| “Hail! Bright Cecilia”, Z. 328: II. “Hail! Bright Cecilia” | | - Paul Elliott, Brian Gordon, Monteverdi Choir, Jennifer Smith, Ashley Stafford, David Thomas, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
- Michael Rippon, English Chamber Orchestra, Charles Mackerras
- Mark le Brocq, Gabrieli Consort, Peter Harvey, Susan Hemington Jones, Timothy Wilson, Gabrieli Players, Paul McCreesh
- Edward Higginbottom, John Mark Ainsley, James Bowman, Choir of New College Oxford, Gillian Fisher, Michael George, The King’s Consort, Robert King
- (show 11 more)
| | | | | |
| “Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: X. “In vain the am’rous flute” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee” | | - The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras
- Paul Elliott, Brian Gordon, Monteverdi Choir, Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner
- Susan Hamilton, Mark Padmore, Siri Karoline Thornhill, Philippe Herreweghe, Collegium Vocale Gent
- Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras
- (show 10 more)
| | | | | |
| A Pilgrimes Solace: No. 8. Tell me true Love where shall I seeke thy being | | - Anthony Rooley, The Consort of Musicke
- James Bowman, Richard Boothby, Mark Caudle, Wendy Gillespie, William Hunt, David Miller
- Paul Hillier, The Hilliard Ensemble
- Grayston Burgess, Karl-Heinz Klein, Andrea von Ramm, Nigel Rogers, Thomas Binkley
- (show 3 more)
| | | | | |
| Acis and Galatea, HWV 49: Act I, no. 2. Choir "Oh the pleasure of the plains!" | | - Norma Burrowes, Paul Elliott, Willard White, Anthony Rolfe Johnson, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
| | | | | |
| Acis and Galatea, HWV 49: Act II, no. 10. Choir "Wretched lovers!" | | - Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
| | | | | |
| Acis and Galatea, HWV 49: Act II, no. 19. Choir "Mourn, all ye muses!" | | - Norma Burrowes, Anthony Rolfe Johnson, Paul Elliott, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Regent Chamber Choir, Andrew Lucas, City of London Sinfonia, Gary Cole
- (show 2 more)
| | | | | |
| Acis and Galatea, HWV 49: Act II, no. 20a. Solo with Choir "Must I my Acis still bemoan" (Galatea, choir) | | - Norma Burrowes, Martyn Hill, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
| | | | | |
| Acis and Galatea, HWV 49: Act II, no. 22. Choir "Galatea, dry thy tears" | | - Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
| | | | | |
| Alceste, HWV 45: Act I. Accompagnato. Ye happy people | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act I. Air. Gentle Morpheus, son of night | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
- Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act I. Air. Ye swift minutes as ye fly | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act I. Grand entree | | - Michael Laird, The English Concert, Trevor Pinnock
- Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
- E. Power Biggs, Royal Philharmonic Orchestra, Sir Charles Groves
| | | | | |
| Alceste, HWV 45: Act I. O bless, ye pow'rs above | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act I. Still caressing and caress'd | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act I. Triumph, Hymen, in the pair | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act IV. "Enjoy the Sweet Elysian Grove" | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
- Mark Padmore, The English Concert, Andrew Manze
| | Song | | | |
| Alceste, HWV 45: Act IV. Air. Come, Fancy, empress of the brain | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act IV. Air. Tune your harps, all ye Nine | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act IV. Air. Ye fleeting shades, I come | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act IV. All hail, thou mighty son of Jove! | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act IV. Ballo primo: Un peu lentement | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act IV. L'ultimato ballo | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act IV. Recitative. From high Olympus' top, the seat of God | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act IV. Si replica il Core precedente: Thrice happy | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act IV. Symphony and Accompagnato. He comes, he rises from below | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act IV. Symphony: Larghetto | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act IV. Thrice happy who in life excel | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Act IV. Triumph, thou son of Jove | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
| Alceste, HWV 45: Ouverture | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | Overture | | | |
| Amphion Anglicus: Chloe found Amyntas | | - Max van Egmond, Nobuko Gamo-Yamamoto, Nelly van der Spek, Gustav Leonhardt, Leonhardt‐Consort
- Deller Consort, Stour Music Festival Chamber Orchestra, Alfred Deller
- Paul Elliott, Paul Hillier, David James, Lena-Liis Kiesel, Anneke Pols
| | Song | | | |
| By a bank as I lay | | | | | | | |
| By thy banks, gentle Stour | | | | | | | |
| Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) | | | | | | | |
| Exultet coelum laudibus | | | | | | | |
| Here's that will challenge all the fair, Z. 253 | | | | Song | | | |
| I spy Celia, Z. 499 | | | | Song | | | |
| Jubilate, HWV 279: IV. O go your way into his gates | | - Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music
- Jos van Veldhoven, De Nederlandse Bachvereniging
- Judith Nelson,Emma Kirkby,Charles Brett,Rogers Covey‐Crump, Paul Elliott, David Thomas,The Choir of Christ Church Cathedral, Oxford, Academy of Ancient Music,Simon Preston
| | | | | |
| Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": IX. Aria (Tenor I) "Phoebus, deine Melodie" | | - Peter Schreier, Kammerorchester Berlin
- Amsterdam Baroque Orchestra, Ton Koopman
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Florian Heyerick, Ex Tempore, Christoph Genz, Stefan Geyer, Dana Hanchard, Axel Köhler, Scot Weir, Hans-Georg Wimmer, Musica Antiqua Köln, Reinhard Goebel
- (show 4 more)
| | | | | |
| Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": VIII. Recitativo (Alt e Tenor I) "Nunmehro Richter her" | | - Peter Schreier, Kammerorchester Berlin
- Amsterdam Baroque Orchestra, Ton Koopman
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Florian Heyerick, Ex Tempore, Christoph Genz, Stefan Geyer, Dana Hanchard, Axel Köhler, Scot Weir, Hans-Georg Wimmer, Musica Antiqua Köln, Reinhard Goebel
- (show 4 more)
| | | | | |
| Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XII. Recitativo (Tutti) "Wie, Midas, bist du toll" | | - Peter Schreier, Kammerorchester Berlin
- Amsterdam Baroque Orchestra, Ton Koopman
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Florian Heyerick, Ex Tempore, Christoph Genz, Stefan Geyer, Dana Hanchard, Axel Köhler, Scot Weir, Hans-Georg Wimmer, Musica Antiqua Köln, Reinhard Goebel
- (show 4 more)
| | | | | |
| King Arthur, Z. 628: Act I. "Brave souls" | | | | | | | |
| King Arthur, Z. 628: Act I. "Come if you dare" | | | | | | | |
| King Arthur, Z. 628: Act I. "I call you all" | | | | | | | |
| King Arthur, Z. 628: Act I. "Woden first to thee" | | | | | | | |
| King Arthur, Z. 628: Act II. "Come follow me" | | - François Bazola, Richard Duguay, Mhairi Lawson, Violaine Lucas, Claron McFadden, Jean-Marie Puissant, Jean-Yves Ravoux, Carys Lloyd Roberts, Les Arts Florissants
- Henry Purcell; Sir John Eliot Gardiner, Monteverdi Choir & English Baroque Soloists
- Vox Luminis, Caroline Weynants
- Jean Knibbs, Nigel Beavan,Honor Sheppard, Mark Deller, Paul Elliott, Maurice Bevan, Deller Choir
- Le Concert Spirituel, Véronique Gens, Hervé Niquet
| | | | | |
| King Arthur, Z. 628: Act II. "Hither this way" | | | | | | | |
| King Arthur, Z. 628: Act II. "How blest are shepherds" | | | | | | | |
| King Arthur, Z. 628: Act II. "Let not a moon-born elf" | | - Jonathan Best, Les Arts Florissants
- Henry Purcell
- Marcus Farnsworth, Vox Luminis
- Jean Knibbs, Nigel Beavan,Honor Sheppard, Mark Deller, Paul Elliott, Maurice Bevan, Deller Choir
- Peter Harvey, Le Concert Spirituel, Hervé Niquet
| | | | | |
| King Arthur, Z. 628: Act II. "Shepherd, shepherd, leave decoying" | | | | | | | |
| King Arthur, Z. 628: Act IV. Passacaglia "How happy the lover" | | - Les Arts Florissants, Jonathan Best, Richard Duguay, Véronique Gens, Mhairi Lawson, Violaine Lucas, David Le Monnier, Mark Padmore, Valérie Picard, Anne Pichard, Jean-Marie Puissant, Carys Lloyd Roberts, Sheena Wolstencroft
- Henry Purcell
- Henry Purcell; Sir John Eliot Gardiner, Monteverdi Choir & English Baroque Soloists
- Cyril Auvity, Hanna Bayodi, Le Concert Spirituel, Joseph Cornwell, Véronique Gens, Peter Harvey, Béatrice Jarrige, Hervé Niquet
- (show 3 more)
| | | | | |
| King Arthur, Z. 628: Act V. "For folded flocks" | | - Jonathan Best, Mark Padmore, Iain Paton, Les Arts Florissants
- Henry Purcell
- Olivier Berten, Jan Kullmann, Sebastian Myrus, Vox Luminis
- The King’s Musick, Jean Knibbs, Maurice Bevan, Mark Deller, Paul Elliott, Deller Choir
- Cyril Auvity, Joseph Cornwell, Peter Harvey, Le Concert Spirituel, Hervé Niquet
| | | | | |
| King Arthur, Z. 628: Act V. "Round thy coast" | | - Alison Balsom, The English Concert, Trevor Pinnock
- Les Arts Florissants, Etienne Bazola, Susannah Waters
- Henry Purcell
- The King’s Musick, Jean Knibbs, Maurice Bevan, Mark Deller, Paul Elliott, Deller Choir
- Le Concert Spirituel, Véronique Gens, Peter Harvey, Hervé Niquet
| | | | | |
| King Arthur, Z. 628: Act V. Symphony | | | | | | | |
| Magnificat Es-Dur, BWV 243a: VI. Aria (Alt, Tenor) "Et misericordia" | | - Paul Elliott, Carolyn Watkinson, Academy of Ancient Music, Simon Preston
- Ingeborg Danz, Mark Padmore, Collegium Vocale Gent, Philippe Herreweghe
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Jürgen Banholzer, Hans-Jörg Mammel, Balthasar-Neumann-Ensemble, Thomas Hengelbrock
- (show 6 more)
| | | | | |
| Magnificat Es-Dur, BWV 243a: VIII. Aria (Tenor) "Deposuit potentes" | | | | | | | |
| Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) | | | | Aria | | | |
| Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) | | - Alexander Young, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Paul Elliott, Academy of Ancient Music, Christopher Hogwood
- Atlanta Symphony Orchestra Chamber Chorus, Jon Humphrey, Atlanta Symphony Orchestra, Robert Shaw
- Howard Crook, The English Concert, Trevor Pinnock
- (show 70 more)
| | | | | |
| Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” | | - Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Paul Elliott, Academy of Ancient Music, Christopher Hogwood
- Atlanta Symphony Orchestra Chamber Chorus, Jon Humphrey, Atlanta Symphony Orchestra, Robert Shaw
- The English Concert Choir, The English Concert, Trevor Pinnock
- (show 73 more)
| | | | | |
| Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) | | | | | | | |
| Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) | | | | Aria | | | |
| My man John | | | | | | | |
| Osterkantate "Gott hat den Herrn auferwecket", Wq. 244, H. 803: IVa. Rezitativ (Tenor) "So sei nun, Seele, sei erfreut!" | | | | | | | |
| Osterkantate "Gott hat den Herrn auferwecket", Wq. 244, H. 803: IVb. Arioso (Tenor, Sopran) "Auch ich soll, Jesu, mit dir leben" | | | | | | | |
| Qui es promesses | | | | Motet | | | |
| S’on me regarde | | | | | | | |
| Siehe, wie fein und lieblich ist | | - Rheinische Kantorei, Musica Antiqua Köln, Reinhard Goebel
- Hermann Christian Polster, Reinhart Ginzel, Ekkehard Wagner, Hans Grüß, Capella Fidicinia
- Paul Elliott, Hein Meens, Stephen Varcoe, Musica Antiqua Köln
- Cantus Cölln, Konrad Junghänel
| | Cantata | | | |
| St. Matthew Passion: A sexta autem hora | | | | | | | |
| St. Matthew Passion: Adhuc eo loquente | | | | | | | |
| St. Matthew Passion: Cœnantibus autem | | | | | | | |
| St. Matthew Passion: Consilio autem inito | | | | | | | |
| St. Matthew Passion: Erant autem | | | | | | | |
| St. Matthew Passion: Et ecce velum | | | | | | | |
| St. Matthew Passion: Et osculatus est | | | | | | | |
| St. Matthew Passion: Et postquam | | | | | | | |
| St. Matthew Passion: Jesus autem stetit | | | | | | | |
| St. Matthew Passion: Mane autem facto | | | | | | | |
| St. Matthew Passion: Passio Domini | | | | | | | |
| St. Matthew Passion: Petrus vero sedebat | | | | | | | |
| St. Matthew Passion: Prætereuntes autem | | | | | | | |
| St. Matthew Passion: Principes autem | | | | | | | |
| St. Matthew Passion: Quidam autem | | | | | | | |
| St. Matthew Passion: Respondens autem | | | | | | | |
| St. Matthew Passion: Tunc venit Jesus | | | | | | | |
| St. Matthew Passion: Vespere autem facto | | | | | | | |
| The First Booke of Songs or Ayres, No. 3: "My Thoughts Are Wing'd With Hopes" | | | | Song | | | |
| The First Booke of Songs or Ayres, No. 4: "If My Complaints Could Passions Move" | | | | Song | | | |
| The First Booke of Songs or Ayres, No. 9: "Go Crystal Tears" | | | | Song | | | |
| The First Booke of Songs or Ayres, No. 12: "Rest Awhile You Cruel Cares" | | | | Song | | | |
| The First Booke of Songs or Ayres, No. 14: "All Ye, Whom Love or Fortune" | | | | Song | | | |
| The First Booke of Songs or Ayres, No. 15: "Wilt Thou Unkind Thus Reave Me?" | | | | Song | | | |
| The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite" | | | | Song | | | |
| The First Booke of Songs or Ayres, No. 20: “Come, Heavy Sleep” | | | | Song | | | |
| The First Booke of Songs or Ayres, No. 21: "Away With These Self-Loving Lads" | | | | Song | | | |
| The Second Booke of Songs or Ayres, No. 17: "A shepherd in a shade" | | | | Song | | | |
