Michael George, The King’s Consort, Robert King | 2:03 |
| 1990-07-31 – 1990-08-05 | Joshua: Act III. "In bloom of youth, this stripling hath achiev'd" | tenor vocals [Joshua] | John Mark Ainsley, The King’s Consort, Robert King | 0:31 |
| 1990-11-20 – 1991-09-14 | The Shepherds of the Delectable Mountains | solo and tenor vocals | John Mark Ainsley, Jonathan Best, Corydon Singers, Linda Kitchen, Alan Opie, Bryn Terfel, Adrian Thompson, City of London Sinfonia, Matthew Best | 21:47 |
| 1990-11-26 – 1990-11-28 | Magnificat in D major, BWV 243: 6. Duetto. Et misericordia | tenor vocals | John Mark Ainsley, Michael Chance, Collegium Musicum 90, Richard Hickox | 3:54 |
| 1990-11-26 – 1990-11-28 | Magnificat in D major, BWV 243: 8. Aria. Deposuit potentes | tenor vocals | John Mark Ainsley, Collegium Musicum 90, Richard Hickox | 2:01 |
| 1990-11 | Mass in C major, K317 "Coronation": VI. Agnus Dei | tenor vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 6:15 |
| 1990-11 | Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie" | tenor vocals | Emma Kirkby, John Mark Ainsley, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 2:42 |
| 1990-11 | Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria" | tenor vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 4:37 |
| 1990-11 | Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo" | tenor vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 6:24 |
| 1990-11 | Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus" | tenor vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 3:18 |
| 1990-11 | Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: I. "Dixit dominus" | tenor vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 4:02 |
| 1990-11 | Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: II. "Confitebor" | tenor vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 4:13 |
| 1990-11 | Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: III. "Beatus vir" | tenor vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 4:37 |
| 1990-11 | Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: VI. "Magnificat" | tenor vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 4:38 |
| 1991-02-15 – 1991-02-16 | Cantata misericordium, op. 69: Chorus "Beati misericordes" - | tenor vocals | City of London Sinfonia, The Britten Singers, Richard Hickox, John Mark Ainsley, Stephen Varcoe | ?:?? |
| 1991-02-15 – 1991-02-16 | Cantata misericordium, op. 69: Chorus "Ecce, tertius apparet" | tenor vocals | City of London Sinfonia, The Britten Singers, Richard Hickox, John Mark Ainsley, Stephen Varcoe | ?:?? |
| 1991-02-15 – 1991-02-16 | Two Psalms, H 117: Psalm 86 | tenor vocals | City of London Sinfonia, The Britten Singers, Richard Hickox, John Mark Ainsley, Alison Barlow, John Alley | 8:22 |
| 1991-02-18 – 1991-02-19 | Hymnus Paradisi: Holy is the True Light | tenor vocals | John Mark Ainsley, Julie Kennard, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Vernon Handley | 9:10 |
| 1991-02-18 – 1991-02-19 | Hymnus Paradisi: I heard a voice from Heaven | tenor vocals | John Mark Ainsley, Julie Kennard, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Vernon Handley | 4:43 |
| 1991-02-18 – 1991-02-19 | Hymnus Paradisi: Requiem aeternam | tenor vocals | John Mark Ainsley, Julie Kennard, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Vernon Handley | 9:49 |
| 1991-02-18 – 1991-02-19 | Hymnus Paradisi: Sanctus – I will lift up mine eyes | tenor vocals | John Mark Ainsley, Julie Kennard, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Vernon Handley | 10:31 |
| 1991-02-18 – 1991-02-19 | Hymnus Paradisi: The Lord is my Shepherd | tenor vocals | John Mark Ainsley, Julie Kennard, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Vernon Handley | 7:15 |
| 1991-02-26 – 1991-02-28 | Die Advokaten, D. 37 | tenor vocals | Adrian Thompson, John Mark Ainsley, Richard Jackson, Graham Johnson | 7:28 |
| 1991-02-26 – 1991-02-28 | Don Gayseros I, D. 93 no. 1 | tenor vocals | Adrian Thompson, John Mark Ainsley, Nancy Argenta, Graham Johnson | 4:16 |
| 1991-02-26 – 1991-02-28 | Don Gayseros II, D. 93 no. 2 | tenor vocals | Adrian Thompson, John Mark Ainsley, Richard Jackson, Graham Johnson | 3:21 |
| 1991-02-26 – 1991-02-28 | Ein jügendlicher Maienschwung, D. 61 | tenor vocals | Adrian Thompson, John Mark Ainsley, Richard Jackson, Graham Johnson | 1:31 |
| 1991-02-26 – 1991-02-28 | Verschwunden sind die Schmerzen, D. 88 | tenor vocals | Adrian Thompson, John Mark Ainsley, Richard Jackson, Graham Johnson | 1:25 |
| 1991-09 | Requiem, KV. 626: IIIb. Sequenz: Tuba mirum | tenor vocals | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The London Classical Players, Sir Roger Norrington | 2:46 |
| 1991-09 | Requiem, KV. 626: IIId. Sequenz: Recordare | tenor vocals | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The London Classical Players, Sir Roger Norrington | 4:35 |
| 1991-09 | Requiem, KV. 626: IVa. Offertorium: Domine Jesu | tenor vocals | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The London Classical Players, Sir Roger Norrington | 3:19 |
| 1991-09 | Requiem, KV. 626: Va. Sanctus et Benedictus: Sanctus / Vb. Sanctus et Benedictus: Osanna I | tenor vocals | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The Schütz Choir of London, The London Classical Players | 2:19 |
| 1992-02-01 – 1992-02-08 | Mass no. 3 in F minor: Agnus Dei | tenor vocals | John Mark Ainsley, Juliet Booth, Corydon Singers, Gwynne Howell, Jean Rigby, Corydon Orchestra, Matthew Best | 8:39 |
| 1992-02-01 – 1992-02-08 | Mass no. 3 in F minor: Benedictus | tenor vocals | John Mark Ainsley, Juliet Booth, Corydon Singers, Gwynne Howell, Jean Rigby, Corydon Orchestra, Matthew Best | 7:19 |
| 1992-02-01 – 1992-02-08 | Mass no. 3 in F minor: Et in Spiritum Sanctum | tenor vocals | John Mark Ainsley, Juliet Booth, Corydon Singers, Gwynne Howell, Jean Rigby, Corydon Orchestra, Matthew Best | 2:58 |
| See all 791 relationships |
| vocals |
|---|
| 1988-05-14 – 1988-05-16 | Royal and Ceremonial Odes | tenor vocals | Henry Purcell; The King’s Consort, Robert King | |
| 1990-02-27 – 1990-03-01 | Gradualia: The Marian Masses | tenor vocals | William Byrd; The William Byrd Choir, Gavin Turner | |
| Maurerische Trauermusik / Requiem / Ave Verum Corpus | tenor vocals | Wolfgang Amadeus Mozart; Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, Schütz Choir & Consort, The London Classical Players, Sir Roger Norrington | |
| Messiah | tenor vocals | George Frideric Handel; Lynne Dawson, Hilary Summers, John Mark Ainsley, Alastair Miles, The Choir of King’s College, Cambridge, Brandenburg Consort, Stephen Cleobury | |
| Messiah | tenor vocals | Handel; Dawson, Summers, Ainsley, Miles, Choir of King’s College, Cambridge, Brandenburg Consort, Stephen Cleobury | |
| Venus & Adonis | other vocals [Shepherd] | John Blow; London Baroque, Charles Medlam | |
