| An der schönen blauen Donau, op. 314 | | | | | | | 5 |
| Andante in C major for Flute and Orchestra, K. 285e/315 | | | | | | | |
| Auf der Jagd, op. 373: Polka schnell | | | | | | | |
| Banditen-Galopp, op. 378 | | | | | | | |
| Berchtesgadener Musik "Toy Symphony": I. Allegro | | | | | | | |
| Chamber Symphony no. 1, op. 9 | | | | Symphony | | | 5 |
| Concerto for Flute and Orchestra in G major, K. 313/285c: I. Allegro maestoso | | | | | | | |
| Concerto for Flute and Orchestra in G major, K. 313/285c: II. Adagio ma non troppo | | | | | | | |
| Concerto for Flute and Orchestra in G major, K. 313/285c: III. Rondeau. Tempo de Menuetto | | | | | | | |
| Concerto for Flute no. 2 in D major, K. 285d/314: I. Allegro aperto | | | | | | | |
| Concerto for Flute no. 2 in D major, K. 285d/314: II. Adagio ma non troppo | | | | | | | |
| Concerto for Flute no. 2 in D major, K. 285d/314: III. Rondo. Allegretto | | - Kurt Berger, Peter Jancovic, Akiko Miyazashi, Mozart Festival Orchestra, Belgium Festival Orchestra, Wiener Mozart‐Ensemble, Herbert Kraus, Alberto Lizzio, Pierre Narrato
- James Galway, Academy of St Martin in the Fields, Sir Neville Marriner
- Lothar Koch, Berliner Philharmoniker, Herbert von Karajan
- Herbert Weissberg, Capella Istropolitana, Martin Sieghart
- (show 61 more)
| | | | | |
| Concerto for Strings in G major, RV 151 “Concerto alla rustica” | | | | Concerto | | | |
| Concerto for Strings in G major, RV 151 “Concerto alla rustica”: I. Presto | | | | | | | |
| Concerto for Strings in G major, RV 151 “Concerto alla rustica”: II. Adagio | | | | | | | |
| Concerto for Strings in G major, RV 151 “Concerto alla rustica”: III. Allegro | | | | | | | |
| Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: I. Allegro aperto | | | | | | | |
| Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: II. Adagio | | | | | | | |
| Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: III. Rondeau. Allegro – Andante – Allegretto | | | | | | | |
| Concerto for Violin and Orchestra no. 4 in D major, K. 218: I. Allegro aperto | | | | | | | |
| Concerto for Violin and Orchestra no. 4 in D major, K. 218: II. Andante cantabile | | | | | | | |
| Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - Allegro ma non troppo - Andante grazioso | | | | | | | |
| Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: I. Allegro aperto | | | | | | | |
| Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: II. Adagio | | | | | | | |
| Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: III. Rondeau. Tempo di menuetto – Allegro | | | | | | | |
| Concerto for Violin, Piano and Orchestra, H. 342: I. Poco allegro | | | | | | | |
| Concerto for Violin, Piano and Orchestra, H. 342: III. Allegro | | | | | | | |
| Concerto funebre: I. Introduktion. Largo | | | | | | | |
| Concerto funebre: II. Adagio | | | | | | | |
| Concerto funebre: III. Allegro di molto | | | | | | | |
| Concerto funebre: IV. Choral. Langsamer Marsch | | | | | | | |
| Concerto in A minor for Two Violins, Cello and Strings, op. 3 no. 8, RV 522, 'Con due Violini obligati': I. Allegro | | | | | | | |
| Concerto in A minor for Two Violins, Cello and Strings, op. 3 no. 8, RV 522, 'Con due Violini obligati': II. Larghetto e spiritoso | | | | | | | |
| Concerto in A minor for Two Violins, Cello and Strings, op. 3 no. 8, RV 522, 'Con due Violini obligati': III. Allegro | | | | | | | |
| Concerto in E major, op. 8 no. 1, RV 269 “La primavera” | | | | Concerto | | | 5 |
| Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro | | - Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
- [unknown]
- Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser
- Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
- (show 424 more)
| | | | | |
| Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo | | | | | | | |
| Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale | | - Alexander Permovalsky, Baroque Festival Orchestra, Südwest-Studioorchester, Alberto Lizzio, Heribert Münchner
- I Solisti di Zagreb, Musici di San Marco, Slovak Chamber Orchestra, Alberto Lizzio, Bohdan Warchal
- [unknown]
- Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
- (show 371 more)
| | | | | |
| Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro | | | | | | | |
| Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto | | - Alexander Permovalsky, Baroque Festival Orchestra, Südwest-Studioorchester, Alberto Lizzio, Heribert Münchner
- Musici di San Marco, Slovak Chamber Orchestra, Alberto Lizzio, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 349 more)
| | | | | |
| Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro | | - Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
- Musici di San Marco, Alberto Lizzio
- Baroque Festival Orchestra, Alexander Permovalsky, Alberto Lizzio
- Trevor Pinnock, Simon Standage, The English Concert
- (show 354 more)
| | | | | |
| Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto | | | | | | - 0O7-3717-0 (JASRAC ID)
- F minor (Key)
| |
| Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo | | | | | | | |
| Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro | | | | | | | |
| Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto | | - Baroque Festival Orchestra, Alexander Permovalsky, Alberto Lizzio
- Musici di San Marco, Nova Filarmonia Portuguesa, Slovak Chamber Orchestra, Álvaro Cassuto, Alberto Lizzio, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 361 more)
| | | | | |
| Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte | | - Alexander Permovalsky, Baroque Festival Orchestra, Alberto Lizzio
- Musici di San Marco, Salzburger Kammerorchester, Slovak Chamber Orchestra, Alberto Lizzio, Alexander von Pitamic, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 361 more)
| | | | | |
| Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto | | | | | | | |
| Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | | | | | | | |
| Das Lied von der Erde: II. Der Einsame im Herbst | | | | | | | |
| Das Lied von der Erde: III. Von der Jugend | | | | | | | |
| Das Lied von der Erde: IV. Von der Schönheit | | | | | | | |
| Das Lied von der Erde: V. Der Trunkene im Frühling | | | | | | | |
| Das Lied von der Erde: VI. Der Abschied | | | | | | | |
| Der Zigeunerbaron: Akt III. Einzugsmarsch | | | | | | | |
| Der Zigeunerbaron: Ouvertüre | | | | | | | |
| Dichter und Bauer: Ouvertüre | | | | Overture | | | 5 |
| Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt I, Szene III. Dialog "Könnt' ich mir doch noch so einen Schurken" (Osmin, Pedrillo) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5a. Marcia | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt I, Szene VIII. Dialog "Undankbare! Ihr Schmerz, ihre Tränen" (Selim, Pedrillo, Belmonte, Osmin) | | - Edita Gruberová, Wiener Philharmoniker, Sir Georg Solti
- Lynne Dawson, Wolfgang Hinze, Wilfried Gahmlich, Günter von Kannen, Wolfgang Hinze
- Walter Franck, Wolfgang Spier, Sebastian Fischer, Josef Greindl
- Mozartorchester des Opernhauses Zürich, Nikolaus Harnoncourt
- (show 7 more)
| | | | | |
| Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Stuart Burrows, Robert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis
- Martti Talvela, Gösta Winbergh, Heinz Zednik, Wiener Philharmoniker, Sir Georg Solti
- Günter von Kannen, Uwe Heilmann, Wilfried Gahmlich, Academy of Ancient Music, Christopher Hogwood
- (show 10 more)
| | | | | |
| Die Entführung aus dem Serail, K. 384: Ouvertüre | | | | Overture | | | |
| Die Fledermaus: Ouvertüre | | | | Overture | | | |
| Die Libelle, op. 204 | | | | | | | |
| Die Schöne Galathée: Ouvertüre | | | | | | | |
| Ein Morgen, ein Mittag und ein Abend in Wien: Ouvertüre | | | | Overture | | | |
| Feuerfest, op. 269 | | | | | | | |
| Geschichten aus dem Wienerwald, op. 325 | | | | | | | |
| Im Fluge, op. 230 | | | | | | | |
| Kaiser-Walzer | | | | | | | |
| Leichte Kavallerie: Ouvertüre | | | | Overture | | | 5 |
| March in D minor, WAB 96 | | | | | | | |
| Orphée aux enfers : Ouverture | | | | Overture | | | |
| Serenade for Strings in E major, op. 22, B. 52: I. Moderato | | - Hungarian State Orchestra, Nemzeti Filharmonikus zenekar, ORF Radio‐Symphonieorchester Wien, Stuttgarter Kammerorchester, Milan Horvat, Reinhardt Lutz, Martin Sieghart
- [unknown]
- Academy of St Martin in the Fields, Sir Neville Marriner
- Marian Lapsansky, Peter Toperczer, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Pro Arte Orchester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel
- (show 71 more)
| | | | | |
| Serenade for Strings in E major, op. 22, B. 52: II. Tempo di valse | | - Hungarian State Orchestra, Nemzeti Filharmonikus zenekar, ORF Radio‐Symphonieorchester Wien, Stuttgarter Kammerorchester, Milan Horvat, Reinhardt Lutz, Martin Sieghart
- Camerata Romana, Camerata Salzburg, Pro Arte Orchester, Leipzig Philharmonic Orchestra, Münchner Symphonieorkester, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel
- Capella Istropolitana, Jaroslav Krček
- Academy of St Martin in the Fields, Sir Neville Marriner
- (show 64 more)
| | | | | |
| Serenade for Strings in E major, op. 22, B. 52: III. Scherzo. Vivace | | - Academy of St Martin in the Fields, Sir Neville Marriner
- Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Kammerorchester Pro Arte München, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel
- Hungarian State Orchestra, Nemzeti Filharmonikus zenekar, Radio‐Symphonieorchester Wien, Stuttgarter Kammerorchester, Milan Horvat, Reinhardt Lutz, Martin Sieghart
- Capella Istropolitana, Jaroslav Krček
- (show 55 more)
| | | | | |
| Serenade for Strings in E major, op. 22, B. 52: IV. Larghetto | | - Marian Lapsansky, Peter Toperczer, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Pro Arte Orchester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel
- Academy of St Martin in the Fields, Sir Neville Marriner
- Capella Istropolitana, Jaroslav Krček
- Hungarian State Orchestra, Nemzeti Filharmonikus zenekar, Radio‐Symphonieorchester Wien, Simfonični orkester RTV Slovenija, Stuttgarter Kammerorchester, Milan Horvat, Reinhardt Lutz, Marko Munih, Martin Sieghart
- (show 68 more)
| | | | | |
| Serenade for Strings in E major, op. 22, B. 52: V. Finale. Allegro vivace | | - Marian Lapsansky, Peter Toperczer, Pro Arte Orchester, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel, Philharmonie Leipzig
- Academy of St Martin in the Fields, Sir Neville Marriner
- Hungarian State Orchestra, Radio‐Symphonieorchester Wien, Stuttgarter Kammerorchester, Milan Horvat, Reinhardt Lutz, Martin Sieghart
- Capella Istropolitana, Jaroslav Krček
- (show 56 more)
| | | | | |
| Sonata in E-flat major, RV 130 “Al Santo Sepolcro”: I. Largo molto | | | | | | | |
| Sonata in E-flat major, RV 130 “Al Santo Sepolcro”: II. Allegro, ma poco | | | | | | | |
| Sphärenklänge, op. 235 | | | | | | | |
| Suite, op. 29: I. Overtüre | | | | | | | |
| Suite, op. 29: II. Tanzschritte | | | | | | | |
| Suite, op. 29: III. Thema mit Variationen | | | | | | | |
| Suite, op. 29: IV. Gigue | | | | | | | |
| Symphonie Nr. 4 C-Dur: I. Allegro molto moderato | | | | | | | |
| Symphonie Nr. 4 C-Dur: II. Adagio | | | | | | | |
| Symphonie Nr. 4 C-Dur: III. Molto vivace | | | | | | | |
| Symphonie Nr. 4 C-Dur: IV. Tempo primo un poco sostenuto | | | | | | | |
| Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig | | | | | | | |
| Symphonie Nr. 6 in a-Moll: II. Andante moderato | | | | | | | |
| Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig | | | | | | | 5 |
| Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato | | | | | | | |
