| Carmen Suite no. 1 : IV. Séguedille. Allegretto | | | | | | | |
| Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato | | | | | | | |
| Carmen Suite no. 1: II. Aragonaise. Allegro vivo | | | | | | | |
| Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Julius Baker, New York Philharmonic, Leonard Bernstein
- (show 90 more)
| | | | | |
| Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato | | | | | | | |
| Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Nemzeti Filharmonikus zenekar, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Emil Edlinger, Alfred Scholz, János Sándor
- [unknown]
- Royal Philharmonic Orchestra, Louis Clark
- New York Philharmonic, Leonard Bernstein
- (show 92 more)
| | | | | |
| Carmen Suite no. 2: I. Marche des contrebandiers | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Royal Philharmonic Orchestra, Mark Ermler
- Orchestre des Concerts Lamoureux, Igor Markevitch
- New York Philharmonic, Leonard Bernstein
- (show 36 more)
| | | | | |
| Carmen Suite no. 2: II. Habanera | | - Amsterdam Symphony Orchestra, Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Symfonický orchester Slovenského rozhlasu, Loic Bertrand, Cesare Cantieri, Zdeněk Košler, Alfred Scholz, Peter Stern, János Sándor
- [unknown]
- New York Philharmonic, Leonard Bernstein
- Orchestre des Concerts Lamoureux, Igor Markevitch
- (show 70 more)
| | | | | |
| Carmen Suite no. 2: III. Nocturne | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Anton Nanut, Alfred Scholz, János Sándor
- Orchestre des Concerts Lamoureux, Igor Markevitch
- New York Philharmonic, Leonard Bernstein
- Royal Philharmonic Orchestra, Mark Ermler
- (show 26 more)
| | | | | |
| Carmen Suite no. 2: IV. Chanson du toréador | | | | | | | |
| Carmen Suite no. 2: V. La Garde montante | | | | | | | |
| Carmen Suite no. 2: VI. Danse bohème | | | | | | | |
| Coppélia : Tableau I, no. 1b. Valse | | | | | | | |
| Coppélia : Tableau III, No. 20h. Galop final | | | | | | | |
| Dance of the Sugar Plum Fairy | | | | | | | |
| Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro | | | | Overture | | | |
| Francesca da Rimini, op. 25: Epilogue. "A-a..." / "O, v étot den' mï ból'se ne citáli!" (Francesca, Paolo, The Tormented) | | - Makvala Kasrashvili, Vladimir Atlantov, Bolshoi Theatre Choir, Bolshoi Theatre Orchestra, Mark Ermler
- Maria Guleghina, Sergej Larin, GöteborgsOperans Kör, Göteborgs Symfoniker, Neeme Järvi
- Maria Guleghina, Sergei Larin, GöteborgsOperans Kör, Göteborgs Symfoniker, Neeme Järvi
| | | | | |
| Francesca da Rimini, op. 25: Prologue. (Largo) | | | | | | | |
| Francesca da Rimini, op. 25: Prologue. Part 1. "Tepér' vstupáyem mï v slepúyu bézdnu" (Virgil Shade, Dante) | | - Alexander Laptev, Mikhail Maslov, Bolshoi Theatre Choir, Bolshoi Theatre Orchestra, Mark Ermler
- Сергей Васильевич Рахманинов
- Sergei Aleksashkin, Ilya Levinsky, GöteborgsOperans Kör, Göteborgs Symfoniker, Neeme Järvi
- Sergei Aleksashkin, Ilya Levinsky, Göteborgs Symfoniker, Neeme Järvi
| | | | | |
| Francesca da Rimini, op. 25: Prologue. Part 2. "A-a..." / "Moy sïn" (The Tormented, Virgil's Shade, Dante) | | - Alexander Laptev, Mikhail Maslov, Makvala Kasrashvili, Vladimir Atlantov, Bolshoi Theatre Choir, Bolshoi Theatre Orchestra, Mark Ermler
- Sergei Aleksashkin, Ilya Levinsky, GöteborgsOperans Kör, Göteborgs Symfoniker, Neeme Järvi
- Sergei Aleksashkin, Ilya Levinsky, Maria Guleghina, Sergei Larin, GöteborgsOperans Kör, Göteborgs Symfoniker, Neeme Järvi
| | | | | |
| Francesca da Rimini, op. 25: Tableau 2. (Moderato - Allegro vivace) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau 2. Scene I. "Prekásnaya Ginévra" (Paolo) | | - Vladimir Atlantov, Makvala Kasrashvili, Yevgeny Nesterenko, Bolshoi Theatre Orchestra, Mark Ermler
- Сергей Васильевич Рахманинов
- Sergej Larin, Göteborgs Symfoniker, Neeme Järvi
- Sergei Larin, Maria Guleghina, Сергей Петрович Лейферкус, Göteborgs Symfoniker, Neeme Järvi
| | | | | |
| Francesca da Rimini, op. 25: Tableau I, Scene I. "Otvét moy prost" (Lanceotto, Retainers) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau I, Scene II. "Nictó ne zaglusít revnívïkh dum" (Lanceotto) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau I, Scene III. "Moy povelítel' zval menyá?" (Francesca, Lanceotto) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau I. (Allegro vivace) | | | | | | | |
| Le Convive de pierre: Acte I, Deuxième Tableau. Deuxième chanson de Laura: "C'est moi, Inesilla" ; départ des invités | | | | | | | |
| Le Convive de pierre: Acte I, Deuxième Tableau. Laura et Don Carlos | | | | | | | |
| Le Convive de pierre: Acte I, Deuxième Tableau. Laura, les invités | | | | | | | |
| Le Convive de pierre: Acte I, Deuxième Tableau. Laura, les invités, Don Carlos | | | | | | | |
| Le Convive de pierre: Acte I, Deuxième Tableau. Les mêmes et Don Juan ; meurtre de Don Carlos | | | | | | | |
| Le Convive de pierre: Acte I, Deuxième Tableau. Première chanson de Laura: "La brume enveloppe Grenade" | | | | | | | |
| Le Convive de pierre: Acte I, Premier Tableau. Don Juan et Leporello | | | | | | | |
| Le Convive de pierre: Acte I, Premier Tableau. Les mêmes et Dona Anna | | | | | | | |
| Le Convive de pierre: Acte I, Premier Tableau. Les mêmes et le Moine | | | | | | | |
| Le Convive de pierre: Acte II. Don Juan et Dona Anna | | | | | | | |
| Le Convive de pierre: Acte II. Don Juan et Leporello | | | | | | | |
| Le Convive de pierre: Acte II. Monologue de Don Juan | | | | | | | |
| Le Convive de pierre: Acte III. Don Juan, Dona Anna | | | | | | | |
| Le Convive de pierre: Acte III. Les mêmes, la statue du Commandeur | | | | | | | |
| Peer Gynt Suite no. 1, op. 46: I. Morgenstemning | | - [unknown]
- Amsterdam Symphony Orchestra, London Festival Orchestra, Slowakische Staatsphilharmonie, Bratislava Radio Symphony Orchestra, Orchestre Philharmonique de la Slovaquie, Sven Bengtson, Alberto Lizzio, Libor Pesek, Róbert Stankovský, Peter Stern
- Berliner Philharmoniker, Herbert von Karajan
- Gothenburg Symphony Orchestra, Neeme Järvi
- (show 141 more)
| | | | | |
| Peer Gynt Suite no. 1, op. 46: II. Åses død | | - Berliner Philharmoniker, Herbert von Karajan
- Amsterdam Symphony Orchestra, London Festival Orchestra, Slowakisches Philharmonisches Orchester, Philharmonic Ensemble Pro Musica, Slowakische Staatsphilharmonie, Slowakische Staatsphilharmonie, Sven Bengtson, Herbert Fleischmann, Libor Pešek, Peter Stern
- Göteborgs Symfoniker, Neeme Järvi
- [unknown]
- (show 88 more)
| | | | | |
| Peer Gynt Suite no. 1, op. 46: III. Anitras dans | | | | | | | |
| Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall | | | | | | | |
| Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage | | - Berliner Philharmoniker, Herbert von Karajan
- London Festival Orchestra, Philharmonic Ensemble Pro Musica, Slowakische Staatsphilharmonie, Sven Bengtson, Herbert Fleischmann, Libor Pesek
- London Festival Orchestra, Slowakische Staatsphilharmonie, Sven Bengtson, Libor Pesek
- Göteborgs Symfoniker, Neeme Järvi
- (show 54 more)
| | | | | |
| Peer Gynt Suite no. 2, op. 55: II. Arabisk dans | | | | | | | |
| Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) | | - Berliner Philharmoniker, Herbert von Karajan
- International Concert Orchestra, London Festival Orchestra, Philharmonic Ensemble Pro Musica, Slowakische Staatsphilharmonie, Sven Bengtson, Herbert Fleischmann, Alfred Gehardt, Libor Pesek, Viktor Zimmerman
- Göteborgs Symfoniker, Neeme Järvi
- Amsterdam Symphony Orchestra, Peter Stern
- (show 51 more)
| | | | | |
| Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang | | | | | | | |
| Peer Gynt, op. 23: 3. akt: Åses død | | | | | | | |
| Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning | | | | | | | |
| Peer Gynt, op. 23: 4. akt: Solveigs sang | | | | | | | |
| Romeo and Juliet, op. 64 | | | | Ballet | | | |
| Romeo and Juliet, op. 64: Act I. Scene II. No. 13. Dance of the Knights | | | | | | | 5 |
| Romeo and Juliet, op. 64: Act II. Scene I. No. 25. Dance with the mandolins | | | | | | | |
| Romeo and Juliet, op. 64: Act III. Epilogue. No. 51. Juliet's funeral | | | | | | | |
| Romeo and Juliet, op. 64: Act III. Epilogue. No. 52. Death of Juliet | | | | | | | |
| Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets | | | | | | | |
| Suite from "Love for Three Oranges", op. 33A | | | | Suite | | | |
| Swan Lake, op. 20: Act I, no. 1: Scene: Allegro giusto | | | | | | | |
| Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse | | | | | | | |
| Swan Lake, op. 20: Act I, no. 3: Scene: Allegro moderato | | | | | | | |
| Swan Lake, op. 20: Act I, no. 4: Pas de trois: I. Intrada: Allegro | | | | | | | |
| Swan Lake, op. 20: Act I, no. 4: Pas de trois: II. Adagio: Andante sostenuto | | | | | | | |
| Swan Lake, op. 20: Act I, no. 4: Pas de trois: III. Allegro semplice | | | | | | | |
| Swan Lake, op. 20: Act I, no. 4: Pas de trois: IV. Moderato | | | | | | | |
| Swan Lake, op. 20: Act I, no. 4: Pas de trois: V. Allegro | | | | | | | |
| Swan Lake, op. 20: Act I, no. 4: Pas de trois: VI. Coda: Allegro vivace | | | | | | | |
| Swan Lake, op. 20: Act I, no. 5: Pas de deux: I. Tempo di valse ma non troppo Vivo, Quasi moderato | | | | | | | |
| Swan Lake, op. 20: Act I, no. 5: Pas de deux: II. Andante - Allegro | | | | | | | |
| Swan Lake, op. 20: Act I, no. 5: Pas de deux: III. Tempo di valse | | | | | | | |
| Swan Lake, op. 20: Act I, no. 5: Pas de deux: IV. Coda: Allegro molto vivace | | | | | | | |
| Swan Lake, op. 20: Act I, no. 6: Pas d'Action: Andantino quasi moderato - Allegro | | | | | | | |
| Swan Lake, op. 20: Act I, no. 7: Sujet | | | | | | | |
| Swan Lake, op. 20: Act I, no. 8: Danse des Coupes: Tempo di polacca | | | | | | | |
| Swan Lake, op. 20: Act I, no. 9: Finale: Andante | | | | | | | |
| Swan Lake, op. 20: Act I: Introduction: Moderato assai, Allegro ma non troppo | | | | | | | |
| Swan Lake, op. 20: Act II, no. 10: Scene: Moderato | | | | | | | |
| Swan Lake, op. 20: Act II, no. 11: Scene: Allegro moderato – Allegro vivo | | | | | | | |
| Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: I. Tempo di valse | | | | | | | |
| Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: II. Moderato assai - Molto piu mosso | | | | | | | |
| Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: III. Danses des Cygnes: Tempo di valse | | | | | | | |
| Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato | | | | Ballet | | | |
| Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: V. Pas d'Action (Odette et le Prince): Andante - Andante non troppo - Allegro | | | | | | | |
| Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VI. Tempo di valse (Tout le monde danse) | | | | | | | |
| Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VII. Coda: Allegro vivo | | | | | | | |
| Swan Lake, op. 20: Act II, no. 14: Scène: Moderato | | | | | | | |
| Swan Lake, op. 20: Act III, no. 15: Scène: Allegro giusto | | | | | | | |
| Swan Lake, op. 20: Act III, no. 16: Danses du corps de ballet et des nains: Moderato assai - Allegro vivo | | | | | | | |
| Swan Lake, op. 20: Act III, no. 17: Scène: La Sortie des invités et Valse | | | | | | | |
| Swan Lake, op. 20: Act III, no. 18: Scène: Allegro: Allegro giusto | | | | | | | |
| Swan Lake, op. 20: Act III, no. 19: Pas de six: Coda: Allegro molto | | | | | | | |
| Swan Lake, op. 20: Act III, no. 19: Pas de six: Intrada: Moderato assai | | | | | | | |
| Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation I: Allegro | | | | | | | |
| Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation II: Andante con moto | | | | | | | |
| Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation III: Moderato | | | | | | | |
| Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation IV: Allegro | | | | | | | |
| Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation V: Moderato - Allegro semplice | | | | | | | |
| Swan Lake, op. 20: Act III, no. 20: Danse hongroise: Czárdás: Moderato assai - Allegro moderato: Vivace | | | | | | | |
| Swan Lake, op. 20: Act III, no. 20A: Danse russe: Moderato: Andante semplice - Allegro vivo | | | | | | | |
| Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero) | | | | | | | |
