| vocals |
|---|
| 1956-07 | Oster-Oratorium, BWV 249: 4. Recitative: "O kalter Männer Sinn" (alto, soprano, tenor, bass) | | alto vocals | Margarete Bence, Friederike Sailer, Fritz Wunderlich, August Messthaler, Stuttgarter Bach-Orchester, Marcel Couraud | 1:04 |
| 1956-07 | Oster-Oratorium, BWV 249: 6. Recitative :"Hier ist die Gruft" (tenor, bass, alto) | | alto vocals | Fritz Wunderlich, August Messthaler, Margarete Bence, Stuttgarter Bach-Orchester, Marcel Couraud | 0:47 |
| 1956-07 | Oster-Oratorium, BWV 249: 8. Recitative: "Indessen seufzen wir" (soprano, alto) | | alto vocals | Friederike Sailer, Margarete Bence, Stuttgarter Bach-Orchester, Marcel Couraud | 1:05 |
| 1956-07 | Oster-Oratorium, BWV 249: 9. Aria: "Saget, saget mir geschwinde" (alto) | | alto vocals | Margarete Bence, Stuttgarter Bach-Orchester, Marcel Couraud | 6:38 |
| 1956 | Magnificat in D major, BWV 243: Aria (Duet): "Et misericordia" | | contralto vocals | Fritz Wunderlich, Marcel Couraud, Margarete Bence, Stuttgarter Bach-Orchester | 3:03 |
| 1960 | An die Hoffnung op. 124: Grave | | alto vocals | Nordwestdeutsche Philharmonie, Hermann Scherchen, Margarete Bence | 12:38 |
| 1973-07-13 | Der Rosenkavalier: Akt I. “Mein lieber Hippolyte” | | alto vocals [Annina] | Margarethe Bence, Karl Ridderbusch, David Thaw, Claire Watson, Bavarian State Orchestra, Carlos Kleiber | 3:33 |
| 1973-07-13 | Der Rosenkavalier: Akt II. “Da” … “Herr Cavalier!” | | alto vocals [Annina] | Margarethe Bence, Karl Ridderbusch, Bavarian State Orchestra, Carlos Kleiber | 4:46 |
| 1973-07-13 | Der Rosenkavalier: Akt II. “Herr Baron von Lerchenau!” | | alto vocals [Annina] | Margarethe Bence, Hilda De Groote, Brigitte Fassbaender, Benno Kusche, Karl Ridderbusch, David Thaw, Annelie Waas, Bavarian State Orchestra, Carlos Kleiber | 7:07 |
| 1973-07-13 | Der Rosenkavalier: Akt III. “Ist halt vorbei” | | alto vocals [Annina] | Margarethe Bence, Hilda De Groote, Lorenz Fehenberger, Karl Ridderbusch, David Thaw, Bavarian State Orchestra, Carlos Kleiber | 2:33 |
| 1973-07-13 | Der Rosenkavalier: Akt III. “Wie die Stund’ hingeht” | | alto vocals [Annina] | Margarethe Bence, Brigitte Fassbaender, Lorenz Fehenberger, Karl Ridderbusch, David Thaw, Bavarian State Orchestra, Carlos Kleiber | 3:38 |
| Acht Zigeunerlieder Op. 103: Brauner Bursche | | alto vocals | Margarethe Bence, Rolf Reinhardt | 1:20 |
| Acht Zigeunerlieder Op. 103: He, Zigeuner | | alto vocals | Margarethe Bence, Rolf Reinhardt | 1:02 |
| Acht Zigeunerlieder Op. 103: Hochgetürmte Rimaflut | | alto vocals | Margarethe Bence, Rolf Reinhardt | 1:17 |
| Acht Zigeunerlieder Op. 103: Kommt dir manchmal in den Sinn | | alto vocals | Margarethe Bence, Rolf Reinhardt | 1:58 |
| Acht Zigeunerlieder Op. 103: Lieber Gott, du weißt | | alto vocals | Margarethe Bence, Rolf Reinhardt | 1:04 |
| Acht Zigeunerlieder Op. 103: Röslein dreie in der Reihe | | alto vocals | Margarethe Bence, Rolf Reinhardt | 1:21 |
| Acht Zigeunerlieder Op. 103: Rote Abendwolken | | alto vocals | Margarethe Bence, Rolf Reinhardt | 1:33 |
| Acht Zigeunerlieder Op. 103: Wisst ihr, wann mein Kindchen | | alto vocals | Margarethe Bence, Rolf Reinhardt | 1:24 |
| Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Aria | Bargarete Bence | contralto vocals | Bach | 3:28 |
| Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Choral Duet | Bargarete Bence | contralto vocals | Bach | 4:54 |
| Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Choral Motet | Bargarete Bence | contralto vocals | Bach | 7:43 |
| Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Chorale | Bargarete Bence | contralto vocals | Bach | 1:27 |
| Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Duet | Bargarete Bence | contralto vocals | Bach | 5:08 |
| Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Recitativo | Bargarete Bence | contralto vocals | Bach | 2:30 |
| Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Recitativo | Bargarete Bence | contralto vocals | Bach | 1:49 |
| Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Unison Chorale | Bargarete Bence | contralto vocals | Bach | 4:10 |
| Magnificat in D major, BWV 243: 6. Aria: "Et misericordia" (alto, tenor) | | alto vocals | Margarete Bence, Fritz Wunderlich, Stuttgarter Bach-Orchester, Marcel Couraud | 3:03 |
| Magnificat in D major, BWV 243: 9. Aria: "Esurientes implevit bonis" (alto) | | alto vocals | Margarete Bence, Stuttgarter Bach-Orchester, Marcel Couraud | 2:53 |
| Magnificat in D major, BWV 243: 10. Aria: "Suscepit Israel" (soprano, alto) | | alto vocals | Margarete Bence, Friederike Sailer, Stuttgarter Bach-Orchester, Marcel Couraud | 1:31 |
| Mass in A major, BWV 234: Cum sancto Spiritu | | alto vocals | Margarethe Bence, Antonia Fahberg, Theophil Maier, Ulrich Schaible, Figuralchor der Gedächtniskirche Stuttgart, Werner Keltsch, Württembergisches Kammerorchester, Helmuth Rilling | 3:35 |
| Mass in A major, BWV 234: Domine Deus | | alto vocals | Margarethe Bence, Antonia Fahberg, Theophil Maier, Ulrich Schaible, Figuralchor der Gedächtniskirche Stuttgart, Werner Keltsch, Württembergisches Kammerorchester, Helmuth Rilling | 6:44 |
| Mass in A major, BWV 234: Gloria in excelsis | | alto vocals | Margarethe Bence, Antonia Fahberg, Theophil Maier, Ulrich Schaible, Figuralchor der Gedächtniskirche Stuttgart, Werner Keltsch, Württembergisches Kammerorchester, Helmuth Rilling | 6:24 |
| Mass in A major, BWV 234: Kyrie eleison | | alto vocals | Margarethe Bence, Antonia Fahberg, Theophil Maier, Ulrich Schaible, Figuralchor der Gedächtniskirche Stuttgart, Werner Keltsch, Württembergisches Kammerorchester, Helmuth Rilling | 8:01 |
| Mass in A major, BWV 234: Qui tollis | | alto vocals | Margarethe Bence, Antonia Fahberg, Theophil Maier, Ulrich Schaible, Figuralchor der Gedächtniskirche Stuttgart, Werner Keltsch, Württembergisches Kammerorchester, Helmuth Rilling | 6:02 |
| Mass in A major, BWV 234: Quoniam | | alto vocals | Margarethe Bence, Antonia Fahberg, Theophil Maier, Ulrich Schaible, Figuralchor der Gedächtniskirche Stuttgart, Werner Keltsch, Württembergisches Kammerorchester, Helmuth Rilling | 3:58 |
| Missa in H-Moll, BWV 232: Ib. Duetto (Soprano I, Soprano II) "Christe eleison" | | soprano vocals [Sop II] | Orchester des 35 Deutschen Bachfestes, Hans Grischkat | 6:29 |
| Missa in H-Moll, BWV 232: IIc. Aria (Soprano II) "Laudamus te" | | soprano vocals [Sop II] | Orchester des 35 Deutschen Bachfestes, Hans Grischkat | 4:59 |
| Missa in H-Moll, BWV 232: IIg. Aria (Alto) "Qui sedes ad dexteram Patris" | | alto vocals | Orchester des 35 Deutschen Bachfestes, Hans Grischkat | 4:40 |
| Missa in H-Moll, BWV 232: IIIc. Duetto (Soprano I, Alto) "Et in unum Dominum" | | alto vocals | Orchester des 35 Deutschen Bachfestes, Hans Grischkat | 5:41 |
| Missa in H-Moll, BWV 232: IVe. Aria (Alto) "Agnus Dei" | | alto vocals | Orchester des 35 Deutschen Bachfestes, Hans Grischkat | 5:17 |
| Requiem in D minor, K. 626: IV. Offertorium (Domine Jesu, Hostias) | | contralto vocals | Margarethe Bence, Ursula Buckel, Böblingen Bach Choir, Hans Ulrich Mielsch, Eduard Wollitz, Stuttgart Philharmonic, Roland Bader | 8:57 |
| Requiem, K. 626: Sanctus, Benedictus | | contralto vocals | Margarethe Bence, Ursula Buckel, Böblingen Bach Choir, Hans Ulrich Mielsch, Eduard Wollitz, Stuttgart Philharmonic, Roland Bader | 7:25 |
| Requiem, K. 626: Sequence (Dies Irae, Tuba mirum, Rex tremendae, Recordare, Confutatis, Lacrimosa) | | contralto vocals | Margarethe Bence, Ursula Buckel, Böblingen Bach Choir, Hans Ulrich Mielsch, Eduard Wollitz, Stuttgart Philharmonic, Roland Bader | 20:14 |
| Zwei Gesänge Op. 91: Geistliches Wiegenlied | | alto vocals | Margarethe Bence, Rolf Reinhardt, Fritz Ruf | 5:39 |
| Zwei Gesänge Op. 91: Gestillte Sehnsucht | | alto vocals | Margarethe Bence, Rolf Reinhardt, Fritz Ruf | 7:05 |
