| instruments |
---|
1989-06-06 | Wurensh | keyboard | IQ | 8:36 |
| A Part of Me | keyboard | Martin Orford | 5:14 |
| Anchored | flute | Roswell Six | 4:42 |
| Awake and Nervous | synthesizer | IQ | 7:45 |
| Awake and Nervous | keyboard | IQ | 7:45 |
| Awake and Nervous | keyboard | IQ | 7:25 |
| Awake and Nervous (radio sessions) | flute | IQ | 7:11 |
| Awake and Nervous (radio sessions) | keyboard | IQ | 7:11 |
| Beef in Box | keyboard | I.Q. | ?:?? |
| Before Your Eyes | flute | John Wetton | 2:56 |
| Beyond the Horizon | flute | Roswell Six | 5:11 |
| Came Down | keyboard | IQ | 5:56 |
| Day Fifteen: Betrayal | solo and synthesizer | Ayreon | 5:24 |
| Day Fifteen: Betrayal | guest and synthesizer | Ayreon | 5:24 |
| Eloko / Widow’s Peak | keyboard | IQ | 9:58 |
| Endgame | acoustic guitar, electric guitar and keyboard | Martin Orford | 5:20 |
| Evensong | keyboard | Martin Orford | 5:10 |
| Fading Senses: I. After All / II. Fading Senses | keyboard | IQ | 6:36 |
| Fascination | keyboard | IQ | 5:53 |
| Fascination | keyboard | IQ | 5:48 |
| Fat Billy Shouts Mine | additional, guest and keyboard | Big Big Train | 6:26 |
| Further Away | keyboard | IQ | 8:06 |
| Further Away | keyboard | IQ | 14:31 |
| Fusion | keyboard | Martin Orford | 5:06 |
| God Bless America | flute, guest and keyboard | Steve Thorne | 3:11 |
| Grand Designs | bass pedals, electric guitar, keyboard and treble recorder / alto recorder | Martin Orford | 9:58 |
| Halfway | flute | Roswell Six | 4:08 |
| Here Be Monsters | flute | Roswell Six | 5:31 |
| Here They Come! | guest and musical box | Steve Thorne | 1:45 |
| Here We Are | keyboard | IQ | 5:32 |
| Hiding in the Corner (live) | keyboard | Jadis | 4:36 |
| Hollow Afternoon | keyboard | IQ | 4:52 |
| Hounded | guest and Hammond organ | Steve Thorne | 7:13 |
| Human Nature | keyboard | IQ | 10:01 |
| I Am the Point | flute | Roswell Six | 5:44 |
| Intelligence Quotient | keyboard | IQ | 7:20 |
| Ishalem | flute | Roswell Six | 11:02 |
| It All Stops Here | keyboard | IQ | 7:10 |
| It All Stops Here | keyboard | IQ | 7:26 |
| Just Changing Hands (radio session) | flute | IQ | 5:17 |
| Just Changing Hands (radio session) | keyboard | IQ | 5:17 |
| Leap of Faith | keyboard | IQ | 7:22 |
| Letters in a Bottle | flute | Roswell Six | 5:04 |
| Merciful Tides / Letters in a Bottle (reprise) | flute | Roswell Six | 5:07 |
| More Than Meets the Eye | flute | Jadis | 4:53 |
| More Than Meets the Eye | keyboard | Jadis | 4:53 |
| More Than Meets the Eye | transverse flute | Jadis | 4:53 |
| My Baby Treats Me Right ’Cos I’m a Hard Lovin’ Man All Night Long | piano | IQ | 1:46 |
| N.T.O.C. “Resistance” | keyboard | IQ | 4:49 |
| No Ordinary Miracle | keyboard | John Wetton | 4:53 |
| Nostalgia / Falling Apart at the Seams | keyboard | IQ | 10:01 |
| Out in the Darkness | acoustic guitar, bass pedals, electric guitar and keyboard | Martin Orford | 6:27 |
| Out of Nowhere | keyboard | IQ | 5:10 |
| Outer Limits | keyboard | IQ | 5:50 |
| Power and Speed | electric guitar and keyboard | Martin Orford | 5:58 |
| Prelude | keyboard and piano | Martin Orford | 1:36 |
| Prelude to the Underfall Yard | keyboard and solo | Big Big Train | 2:23 |
| Quantum Leap | keyboard | No | 5:00 |
| Quilmes | piano | Martin Orford | 3:03 |
| Ray of Hope | acoustic guitar, electric guitar and keyboard | Martin Orford | 3:53 |
| Silently | keyboard | John Wetton | 3:54 |
| Swept Away | flute | Roswell Six | 4:20 |
| Take It to the Sun | electric guitar and keyboard | Martin Orford | 5:26 |
| Tatras | flute and piano | Martin Orford | 5:31 |
| The Bold Grenadier | keyboard | IQ | 3:38 |
| The Call of the Sea | flute | Roswell Six | 6:27 |
| The Darkest Hour | keyboard | IQ | 10:52 |
| The Days of Our Lives | keyboard | Martin Orford | 6:16 |
| The Edge of the World | flute | Roswell Six | 4:42 |
| The Enemy Smacks | keyboard | IQ | 13:49 |
| The Enemy Smacks | keyboard | IQ | 14:59 |
| The Enemy Smacks | synthesizer | IQ | 13:49 |
| The Field of Fallen Angels | bagpipe, flute, keyboard and mandolin | Martin Orford | 6:26 |
| The Final Solution | keyboard | Martin Orford | 5:59 |
| The Last Human Gateway | synthesizer | IQ | 19:57 |
| The Last Human Gateway | keyboard | IQ | 19:57 |
| The Last Human Gateway | keyboard | IQ | 20:11 |
| The Old Road | bass pedals, flute, guitar family and keyboard | Martin Orford | 8:37 |
| The Overload | keyboard | Martin Orford | 5:21 |
| The Picnic | acoustic guitar | Martin Orford | 1:22 |
| The Sinking of the Luminara | flute | Roswell Six | 5:43 |
| The Time and the Season | bass pedals, electric guitar and keyboard | Martin Orford | 10:46 |
| The Wake | keyboard | IQ | 3:55 |
| The Wake | keyboard | IQ | 4:11 |
| The Winds of War | flute | Roswell Six | 4:51 |
| This Changing Face | keyboard | Jadis | 5:20 |
| Through the Corridors (Oh Shit Me!) | keyboard | IQ | 2:35 |
| Through the Corridors (Oh Shit Me!) | synthesizer | IQ | 2:35 |
| Widow’s Peak (radio session) | keyboard | IQ | 8:52 |
| Widow’s Peak (radio session) | flute | IQ | 8:52 |
| orchestrated |
---|
| Evensong | | Martin Orford | 5:10 |
| produced |
---|
| After All | | John Wetton | 4:34 |
| Book of Saturday | | John Wetton | 3:03 |
| Bygosh - Easy Money | | John Wetton | 10:28 |
| Emma | | John Wetton | 3:19 |
| In the Dead of Night | | John Wetton | 5:56 |
| Intro Guitar Concerto - The Last Thing on My Mind | | John Wetton | 4:59 |
| Rendezvous 6:02 | | John Wetton | 5:23 |
| Silently | | John Wetton | 3:54 |
| Sole Survivor | | John Wetton | 6:50 |
| Starless | | John Wetton | 10:17 |
| Tatras | | John Wetton | 5:00 |
| The Birth of Igor | | John Wetton | 3:10 |
| The Night Watch | | John Wetton | 4:24 |
| programming |
---|
| Silently | | John Wetton | 3:54 |
| vocals |
---|
| Awake and Nervous (radio sessions) | background vocals | IQ | 7:11 |
| Grand Designs | background vocals and lead vocals | Martin Orford | 9:58 |
| Hedgerow | background vocals and choir vocals | Big Big Train | 8:52 |
| Hiding in the Corner (live) | background vocals | Jadis | 4:36 |
| Just Changing Hands (radio session) | background vocals | IQ | 5:17 |
| More Than Meets the Eye | background vocals | Jadis | 4:53 |
| Take It to the Sun | background vocals | Martin Orford | 5:26 |
| The Days of Our Lives | background vocals and lead vocals | Martin Orford | 6:16 |
| The Field of Fallen Angels | | Martin Orford | 6:26 |
| The Final Solution | | Martin Orford | 5:59 |
| The Old Road | background vocals and lead vocals | Martin Orford | 8:37 |
| The Overload | background vocals | Martin Orford | 5:21 |
| The Time and the Season | background vocals | Martin Orford | 10:46 |
| This Changing Face | background vocals | Jadis | 5:20 |
| Widow’s Peak (radio session) | background vocals | IQ | 8:52 |
| arranged |
---|
| Goodbye to the Age of Steam | additional | Big Big Train | |
| composed |
---|
| The Old Road | | Martin Orford | |
| instruments |
---|
| English Boy Wonders | flute and guest | Big Big Train | |
| English Boy Wonders | flute, guest and keyboard | Big Big Train | |
| Nomansland | keyboard | John Wetton | |
| Nomansland | flute | John Wetton | |
| One Small Step... | flute and guest | Manning | |
| The Greatest Show on Earth | keyboard | Martin Darvill & Friends | |
| lyrics |
---|
| The Old Road | | Martin Orford | |
| performed |
---|
| Emotional Creatures: Part One | guest | Steve Thorne | |
| photography |
---|
| The Old Road | | Martin Orford | |
| produced |
---|
| Classical Music and Popular Songs | | Martin Orford | |
| Goodbye to the Age of Steam | additional | Big Big Train | |
| Goodbye to the Age of Steam | additional | Big Big Train | |
| The Old Road | | Martin Orford | |
| vocals |
---|
| Goodbye to the Age of Steam | background vocals | Big Big Train | |
| Goodbye to the Age of Steam | background vocals | Big Big Train | |
| Nomansland | background vocals | John Wetton | |
| vocals arranged |
---|
| Goodbye to the Age of Steam | background vocals | Big Big Train | |
| composed |
---|
| A Part of Me | | | |
| Drive On | | | |
| Endgame | | | |
| Evensong | | | |
| Falling Apart at the Seams | | | |
| Fusion | | | |
| Grand Designs | | | |
| It All Stops Here | | | |
| Nostalgia | | | |
| Nothing at All | | | |
| Out in the Darkness | | | |
| Power and Speed | | | |
| Prelude | | | |
| Quilmes | | | |
| Ray of Hope | | | |
| Sold on You | | | |
| Take It to the Sun | | | |
| Tatras | | | |
| The Days of Our Lives | | | |
| The Field of Fallen Angels | | | |
| The Final Solution | | | |
| The Old Road | | | |
| The Overload | | | |
| The Picnic | | | |
| The Time and the Season | | | |
| Through My Fingers | | | |
| War Heroes | | | |
| Wurensh | | | |
| lyrics |
---|
| Endgame | | | |
| Grand Designs | | | |
| It All Stops Here | | | |
| Ray of Hope | | | |
| Take It to the Sun | | | |
| The Days of Our Lives | | | |
| The Field of Fallen Angels | | | |
| The Final Solution | | | |
| The Old Road | | | |
| The Overload | | | |
| The Time and the Season | | | |
| War Heroes | | | |
| orchestrated |
---|
| Tatras | | | |
| wrote |
---|
| Beef in Box | | | |
| Common Ground | | | |
| Corners | | | |
| Dans le parc du château noir | | | |
| Eloko Bella Neechi | | | |
| Eyes of the Blind | | | |
| Fascination | | | |
| Frequency | | | |
| Headlong | | | |
| Hollow Afternoon | | | |
| Human Nature | | | |
| Intelligent Quotient | | | |
| No Love Lost | | | |
| Outer Limits | | | |
| Over the Moon | | | |
| Resistance | | | |
| The Birth of Igor | | | |
| The Magic Roundabout | | | |
| The Thousand Days | | | |
| The Universal Scam | | | |
| The Wake | | | |
| Widow’s Peak | | | |