A Night on Bald Mountain | | | | Symphonic poem | | | |
Abendempfindung KV 523 | | | | | | | |
Adagio and Fugue in C minor, K. 546 | | | | | | | |
Adagio and Fugue in C minor, K. 546: I. Adagio | | | | | | | |
Adagio and Fugue in C minor, K. 546: II. Fugue | | | | | | | |
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) | | - Romano Gandolfi, Coro del Teatro alla Scala di Milano, Plácido Domingo, Elena Obraztsova, Katia Ricciarelli, Lucia Valentini Terrani, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Orchestra del Teatro alla Scala di Milano, Tullio Serafin
- London Symphony Orchestra, Erich Leinsdorf
- Berliner Philharmoniker, Herbert von Karajan
- (show 35 more)
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Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) | | | | | | | |
Aida: Atto II, scena 2. Ballabile (orchestra) | | | | | | | |
Aida: Preludio | | | | | | | |
Alto Rhapsody, op. 53 | | - John Alldis, Janet Baker, Male Voices of the John Alldis Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Christa Ludwig, Wiener Singverein, Wiener Philharmoniker, Karl Böhm
- Christa Ludwig, Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer
- Ernst‐Senff‐Chor, Marjana Lipovšek, Berliner Philharmoniker, Claudio Abbado
- (show 45 more)
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An der schönen blauen Donau, op. 314 | | | | | | | 5 |
Annen‐Polka, op. 117 | | | | | | | |
Aufforderung zum Tanz, J. 260 | | | | | | | |
Aufforderung zum Tanz, op. 65 | | | | | | | |
Ave Maria | | | | | | | |
Bagatelles, op. 5 | | | | | | | |
Ballade for Orchestra, op. 23 | | | | | | | |
Ballet Variations: IV. Allegro marciale | | | | | | | |
Ballet Variations: V. Poco Allegretto | | | | | | | |
Boléro | | | | Ballet | | | 5 |
Burleske in D minor, TrV 145 | | | | | | | |
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": I. Molto moderato. Once there was an old man | | - Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez
- Budapest Symphony Orchestra, János Ferencsik
- Budapest Festival Orchestra, Sir Georg Solti
- Bogdan Baciu, Ioan Hotea, The Transylvania State Philharmonic Choir, Transylvania State Philharmonic Orchestra, Lawrence Foster
- (show 4 more)
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Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": II. Andante. Through forest aroving, hey-yah! | | - Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez
- Budapest Symphony Orchestra, János Ferencsik
- Budapest Festival Orchestra, Sir Georg Solti
- Helmut Krebs, Dietrich Fischer‐Dieskau, RIAS Kammerchor, Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 4 more)
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Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": III. Moderato. Once there was an old man | | | | | | | |
Capriccio for Orchestra, op. 2 | | | | | | | |
Capriccio for Piano and Orchestra: I. Presto | | | | | | | |
Capriccio for Piano and Orchestra: II. Andante rapsodico | | | | | | | |
Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo giusto | | | | | | | |
Carmen : Acte I. Entr’acte | | | | | | | |
Carmen : Acte II. Entr’acte | | | | | | | |
Carmen : Prélude | | | | Overture | | | |
Carmen Suite no. 1: II. Aragonaise. Allegro vivo | | | | | | | |
Carmina Burana: II. In Taberna: XI. Estuans interius | | | | | | | |
Carmina Burana: II. In Taberna: XIII. Ego sum abbas | | | | | | | |
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
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Concert Waltz (from Faust) | | | | | | | |
Concertino pour Piano et Orchestre | | | | | | | |
Concertino pour piano et orchestre: I. Presto leggiero | | | | | | | |
Concertino pour piano et orchestre: II. Lent | | | | | | | |
Concertino pour piano et orchestre: III. Allegretto | | | | | | | |
Concertino pour piano et orchestre: IV. Rondeau | | | | | | | |
Concerto for Clarinet in A major, K. 622: I. Allegro | | | | | | | |
Concerto for Clarinet in A major, K. 622: II. Adagio | | | | | | | |
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | | | | | | | |
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo - Allegro vivace | | | | | | | |
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando | | | | | | | |
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo | | | | | | | |
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto | | | | | | | |
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante - Presto | | | | | | | |
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | | - Marián Lapšanský, Witold Lipinsky, Maria Novak, Dubravka Tomšič, Sylvia van der Linden, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sinfonia Academica, Slovenská filharmónia, Alberto Lizzio, Marko Munih, Bystrík Režucha, Dudley Skinner
- [unknown]
- Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner
- Dinu Lipatti, Philharmonia Orchestra, Herbert von Karajan
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Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso | | | | | | | |
Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | | | | | | | |
Concerto for Piano and Orchestra no. 1, op. 28 | | | | Concerto | | | |
Concerto for Piano and Orchestra no. 2 in A major, S. 125 | | | | Concerto | | | |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | | | | | | | |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | | | | | | | |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante – Più adagio | | | | | | | |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | | | | | | | |
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | | | | | | | |
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | | | | | | | |
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | | | | | | | |
Concerto for Piano and Orchestra no. 19 in F major, K. 459: I. Allegro | | | | | | | |
Concerto for Piano and Orchestra no. 19 in F major, K. 459: II. Allegretto | | | | | | | |
Concerto for Piano and Orchestra no. 19 in F major, K. 459: III. Allegro assai | | | | | | | |
Concerto for Piano no. 13 in C major, K. 387b/415: I. Allegro | | | | | | | |
Concerto for Piano no. 13 in C major, K. 387b/415: II. Andante | | | | | | | |
Concerto for Piano no. 13 in C major, K. 387b/415: III. Rondeau. Allegro | | | | | | | |
Concerto for Piano no. 20 in D minor, K. 466: I. Allegro | | | | | | | |
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze | | | | | | | |
Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai | | | | | | | |
Concerto for Piano no. 27 in B-flat major, K. 595: I. Allegro | | | | | | | |
Concerto for Piano no. 27 in B-flat major, K. 595: II. Larghetto | | | | | | | |
Concerto for Piano no. 27 in B-flat major, K. 595: III. Rondo. Allegro | | | | | | | |
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: I. Allegro | | - David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Mark Zeltser, Anne‐Sophie Mutter, Yo‐Yo Ma, Berliner Philharmoniker, Herbert von Karajan
- Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay
- Eugene Istomin, Leonard Rose, Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy
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Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: II. Largo | | - David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Mark Zeltser, Anne‐Sophie Mutter, Yo‐Yo Ma, Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 71 more)
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Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: III. Rondo alla polacca | | - David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Yo‐Yo Ma, Anne‐Sophie Mutter, Mark Zeltser, Berliner Philharmoniker, Herbert von Karajan
- Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay
- Eugene Istomin, Leonard Rose, Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy
- (show 66 more)
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Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato | | | | | | | |
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante | | | | | | | |
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | | | | | | | |
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: I. Allegro | | - David Oistrakh, Mstislav Rostropovich, Cleveland Orchestra, George Szell
- Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein
- Anne‐Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan
- Itzhak Perlman, Mstislav Rostropovich, Concertgebouw Orchestra, Bernard Haitink
- (show 57 more)
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Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: II. Andante | | - David Oistrakh, Mstislav Rostropovich, Cleveland Orchestra, George Szell
- Anne‐Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan
- Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein
- Gidon Kremer, Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein
- (show 60 more)
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Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: III. Vivace non troppo | | - David Oistrakh, Mstislav Rostropovich, The Cleveland Orchestra, George Szell
- Anne‐Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan
- Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein
- Gidon Kremer, Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein
- (show 57 more)
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Così fan tutte: Ouvertura | | | | Overture | | | |
Dance Suite, Sz. 77, BB 86a: I. Moderato | | | | | | | |
Dance Suite, Sz. 77, BB 86a: II. Allegro molto | | | | | | | |
Dance Suite, Sz. 77, BB 86a: III. Allegro vivace | | | | | | | |
Dance Suite, Sz. 77, BB 86a: IV. Molto tranquillo | | | | | | | |
Dance Suite, Sz. 77, BB 86a: V. Comodo | | | | | | | |
Dance Suite, Sz. 77, BB 86a: VI. Finale. Allegro | | | | | | | |
Dances of Galánta | | | | | | | |
Dances of Galánta: I. Lento | | | | | | | |
Dances of Galánta: II. Allegretto moderato | | | | | | | |
Dances of Galánta: III. Allegro con moto, grazioso | | | | | | | |
Dances of Galánta: IV. Allegro | | | | | | | |
Dances of Galánta: V. Allegro vivace | | | | | | | |
Dances of Marosszék | | | | | | | |
Dantons Tod, op. 6: Geschwindmarsch | | | | | | | |
Das Rheingold: Scene IV | | | | | | | |
Der fliegende Holländer, WWV 63: Act II. Introduktion | | | | | | | |
Der fliegende Holländer, WWV 63: Akt I, Nr. 1. Introduction "Hojohe! Hallojo!" | | | | | | | |