| Allegro brillant, op. 92 | | | | | | | | |
| Andante con Variazioni, op. 83a: I. Andante | | | | | | | | |
| Andante con Variazioni, op. 83a: II. Variazioni 1-2 | | | | | | | | |
| Andante con Variazioni, op. 83a: III. Variazioni 3-6 | | | | | | | | |
| Andante con Variazioni, op. 83a: IV. Variazioni 7-8 | | | | | | | | |
| Andante con Variazioni, op. 83a: V. Allegro assai vivace | | | | | | | | |
| Andante in B-flat major for Piano Four Hands, MWV T 3 | | | | | | | | |
| Aus Italien, op. 16: I. Andante. Auf der Campagna | | | | | | | | |
| Aus Italien, op. 16: II. Allegro molto con brio. In Roms Ruinen | | | | | | | | |
| Aus Italien, op. 16: III. Andantino. Am Strande von Sorrent | | | | | | | | |
| Aus Italien, op. 16: IV. Finale: Allegro molto. Neapolitanisches Volksleben | | | | | | | | |
| Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: I. Assai lento | | - Martha Argerich, Nelson Freire, Jan Labordus, Jan Pustjens, Koninklijk Concertgebouworkest, David Zinman
- Pierre‐Laurent Aimard, Neil Percy, Tamara Stefanovich, Nigel Thomas, London Symphony Orchestra, Pierre Boulez
- Ditta Pásztory‐Bartók, Erzsébet Tusa, Budapest Symphony Orchestra, János Sándor
- Katia & Marielle Labèque, Sylvio Gualda, Jean-Pierre Drouet, City of Birmingham Symphony Orchestra, Simon Rattle
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| Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: II. Lento, ma non troppo | | - Martha Argerich, Nelson Freire, Jan Labordus, Jan Pustjens, Koninklijk Concertgebouworkest, David Zinman
- Pierre‐Laurent Aimard, Neil Percy, Tamara Stefanovich, Nigel Thomas, London Symphony Orchestra, Pierre Boulez
- Ditta Pásztory‐Bartók, Erzsébet Tusa, Budapest Symphony Orchestra, János Sándor
- Katia & Marielle Labèque, Sylvio Gualda, Jean-Pierre Drouet, City of Birmingham Symphony Orchestra, Simon Rattle
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| Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: III. Allegro non troppo | | - Martha Argerich, Nelson Freire, Jan Labordus, Jan Pustjens, Koninklijk Concertgebouworkest, David Zinman
- Pierre‐Laurent Aimard, Neil Percy, Tamara Stefanovich, Nigel Thomas, London Symphony Orchestra, Pierre Boulez
- Ditta Pásztory‐Bartók, Erzsébet Tusa, Budapest Symphony Orchestra, János Sándor
- Katia & Marielle Labèque, Sylvio Gualda, Jean-Pierre Drouet, City of Birmingham Symphony Orchestra, Simon Rattle
- (show 6 more)
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| Das Schloss am Meere ("Hast du das Schloss gesehen"), melodrama for narrator and piano | | | | | | | | |
| Due Capricci: Capriccio no. 2 | | | | | | | | |
| Enoch Arden | | | | | | | | |
| Hochzeitspräludium in B-flat major, for 2 harmoniums | | | | | | | | |
| La Valse | | | | | | | | |
| Musica ricercata: I. Sostenuto - Misurato - Prestissimo | | | | | | | | |
| Musica ricercata: II. Mesto, rigido e cerimoniale | | | | | | | | |
| Musica ricercata: IX. Adagio. Mesto - Allegro maestoso | | | | | | | | |
| Musica ricercata: V. Rubato. Lamentoso | | | | | | | | |
| Musica ricercata: VII. Cantabile, molto legato | | | | | | | | |
| Octet in E-flat major, op. 20: I. Allegro moderato, ma con fuoco | | | | | | | | |
| Octet in E-flat major, op. 20: II. Andante | | | | | | | | |
| Octet in E-flat major, op. 20: III. Scherzo: Allegro leggerissimo | | | | | | | | |
| Octet in E-flat major, op. 20: IV. Presto | | | | | | | | |
| Pavane pour une infante défunte | | | | | | | - 0P9-0300-6 (JASRAC ID)
- G major (Key)
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| Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 1. Bulgarian Rhythm | | | | | | | | |
| Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 2. Chord and Trill Study | | | | | | | | |
| Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 3. Perpetuum mobile | | | | | | | | |
| Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 4. Short Canon and Its Inversion | | | | | | | | |
| Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 5. New Hungarian Folksong | | | | | | | | |
| Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 6. Chromatic Invention | | | | | | | | |
| Pieces from Mikrokosmos, Sz. 108, BB. 120: No. 7. Ostinato | | | | | | | | |
| Scaramouche, op. 165b: I. Vif | | | | | | | | |
| Scaramouche, op. 165b: II. Modéré | | | | | | | | |
| Scaramouche, op. 165b: III. Brazileira (Mouvement de samba) | | | | | | | | |
| Serenade in E-flat major | | | | | | | | |
| Sonata for 2 Pianos in F minor, op. 34b: I. Allegro non troppo | | | | | | | | |
| Sonata for 2 Pianos in F minor, op. 34b: II. Andante, un poco adagio | | | | | | | | |
| Sonata for 2 Pianos in F minor, op. 34b: III. Scherzo. Allegro | | | | | | | | |
| Sonata for 2 Pianos in F minor, op. 34b: IV. Finale. Poco sostenuto - Allegro non troppo - Presto, non troppo | | | | | | | | |
| Suite for winds, op. 4: 1. Allegretto | | | | | | | | |
| Suite for winds, op. 4: 2. Romanze | | | | | | | | |
| Suite for winds, op. 4: 3. Gavotte | | | | | | | | |
| Suite for winds, op. 4: 4. Introduction and Fugue: Andante cantabile — Allegro con brio | | - Benoña Uriarte, Karl-Hermann Mrongovius
- Royal Liverpool Philharmonic Orchestra, Gerard Schwarz
- Jo Hagen, Werner Herbers, Ton Kerstens, Joop Meijer, Hens Otter, Jan Peeters, George Pieterson, Carlo Ravelli, Iman Soeteman, Joep Terwey, Paul Verhey, Klaas van Vliet, Henk de Wit, Edo de Waart
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| Symphony no. 2 in F minor, op. 12 (TrV 126): 1. Allegro ma non troppo | | | | | | | | |
| Symphony no. 2 in F minor, op. 12 (TrV 126): 2. Scherzo: Presto | | | | | | | | |
| Symphony no. 2 in F minor, op. 12 (TrV 126): 3. Andante cantabile | | | | | | | | |
| Symphony no. 2 in F minor, op. 12 (TrV 126): 4. Allegro assai, molto appassionato | | | | | | | | |
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