Robert Lloyd (operatic bass)

~ Person

Relationships

IMDb:https://www.imdb.com/name/nm0516115/ [info]
Discogs:https://www.discogs.com/artist/937077 [info]
other databases:http://id.loc.gov/authorities/names/n83043595 [info]
http://snaccooperative.org/ark:/99166/w6f003v9 [info]
https://catalogue.bnf.fr/ark:/12148/cb13896729x [info]
https://d-nb.info/gnd/124204198 [info]
https://www.worldcat.org/identities/lccn-n83043595 [info]
Allmusic:https://www.allmusic.com/artist/mn0001792661 [info]
VIAF ID:27252428 [info]
Wikidata:Q326331 [info]
Songkick:https://www.songkick.com/artists/409163 [info]

Appearances

DateTitleAttributesArtistLength
vocals
1971-05La traviata: Atto III. (conclusion)bass vocalsBeverly Sills, Nicolai Gedda, Rolando Panerai, Mirella Fiorentini, Robert Lloyd, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato28:10
1971-07La traviata: Atto II, Scena II. "Avrem lieta di maschere la notte" (Flora, Marchese, Dottore, Coro)bass vocals [Dottore Grenvil]Delia Wallis; Richard van Allan, Robert Lloyd, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato1:02
1971-07La traviata: Atto II, Scena II. (beginning)bass vocalsBeverly Sills, Nicolai Gedda, Rolando Panerai, Keith Erwen, Delia Wallis, Terence Sharpe, Richard van Allan, Robert Lloyd, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato11:04
1971-07La traviata: Atto III. "Annina? Comandate?" (Violetta, Annina, Dottore)bass vocals [Dottore Grenvil]Beverly Sills, Mirella Fiorentini, Robert Lloyd, Royal Philharmonic Orchestra, Aldo Ceccato5:13
1971-07La traviata: Atto III. (beginning)bass vocalsBeverly Sills, Mirella Fiorentini, Robert Lloyd, Royal Philharmonic Orchestra, Aldo Ceccato9:25
1971-07La traviata: Atto III. Finale "Prendi, quest'è l'immagine" (Violetta, Alfredo, Germont) / "Se una pudica vergine" (Violetta, Alfredo, Germont, Annina, Dottore, Coro)bass vocals [Dottore Grenvil]Beverly Sills, Nicolai Gedda, Rolando Panerai, Mirella Fiorentini, Robert Lloyd, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato4:53
1972-08Anna Bolena: Atto I, Scena 1 (Conclusion) / Scena 2 (Beginning)bass vocalsShirley Verrett, Stuart Burrows, Paul Plishka, Robert Lloyd27:09
1972-08Anna Bolena: Atto I, Scena 2 (Conclusion) / Scena 3 (Beginning)bass vocalsBeverly Sills, Stuart Burrows, Paul Plishka, Robert Lloyd, Robert Tear18:17
1972-08Anna Bolena: Atto I, Scena 2. “Chi veggo?“ (Rochefort, Percy)bass vocals [Rochefort]Stuart Burrows, Robert Lloyd, London Symphony Orchestra, Julius Rudel3:13
1972-08Anna Bolena: Atto I, Scena 2. “Da quel di che, lei perduta“ (Percy, Rochefort)bass vocals [Rochefort]Stuart Burrows, Robert Lloyd, London Symphony Orchestra, Julius Rudel3:15
1972-08Anna Bolena: Atto I, Scena 2. “Desta si tosto” (Enrico)bass vocals [Rochefort]Stuart Burrows, Robert Lloyd, Paul Plishka, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel3:42
1972-08Anna Bolena: Atto I, Scena 2. “Io sentii sulla mio mano”bass vocals [Rochefort]Stuart Burrows, Robert Lloyd, Paul Plishka, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel2:54
1972-08Anna Bolena: Atto I, Scena 2. “Or che reso ai patrii lidi” (Enrico)bass vocals [Rochefort]Stuart Burrows, Robert Lloyd, Paul Plishka, Beverly Sills, London Symphony Orchestra, Julius Rudel1:31
1972-08Anna Bolena: Atto I, Scena 2. “Questo di per noi spuntato“ (Tutti, Percy, Anna, Rochefort, Enrico)bass vocals [Rochefort]John Aldis, Stuart Burrows, The John Alldis Choir, Robert Lloyd, Paul Plishka, London Symphony Orchestra, Julius Rudel2:27
1972-08Anna Bolena: Atto I, Scena 3 (Conclusion)bass vocalsBeverly Sills, Shirley Verrett, Stuart Burrows, Paul Plishka, Robert Lloyd, Patricia Kern25:50
1972-08Anna Bolena: Atto I, Scena 3. “Alcun potria ascoltarti” (Anna)bass vocals [Rochefort]Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Paul Plishka, Beverly Sills, London Symphony Orchestra, Julius Rudel1:44
1972-08Anna Bolena: Atto I, Scena 3. “Basta … basta … tropp'oltre vai” (Anna, Rochefort)bass vocals [Rochefort]Robert Lloyd, Beverly Sills, London Symphony Orchestra, Julius Rudel2:28
1972-08Anna Bolena: Atto I, Scena 3. “In quegli sguardi impresso” (Anna, Enrico, Percy, Giovanna, Smeaton, Rochefort)bass vocals [Rochefort]Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Paul Plishka, Beverly Sills, Shirley Verrett, London Symphony Orchestra, Julius Rudel3:55
1972-08Anna Bolena: Atto I, Scena 3. “In separato carcere“(Enrico, Anna, Giovanna, Smeton, Percy, Rochefort, Coro)bass vocals [Rochefort]Beverly Sills, Shirley Verrett, Stuart Burrows, Paul Plishka, Patricia Kern, Robert Lloyd4:44
1972-08Anna Bolena: Atto II, Scena 2 (Conclusion) / Scena 3 (Beginning)bass vocalsShirley Verrett, Stuart Burrows, Paul Plishka, Robert Lloyd, Robert Tear23:42
1972-08Anna Bolena: Atto II, Scena 3 (Conclusion)bass vocalsBeverly Sills, Stuart Burrows, Patricia Kern, Robert Lloyd26:50
1972-08Anna Bolena: Atto II, Scena 3. “Cielo, a' miei lunghi spasimi” (Anna)bass vocals [Rochefort]Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Beverly Sills, London Symphony Orchestra, Julius Rudel4:24
1972-08Anna Bolena: Atto II, Scena 3. “Coppia iniqua, l'estrema vendetta”bass vocals [Rochefort]The John Alldis Choir, Beverly Sills, London Symphony Orchestra, Julius Rudel3:15
1972-08Anna Bolena: Atto II, Scena 3. “Qual mesto suon?” (Anna)bass vocals [Rochefort]Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel4:26
1972-08Anna Bolena: Atto II, Scena 3. “Tu pur dannato a morte“ (Percy, Rochefort, Hervey)bass vocals [Rochefort]Stuart Burrows, Robert Lloyd, Shirley Verrett, London Symphony Orchestra, Julius Rudel1:48
1972-08Anna Bolena: Atto II, Scena 3. “Vivi tu, te ne scongiuro“ (Rochefort, Percy, Hervey)bass vocals [Rochefort]Stuart Burrows, Robert Lloyd, Robert Tear, Shirley Verrett, London Symphony Orchestra, Julius Rudel3:23
1972-08Anna Bolena: Atto II. "Cielo a' miei lunghi spasmi" / "Coppia iniqua"bass vocalsBeverly Sills, Patricia Kern, Stuart Burrows, John Alldis Chorus, Julius Rudel, London Symphony Orchestra7:30
1972-09Szenen aus Goethes Faust: Dritte Abteilung. Wie Felsenabgrund mir zu Füßenbass vocalsRobert Lloyd, John Shirley‐Quirk, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten6:47
1972Anna Bolena: Atto I, Scena 2. “Chi veggo? In Inghilterra” (Rochefort)bass vocals [Rochefort]Stuart Burrows, Robert Lloyd, London Symphony Orchestra, Julius Rudel3:13
1972Anna Bolena: Atto I, Scena 2. “Da quel di che, lei perduta” (Percy)bass vocals [Rochefort]Stuart Burrows, Robert Lloyd, London Symphony Orchestra, Julius Rudel3:15
1972Anna Bolena: Atto I, Scena 2. “Questo di per noi spuntato” (Tutti)bass vocals [Rochefort]Stuart Burrows, Robert Lloyd, Paul Plishka, London Symphony Orchestra, Julius Rudel2:28
1972Anna Bolena: Atto I, Scena 3. Finale “In separato carcere” (Enrico)bass vocals [Rochefort]Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Paul Plishka, Beverly Sills, Shirley Verrett, London Symphony Orchestra, Julius Rudel4:53
1972Anna Bolena: Atto II, Scena 2. “Tu pur dannato a morte” (Percy)bass vocals [Rochefort]Stuart Burrows, Robert Lloyd, Shirley Verrett, London Symphony Orchestra, Julius Rudel1:48
1972Anna Bolena: Atto II, Scena 3. “Vive tu, te ne scongiuro”bass vocals [Rochefort]Stuart Burrows, Robert Lloyd, Robert Tear, Shirley Verrett, London Symphony Orchestra, Julius Rudel3:23
1972Giovanna d’Arco: Atto I. “Ai lari!...Alla patria!” (Soldati, Talbot)bass vocals [Talbot]Ambrosian Opera Chorus, Robert Lloyd, London Symphony Orchestra, James Levine2:03
1972Giovanna d’Arco: Atto I. “So che per via di triboli ”(Giacomo, Coro)bass vocals [Talbot]Ambrosian Opera Chorus, Robert Lloyd, Sherrill Milnes, London Symphony Orchestra, James Levine4:08
1972Mosè in Egitto: Atto III. “Dal tuo stellato soglio”bass vocalsChorus of the Royal Opera House, Covent Garden, David Hughes, Robert Lloyd, Elizabeth Shelley, Pauline Tinsley, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli5:08
1973-06-10Don Carlos : Acte II. « Au couvent de Saint-Just »bass vocals [un moine]Robert Lloyd, André Turp, BBC Concert Orchestra, John Matheson?:??
1973-06-10Don Carlos : Acte II. « Charles-Quint, l'auguste empereur »bass vocals [un moine]BBC Singers, Robert Lloyd, BBC Concert Orchestra, John Matheson?:??
1973-06-10Don Carlos : Acte II. « Le voilà ! C'est l'infant »bass vocals [un moine]BBC Singers, Robert Lloyd, Robert Savoie, André Turp, BBC Concert Orchestra, John Matheson?:??
1973-06-10Don Carlos : Acte V. « Oui, pour toujours ! »bass vocals [un moine]Richard van Allan, BBC Singers, Robert Lloyd, Joseph Rouleau, Edith Tremblay, André Turp, BBC Concert Orchestra, John Matheson?:??
1975-05-18 – 1975-07-31The Dream of Gerontius, op. 38, Part 1: Go in the name of angels (Chorus)bass vocals and soloJohn Alldis, John Alldis Choir, Robert Lloyd, London Philharmonic Choir, Philharmonia Orchestra, Sir Adrian Boult5:02
1975-05-18 – 1975-07-31The Dream of Gerontius, op. 38, Part 1: Proficiscere, anima christiana (Priest)bass vocals and soloRobert Lloyd, Philharmonia Orchestra, Sir Adrian Boult2:02
1975-05-18 – 1975-07-31The Dream of Gerontius, op. 38, Part 2: Jesu! By that shuddering dread (Angel)bass vocals and soloNicolai Gedda, Robert Lloyd, Philharmonia Orchestra, Sir Adrian Boult4:23
1975-06-16 – 1975-06-25I Capuleti e i Montecchi: Atto I. “Accorriam... Romeo!”bass vocals [Capellio]Dame Janet Baker, Nicolai Gedda, Raimund Herincx, The John Alldis Choir, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè4:21
1975-06-16 – 1975-06-25I Capuleti e i Montecchi: Atto I. “Che miro?”bass vocals [Capellio]Dame Janet Baker, Nicolai Gedda, Raimund Herincx, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè3:02
1975-06-16 – 1975-06-25I Capuleti e i Montecchi: Atto I. “L'amo tanto, e m'e sì car”bass vocals [Capellio]Nicolai Gedda, Raimund Herincx, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè4:41
1975-06-16 – 1975-06-25I Capuleti e i Montecchi: Atto I. “La tremenda ultrice spada”bass vocals [Capellio]Dame Janet Baker, Nicolai Gedda, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè3:33
1975-06-16 – 1975-06-25I Capuleti e i Montecchi: Atto I. “Lieto del dolce incarno”bass vocals [Capellio]Dame Janet Baker, Nicolai Gedda, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè2:11
1975-06-16 – 1975-06-25I Capuleti e i Montecchi: Atto I. “O di Capellio, generosi amici”bass vocals [Capellio]Nicolai Gedda, Raimund Herincx, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè2:48
1975-06-16 – 1975-06-25I Capuleti e i Montecchi: Atto I. “Riedi al campo”bass vocals [Capellio]Dame Janet Baker, Nicolai Gedda, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè0:46
1975-06-16 – 1975-06-25I Capuleti e i Montecchi: Atto I. “Sì: M'abbraccia”bass vocals [Capellio]Nicolai Gedda, Raimund Herincx, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè1:13
1975-06-16 – 1975-06-25I Capuleti e i Montecchi: Atto I. “Soccorso, sostegno accordagli”bass vocals [Capellio]Dame Janet Baker, Nicolai Gedda, Raimund Herincx, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè3:06
1975-06-16 – 1975-06-25I Capuleti e i Montecchi: Atto I. “Vanne Lorenzo”bass vocals [Capellio]Nicolai Gedda, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè2:07
1975-06-16 – 1975-06-25I Capuleti e i Montecchi: Atto II. “Ah! Crudel! Che mai facesti?”bass vocals [Capellio]Dame Janet Baker, Raimund Herincx, The John Alldis Choir, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè4:50
1975-06-16 – 1975-06-25I Capuleti e i Montecchi: Atto II. “Deh! Padre mio, deh padre mio!”bass vocals [Capellio]Raimund Herincx, The John Alldis Choir, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè6:38
1975-06-16 – 1975-06-25I Capuleti e i Montecchi: Atto II. “Prendi, gl'istanti volano”bass vocals [Capellio]Raimund Herincx, The John Alldis Choir, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè1:49
1975-07-02 – 1975-07-15Esclarmonde : Acte III. « Kyrie eleison »bass vocals [Cléomer, Roi de France]National Philharmonic Orchestra, Richard Bonynge5:54
1975-07-02 – 1975-07-15Esclarmonde : Acte III. « Noble héros ! »bass vocals [Cléomer, Roi de France]National Philharmonic Orchestra, Richard Bonynge3:04
1975-07-02 – 1975-07-15Esclarmonde : Acte III. « O Blois ! Misérable cité ! »bass vocals [Cléomer, Roi de France]National Philharmonic Orchestra, Richard Bonynge3:05
1975I Capuleti e i Montecchi: Atto II. "Morte io non temo, il sai" (Giulietta, Lorenzo) / "Ah! non poss'io partire" (Giulietta, Capellio, Lorenzo)bass vocalsJohn Aldis, Raimund Herincx, The John Alldis Choir, Robert Lloyd, Beverly Sills, Philharmonia Orchestra, Giuseppe Patanè10:55
1976-07La clemenza di Tito: Atto I. No. 5 Coro. “Serbate, oh Dei custodi”bass vocalsStuart Burrows, Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis6:30
1976-07La clemenza di Tito: Atto I. No. 10 Terzetto “Vengo… Aspettate… Sesto!…”bass vocalsDame Janet Baker, Robert Lloyd, Yvonne Minton, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis2:27
1976-07La clemenza di Tito: Atto I. No. 12 Quintetto con coro “Deh conservate, oh Dei”bass vocalsDame Janet Baker, Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Yvonne Minton, Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis6:31
1976-07La clemenza di Tito: Atto I. Recitativo “Vedrai, Tito, vedrai”bass vocalsDame Janet Baker, Robert Lloyd, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis0:45
1976-07La clemenza di Tito: Atto II. No. 14 Terzetto “Se al volto mai ti senti”bass vocalsDame Janet Baker, Robert Lloyd, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis4:40
1976-07La clemenza di Tito: Atto II. No. 16 Aria “Tardi s’avvede”bass vocalsRobert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis1:40
1976-07La clemenza di Tito: Atto II. No. 18 Terzetto “Quello di Tito è il volto!”bass vocalsStuart Burrows, Robert Lloyd, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis3:58
1976-07La clemenza di Tito: Atto II. No. 26 Sestetto con coro “Tu, è ver, m’assolvi, Augusto”bass vocalsDame Janet Baker, Stuart Burrows, Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Yvonne Minton, Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis4:13
1976-07La clemenza di Tito: Atto II. Recitativo “Dove s’intese mai più constumace infedeltà?”bass vocalsStuart Burrows, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis1:03
1976-07La clemenza di Tito: Atto II. Recitativo “Già de’ pubblici giuochi”bass vocalsStuart Burrows, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis1:01
1976-07La clemenza di Tito: Atto II. Recitativo “No, così scellerato”bass vocalsStuart Burrows, Robert Lloyd, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis1:13
1976-07La clemenza di Tito: Atto II. Recitativo “Partir deggio, o restar”bass vocalsDame Janet Baker, Robert Lloyd, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis1:20
1976-07La clemenza di Tito: Atto II. Recitativo “Sesto, de’ tuoi delitti”bass vocalsDame Janet Baker, Stuart Burrows, Robert Lloyd, Yvonne Minton, Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis1:40
1977-06La fanciulla del West: Atto I. “Jim, perché piangi?” (Trin, Harry, Joe, Sonora, Bello, Happy, Minatori)bass vocals [Ashby]Chorus of the Royal Opera House, Covent Garden, Paul Crook, John Dobson, William Elvin, Malcolm King, Robin Leggate, Robert Lloyd, Tom McDonnell, Sherrill Milnes, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta2:42
1977-06La fanciulla del West: Atto I. “La posta!” (Nick, Minatori)bass vocals [Ashby]Chorus of the Royal Opera House, Covent Garden, Francis Egerton, Robert Lloyd, Carol Neblett, Handel Owen, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta2:47
1977-06La fanciulla del West: Atto I. “Un poker! Nick, gettoni!” (Rance)bass vocals [Ashby]Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta1:47
1977-06La fanciulla del West: Atto II. “Hello!… Chiamano” (Nick, Johnson)bass vocals [Ashby]Plácido Domingo, Francis Egerton, Robert Lloyd, Sherrill Milnes, Carol Neblett, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta4:32
1977-06La fanciulla del West: Atto III. “Ah!… Ah!… Urrah! ragazzi” (Voci lontane, Ashby)bass vocals [Ashby]Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta4:16
1977-06La fanciulla del West: Atto III. “Sceriffo Rance! Consegno a voi quest’uomo” (Ashby)bass vocals [Ashby]Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Robert Lloyd, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta0:30
1977-07-10 – 1978-02-08Nabucco: Atto II, scena 2. “S'oda or me”bass vocals [Gran Sacerdote]Ambrosian Opera Chorus, Nicolaï Ghiaurov, Robert Lloyd, Matteo Manuguerra, Elena Obraztsova, Philharmonia Orchestra, Riccardo Muti5:23
1977-08 – 1977-09Carmen : Acte I, Nº 7. Chœur « Au secours ! » (Les Cigarières, Zuniga, Les Soldats)bass vocals [Zuniga, un lieutenant]Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado3:19
1977-08 – 1977-09Carmen : Acte I, Nº 10. Finale « Le lieutenant !… Prenez garde. » (Don José, Zuniga, Carmen)bass vocals [Zuniga, un lieutenant]Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado2:14
1977-08 – 1977-09Carmen : Acte I. « Allons ! Allons ! » (Zuniga, Chœur des Gamins)bass vocals [Zuniga, un lieutenant]Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado1:38
1977-08 – 1977-09Carmen : Acte I. « Dites‐moi, brigadier ? » (Zuniga, Don José)bass vocals [Zuniga, un lieutenant]Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado1:07
1977-08 – 1977-09Carmen : Acte I. « Que son fils l’aime et la venère » (Don José, Micaëla) / « Eh bien, eh bien ! » (Zuniga)bass vocals [Zuniga, un lieutenant]Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado4:04
1977-08 – 1977-09Carmen : Acte I. « Repos ! » (Zuniga, Moralès, Don José) (scripted dialogue, with violins)spoken vocals [Zuniga, un lieutenant]Robert Lloyd, Stuart Harling, Plácido Domingo, London Symphony Orchestra, Claudio Abbado0:45
1977-08 – 1977-09Carmen : Acte I. « Voyons, brigadier… » (Zuniga, Don José, Carmen) / Nº 8. Chanson et Mélodrame « Tra la la la… » (Carmen, Zuniga, Les Cigarières, Un Soldat, Don José)bass vocals [Zuniga, un lieutenant]Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado4:14
1977-08 – 1977-09Carmen : Acte II, Nº 13. Couplet (Air du Toréador) « Votre toast… je peux vous le rendre » (Escamillo, tout le monde, Pastia, Zuniga, Carmen) / Nº 13 bis. Chœur « Toréador, en garde » (Chœur, Frasquita, Pastia, Dancaïre, Remendado)bass vocals [Zuniga, un lieutenant]Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado8:01
1977-08 – 1977-09Carmen : Acte II, Nº 17. Finale « Holà ! Carmen ! Holà ! » (Zuniga, Don José, Carmen, Dancaïre, Remendado, Les Bohémiens)bass vocals [Zuniga, un lieutenant]Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado3:32
1977-08 – 1977-09Carmen : Acte II. « Tout est bien alors » (Carmen, Zuniga) / Nº 12. Chœur et Ensemble « Vivat ! vivat le toréro ! » (Chœur, Zuniga, Mercédès, Frasquita, Escamillo, Carmen, Andrès, Pastia)bass vocals [Zuniga, un lieutenant]Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado1:31
1977-08 – 1977-09Carmen : Acte II. « Vous avez quelque chose à nous dire » (Zuniga, Pastia, Frasquita, Andrès, Mercédès, Carmen)bass vocals [Zuniga, un lieutenant]Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado1:16
1977-09Carmen : Acte II. Couplets “Votre toast, je peux vous le rendre”bass vocals [Zuniga]Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Jean Lainé, Robert Lloyd, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado5:12
1978-11Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte)bass vocalsStuart Burrows, Robert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis6:45
1978-11Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde)bass vocalsNorma Burrowes, Robert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis3:36
1978-11Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)bass vocalsRobert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis2:26
1978-11Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" / Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange"bass vocalsNorma Burrowes, Stuart Burrows, Christiane Eda‐Pierre, The John Alldis Choir, Robert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis5:34
1978-11Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)bass vocalsRobert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis3:27
1978-11Marsch! Trollt euch Fort! (Nr. 7 Terzett)bass vocalsStuart Burrows, Robert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis2:20
1978-11Solche Hergelaufne Laffen (Nr. 3 Arie)bass vocalsRobert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis5:12
See all 351 relationships
performed
L’Enfant et les Sortilèges / Ma Mère l’OyeRavel; London Symphony Orchestra, André Previn
vocals
Benvenuto Cellinibass vocalsBerlioz; Gedda, Eda‐Pierre, Bastin, Berbié, Soyer, Massard, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra. Sir Colin Davis
Giovanna d’Arcobass vocals [Talbot]Verdi; Caballé, Domingo, Milnes, London Symphony Orchestra & Ambrosian Opera Chorus, James Levine
Messiah: The 250th Anniversary Performancebass vocalsHandel; Academy of St Martin in the Fields, Academy of St. Martin in the Fields Chorus, Sir Neville Marriner
Requiembass vocals and soloGiuseppe Verdi; London Symphony Orchestra, London Symphony Chorus, Richard Hickox
Samson et Dalilabass vocalsCamille Saint‐Saëns; Plácido Domingo, Elena Obraztsova, Robert Lloyd, Chœur de l'Orchestre de Paris, Orchestre de Paris, Daniel Barenboim
Semelebass vocalsHändel; Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
Un ballo in mascherabass vocalsVerdi; Luciano Pavarotti, Margaret Price, Renato Bruson, National Philharmonic Orchestra, Sir Georg Solti