A Shepherd in a Shade | Mark Deller, Paul Elliott, Michael George, Rosemary Hardy, Robert Spencer | | | 3:15 | |
Acis and Galatea, HWV 49a: Act One. 2. Chorus: “Oh, the pleasure of the plains!” | Norma Burrowes, Paul Elliott, Willard White, Anthony Rolfe Johnson, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner | | | 5:55 | |
Acis and Galatea, HWV 49a: Act Two. 10. Chorus: “Wretched lovers! Fate has past” | Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner | | | 5:05 | |
Acis and Galatea, HWV 49a: Act Two. 19. Chorus: “Mourn, all ye muses! weep, all ye swains” | Norma Burrowes, Anthony Rolfe Johnson, Paul Elliott, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner | | | 3:16 | |
Acis and Galatea, HWV 49a: Act Two. 20. Air with Chorus: “Must I my Acis still bemoan” (Galatea) | Norma Burrowes, Martyn Hill, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner | | | 3:55 | |
Acis and Galatea, HWV 49a: Act Two. 22. Chorus: “Galatea, dry thy tears” | Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner | | | 3:12 | |
Alceste: I. Overture | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 5:42 | |
Alceste: II. Grand Entrée | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 2:09 | |
Alceste: III. Ye Happy People | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 0:23 | |
Alceste: IV. Triumph, Hymen, in the Pair | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 2:32 | |
Alceste: IX. Ye Fleeting Shades, I Come | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 4:27 | |
Alceste: V. Still Caressing, and Caress'd | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 2:37 | |
Alceste: VI. Ye Swift Minutes as ye Fly | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 3:23 | |
Alceste: VII. O Bless, ye Powers Above | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 1:49 | |
Alceste: VIII. Gentle Morpheus, Son of Night | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 7:23 | |
Alceste: X. Thrice Happy Who in Life Excel | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 1:52 | |
Alceste: XI. Enjoy the Sweet Elysian Grove | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 5:45 | |
Alceste: XII. Thrice Happy | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 1:51 | |
Alceste: XIII. Come Fancy, Empress of the Brain | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 5:45 | |
Alceste: XIV. Symphony; XV. He Comes He Rises From Below | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 1:30 | |
Alceste: XIX. Tune Your Harps, All ye Nine; XX. First Dance | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 3:02 | |
Alceste: XVI. All Hail, Thou Mighty Son of Jove! | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 2:15 | |
Alceste: XVII. Symphony | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 1:50 | |
Alceste: XVIII. From High Olympus' Top | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 0:44 | |
Alceste: XXI. The Last Dance; XXII. Triumph, Thou Glorious Son of Jove | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 2:14 | |
All Ye Whom Love or Fortune Hath Betray'd | Mark Deller, Paul Elliott, Michael George, Rosemary Hardy, Robert Spencer | | | 4:47 | |
Amor potest | Martyn Hill, Paul Elliott, Early Music Consort of London, David Munrow | | | 1:01 | |
Amor potest | Martyn Hill, Paul Elliott, Early Music Consort of London, David Munrow | | | 1:00 | |
Away With the Self-Loving Lads | Mark Deller, Paul Elliott, Michael George, Rosemary Hardy, Robert Spencer | | | 2:41 | |
Beata Viscera | Theatre of Voices, Paul Elliott, Alan Bennett & Paul Hillier | | | 10:03 | |
Benedicamus Domino | Theatre of Voices, Paul Elliott, Alan Bennett & Paul Hillier | | | 4:23 | |
Benedicamus Domino - Humane Prolis | Theatre of Voices, Paul Elliott, Alan Bennett & Paul Hillier | | | 2:45 | |
By a bank as I lay | Paul Elliott, Paul Hillier, David James, Leigh Nixon | | | 1:22 | |
Charming Billy (Air XXXVII) | Patrizia Kwella, Paul Elliott, The Broadside Band | | | 4:58 | |
Chloe found Amyntas | Paul Elliott, Paul Hillier, David James, Lena-Liis Kiesel, Anneke Pols | | | 5:49 | |
Clap, clap, par un matin | Martyn Hill, Paul Elliott, Early Music Consort of London, David Munrow | | | 1:29 | |
Clap, clap, par un matin | Martyn Hill, Paul Elliott, Early Music Consort of London, David Munrow | | | 1:29 | |
Cold and Raw (Air III) | Patrizia Kwella, Paul Elliott, The Broadside Band | | | 6:19 | |
Come Again, Sweet Love | Mark Deller, Paul Elliott, Michael George, Rosemary Hardy, Robert Spencer | | | 2:11 | |
Come, Heavy Sleep | Mark Deller, Paul Elliott, Michael George, Rosemary Hardy, Robert Spencer | | | 4:19 | |
Congaudeant Catholici | Theatre of Voices, Paul Elliott, Alan Bennett & Paul Hillier | | | 3:54 | |
De ma dame vient | Martyn Hill, Paul Elliott, Early Music Consort of London, David Munrow | | | 2:24 | |
De ma dame vient | Martyn Hill, Paul Elliott, Early Music Consort of London, David Munrow | | | 2:23 | |
De Monte | Theatre of Voices, Paul Elliott, Alan Bennett & Paul Hillier | | | 2:34 | |
Dido and Aeneas, Z. 626: Act III, Scene I. Prelude – “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) | Paul Elliott, Choir of Clare College, Cambridge, Philharmonia Baroque Orchestra, Nicholas McGegan | | | 1:29 | |
Die Auferstehung und Himmelfahrt Jesu, Eq 240: No. 4 Recitativ & Arioso "So sag nun, Seele, sag erfreut" (Sopran, Tenor) | Paul Elliott, Martina Lins, Das Kleine Konzert, Hermann Max | | | 4:20 | |
El Grillo | David Munrow, Paul Elliott, Geoffrey Shaw & Martyn Hill | | | 1:47 | |
Exsultet | Paul Elliott, Neal Rogers, Theatre of Voices, Paul Hillier | | | 14:19 | |
Fill Ev'ry Glass (Air XIX) | Patrizia Kwella, Paul Elliott, The Broadside Band | | | 2:42 | |
Geschwinde, Geschwinde, ihr wirbelnden Winde BWV 201: Arie: "Pheobus, deine Melodei" | Paul Elliott, Cappella Coloniensis, Hans-Martin Linde | | | 4:21 | |
Geschwinde, Geschwinde, ihr wirbelnden Winde BWV 201: Recitativ: "Nunmehro Richter her!" | Paul Elliott, Jean Nirouët, Cappella Coloniensis, Hans-Martin Linde | | | 0:37 | |
Geschwinde, Geschwinde, ihr wirbelnden Winde BWV 201: Recitativ: "Wie, Midas, bist du toll?" | Eva Csapó, Paul Elliott, Hein Meens, Jean Nirouët, Michael Schopper, David Thomas, Cappella Coloniensis, Hans-Martin Linde | | | 1:02 | |
Go Crystal Tears | Mark Deller, Paul Elliott, Michael George, Rosemary Hardy, Robert Spencer | | | 3:34 | |
Greensleeves (Air LXVII) | Patrizia Kwella, Paul Elliott, The Broadside Band | | | 8:29 | |
Hail, bright Cecilia, Z328 'Tis Nature's voice: thro' all the moving wood of creatures understood | Paul Elliott, English Baroque Soloists, Sir John Eliot Gardiner | | | 4:13 | |
Hail, bright Cecilia, Z328 Hail, bright Cecilia | Paul Elliott, Brian Gordon, Monteverdi Choir, Jennifer Smith, Ashley Stafford, David Thomas, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | | | 4:43 | |
Hail, bright Cecilia, Z328 Hail, bright Cecilia | Paul Elliott, Brian Gordon, Monteverdi Choir, Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner | | | 4:20 | |
Hail, bright Cecilia, Z328 In vain the am'rous flute and soft guitar jointly labour to inspire | Paul Elliott, Ashley Stafford, English Baroque Soloists, Sir John Eliot Gardiner | | | 6:19 | |
Here lies a woman | Paul Elliott, David James, Leigh Nixon | | | 2:38 | |
Here's that will challenge all the Fair | Paul Elliott, David James, Leigh Nixon | | | 1:56 | |
I Spy Celia | Paul Elliott, Paul Hillier, Lena-Liis Kiesel, Anneke Pols | | | 4:02 | |
If My Complaints Should Passions Move | Mark Deller, Paul Elliott, Michael George, Rosemary Hardy, Robert Spencer | | | 3:31 | |
In Hoc Anni Circulo | Theatre of Voices, Paul Elliott, Alan Bennett & Paul Hillier | | | 7:40 | |
In mari miserie | Martyn Hill, Paul Elliott, Geoffrey Shaw, Early Music Consort of London, David Munrow | | | 1:50 | |
In mari miserie | Martyn Hill, Paul Elliott, Geoffrey Shaw, Early Music Consort of London, David Munrow | | | 1:50 | |
In Natale | Theatre of Voices, Paul Elliott, Alan Bennett & Paul Hillier | | | 6:04 | |
Inter densas deserti | Paul Elliott, Martyn Hill, Early Music Consort of London, David Munrow | | | 3:17 | |
Inter densas deserti | Paul Elliott, Martyn Hill, Early Music Consort of London, David Munrow | | | 3:16 | |
King Arthur: Act I, Scene II. "Come if you dare" | Paul Elliott, Deller Choir | | | 5:52 | |
King Arthur: Act I, Scene II. "Woden first to thee", "Brave Souls", "I call ye all" | Maurice Bevan, Paul Elliott, Mark Deller, Honor Sheppard, Alfred Deller, Deller Choir | | | 10:26 | |
King Arthur: Act II. "Hither this way bend" / "Let not a Moon-born Elf" / "Hither this way" / "Come follow me" | Jean Knibbs, Nigel Beavan,Honor Sheppard, Mark Deller, Paul Elliott, Maurice Bevan, Deller Choir | | | 6:53 | |
King Arthur: Act II. "How blest are Shepherds" / "Shepherd, leave Decoying" | Paul Elliott, Deller Choir, Jean Knibbs, Rosemary Hardy | | | 9:54 | |
King Arthur: Act IV, Scene. 2: Alto: "How Happy The Lover" | Paul Elliott, Honor Sheppard, Maurice Bevan, Rosemary Hardy, Mark Deller, Deller Choir | | | 7:45 | |
King Arthur: Act V, Scene. 2: Symphony; Song Tune, Nereid & Pan: "Round Thy Coasts", Alto, Tenor & Bass: "For Folded Flocks" | The King’s Musick, Jean Knibbs, Maurice Bevan, Mark Deller, Paul Elliott, Deller Choir | | | 7:07 | |
La mesnie fauveline | Paul Elliott, Martyn Hill, Geoffrey Shaw, David Munrow | | | 1:16 | |
La mesnie fauveline | Paul Elliott, Martyn Hill, Geoffrey Shaw, David Munrow | | | 1:16 | |
Lasse! comment oublieray | Paul Elliott, Martyn Hill, Geoffrey Shaw, David Munrow | | | 4:03 | |
Lasse! comment oublieray | Paul Elliott, Martyn Hill, Geoffrey Shaw, David Munrow | | | 4:03 | |
Lasse! Comment oublieray | Paul Elliott, Martyn Hill, Geoffrey Shaw, David Munrow | | | 4:06 | |
Lilium Floruit | Theatre of Voices, Paul Elliott, Alan Bennett & Paul Hillier | | | 4:34 | |
Magnificat, 08: VI. Et misericordia | Paul Elliott, Carolyn Watkinson, Academy of Ancient Music, Simon Preston | | | 3:48 | |
Magnificat, 11: VIII. Deposuit potentes | Paul Elliott, Simon Preston, Academy of Ancient Music | | | 1:58 | |
Messiah, HWV 56, Pt. 1: Comfort Ye, My People...Ev'ry Valley Shall Be Exalted | Paul Elliott, Academy of Ancient Music, Christopher Hogwood | | | 6:35 | |
Messiah, HWV 56, Pt. 2: "All They That See Him...He Trusted in God" | Paul Elliott, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | | | 2:59 | |
Messiah, HWV 56, Pt. 2: "He That Dwelleth in Heaven...Thou Shalt Break Them" | Paul Elliott, Academy of Ancient Music, Christopher Hogwood | | | 2:11 | |
Messiah, HWV 56, Pt. 2: "Thy Rebuke Hath Broken His Heart...Behold The Lamb Of God....He Was Cut Off" | Judith Nelson, Paul Elliott, Academy of Ancient Music, Christopher Hogwood | | | 3:37 | |
Messiah, HWV 56, Pt. 2: "Unto Which Of The Angels...Let All The Angels" | Paul Elliott, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | | | 1:44 | |
Messiah, HWV 56, Pt. 3: "Then shall be brought to pass" / "O death where is thy sting?" | Carolyn Watkinson, Paul Elliott, Academy of Ancient Music, Christopher Hogwood | | | 1:23 | |
Messiah, HWV 56: Part I. "Comfort ye my people - Every valley shall be exalted" | Paul Elliott, Academy of Ancient Music, Christopher Hogwood | | | 6:36 | |
Messiah, HWV 56: Part II. "All they that see him laugh him to scorn - He trusted in God" | Simon Preston, Christ Church Cathedral Choir, Oxford, Paul Elliott, Academy of Ancient Music, Christopher Hogwood | | | 3:00 | |
Messiah, HWV 56: Part II. "He that dwelleth in heaven - Thou shalt break them" | Paul Elliott, Academy of Ancient Music, Christopher Hogwood | | | 2:11 | |
Messiah, HWV 56: Part II. "Thy rebuke hath broken his heart - He was cut off out of the land of the living" | Paul Elliott, Judith Nelson, Academy of Ancient Music, Christopher Hogwood | | | 3:38 | |
Mors | Theatre of Voices, Paul Elliott, Alan Bennett & Paul Hillier | | | 1:37 | |
Motette: Qui es promesses | Early Music Consort of London, David Munrow, Paul Elliott, Martyn Hill, Geoffrey Shaw | | | 1:55 | |
My man John - A Riddle | Paul Elliott, Paul Hillier, Leigh Nixon | | | 2:15 | |
My Thoughts Are Wing'd With Hopes | Paul Elliott, Robert Spencer, Mark Deller | | | 3:36 | |
Natus Est Rex | Theatre of Voices, Paul Elliott, Alan Bennett & Paul Hillier | | | 5:27 | |
Oh, the Broom (Air XVIII) | Patrizia Kwella, Paul Elliott, The Broadside Band | | | 4:54 | |
On thy banks, gentle Stout | Paul Elliott, Lena-Liis Kiesel, Anneke Pols | | | 2:52 | |
Orienti Oriens | Theatre of Voices, Paul Elliott, Alan Bennett & Paul Hillier | | | 2:21 | |