| vocals |
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1976-12 | Kata Kabanova: Jste To Vy, Katerino Petrovno? (excerpt) | tenor vocals | Opera North | 4:04 |
1977-09 | Otello: Atto I. “Abbasso le spade!” | tenor vocals [Cassio] | Wiener Philharmoniker, Sir Georg Solti | 2:54 |
1977-09 | Otello: Atto I. “Capitano, v’attende la fazione ai baluardi” | tenor vocals [Cassio] | Wiener Philharmoniker, Sir Georg Solti | 1:12 |
1977-09 | Otello: Atto I. “Inaffia l’ugola! Trinca, tracanna” | tenor vocals [Cassio] | Wiener Philharmoniker, Sir Georg Solti | 3:51 |
1977-09 | Otello: Atto I. “Roderigo, beviam!” | tenor vocals [Cassio] | Wiener Philharmoniker, Sir Georg Solti | 1:14 |
1977-09 | Otello: Atto I. “Una vela! Una vela!” | tenor vocals [Cassio] | Wiener Philharmoniker, Sir Georg Solti | 4:17 |
1977-09 | Otello: Atto II. “Non ti crucciar” | tenor vocals [Cassio] | Wiener Philharmoniker, Sir Georg Solti | 2:14 |
1977-09 | Otello: Atto III. “… E intanto, giacchè non si stanca mai” | tenor vocals [Cassio] | Wiener Philharmoniker, Sir Georg Solti | 4:05 |
1977-09 | Otello: Atto III. “A terra!… Si… Nel livido fango” | tenor vocals [Cassio] | Wiener Philharmoniker, Sir Georg Solti | 2:01 |
1977-09 | Otello: Atto III. “Messeri! Il doge…” | tenor vocals [Cassio] | Wiener Philharmoniker, Sir Georg Solti | 1:45 |
1977-09 | Otello: Atto III. “Quell’ innocente un fremito” | tenor vocals [Cassio] | Wiener Philharmoniker, Sir Georg Solti | 3:59 |
1977-09 | Otello: Atto III. “Quest’è il segnale” | tenor vocals [Cassio] | Wiener Philharmoniker, Sir Georg Solti | 2:27 |
1977-09 | Otello: Atto III. “Vieni; l’aula è deserta” | tenor vocals [Cassio] | Wiener Philharmoniker, Sir Georg Solti | 0:42 |
1977-09 | Otello: Atto IV. “Niun mi tema” | tenor vocals [Cassio] | Wiener Philharmoniker, Sir Georg Solti | 4:51 |
1980 | La bohème: Atto I. “Che gelida manina” | tenor vocals [Rodolfo] | Peter Dvorský, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 4:21 |
1980 | La bohème: Atto I. “Ho pagato il trimestre” | tenor vocals [Rodolfo] | Peter Dvorský, Ivan Konsulov, Dariusz Niemirowicz, Balázs Póka, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 1:53 |
1980 | La bohème: Atto I. “Non sono in vena” | tenor vocals [Rodolfo] | Peter Dvorský, Kincses Veronika, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 2:29 |
1980 | La bohème: Atto I. “O soave fanciulla” | tenor vocals [Rodolfo] | Peter Dvorský, Kincses Veronika, Ivan Konsulov, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 3:53 |
1980 | La bohème: Atto I. “O sventata! sventata!” | tenor vocals [Rodolfo] | Peter Dvorský, Kincses Veronika, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 1:46 |
1980 | La bohème: Atto I. “Pensier profondo!” | tenor vocals [Rodolfo] | Peter Dvorský, Ivan Konsulov, Dariusz Niemirowicz, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 5:08 |
1980 | La bohème: Atto I. “Questo Mar Rosso” | tenor vocals [Rodolfo] | Peter Dvorský, Ivan Konsulov, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 4:27 |
1980 | La bohème: Atto I. “Si può? Chi è là?” | tenor vocals [Rodolfo] | Stanislav Beňačka, Peter Dvorský, Ivan Konsulov, Dariusz Niemirowicz, Balázs Póka, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 4:26 |
1980 | La bohème: Atto II. “Aranci, datteri” | tenor vocals [Rodolfo] | Bratislava Opera Chorus, Peter Dvorský, Kincses Veronika, Ivan Konsulov, Dariusz Niemirowicz, Balázs Póka, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 3:32 |
1980 | La bohème: Atto II. “Caro! Fuori il danaro!” | tenor vocals [Rodolfo] | Bratislava Opera Chorus, Peter Dvorský, Sidónia Haljaková, Ivan Konsulov, Dariusz Niemirowicz, Balázs Póka, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 2:08 |
1980 | La bohème: Atto II. “Oh! Essa! Musetta!” | tenor vocals [Rodolfo] | Bratislava Opera Chorus, Peter Dvorský, Sidónia Haljaková, Štefan Janči, Kincses Veronika, Ivan Konsulov, Dariusz Niemirowicz, Balázs Póka, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 3:20 |
1980 | La bohème: Atto II. “Questa è Mimì” | tenor vocals [Rodolfo] | Bratislava Opera Chorus, Peter Dvorský, Ivan Konsulov, Dariusz Niemirowicz, Balázs Póka, Vojtech Schrenkel, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 2:28 |
1980 | La bohème: Atto III. “Dunque è proprio finita?” | tenor vocals [Rodolfo] | Peter Dvorský, Sidónia Haljaková, Kincses Veronika, Ivan Konsulov, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 5:42 |
1980 | La bohème: Atto III. “Marcello. Finalmente!” | tenor vocals [Rodolfo] | Peter Dvorský, Kincses Veronika, Ivan Konsulov, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 5:22 |
1980 | La bohème: Atto IV. “Che ha detto il medico?” | tenor vocals [Rodolfo] | Peter Dvorský, Sidónia Haljaková, Ivan Konsulov, Dariusz Niemirowicz, Balázs Póka, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 2:43 |
1980 | La bohème: Atto IV. “Che ora sia?” | tenor vocals [Rodolfo] | Peter Dvorský, Ivan Konsulov, Dariusz Niemirowicz, Balázs Póka, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 2:29 |
1980 | La bohème: Atto IV. “Gavotta. Minuetto. Pavanella. Fandago” | tenor vocals [Rodolfo] | Peter Dvorský, Ivan Konsulov, Dariusz Niemirowicz, Balázs Póka, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 1:40 |
1980 | La bohème: Atto IV. “In un coupé?” | tenor vocals [Rodolfo] | Peter Dvorský, Ivan Konsulov, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 1:25 |
1980 | La bohème: Atto IV. “Mi sento assai meglio” | tenor vocals [Rodolfo] | Peter Dvorský, Sidónia Haljaková, Kincses Veronika, Ivan Konsulov, Dariusz Niemirowicz, Balázs Póka, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 3:40 |
1980 | La bohème: Atto IV. “Musetta! C’è Mimì!” | tenor vocals [Rodolfo] | Peter Dvorský, Sidónia Haljaková, Kincses Veronika, Ivan Konsulov, Dariusz Niemirowicz, Balázs Póka, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 2:00 |
1980 | La bohème: Atto IV. “O Mimì, tu più non torni” | tenor vocals [Rodolfo] | Peter Dvorský, Ivan Konsulov, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 2:46 |
1980 | La bohème: Atto IV. “Oh Dio! Mimì!” | tenor vocals [Rodolfo] | Peter Dvorský, Sidónia Haljaková, Kincses Veronika, Ivan Konsulov, Dariusz Niemirowicz, Balázs Póka, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 2:31 |
1980 | La bohème: Atto IV. “Sono andati?” | tenor vocals [Rodolfo] | Peter Dvorský, Kincses Veronika, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 5:49 |
1980 – 1981 | The Bartered Bride: Act I, Scene II. "Jako matka požehnáním" (While a mother's love....Faithful love) | tenor vocals | Gabriela Beňačková, Peter Dvorský, Česká filharmonie, Zdeněk Košler | 4:50 |
1980 – 1981 | The Bartered Bride: Act II, Scene II. "To pivečko" (Beer's no doubt) | tenor vocals | Peter Dvorský, Richard Novák, Czech Philharmonic Chorus, Česká filharmonie, Zdeněk Košler | 5:33 |
1980 – 1981 | The Bartered Bride: Act II, Scene IV. "Nuže, milý chasníku" (Now then, my dear man) / "Každý jen tu svou" (Every man) | tenor vocals | Peter Dvorský, Richard Novák, Česká filharmonie, Zdeněk Košler | 7:56 |
1980 – 1981 | The Bartered Bride: Act II, Scene V. "Až uzříš, komus koupil nevěstu" / "Jak možná věřit" (How could they believe) | tenor vocals | Peter Dvorský, Česká filharmonie, Zdeněk Košler | 3:36 |
1980 – 1981 | The Bartered Bride: Act III, Scene IX. "Jak jsi se, Mařenko, rozmyslila?" (What have you decided, Marenka) | tenor vocals | Gabriela Beňačková, Peter Dvorský, Jindřich Jindrák, Miroslav Kopp, Richard Novák, Czech Philharmonic Chorus, Marie Vesela, Česká filharmonie, Zdeněk Košler | 7:29 |
1980 – 1981 | The Bartered Bride: Act III, Scene VII. "Mařenko má" (Marenka mine) / "Tak tvrdošíjná dívko jsi" (Are you really so stubborn) | tenor vocals | Gabriela Beňačková, Peter Dvorský, Česká filharmonie, Zdeněk Košler | 4:08 |
1982-04 | L’elisir d’amore: Atto I. “Ardir! Ha forse il cielo - Voglio dire … Lo stupendo elisir” | tenor vocals [Nemorino] | Peter Dvorský, Ewgenij Nesterenko, Münchner Rundfunkorchester, Heinz Wallberg | 7:00 |
1982-04 | L’elisir d’amore: Atto I. “Benedette queste carte!” - “Della crudele Isotta” | tenor vocals [Nemorino] | Chor des Bayerischen Rundfunks, Peter Dvorský, Elfriede Hobarth, Lucia Popp, Münchner Rundfunkorchester, Heinz Wallberg | 4:43 |
1982-04 | L’elisir d’amore: Atto I. “Caro elisir! Sei mio! … Chi e mai quel matto?” | tenor vocals [Nemorino] | Peter Dvorský, Lucia Popp, Münchner Rundfunkorchester, Heinz Wallberg | 7:39 |
1982-04 | L’elisir d’amore: Atto I. “Chiedi all’aura lusinghiera” | tenor vocals [Nemorino] | Peter Dvorský, Lucia Popp, Münchner Rundfunkorchester, Heinz Wallberg | 7:15 |
1982-04 | L’elisir d’amore: Atto I. “Come Paride vezzoso” | tenor vocals [Nemorino] | Chor des Bayerischen Rundfunks, Peter Dvorský, Elfriede Hobarth, Lucia Popp, Bernd Weikl, Münchner Rundfunkorchester, Heinz Wallberg | 8:55 |
1982-04 | L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara” | tenor vocals [Nemorino] | Chor des Bayerischen Rundfunks, Peter Dvorský, Elfriede Hobarth, Münchner Rundfunkorchester, Heinz Wallberg | 3:07 |
1982-04 | L’elisir d’amore: Atto I. “Signor sargente” | tenor vocals [Nemorino] | Chor des Bayerischen Rundfunks, Peter Dvorský, Elfriede Hobarth, Lucia Popp, Bernd Weikl, Münchner Rundfunkorchester, Heinz Wallberg | 10:19 |
1982-04 | L’elisir d’amore: Atto I. “Tran, tran, tran - In guerra ed in amor” | tenor vocals [Nemorino] | Peter Dvorský, Lucia Popp, Bernd Weikl, Münchner Rundfunkorchester, Heinz Wallberg | 3:16 |
1982-04 | L’elisir d’amore: Atto I. “Una parola, o Adina” | tenor vocals [Nemorino] | Peter Dvorský, Lucia Popp, Münchner Rundfunkorchester, Heinz Wallberg | 1:39 |
1982-04 | L’elisir d’amore: Atto II. “Alto? Fronte! Che vedo?” | tenor vocals [Nemorino] | Chor des Bayerischen Rundfunks, Peter Dvorský, Elfriede Hobarth, Ewgenij Nesterenko, Lucia Popp, Bernd Weikl, Münchner Rundfunkorchester, Heinz Wallberg | 1:58 |
1982-04 | L’elisir d’amore: Atto II. “Dell'elisir mirabile … Che vedo?” | tenor vocals [Nemorino] | Chor des Bayerischen Rundfunks, Peter Dvorský, Elfriede Hobarth, Ewgenij Nesterenko, Lucia Popp, Münchner Rundfunkorchester, Heinz Wallberg | 7:21 |
1982-04 | L’elisir d’amore: Atto II. “Eccola – Nemorino ebbene?” | tenor vocals [Nemorino] | Peter Dvorský, Lucia Popp, Münchner Rundfunkorchester, Heinz Wallberg | 1:37 |
1982-04 | L’elisir d’amore: Atto II. “Ei corregge ogni difetto” | tenor vocals [Nemorino] | Chor des Bayerischen Rundfunks, Peter Dvorský, Ewgenij Nesterenko, Lucia Popp, Bernd Weikl, Münchner Rundfunkorchester, Heinz Wallberg | 2:38 |
1982-04 | L’elisir d’amore: Atto II. “La donna è un animale … Venti scudi!” | tenor vocals [Nemorino] | Peter Dvorský, Bernd Weikl, Münchner Rundfunkorchester, Heinz Wallberg | 8:48 |
1982-04 | L’elisir d’amore: Atto II. “Le feste nuziali | tenor vocals [Nemorino] | Peter Dvorský, Ewgenij Nesterenko, Münchner Rundfunkorchester, Heinz Wallberg | 1:56 |
1982-04 | L’elisir d’amore: Atto II. “Prendi, per me sei libero - Or, or si spiega” | tenor vocals [Nemorino] | Peter Dvorský, Lucia Popp, Münchner Rundfunkorchester, Heinz Wallberg | 8:00 |
1982-04 | L’elisir d’amore: Atto II. “Una furtive lagrima» | tenor vocals [Nemorino] | Peter Dvorský, Münchner Rundfunkorchester, Heinz Wallberg | 4:16 |
1982-06-18 – 1982-06-20 | Stabat Mater: I. Stabat mater dolorosa (Andante con moto) | tenor vocals | Gabriela Beňačková, Ortrun Wenkel, Peter Dvorský, Jan‐Hendrik Rootering, Czech Philharmonic Chorus, Czech Philharmonic Orchestra, Wolfgang Sawallisch | 20:58 |
1982-06-18 – 1982-06-20 | Stabat Mater: II. Quis est homo, qui non fleret (Andante sostenuto) | tenor vocals | Gabriela Beňačková, Ortrun Wenkel, Peter Dvorský, Jan‐Hendrik Rootering, Czech Philharmonic Orchestra, Wolfgang Sawallisch | 10:41 |
1982-06-18 – 1982-06-20 | Stabat Mater: VI. Fac me vere tecum flere (Andante con moto) | tenor vocals | Peter Dvorský, Czech Philharmonic Chorus, Czech Philharmonic Orchestra, Wolfgang Sawallisch | 8:06 |
1982-06-18 – 1982-06-20 | Stabat Mater: VIII. Fac, ut portem christi mortem (Larghetto) | tenor vocals | Gabriela Beňačková, Peter Dvorský, Czech Philharmonic Orchestra, Wolfgang Sawallisch | 6:13 |
1982-06-18 – 1982-06-20 | Stabat Mater: X. Quando corpus morietur (Andante con moto) | tenor vocals | Gabriela Beňačková, Ortrun Wenkel, Peter Dvorský, Jan‐Hendrik Rootering, Czech Philharmonic Chorus, Czech Philharmonic Orchestra, Wolfgang Sawallisch | 7:50 |
1988 | La traviata: Atto I. “Follie! Follie!” | tenor vocals [Alfredo] | Lucia Aliberti, Peter Dvorský, Tokyo Philharmonic Orchestra, Roberto Paternostro | 4:35 |
1988 | La traviata: Atto I. “Libiamo, ne' lieti calici” | tenor vocals [Alfredo] | Lucia Aliberti, Peter Dvorský, Fujiwara Opera Chorus, Tokyo Philharmonic Orchestra, Roberto Paternostro | 2:59 |
1988 | La traviata: Atto I. Introduzione: “Dell'invito trascorsa è già l'ora” | tenor vocals [Alfredo] | Lucia Aliberti, Peter Dvorský, Fujiwara Opera Chorus, Fumiko Mochiki, Hiroshi Mochiki, Hiroyuki Okayama, Akihito Shikano, Tokyo Philharmonic Orchestra, Roberto Paternostro | 4:45 |
1988 | La traviata: Atto I. Valzer e duetto: “Che è ciò? Non gradireste ora le danze?” | tenor vocals [Alfredo] | Lucia Aliberti, Peter Dvorský, Fujiwara Opera Chorus, Tokyo Philharmonic Orchestra, Roberto Paternostro | 6:53 |
1988 | La traviata: Atto II. “Alfredo! Voi!” | tenor vocals [Alfredo] | Lucia Aliberti, Peter Dvorský, Fujiwara Opera Chorus, Fumiko Mochiki, Hiroshi Mochiki, Hiroyuki Okayama, Tokyo Philharmonic Orchestra, Roberto Paternostro | 3:28 |
1988 | La traviata: Atto II. “Annina, donde vieni? - o mio rimorso” | tenor vocals [Alfredo] | Peter Dvorský, Shigeru Sawa, Tokyo Philharmonic Orchestra, Roberto Paternostro | 2:17 |
1988 | La traviata: Atto II. “Di sprezzo degno” | tenor vocals [Alfredo] | Renato Bruson, Peter Dvorský, Fujiwara Opera Chorus, Hiroyuki Okayama, Tokyo Philharmonic Orchestra, Roberto Paternostro | 5:41 |
1988 | La traviata: Atto II. “Dite alla giovine” | tenor vocals [Alfredo] | Lucia Aliberti, Renato Bruson, Peter Dvorský, Fujiwara Opera Chorus, Tokyo Philharmonic Orchestra, Roberto Paternostro | 4:06 |
1988 | La traviata: Atto II. “Invitato a qui segiurmi” | tenor vocals [Alfredo] | Lucia Aliberti, Peter Dvorský, Fujiwara Opera Chorus, Tokyo Philharmonic Orchestra, Roberto Paternostro | 3:46 |
1988 | La traviata: Atto II. “Ne rispondi d'un padre all'affetto?” | tenor vocals [Alfredo] | Renato Bruson, Peter Dvorský, Tokyo Philharmonic Orchestra, Roberto Paternostro | 2:57 |
1988 | La traviata: Atto II. Scena ed aria “Ah, vive sol quel core all'amor mio” | tenor vocals [Alfredo] | Renato Bruson, Peter Dvorský, Tokyo Philharmonic Orchestra, Roberto Paternostro | 2:21 |
1988 | La traviata: Atto II. Scena ed aria: “Lunge da lei per me non v'ha diletto! - de' miei bollenti spiriti” | tenor vocals [Alfredo] | Peter Dvorský, Tokyo Philharmonic Orchestra, Roberto Paternostro | 3:23 |
1988 | La traviata: Atto II. Scena: “Dammi tu forza, o cielo” | tenor vocals [Alfredo] | Lucia Aliberti, Peter Dvorský, Shigeru Sawa, Tokyo Philharmonic Orchestra, Roberto Paternostro | 3:46 |
1988 | La traviata: Atto III. “Ah non più... A un tempio” | tenor vocals [Alfredo] | Lucia Aliberti, Peter Dvorský, Tokyo Philharmonic Orchestra, Roberto Paternostro | 3:09 |
1988 | La traviata: Atto III. “Parigi, o cara” | tenor vocals [Alfredo] | Lucia Aliberti, Peter Dvorský, Tokyo Philharmonic Orchestra, Roberto Paternostro | 3:18 |
1988 | La traviata: Atto III. Finale ultimo: “Ah! Violetta! - voi... Signor!...” | tenor vocals [Alfredo] | Lucia Aliberti, Renato Bruson, Peter Dvorský, Tokyo Philharmonic Orchestra, Roberto Paternostro | 5:47 |
1988 | La traviata: Atto III. Scena e duetto: “Signora... - che t'accadde?” | tenor vocals [Alfredo] | Lucia Aliberti, Peter Dvorský, Shigeru Sawa, Tokyo Philharmonic Orchestra, Roberto Paternostro | 1:36 |
1993-11-27 – 1993-11-30 | Messa da Requiem: I. Requiem Aeternam: Requiem | solo and tenor vocals | Münchner Philharmoniker, Sergiu Celibidache | 10:28 |
1993-11-27 – 1993-11-30 | Messa da Requiem: II. Dies irae: Ingemisco | solo and tenor vocals | Münchner Philharmoniker, Sergiu Celibidache | 4:04 |
1993-11-27 – 1993-11-30 | Messa da Requiem: II. Dies irae: Lacrimosa | solo and tenor vocals | Münchner Philharmoniker, Sergiu Celibidache | 7:57 |
1993-11-27 – 1993-11-30 | Messa da Requiem: II. Dies irae: Quid sum miser | solo and tenor vocals | Münchner Philharmoniker, Sergiu Celibidache | 4:35 |
1993-11-27 – 1993-11-30 | Messa da Requiem: II. Dies irae: Rex tremendae majestatis | solo and tenor vocals | Münchner Philharmoniker, Sergiu Celibidache | 4:48 |
1993-11-27 – 1993-11-30 | Messa da Requiem: III. Offertorio: Domine Jesu Christe | solo and tenor vocals | Münchner Philharmoniker, Sergiu Celibidache | 5:02 |
1993-11-27 – 1993-11-30 | Messa da Requiem: III. Offertorio: Hostias | solo and tenor vocals | Münchner Philharmoniker, Sergiu Celibidache | 6:14 |
1993-11-27 – 1993-11-30 | Messa da Requiem: VI. Lux aeterna | solo and tenor vocals | Münchner Philharmoniker, Sergiu Celibidache | 7:36 |
| Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) | tenor vocals | Peter Dvorský, Radio Symphony Orchestra Bratislava, Ondrej Lenárd | 4:49 |
| Bend It Like Beckham | tenor vocals | Peter Dvorský, Radio Bratislava Symphony Orchestra, Ondrej Lenárd | 3:00 |
| Carmen: 'La fleur que tu m'avais jetée 2nd Act | tenor vocals [Don José] | Peter Dvorský, Ondrej Lenárd, Radio Symphony Orchestra Bratislava | 3:49 |
| Cavalleria rusticana: “Mamma, quel vino e generoso” | tenor vocals [Turiddu] | Peter Dvorský, Radio Symphony Orchestra Bratislava, Ondrej Lenárd | 3:49 |
| Cavalleria rusticana: „Mamma, quel vino è generoso“ (Turiddu, Lucia) | tenor vocals | Peter Dvorský | 3:43 |
| Der Liebestrank: Arie "Heimlich aus ihrem Auge" | tenor vocals | Peter Dvorský, Roberto Paternostro, 東京フィルハーモニー交響楽団 | 4:54 |
| Faust : Acte III. « Il se fait tard, adieu ! » (Faust, Marguerite) / « Divine pureté » (Faust, Marguerite, Méphistophélès) | tenor vocals | Peter Dvorský | 13:03 |
| Faust: 'Salut! Demeure chaste et pure' | tenor vocals | Peter Dvorský, Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | 5:51 |
| Faust: „Quel trouble inconnu me pénètre ?“ / Salut ! Demeure chaste et pure (Faust/3. Akt) | tenor vocals | Peter Dvorský | 5:46 |
| Káťa Kabanová: Ptácci Priletí na Mohylu | tenor vocals | Peter Dvorský, Elisabeth Söderström, Vienna Philharmonic Orchestra, Sir Charles Mackerras | 3:11 |
| See all 171 relationships |
| vocals |
---|
| Jenůfa | tenor vocals | Leoš Janáček; Sir Charles Mackerras, Wiener Philharmoniker | |
| Káťa Kabanová | tenor vocals | Leoš Janáček; Elisabeth Söderström, Peter Dvorský, Naděžda Kniplová, Wiener Philharmoniker, Charles Mackerras | |
| Requiem | solo and tenor vocals | Verdi; Celibidache, Münchner Philharmoniker | |
| Věc Makropulos | tenor vocals | Leoš Janáček; Elisabeth Söderström, Peter Dvorský, Beno Blachut, Wiener Staatsopernchor, Wiener Philharmoniker, Sir Charles Mackerras | |