| instruments |
|---|
| 1949-12-29 | Rag Mop | alto saxophone | Lionel Hampton and His Orchestra | 2:53 |
| 1950-10-13 | Oh Babe! | alto saxophone | Lionel Hampton and His Orchestra | 2:25 |
| 1950-10-13 | Who Cares | alto saxophone | Lionel Hampton and His Orchestra | 3:18 |
| 1950-10-27 | Boogie Woogie Santa Claus | alto saxophone | Lionel Hampton and His Orchestra | 2:45 |
| 1950-10-27 | Merry Christmas Baby | alto saxophone | Lionel Hampton and His Orchestra | 3:22 |
| 1950-10-30 | If You Ever Learn to Love Me | alto saxophone | Lionel Hampton and His Orchestra | 3:16 |
| 1950-10-30 | June | alto saxophone | Lionel Hampton and His Orchestra | 3:08 |
| 1950-10-30 | Perdido | alto saxophone | Lionel Hampton and His Orchestra | 2:50 |
| 1951-04-17 | Airmail Special | alto saxophone | Lionel Hampton and His Orchestra | 3:09 |
| 1951-04-17 | Cool Train | alto saxophone | Lionel Hampton and His Orchestra | 3:01 |
| 1951-04-17 | Gladysee Bounce | alto saxophone | Lionel Hampton and His Orchestra | 2:58 |
| 1951-04-17 | I Can't Believe That You're in Love With Me | alto saxophone | Lionel Hampton and His Orchestra | 3:08 |
| 1951-05-08 | A Kiss Was Just a Kiss (Until You Came Along) | alto saxophone | Lionel Hampton and His Orchestra | 2:51 |
| 1951-05-08 | Alone | alto saxophone | Lionel Hampton and His Orchestra | 3:19 |
| 1951-05-08 | Gates Steps Out | alto saxophone | Lionel Hampton and His Orchestra | 5:08 |
| 1951-05-08 | Love You Like Mad | alto saxophone | Lionel Hampton and His Orchestra | 2:56 |
| 1951-05-21 | Eli, Eli, Part 1 | alto saxophone | Lionel Hampton and His Orchestra | 2:51 |
| 1951-05-21 | Eli, Eli, Part 2 | alto saxophone | Lionel Hampton and His Orchestra | 3:18 |
| 1951-05-21 | Hannah, Hannah | alto saxophone | Lionel Hampton and His Orchestra | 3:05 |
| 1951-05-21 | Shalom, Shalom | alto saxophone | Lionel Hampton and His Orchestra | 2:37 |
| 1952-02 | Goodbye | baritone saxophone | Flip Phillips | 3:35 |
| 1952-02 | Salute to Pres | baritone saxophone | Flip Phillips | 2:51 |
| 1952-02 | Swedish Pastry | baritone saxophone | Flip Phillips | 3:16 |
| 1952-02 | Undecided | baritone saxophone | Flip Phillips | 2:56 |
| 1954-03-06 | Afro Corolombo | flute | Cal Tjader Quintet | 1:29 |
| 1954-03-06 | Alegres Congas | flute | Cal Tjader Quintet | 1:05 |
| 1954-03-06 | Alegres Timbales | flute | Cal Tjader Quintet | 1:13 |
| 1954-03-06 | Mambo Moderno | flute | Cal Tjader Quintet | 3:31 |
| 1954-03-06 | Mueve La Cintura | flute | Cal Tjader Quintet | 2:34 |
| 1955-05-13 | I Could Write a Book | flute | Betty Carter & Ray Bryant | 2:41 |
| 1955-05-13 | No Moon at All | flute | Betty Carter & Ray Bryant | 2:55 |
| 1955-05-13 | Old Devil Moon | flute | Betty Carter & Ray Bryant | 4:03 |
| 1955-05 | Can't We Be Friends | saxophone | Betty Carter | 2:25 |
| 1955-05 | Gone With the Wind | saxophone | Betty Carter | 4:10 |
| 1955-05 | I Could Write a Book | saxophone | Betty Carter | 2:37 |
| 1955-05 | Moonlight in Vermont | saxophone | Betty Carter | 3:25 |
| 1955-05 | The Way You Look Tonight | saxophone | Betty Carter | 2:42 |
| 1955-05 | Thou Swell | saxophone | Betty Carter | 1:39 |
| 1955-06-28 | Bohemia After Dark | tenor saxophone | Kenny Clarke, Nat Adderley, Horace Silver, Julian “Cannonball” Adderley, Donald Byrd, Paul Chambers & Jerome Richardson | 6:06 |
| 1955-06-28 | Bohemia After Dark | tenor saxophone | Kenny Clarke | 2:25 |
| 1955-06-28 | Bohemia After Dark | woodwind | Kenny Clarke Septet | 6:08 |
| 1955-06-28 | Bohemia After Dark | flute | Kenny Clarke | 2:25 |
| 1955-06-28 | Bohemia After Dark | flute | Kenny Clarke, Nat Adderley, Horace Silver, Julian “Cannonball” Adderley, Donald Byrd, Paul Chambers & Jerome Richardson | 6:06 |
| 1955-06-28 | Bohemia After Dark | tenor saxophone | Cannonball Adderley | 5:46 |
| 1955-06-28 | Bohemia After Dark | flute | Cannonball Adderley | 5:46 |
| 1955-06-28 | Chasm | flute | Kenny Clarke, Nat Adderley, Horace Silver, Julian “Cannonball” Adderley, Donald Byrd, Paul Chambers & Jerome Richardson | 4:23 |
| 1955-06-28 | Chasm | flute | Cannonball Adderley | 4:05 |
| 1955-06-28 | Chasm | tenor saxophone | Cannonball Adderley | 4:05 |
| 1955-06-28 | Chasm | woodwind | Kenny Clarke Septet | 4:20 |
| 1955-06-28 | Chasm | tenor saxophone | Kenny Clarke, Nat Adderley, Horace Silver, Julian “Cannonball” Adderley, Donald Byrd, Paul Chambers & Jerome Richardson | 4:23 |
| 1955-06-28 | Late Entry | flute | Kenny Clarke, “Cannonball” Adderley, Horace Silver, Donald Byrd, Nat Adderley, Jerome Richardson & Paul Chambers | 3:16 |
| 1955-06-28 | Late Entry | flute | Kenny Clarke, Nat Adderley, Horace Silver, Julian “Cannonball” Adderley, Paul Chambers & Jerome Richardson | 3:10 |
| 1955-06-28 | Late Entry | tenor saxophone | Cannonball Adderley | 3:15 |
| 1955-06-28 | Late Entry | tenor saxophone | Kenny Clarke, Nat Adderley, Horace Silver, Julian “Cannonball” Adderley, Paul Chambers & Jerome Richardson | 3:10 |
| 1955-06-28 | Late Entry | woodwind | Kenny Clarke Septet | 3:14 |
| 1955-06-28 | Late Entry | flute | Cannonball Adderley | 3:15 |
| 1955-06-28 | Willow Weep for Me | flute | Kenny Clarke, Horace Silver, Julian “Cannonball” Adderley & Paul Chambers | 6:23 |
| 1955-06-28 | Willow Weep for Me | tenor saxophone | Kenny Clarke, Horace Silver, Julian “Cannonball” Adderley & Paul Chambers | 6:23 |
| 1955-06-28 | With Apologies to Oscar | flute and tenor saxophone | Kenny Clarke, “Cannonball” Adderley, Horace Silver, Donald Byrd, Nat Adderley, Jerome Richardson & Paul Chambers | 5:43 |
| 1955-06-28 | With Apologies to Oscar | flute | Cannonball Adderley | 5:42 |
| 1955-06-28 | With Apologies to Oscar | tenor saxophone | Cannonball Adderley | 5:42 |
| 1955-06-28 | With Apologies to Oscar | flute | Kenny Clarke, Nat Adderley, Horace Silver, Julian “Cannonball” Adderley, Donald Byrd, Paul Chambers & Jerome Richardson | 9:06 |
| 1955-06-28 | With Apologies to Oscar | tenor saxophone | Kenny Clarke, Nat Adderley, Horace Silver, Julian “Cannonball” Adderley, Donald Byrd, Paul Chambers & Jerome Richardson | 9:06 |
| 1955-06-28 | With Apologies to Oscar | woodwind | Kenny Clarke Septet | 5:45 |
| 1955-06-28 | With Apologies to Oscar (take 2) | flute | Cannonball Adderley | 5:45 |
| 1955-06-28 | With Apologies to Oscar (take 2) | tenor saxophone | Cannonball Adderley | 5:45 |
| 1955-07-21 | Cynthia’s in Love | flute and tenor saxophone | Julian Cannonball Adderley | 3:07 |
| 1955-07-21 | Hurricane Connie | flute and tenor saxophone | Julian Cannonball Adderley | 4:18 |
| 1955-07-21 | Purple Shades | flute and tenor saxophone | Julian Cannonball Adderley | 3:34 |
| 1955-07-21 | The Song Is You | flute | Julian Cannonball Adderley | 4:16 |
| 1955-07-21 | The Song Is You | tenor saxophone | Julian Cannonball Adderley | 4:16 |
| 1955-07-26 | Ann Springs | woodwind | Nat Adderley | 6:12 |
| 1955-07-26 | Ann Springs | woodwind | Cannonball Adderley | 6:19 |
| 1955-07-26 | Big E | woodwind | Cannonball Adderley | 10:42 |
| 1955-07-26 | Big E | woodwind | Nat Adderley | 10:34 |
| 1955-07-26 | I Married an Angel | woodwind | Nat Adderley | 4:32 |
| 1955-07-26 | Kuzzin's Buzzin' | woodwind | Cannonball Adderley | 5:12 |
| 1955-07-26 | Kuzzin's Buzzin' | woodwind | Nat Adderley | 5:07 |
| 1955-07-26 | Porky | woodwind | Cannonball Adderley | 5:16 |
| 1955-07-26 | Porky | woodwind | Nat Adderley | 5:13 |
| 1955-07-26 | You Better Go Now | woodwind | Nat Adderley | 5:55 |
| 1955-07-26 | You Better Go Now | woodwind | Cannonball Adderley | 5:59 |
| 1955-07-29 | Cannonball | flute and tenor saxophone | Julian Cannonball Adderley | 4:16 |
| 1955-07-29 | Everglade | flute and tenor saxophone | Julian Cannonball Adderley | 3:42 |
| 1955-07-29 | You’d Be So Nice to Come Home To | flute and tenor saxophone | Julian Cannonball Adderley | 3:37 |
| 1955-08-05 | Fallen Feathers | flute and tenor saxophone | Julian Cannonball Adderley | 3:48 |
| 1955-08-05 | Rose Room | flute and tenor saxophone | Julian Cannonball Adderley | 5:46 |
| 1955-08-05 | Willows | flute and tenor saxophone | Julian Cannonball Adderley | 4:59 |
| 1955-08-12 | Another One | woodwind | Oscar Pettiford | 4:10 |
| 1955-08-12 | Another One | clarinet | Oscar Pettiford | 5:10 |
| 1955-08-12 | Bohemia After Dark | clarinet | Oscar Pettiford | 5:35 |
| 1955-08-12 | Bohemia After Dark | woodwind | Oscar Pettiford | 5:34 |
| 1955-08-12 | Don't Squawk | clarinet | Oscar Pettiford | 4:17 |
| 1955-08-12 | Don't Squawk | woodwind | Oscar Pettiford | 4:16 |
| 1955-08-12 | I Hadn't Anyone Till You | tenor saxophone | Jimmy Cleveland | 4:15 |
| 1955-08-12 | Kamman's A-Coming | woodwind | Oscar Pettiford | 5:08 |
| 1955-08-12 | Kamman's A' Comin' | clarinet | Oscar Pettiford | 4:12 |
| 1955-08-12 | Minor Seventh Heaven | clarinet | Oscar Pettiford | 4:11 |
| 1955-08-12 | Minor Seventh Heaven | woodwind | Oscar Pettiford | 3:57 |
| 1955-08-12 | Oscalypso | woodwind | Oscar Pettiford | 2:07 |
| See all 1,671 relationships |
| orchestrated |
|---|
| All Around the World | | Grady Tate | 3:47 |
| Don't Fence Me In | | Grady Tate | 2:15 |
| Fools Rush In | | Grady Tate | 2:55 |
| Hooray | | Grady Tate | 2:48 |
| I Fall in Love Too Easily | | Grady Tate | 2:45 |
| Little at a Time | | Grady Tate | 3:50 |
| Lost in the Stars | | Grady Tate | 3:00 |
| Meditation | | Grady Tate | 3:10 |
| My Ship | | Grady Tate | 3:14 |
| Nature Boy | | Grady Tate | 3:08 |
| Poor Butterfly | | Grady Tate | 2:00 |
| T.N.T. | | Grady Tate | 3:55 |
| The End of a Love Affair | | Grady Tate | 2:29 |
| What Now My Love | | Grady Tate | 4:00 |
| Work Song | | Grady Tate | 6:30 |
| You're Gone | | Grady Tate | 2:25 |
| performed |
|---|
| 1959-06-16 | The Birth of a Band | additional | Quincy Jones | 2:58 |
| vocals |
|---|
| 1954-08-07 | Almost Like Being in Love | | Earl Hines | 2:34 |
| 1954-08-07 | I Don't Hear Sweet Music Anymore | | Earl Hines | 2:48 |
| instruments |
|---|
| 1956-02-14 | Dizzy Gillespie's Big Band Jazz | alto saxophone | Dizzy Gillespie | |
| 1956-02-14 | Dizzy Gillespie's Big Band Jazz | flute | Dizzy Gillespie | |
| 1959-04-13 – 1959-04-20 | Time to Swing | tenor saxophone | Dakota Staton | |
| 1971-11-04 | The Heist (Music From the Original Motion Picture Sound Track) | woodwind | Quincy Jones | |
| 1972-08 | Can’t Buy a Thrill | additional and tenor saxophone | Steely Dan | |
| 1972-08 | Can’t Buy a Thrill | additional and tenor saxophone | Steely Dan | |
| 1975 | Mellow Madness | saxophone | Quincy Jones | |
| 1984-04-13 – 1984-05-17 | L.A. Is My Lady | saxophone | Frank Sinatra with Quincy Jones and Orchestra | |
| Beautiful Noise | brass | Neil Diamond | |
| Big Band Bossa Nova | flute | Quincy Jones | |
| Big Band Bossa Nova | alto flute | Quincy Jones | |
| Can’t Buy a Thrill | additional and tenor saxophone | Steely Dan | |
| Can’t Buy a Thrill | additional and tenor saxophone | Steely Dan | |
| Down Through the Years: Live at Condon's New York | alto saxophone | The Clifford Jordan Big Band | |
| Estate of Mind | brass [horns] | Evie Sands | |
| Hear, O Israel: A Prayer Ceremony in Jazz | flute | Herbie Hancock, Thad Jones, Ron Carter, Jerome Richardson, Grady Tate & Jonathan Klein | |
| Hear, O Israel: A Prayer Ceremony in Jazz | tenor saxophone | Herbie Hancock, Thad Jones, Ron Carter, Jerome Richardson, Grady Tate & Jonathan Klein | |
| Hear, O Israel: A Prayer Ceremony in Jazz | alto saxophone | Herbie Hancock, Thad Jones, Ron Carter, Jerome Richardson, Grady Tate & Jonathan Klein | |
| King Size | baritone saxophone | B.B. King | |
| Moondreams | flute | Walter Wanderley | |
| On a Rainy Afternoon | flute | Tony Perkins | |
| Out There With Betty Carter | bassoon, flute and tenor saxophone | Betty Carter | |
| That's Nat | flute and saxophone | Nat Adderley | |
| The Black Saint and the Sinner Lady | baritone saxophone, flute and soprano saxophone | Mingus | |
| composed |
|---|
| Groove Merchant | | | |
| The Birth of a Band | | | |
| wrote |
|---|
| Lamento De Hodi | | | |
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