| Alcina, HWV 34: Atto III, IV. Recitative "M'inganna, me n'avveggo" (Oronte) | | | | | | | |
| Alcina, HWV 34: Atto III, V. Aria "Un momento di contento" (Oronte) | | | | | | | |
| Alexander's Feast, HWV 75: Part I, no. 3. Aria "Happy, happy pair" | | | | Aria | | | |
| An Edlitam, S. 333 | | | | | | | |
| Ariodante, HWV 33: Atto II, no. 38. "Tu vivi, e punito" | | | | Aria | | | |
| Artaxerxes: Act II: No. 19. Air: Thou, like the glorious sun | | | | Aria | | | |
| Berenice, HWV 38: Atto I. Aria "Vedi l'ape che ingegnosa" | | | | Aria | | | |
| Blackbird | | | | Song | | - 15864101 (AKM ID)
- 1061282 (APDAYC ID)
- (show 20 more)
- 000078 588 60 (SUISA ID)
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| Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
| Clair de lune, op. 46 no. 2 | | | | Song | | | |
| Comment, disaient-ils, S. 276/1 | | | | Song | | | |
| Crux fidelis, op. 43 no. 1 | | | | | | | |
| Die Loreley, S. 273/2 | | | | Song | | | |
| Die Zelle in Nonnenwerth, S. 274/2 | | | | Song | | | |
| Du bist wie eine Blume, S. 287/2 | | | | Song | | | |
| Enfant, si j’étais roi, S. 283/1 | | | | Song | | | |
| Esther, HWV 50b: Act I. "Tune Your Harps to Cheerful Strains" | | - The King’s Consort, Iestyn Davies, Rachel Chaplin, Robert King
- David Hobson, Sinfonia Australis, Antony Walker
- Allan Clayton, James Eastaway, Orchestra of Classical Opera, Ian Page
- Mark Padmore, Katharina Spreckelsen, The English Concert, Andrew Manze
- (show 3 more)
| | | | | |
| Five Elizabethan Songs, No. 4: Sleep | | | | | | | |
| Freudvoll und leidvoll, S. 280/1 | | | | Song | | | |
| Freudvoll und leidvoll, S. 280/2 | | | | Song | | | |
| Gestorben war ich, S. 308 | | | | Song | | | |
| Hohe Liebe, S. 307 | | | | Song | | | |
| I've Been High | | | | Song | | - 6324592 (AGADU ID)
- 5953130 (APDAYC ID)
- (show 25 more)
- 003077 587 43 (SUISA ID)
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| Ich liebe dich, S. 315 | | | | Song | | | |
| Ich möchte hingehn, S. 296 | | | | Song | | | |
| Il pastor fido: Aria "Sol nel mezzo risona del core" | | | | Aria | | | |
| Italienisches Liederbuch: No. 3. Ihr seid die Allerschönste | | | | | | | |
| Italienisches Liederbuch: No. 4. Gesegnet sei, durch den die Welt entstund | | | | | | | |
| Italienisches Liederbuch: No. 5. Selig ihr Blinden | | | | | | | |
| Italienisches Liederbuch: No. 7. Der Mond hat eine schwere Klag' erhoben | | | | | | | |
| Italienisches Liederbuch: No. 8. Nun laß uns Frieden schließen | | | | | | | |
| Italienisches Liederbuch: No. 9. Daß doch gemalt all deine Reize wären | | | | | | | |
| Italienisches Liederbuch: No. 13. Hoffärtig seid Ihr, schönes Kind | | | | | | | |
| Italienisches Liederbuch: No. 14. Geselle, woll'n wir uns in Kutten hüllen | | | | | | | |
| Italienisches Liederbuch: No. 17. Und willst du deinen Liebsten sterben sehen | | | | | | | |
| Italienisches Liederbuch: No. 18. Heb auf dein blondes Haupt | | | | | | | |
| Italienisches Liederbuch: No. 19. Wir haben beide lange Zeit geschwiegen | | | | | | | |
| Italienisches Liederbuch: No. 22. Ein Ständchen euch zu bringen | | | | | | | |
| Italienisches Liederbuch: No. 23. Was für ein Lied soll dir gesungen werden | | | | | | | |
| Italienisches Liederbuch: No. 27. Schon streckt' ich aus im Bett | | | | | | | |
| Italienisches Liederbuch: No. 30. Laß sie nur geh'n, die so die Stolze spielt | | | | | | | |
| Italienisches Liederbuch: No. 33. Sterb' ich, so hüllt in Blumen meine Glieder | | | | Song | | | |
| Italienisches Liederbuch: No. 34. Und steht Ihr früh am Morgen auf vom Bette | | | | | | | |
| Italienisches Liederbuch: No. 35. Benedeit die sel'ge Mutter | | | | | | | |
| Italienisches Liederbuch: No. 37. Wie viele Zeit verlor ich, dich zu lieben! | | | | | | | |
| Italienisches Liederbuch: No. 38. Wenn du mich mit den Augen streifst | | | | | | | |
| Italienisches Liederbuch: No. 41. Heut' Nacht erhob ich mich um Mitternacht | | | | | | | |
| Italienisches Liederbuch: No. 42. Nicht länger kann ich singen | | | | | | | |
| Italienisches Liederbuch: No. 44. O wüßtest du, wie viel ich deinetwegen | | | | | | | |
| Jephtha, HWV 70: Act III, no. 30. Arioso "Hide thou thy hated beams" (Jephtha) | | | | Aria | | | |
| Jephtha, HWV 70: Act III, no. 31. Accompagnato "A father, off'ring up his only child" (Jephtha) | | | | | | | |
| Jephtha, HWV 70: Act III, no. 32. Air "Waft her, angels, through the skies" (Jephtha) | | | | Aria | | | |
| Judas Maccabaeus, HWV 63: Act I, no. 12: Recitative "'Tis well, my friends" (Judas Maccabaeus) | | | | | | | |
| Judas Maccabaeus, HWV 63: Act I, no. 13: Air "Call forth thy pow'rs, my soul" (Judas Maccabaeus) | | | | | | | |
| Jugendglück, S. 323 | | | | Song | | | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55: Part III, no. 46. Duet “As Steals the Morn Upon the Night” (Il Moderato) | | | | | | | |
| Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) | | | | Aria | | | |
| Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) | | - Alexander Young, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Paul Elliott, Academy of Ancient Music, Christopher Hogwood
- Atlanta Symphony Orchestra Chamber Chorus, Jon Humphrey, Atlanta Symphony Orchestra, Robert Shaw
- Howard Crook, The English Concert, Trevor Pinnock
- (show 70 more)
| | | | | |
| Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) | | | | | | | |
| Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) | | | | | | | |
| Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) | | | | Aria | | | |
| Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) | | - Yvonne Minton, Alexander Young, English Chamber Orchestra, Johannes Somary
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- Michael Chance, Howard Crook, The English Concert, Trevor Pinnock
- John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury
- (show 61 more)
| | | | | |
| Morgens steh' ich auf und frage, S. 290 | | | | Song | | | |
| Nocturne, op. 60: I. On a poet's lips I slept | | | | | | | |
| Nocturne, op. 60: II. Below the thunders of the upper deep | | - Peter Pears, William Waterhouse, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Berliner Philharmoniker, Sir Simon Rattle
- John Mark Ainsley, Britten Sinfonia, Nicholas Cleobury
- Adrian Thompson, Patrick Milne, Bournemouth Sinfonietta, David Lloyd-Jones
- (show 6 more)
| | | | | |
| Nocturne, op. 60: III. Encinctured | | - Peter Pears, Osian Ellis, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Berliner Philharmoniker, Sir Simon Rattle
- John Mark Ainsley, Britten Sinfonia, Nicholas Cleobury
- Adrian Thompson, John Marson, Bournemouth Sinfonietta, David Lloyd-Jones
- (show 6 more)
| | | | | |
| Nocturne, op. 60: IV. Midnight's bell | | - Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Berliner Philharmoniker, Sir Simon Rattle
- John Mark Ainsley, Britten Sinfonia, Nicholas Cleobury
- Adrian Thompson, Richard Berry, Bournemouth Sinfonietta, David Lloyd-Jones
- (show 6 more)
| | | | | |
| Nocturne, op. 60: V. But that night | | - Peter Pears, Denis Blyth, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Berliner Philharmoniker, Sir Simon Rattle
- John Mark Ainsley, Britten Sinfonia, Nicholas Cleobury
- Adrian Thompson, Paul Turner, Bournemouth Sinfonietta, David Lloyd-Jones
- (show 6 more)
| | | | | |
| Nocturne, op. 60: VI. She sleeps | | - Peter Pears, Roger Lord, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Berliner Philharmoniker, Sir Simon Rattle
- John Mark Ainsley, Britten Sinfonia, Nicholas Cleobury
- Adrian Thompson, Andrew Knights, Bournemouth Sinfonietta, David Lloyd-Jones
- (show 6 more)
| | | | | |
| Nocturne, op. 60: VII. What is more gentle | | - Peter Pears, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Berliner Philharmoniker, Sir Simon Rattle
- John Mark Ainsley, Britten Sinfonia, Nicholas Cleobury
- Adrian Thompson, Nicholas Carpenter, Howard Nelson, Bournemouth Sinfonietta, David Lloyd-Jones
- (show 6 more)
| | | | | |
| Nocturne, op. 60: VIII. When most I wink, then do mine eyes best see | | - Peter Pears, William Waterhouse, Osian Ellis, Barry Tuckwell, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Berliner Philharmoniker, Sir Simon Rattle
- John Mark Ainsley, Britten Sinfonia, Nicholas Cleobury
- Adrian Thompson, Bournemouth Sinfonietta, David Lloyd-Jones
- (show 6 more)
| | | | | |
| O lieb, so lang du lieben kannst, S. 298/2 | | | | Song | | | |
| Oh! quand je dors, S. 282/1 | | | | Song | | | |
| Otello: Atto I, scena 1. “Capitano, v'attende la fazione al baluardi” (Montano, Cassio, Iago, Roderigo, Ciprioti) | | - Tom Krause, Nello Romanato, Aldo Protti, Athos Cesarini, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan
- Aldo Bottion, Chor der Deutschen Oper Berlin, Peter Glossop, Mario Macchi, Michel Sénéchal, Berliner Philharmoniker, Herbert von Karajan
- John McCarthy, Ambrosian Singers, Paul Crook, Malcolm King, Frank Little, Sherrill Milnes, National Philharmonic Orchestra, James Levine
- Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini
- (show 14 more)
| | | | | |
| Otello: Atto I, scena 1. “Qua ragazzi” … “Inaffia l'ugola! Trinca, tracanna” (Iago, Cassio, Roderigo, Coro) | | - Aldo Protti, Nello Romanato, Athos Cesarini, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan
- John McCarthy, Ambrosian Singers, Paul Crook, Frank Little, Sherrill Milnes, National Philharmonic Orchestra, James Levine
- Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini
- Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini
- (show 25 more)
| | | | | |
| Otello: Atto I, scena 1. “Roderigo, beviam!” (Iago, Cassio, Ciprioti, Roderigo) | | - Aldo Protti, Nello Romanato, Athos Cesarini, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan
- Aldo Bottion, Chor der Deutschen Oper Berlin, Peter Glossop, Michel Sénéchal, Berliner Philharmoniker, Herbert von Karajan
- John McCarthy, Ambrosian Singers, Paul Crook, Frank Little, Sherrill Milnes, National Philharmonic Orchestra, James Levine
- Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini
- (show 14 more)
| | | | | |
| Otello: Atto I, scena 1. “Una vela! una vela!” (Ciprioti, Montano, Cassio, Iago, Roderigo) | | - Tom Krause, Nello Romanato, Aldo Protti, Athos Cesarini, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan
- Aldo Bottion, Chor der Deutschen Oper Berlin, Peter Glossop, Mario Macchi, Michel Sénéchal, Berliner Philharmoniker, Herbert von Karajan
- John McCarthy, Ambrosian Singers, Paul Crook, Malcolm King, Frank Little, Sherrill Milnes, National Philharmonic Orchestra, James Levine
- Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini
- (show 21 more)
| | | | | |
| Otello: Atto II. “Non ti crucciar” (Iago, Cassio) | | - Aldo Protti, Nello Romanato, Wiener Philharmoniker, Herbert von Karajan
- Aldo Bottion, Peter Glossop, Berliner Philharmoniker, Herbert von Karajan
- Frank Little, Sherrill Milnes, National Philharmonic Orchestra, James Levine
- Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini
- (show 17 more)
| | | | | |
| Otello: Atto III. “A terra… sì… nel livido fango…” (Desdemona, Emilia, Cassio, Roderigo, Lodovico, Dame, Cavalieri, Otello, Iago, Ciprioti) | | - Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan
- Aldo Bottion, Chor der Deutschen Oper Berlin, Mirella Freni, Peter Glossop, Stefania Malagú, Michel Sénéchal, Jon Vickers, José van Dam, Berliner Philharmoniker, Herbert von Karajan
- Plácido Domingo
- Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini
- (show 19 more)
| | | | | |
| Otello: Atto III. “Messeri! Il Doge…” (Otello, Roderigo, Iago, Cassio, Lodovico) | | - Mario del Monaco, Athos Cesarini, Aldo Protti, Nello Romanato, Wiener Philharmoniker, Herbert von Karajan
- Ezio di Cesare, Plácido Domingo, Justino Díaz, John Macurdy, Constantin Zaharia, Orchestra del Teatro alla Scala di Milano, Lorin Maazel
- Plácido Domingo, Sergej Leiferkus, Michael Schade, Ramón Vargas, Ildebrando d’Arcangelo, Orchestre de l’Opéra Bastille, Myung-Whun Chung
- Aldo Bottion, Peter Glossop, Michel Sénéchal, Jon Vickers, José van Dam, Berliner Philharmoniker, Herbert von Karajan
- (show 10 more)
| | | | | |
| Otello: Atto III. “Quest'è il segnale che annuncia” (Iago, Cassio, Otello, Coro) | | - Konzertvereinigung Wiener Staatsopernchor, Aldo Protti, Nello Romanato, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan
- Aldo Protti, Nello Romanato, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan
- Chœurs de l’Opéra Bastille, Plácido Domingo, Sergej Leiferkus, Maîtrise des Hauts-de-Seine, Ramón Vargas, Orchestre de l’Opéra Bastille, Myung-Whun Chung
- Wiener Philharmoniker, Sir Georg Solti
- (show 7 more)
| | | | | |
| Otello: Atto III. “Vieni, l’aula è deserta” (Iago, Cassio, Otello) | | - Aldo Protti, Nello Romanato, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan
- Aldo Bottion, Peter Glossop, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan
- Plácido Domingo, Frank Little, Sherrill Milnes, National Philharmonic Orchestra, James Levine
- Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini
- (show 15 more)
| | | | | |
| Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano) | | - Roberto Alagna, Berliner Philharmoniker, Claudio Abbado
- Aldo Bottion, Mario Machi, Jon Vickers, José van Dam, Berliner Philharmoniker, Herbert von Karajan
- Mario del Monaco, Nello Romanato, Fernando Corena, Tom Krause, Wiener Philharmoniker, Herbert von Karajan
- Plácido Domingo, Orchestra of the Royal Opera House, Covent Garden, John Barker
- (show 46 more)
| | | | | |
| Otello: Atto IV. “Quai grida! Orrore! Orror!” (Cassio, Iago, Lodovico, Emilia, Otello, Montano) | | - Aldo Bottion, Chor der Deutschen Oper Berlin, Peter Glossop, Mario Macchi, Stefania Malagú, Jon Vickers, José van Dam, Berliner Philharmoniker, Herbert von Karajan
- Plácido Domingo, Malcolm King, Jean Kraft, Frank Little, Sherrill Milnes, Paul Plishka, Renata Scotto, National Philharmonic Orchestra, James Levine
- Dietrich Fischer‐Dieskau, Alfredo Giacomotti, James McCracken, Leonardo Monreale, Piero de Palma, Anna di Stasio, New Philharmonia Orchestra, Sir John Barbirolli
- Wiener Philharmoniker, Herbert von Karajan
- (show 3 more)
| | | | | |
| Pleurs d’or, op. 72 | | | | Song | | | |
| Remember This, op. 40: In the Eyes of Our Minds | | | | Song | | | |
| Remember This, op. 40: In the Grip of Their Season | | | | Song | | | |
| Remember This, op. 40: On the Crest of Their Downs | | | | Song | | | |
| Remember This, op. 40: Think of the Failing Body | | | | Song | | | |
| Remember This, op. 40: Think of the Flower-lit Coffin | | | | Song | | | |
| S’il est un charmant gazon, S. 284/1 | | | | Song | | | |
| Samson, HWV 57: Act III, no. 79. Air "Thus When the Sun From's Wat'ry Bed" | | | | | | | |
| Semele, HWV 58: Act II, no. 45. "Where'er You Walk" (Jupiter) | | | | Aria | | | |
| Serenade for Tenor, Horn and Strings, op. 31: II. Pastoral | | - Robert Tear, Dale Clevenger, Chicago Symphony Orchestra, Carlo Maria Giulini
- James Gilchrist, Jasper de Waal, Amsterdam Sinfonietta, Candida Thompson
- Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Radek Baborák, Berliner Philharmoniker, Sir Simon Rattle
- (show 22 more)
| | | | | |
| Serenade for Tenor, Horn and Strings, op. 31: III. Nocturne | | - Robert Tear, Dale Clevenger, Chicago Symphony Orchestra, Carlo Maria Giulini
- James Gilchrist, Jasper de Waal, Amsterdam Sinfonietta, Candida Thompson
- Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Radek Baborák, Berliner Philharmoniker, Sir Simon Rattle
- (show 22 more)
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