| vocals |
---|
1971-05 | La traviata: Atto III. (conclusion) | bass vocals | Beverly Sills, Nicolai Gedda, Rolando Panerai, Mirella Fiorentini, Robert Lloyd, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 28:10 |
1971-07 | La traviata: Atto II, Scena II. "Avrem lieta di maschere la notte" (Flora, Marchese, Dottore, Coro) | bass vocals [Dottore Grenvil] | Delia Wallis; Richard van Allan, Robert Lloyd, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 1:02 |
1971-07 | La traviata: Atto II, Scena II. (beginning) | bass vocals | Beverly Sills, Nicolai Gedda, Rolando Panerai, Keith Erwen, Delia Wallis, Terence Sharpe, Richard van Allan, Robert Lloyd, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 11:04 |
1971-07 | La traviata: Atto III. "Annina? Comandate?" (Violetta, Annina, Dottore) | bass vocals [Dottore Grenvil] | Beverly Sills, Mirella Fiorentini, Robert Lloyd, Royal Philharmonic Orchestra, Aldo Ceccato | 5:13 |
1971-07 | La traviata: Atto III. (beginning) | bass vocals | Beverly Sills, Mirella Fiorentini, Robert Lloyd, Royal Philharmonic Orchestra, Aldo Ceccato | 9:25 |
1971-07 | La traviata: Atto III. Finale "Prendi, quest'è l'immagine" (Violetta, Alfredo, Germont) / "Se una pudica vergine" (Violetta, Alfredo, Germont, Annina, Dottore, Coro) | bass vocals [Dottore Grenvil] | Beverly Sills, Nicolai Gedda, Rolando Panerai, Mirella Fiorentini, Robert Lloyd, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 4:53 |
1972-08 | Anna Bolena: Atto I, Scena 1 (Conclusion) / Scena 2 (Beginning) | bass vocals | Shirley Verrett, Stuart Burrows, Paul Plishka, Robert Lloyd | 27:09 |
1972-08 | Anna Bolena: Atto I, Scena 2 (Conclusion) / Scena 3 (Beginning) | bass vocals | Beverly Sills, Stuart Burrows, Paul Plishka, Robert Lloyd, Robert Tear | 18:17 |
1972-08 | Anna Bolena: Atto I, Scena 2. “Chi veggo?“ (Rochefort, Percy) | bass vocals [Rochefort] | Stuart Burrows, Robert Lloyd, London Symphony Orchestra, Julius Rudel | 3:13 |
1972-08 | Anna Bolena: Atto I, Scena 2. “Da quel di che, lei perduta“ (Percy, Rochefort) | bass vocals [Rochefort] | Stuart Burrows, Robert Lloyd, London Symphony Orchestra, Julius Rudel | 3:15 |
1972-08 | Anna Bolena: Atto I, Scena 2. “Desta si tosto” (Enrico) | bass vocals [Rochefort] | Stuart Burrows, Robert Lloyd, Paul Plishka, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel | 3:42 |
1972-08 | Anna Bolena: Atto I, Scena 2. “Io sentii sulla mio mano” | bass vocals [Rochefort] | Stuart Burrows, Robert Lloyd, Paul Plishka, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel | 2:54 |
1972-08 | Anna Bolena: Atto I, Scena 2. “Or che reso ai patrii lidi” (Enrico) | bass vocals [Rochefort] | Stuart Burrows, Robert Lloyd, Paul Plishka, Beverly Sills, London Symphony Orchestra, Julius Rudel | 1:31 |
1972-08 | Anna Bolena: Atto I, Scena 2. “Questo di per noi spuntato“ (Tutti, Percy, Anna, Rochefort, Enrico) | bass vocals [Rochefort] | John Aldis, Stuart Burrows, The John Alldis Choir, Robert Lloyd, Paul Plishka, London Symphony Orchestra, Julius Rudel | 2:27 |
1972-08 | Anna Bolena: Atto I, Scena 3 (Conclusion) | bass vocals | Beverly Sills, Shirley Verrett, Stuart Burrows, Paul Plishka, Robert Lloyd, Patricia Kern | 25:50 |
1972-08 | Anna Bolena: Atto I, Scena 3. “Alcun potria ascoltarti” (Anna) | bass vocals [Rochefort] | Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Paul Plishka, Beverly Sills, London Symphony Orchestra, Julius Rudel | 1:44 |
1972-08 | Anna Bolena: Atto I, Scena 3. “Basta … basta … tropp'oltre vai” (Anna, Rochefort) | bass vocals [Rochefort] | Robert Lloyd, Beverly Sills, London Symphony Orchestra, Julius Rudel | 2:28 |
1972-08 | Anna Bolena: Atto I, Scena 3. “In quegli sguardi impresso” (Anna, Enrico, Percy, Giovanna, Smeaton, Rochefort) | bass vocals [Rochefort] | Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Paul Plishka, Beverly Sills, Shirley Verrett, London Symphony Orchestra, Julius Rudel | 3:55 |
1972-08 | Anna Bolena: Atto I, Scena 3. “In separato carcere“(Enrico, Anna, Giovanna, Smeton, Percy, Rochefort, Coro) | bass vocals [Rochefort] | Beverly Sills, Shirley Verrett, Stuart Burrows, Paul Plishka, Patricia Kern, Robert Lloyd | 4:44 |
1972-08 | Anna Bolena: Atto II, Scena 2 (Conclusion) / Scena 3 (Beginning) | bass vocals | Shirley Verrett, Stuart Burrows, Paul Plishka, Robert Lloyd, Robert Tear | 23:42 |
1972-08 | Anna Bolena: Atto II, Scena 3 (Conclusion) | bass vocals | Beverly Sills, Stuart Burrows, Patricia Kern, Robert Lloyd | 26:50 |
1972-08 | Anna Bolena: Atto II, Scena 3. “Cielo, a' miei lunghi spasimi” (Anna) | bass vocals [Rochefort] | Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Beverly Sills, London Symphony Orchestra, Julius Rudel | 4:24 |
1972-08 | Anna Bolena: Atto II, Scena 3. “Coppia iniqua, l'estrema vendetta” | bass vocals [Rochefort] | The John Alldis Choir, Beverly Sills, London Symphony Orchestra, Julius Rudel | 3:15 |
1972-08 | Anna Bolena: Atto II, Scena 3. “Qual mesto suon?” (Anna) | bass vocals [Rochefort] | Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel | 4:26 |
1972-08 | Anna Bolena: Atto II, Scena 3. “Tu pur dannato a morte“ (Percy, Rochefort, Hervey) | bass vocals [Rochefort] | Stuart Burrows, Robert Lloyd, Shirley Verrett, London Symphony Orchestra, Julius Rudel | 1:48 |
1972-08 | Anna Bolena: Atto II, Scena 3. “Vivi tu, te ne scongiuro“ (Rochefort, Percy, Hervey) | bass vocals [Rochefort] | Stuart Burrows, Robert Lloyd, Robert Tear, Shirley Verrett, London Symphony Orchestra, Julius Rudel | 3:23 |
1972-08 | Anna Bolena: Atto II. "Cielo a' miei lunghi spasmi" / "Coppia iniqua" | bass vocals | Beverly Sills, Patricia Kern, Stuart Burrows, John Alldis Chorus, Julius Rudel, London Symphony Orchestra | 7:30 |
1972-09 | Szenen aus Goethes Faust: Dritte Abteilung. Wie Felsenabgrund mir zu Füßen | bass vocals | Robert Lloyd, John Shirley‐Quirk, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | 6:47 |
1972 | Anna Bolena: Atto I, Scena 2. “Chi veggo? In Inghilterra” (Rochefort) | bass vocals [Rochefort] | Stuart Burrows, Robert Lloyd, London Symphony Orchestra, Julius Rudel | 3:13 |
1972 | Anna Bolena: Atto I, Scena 2. “Da quel di che, lei perduta” (Percy) | bass vocals [Rochefort] | Stuart Burrows, Robert Lloyd, London Symphony Orchestra, Julius Rudel | 3:15 |
1972 | Anna Bolena: Atto I, Scena 2. “Questo di per noi spuntato” (Tutti) | bass vocals [Rochefort] | Stuart Burrows, Robert Lloyd, Paul Plishka, London Symphony Orchestra, Julius Rudel | 2:28 |
1972 | Anna Bolena: Atto I, Scena 3. Finale “In separato carcere” (Enrico) | bass vocals [Rochefort] | Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Paul Plishka, Beverly Sills, Shirley Verrett, London Symphony Orchestra, Julius Rudel | 4:53 |
1972 | Anna Bolena: Atto II, Scena 2. “Tu pur dannato a morte” (Percy) | bass vocals [Rochefort] | Stuart Burrows, Robert Lloyd, Shirley Verrett, London Symphony Orchestra, Julius Rudel | 1:48 |
1972 | Anna Bolena: Atto II, Scena 3. “Vive tu, te ne scongiuro” | bass vocals [Rochefort] | Stuart Burrows, Robert Lloyd, Robert Tear, Shirley Verrett, London Symphony Orchestra, Julius Rudel | 3:23 |
1972 | Giovanna d’Arco: Atto I. “Ai lari!...Alla patria!” (Soldati, Talbot) | bass vocals [Talbot] | Ambrosian Opera Chorus, Robert Lloyd, London Symphony Orchestra, James Levine | 2:03 |
1972 | Giovanna d’Arco: Atto I. “So che per via di triboli ”(Giacomo, Coro) | bass vocals [Talbot] | Ambrosian Opera Chorus, Robert Lloyd, Sherrill Milnes, London Symphony Orchestra, James Levine | 4:08 |
1972 | Mosè in Egitto: Atto III. “Dal tuo stellato soglio” | bass vocals | Chorus of the Royal Opera House, Covent Garden, David Hughes, Robert Lloyd, Elizabeth Shelley, Pauline Tinsley, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli | 5:08 |
1973-06-10 | Don Carlos : Acte II. « Au couvent de Saint-Just » | bass vocals [un moine] | Robert Lloyd, André Turp, BBC Concert Orchestra, John Matheson | ?:?? |
1973-06-10 | Don Carlos : Acte II. « Charles-Quint, l'auguste empereur » | bass vocals [un moine] | BBC Singers, Robert Lloyd, BBC Concert Orchestra, John Matheson | ?:?? |
1973-06-10 | Don Carlos : Acte II. « Le voilà ! C'est l'infant » | bass vocals [un moine] | BBC Singers, Robert Lloyd, Robert Savoie, André Turp, BBC Concert Orchestra, John Matheson | ?:?? |
1973-06-10 | Don Carlos : Acte V. « Oui, pour toujours ! » | bass vocals [un moine] | Richard van Allan, BBC Singers, Robert Lloyd, Joseph Rouleau, Edith Tremblay, André Turp, BBC Concert Orchestra, John Matheson | ?:?? |
1975-05-18 – 1975-07-31 | The Dream of Gerontius, op. 38, Part 1: Go in the name of angels (Chorus) | bass vocals and solo | John Alldis, John Alldis Choir, Robert Lloyd, London Philharmonic Choir, Philharmonia Orchestra, Sir Adrian Boult | 5:02 |
1975-05-18 – 1975-07-31 | The Dream of Gerontius, op. 38, Part 1: Proficiscere, anima christiana (Priest) | bass vocals and solo | Robert Lloyd, Philharmonia Orchestra, Sir Adrian Boult | 2:02 |
1975-05-18 – 1975-07-31 | The Dream of Gerontius, op. 38, Part 2: Jesu! By that shuddering dread (Angel) | bass vocals and solo | Nicolai Gedda, Robert Lloyd, Philharmonia Orchestra, Sir Adrian Boult | 4:23 |
1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “Accorriam... Romeo!” | bass vocals [Capellio] | Dame Janet Baker, Nicolai Gedda, Raimund Herincx, The John Alldis Choir, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè | 4:21 |
1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “Che miro?” | bass vocals [Capellio] | Dame Janet Baker, Nicolai Gedda, Raimund Herincx, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè | 3:02 |
1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “L'amo tanto, e m'e sì car” | bass vocals [Capellio] | Nicolai Gedda, Raimund Herincx, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè | 4:41 |
1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “La tremenda ultrice spada” | bass vocals [Capellio] | Dame Janet Baker, Nicolai Gedda, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè | 3:33 |
1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “Lieto del dolce incarno” | bass vocals [Capellio] | Dame Janet Baker, Nicolai Gedda, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè | 2:11 |
1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “O di Capellio, generosi amici” | bass vocals [Capellio] | Nicolai Gedda, Raimund Herincx, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè | 2:48 |
1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “Riedi al campo” | bass vocals [Capellio] | Dame Janet Baker, Nicolai Gedda, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè | 0:46 |
1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “Sì: M'abbraccia” | bass vocals [Capellio] | Nicolai Gedda, Raimund Herincx, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè | 1:13 |
1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “Soccorso, sostegno accordagli” | bass vocals [Capellio] | Dame Janet Baker, Nicolai Gedda, Raimund Herincx, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè | 3:06 |
1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “Vanne Lorenzo” | bass vocals [Capellio] | Nicolai Gedda, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè | 2:07 |
1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto II. “Ah! Crudel! Che mai facesti?” | bass vocals [Capellio] | Dame Janet Baker, Raimund Herincx, The John Alldis Choir, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè | 4:50 |
1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto II. “Deh! Padre mio, deh padre mio!” | bass vocals [Capellio] | Raimund Herincx, The John Alldis Choir, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè | 6:38 |
1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto II. “Prendi, gl'istanti volano” | bass vocals [Capellio] | Raimund Herincx, The John Alldis Choir, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè | 1:49 |
1975-07-02 – 1975-07-15 | Esclarmonde : Acte III. « Kyrie eleison » | bass vocals [Cléomer, Roi de France] | National Philharmonic Orchestra, Richard Bonynge | 5:54 |
1975-07-02 – 1975-07-15 | Esclarmonde : Acte III. « Noble héros ! » | bass vocals [Cléomer, Roi de France] | National Philharmonic Orchestra, Richard Bonynge | 3:04 |
1975-07-02 – 1975-07-15 | Esclarmonde : Acte III. « O Blois ! Misérable cité ! » | bass vocals [Cléomer, Roi de France] | National Philharmonic Orchestra, Richard Bonynge | 3:05 |
1975 | I Capuleti e i Montecchi: Atto II. "Morte io non temo, il sai" (Giulietta, Lorenzo) / "Ah! non poss'io partire" (Giulietta, Capellio, Lorenzo) | bass vocals | John Aldis, Raimund Herincx, The John Alldis Choir, Robert Lloyd, Beverly Sills, Philharmonia Orchestra, Giuseppe Patanè | 10:55 |
1976-07 | La clemenza di Tito: Atto I. No. 5 Coro. “Serbate, oh Dei custodi” | bass vocals | Stuart Burrows, Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 6:30 |
1976-07 | La clemenza di Tito: Atto I. No. 10 Terzetto “Vengo… Aspettate… Sesto!…” | bass vocals | Dame Janet Baker, Robert Lloyd, Yvonne Minton, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:27 |
1976-07 | La clemenza di Tito: Atto I. No. 12 Quintetto con coro “Deh conservate, oh Dei” | bass vocals | Dame Janet Baker, Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Yvonne Minton, Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 6:31 |
1976-07 | La clemenza di Tito: Atto I. Recitativo “Vedrai, Tito, vedrai” | bass vocals | Dame Janet Baker, Robert Lloyd, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 0:45 |
1976-07 | La clemenza di Tito: Atto II. No. 14 Terzetto “Se al volto mai ti senti” | bass vocals | Dame Janet Baker, Robert Lloyd, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:40 |
1976-07 | La clemenza di Tito: Atto II. No. 16 Aria “Tardi s’avvede” | bass vocals | Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:40 |
1976-07 | La clemenza di Tito: Atto II. No. 18 Terzetto “Quello di Tito è il volto!” | bass vocals | Stuart Burrows, Robert Lloyd, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:58 |
1976-07 | La clemenza di Tito: Atto II. No. 26 Sestetto con coro “Tu, è ver, m’assolvi, Augusto” | bass vocals | Dame Janet Baker, Stuart Burrows, Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Yvonne Minton, Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:13 |
1976-07 | La clemenza di Tito: Atto II. Recitativo “Dove s’intese mai più constumace infedeltà?” | bass vocals | Stuart Burrows, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:03 |
1976-07 | La clemenza di Tito: Atto II. Recitativo “Già de’ pubblici giuochi” | bass vocals | Stuart Burrows, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:01 |
1976-07 | La clemenza di Tito: Atto II. Recitativo “No, così scellerato” | bass vocals | Stuart Burrows, Robert Lloyd, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:13 |
1976-07 | La clemenza di Tito: Atto II. Recitativo “Partir deggio, o restar” | bass vocals | Dame Janet Baker, Robert Lloyd, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:20 |
1976-07 | La clemenza di Tito: Atto II. Recitativo “Sesto, de’ tuoi delitti” | bass vocals | Dame Janet Baker, Stuart Burrows, Robert Lloyd, Yvonne Minton, Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:40 |
1977-06 | La fanciulla del West: Atto I. “Jim, perché piangi?” (Trin, Harry, Joe, Sonora, Bello, Happy, Minatori) | bass vocals [Ashby] | Chorus of the Royal Opera House, Covent Garden, Paul Crook, John Dobson, William Elvin, Malcolm King, Robin Leggate, Robert Lloyd, Tom McDonnell, Sherrill Milnes, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:42 |
1977-06 | La fanciulla del West: Atto I. “La posta!” (Nick, Minatori) | bass vocals [Ashby] | Chorus of the Royal Opera House, Covent Garden, Francis Egerton, Robert Lloyd, Carol Neblett, Handel Owen, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:47 |
1977-06 | La fanciulla del West: Atto I. “Un poker! Nick, gettoni!” (Rance) | bass vocals [Ashby] | Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 1:47 |
1977-06 | La fanciulla del West: Atto II. “Hello!… Chiamano” (Nick, Johnson) | bass vocals [Ashby] | Plácido Domingo, Francis Egerton, Robert Lloyd, Sherrill Milnes, Carol Neblett, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 4:32 |
1977-06 | La fanciulla del West: Atto III. “Ah!… Ah!… Urrah! ragazzi” (Voci lontane, Ashby) | bass vocals [Ashby] | Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 4:16 |
1977-06 | La fanciulla del West: Atto III. “Sceriffo Rance! Consegno a voi quest’uomo” (Ashby) | bass vocals [Ashby] | Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Robert Lloyd, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 0:30 |
1977-07-10 – 1978-02-08 | Nabucco: Atto II, scena 2. “S'oda or me” | bass vocals [Gran Sacerdote] | Ambrosian Opera Chorus, Nicolaï Ghiaurov, Robert Lloyd, Matteo Manuguerra, Elena Obraztsova, Philharmonia Orchestra, Riccardo Muti | 5:23 |
1977-08 – 1977-09 | Carmen : Acte I, Nº 7. Chœur « Au secours ! » (Les Cigarières, Zuniga, Les Soldats) | bass vocals [Zuniga, un lieutenant] | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | 3:19 |
1977-08 – 1977-09 | Carmen : Acte I, Nº 10. Finale « Le lieutenant !… Prenez garde. » (Don José, Zuniga, Carmen) | bass vocals [Zuniga, un lieutenant] | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | 2:14 |
1977-08 – 1977-09 | Carmen : Acte I. « Allons ! Allons ! » (Zuniga, Chœur des Gamins) | bass vocals [Zuniga, un lieutenant] | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | 1:38 |
1977-08 – 1977-09 | Carmen : Acte I. « Dites‐moi, brigadier ? » (Zuniga, Don José) | bass vocals [Zuniga, un lieutenant] | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | 1:07 |
1977-08 – 1977-09 | Carmen : Acte I. « Que son fils l’aime et la venère » (Don José, Micaëla) / « Eh bien, eh bien ! » (Zuniga) | bass vocals [Zuniga, un lieutenant] | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | 4:04 |
1977-08 – 1977-09 | Carmen : Acte I. « Repos ! » (Zuniga, Moralès, Don José) | spoken vocals [Zuniga, un lieutenant] | Robert Lloyd, Stuart Harling, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | 0:45 |
1977-08 – 1977-09 | Carmen : Acte I. « Voyons, brigadier… » (Zuniga, Don José, Carmen) / Nº 8. Chanson et Mélodrame « Tra la la la… » (Carmen, Zuniga, Les Cigarières, Un Soldat, Don José) | bass vocals [Zuniga, un lieutenant] | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | 4:14 |
1977-08 – 1977-09 | Carmen : Acte II, Nº 13. Couplet (Air du Toréador) « Votre toast… je peux vous le rendre » (Escamillo, tout le monde, Pastia, Zuniga, Carmen) / Nº 13 bis. Chœur « Toréador, en garde » (Chœur, Frasquita, Pastia, Dancaïre, Remendado) | bass vocals [Zuniga, un lieutenant] | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | 8:01 |
1977-08 – 1977-09 | Carmen : Acte II, Nº 17. Finale « Holà ! Carmen ! Holà ! » (Zuniga, Don José, Carmen, Dancaïre, Remendado, Les Bohémiens) | bass vocals [Zuniga, un lieutenant] | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | 3:32 |
1977-08 – 1977-09 | Carmen : Acte II. « Tout est bien alors » (Carmen, Zuniga) / Nº 12. Chœur et Ensemble « Vivat ! vivat le toréro ! » (Chœur, Zuniga, Mercédès, Frasquita, Escamillo, Carmen, Andrès, Pastia) | bass vocals [Zuniga, un lieutenant] | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | 1:31 |
1977-08 – 1977-09 | Carmen : Acte II. « Vous avez quelque chose à nous dire » (Zuniga, Pastia, Frasquita, Andrès, Mercédès, Carmen) | bass vocals [Zuniga, un lieutenant] | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | 1:16 |
1977-09 | Carmen : Acte II. Couplets “Votre toast, je peux vous le rendre” | bass vocals [Zuniga] | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Jean Lainé, Robert Lloyd, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | 5:12 |
1978-11 | Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) | bass vocals | Stuart Burrows, Robert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis | 6:45 |
1978-11 | Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde) | bass vocals | Norma Burrowes, Robert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis | 3:36 |
1978-11 | Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) | bass vocals | Robert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis | 2:26 |
1978-11 | Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" / Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange" | bass vocals | Norma Burrowes, Stuart Burrows, Christiane Eda‐Pierre, The John Alldis Choir, Robert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis | 5:34 |
1978-11 | Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) | bass vocals | Robert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis | 3:27 |
1978-11 | Marsch! Trollt euch Fort! (Nr. 7 Terzett) | bass vocals | Stuart Burrows, Robert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis | 2:20 |
1978-11 | Solche Hergelaufne Laffen (Nr. 3 Arie) | bass vocals | Robert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis | 5:12 |
| See all 351 relationships |
| performed |
---|
| L’Enfant et les Sortilèges / Ma Mère l’Oye | | Ravel; London Symphony Orchestra, André Previn | |
| vocals |
---|
| Benvenuto Cellini | bass vocals | Berlioz; Gedda, Eda‐Pierre, Bastin, Berbié, Soyer, Massard, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra. Sir Colin Davis | |
| Giovanna d’Arco | bass vocals [Talbot] | Verdi; Caballé, Domingo, Milnes, London Symphony Orchestra & Ambrosian Opera Chorus, James Levine | |
| Messiah: The 250th Anniversary Performance | bass vocals | Handel; Academy of St Martin in the Fields, Academy of St. Martin in the Fields Chorus, Sir Neville Marriner | |
| Requiem | bass vocals and solo | Giuseppe Verdi; London Symphony Orchestra, London Symphony Chorus, Richard Hickox | |
| Samson et Dalila | bass vocals | Camille Saint‐Saëns; Plácido Domingo, Elena Obraztsova, Robert Lloyd, Chœur de l'Orchestre de Paris, Orchestre de Paris, Daniel Barenboim | |
| Semele | bass vocals | Händel; Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | |
| Un ballo in maschera | bass vocals | Verdi; Luciano Pavarotti, Margaret Price, Renato Bruson, National Philharmonic Orchestra, Sir Georg Solti | |