5 Bagatelles: I. Allegro | | | | | | | |
5 Bagatelles: II. Lento | | | | | | | |
5 Bagatelles: III. Alla Cubana | | | | | | | |
5 Bagatelles: IV. | | | | | | | |
5 Bagatelles: V. Con slancio | | | | | | | |
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) | | | | | | | |
12 estudos, W235, nº 8: Modéré - Lent | | | | Étude | | | |
12 Songs: Londonderry Air | | | | | | | |
Adagio for Strings and Organ | | | | | | | |
Adagio for Strings and Organ in G minor | | | | | | | |
Affinity: Concerto for Guitar and Orchestra | | | | | | | |
Agua e vinho | | | | | | | |
American Landscapes: I. Slow and Free | | | | | | | |
American Landscapes: II. Variations on the "Wayfaring Stranger" | | | | | | | |
American Landscapes: III. Allegro | | | | | | | |
Appalachian Dreams, op. 121: I. Fantasia | | | | | | | |
Appalachian Dreams, op. 121: II. Black Is the Color of My True Love's Hair | | | | | | | |
Appalachian Dreams, op. 121: III. Darling Cora | | | | | | | |
Appalachian Dreams, op. 121: IV. Putney Hymn | | | | | | | |
Appalachian Dreams, op. 121: V. Finale | | | | | | | |
Aranjuez, ma pensée | | | | | | | |
Brisas del Torbes | | | | | | | |
Canción y danza no. 1: Canción | | | | | | | |
Canción y danza no. 1: Danza | | | | | | | |
Canciones españolas antiguas: Anda, jaleo | | | | Song | | | |
Canciones españolas antiguas: El café de Chinitas | | | | Song | | | |
Canciones españolas antiguas: La Tarara | | | | Song | | | |
Canciones españolas antiguas: Las morillas de Jaén | | | | Song | | | |
Canciones españolas antiguas: Los mozos de Monleón | | | | Song | | | |
Canciones españolas antiguas: Nana de Sevilla | | | | Song | | | |
Canciones españolas antiguas: Romance de Don Boyso | | | | Song | | | |
Canciones españolas antiguas: Sevillanas del siglo XVIII | | | | Song | | | |
Canciones españolas antiguas: Zorongo | | | | Song | | | |
Capricho árabe | | | | | | | |
Clocks | | | | | | | |
Concert de Gaudí: I. Allegro | | | | | | | |
Concert de Gaudí: II. Largo sereno | | | | | | | |
Concert de Gaudí: III. Svolazzante | | | | | | | |
Concerto for Lute in D major, RV 93: I. Allegro giusto | | | | | | | |
Concerto for Lute in D major, RV 93: II. Largo | | | | | | | |
Concerto for Lute in D major, RV 93: III. Allegro | | | | | | | |
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo | | | | | | | |
Concerto para violão e pequena orquestra, W501: I. Allegro preciso | | | | | | | |
Concerto para violão e pequena orquestra, W501: II. Andantino e andante | | | | | | | |
Concerto para violão e pequena orquestra, W501: III. Allegretto non troppo | | | | | | | |
Concierto de Aranjuez: I. Allegro con spirito | | | | | | | |
Concierto de Aranjuez: II. Adagio | | | | | | | |
Concierto de Aranjuez: III. Allegro gentile | | | | | | | |
Concierto del sur: I. Allegro moderato | | | | | | | |
Concierto del sur: II. Andante | | | | | | | |
Concierto del sur: III. Allegro moderato e festivo | | | | | | | |
Cuentos de la juventud, op. 1: No. 1: Dedicatoria | | | | | | | |
Double Concerto for Violin and Guitar: I. Fast & Jazzy | | | | | | | |
Double Concerto for Violin and Guitar: II. Adagio molto | | | | | | | |
Double Concerto for Violin and Guitar: III. Presto, sempre ritmico | | | | | | | |
El decamerón negro: I. El arpa del guerrero | | | | | | | |
El decamerón negro: II. La huída de los amantes por el valle de los ecos | | | | | | | |
El decamerón negro: III. Ballada de la doncella enamorada | | | | | | | |
English Suite, op. 31: II. Folk Song | | | | | | | |
Epitaphs: III. A Day in May | | | | | | | |
Epitaphs: IV. You Have Set, My Star | | | | | | | |
Estrada do Sol | | | | Song | | | |
Euskal Preludioak: VI. Oñazez | | | | | | | |
Fantasía para un gentilhombre: I. Villano y ricercare | | | | | | | |
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles | | | | | | | |
Fantasía para un gentilhombre: III. Danza de las hachas | | | | | | | |
Fantasía para un gentilhombre: IV. Canario | | | | | | | |
Floresta do Amazonas: Melodia sentimental | | | | | | | |
Granada | | | | Song | | | |
Guitar Concerto "Yi²": I. Rubato | | | | | | | |
Guitar Concerto "Yi²": II. Adagio | | | | | | | |
Guitar Concerto "Yi²": III. Andante agitato | | | | | | | |
Guitar Concerto "Yi²": IV. Cadenza | | | | | | | |
Guitar Concerto "Yi²": V. Ending | | | | | | | |
Guitar Concerto in A major, RV 82: I. Allegro non molto | | | | | | | |
Guitar Concerto in A major, RV 82: II. Larghetto | | | | | | | |
Guitar Concerto in A major, RV 82: III. Allegro | | | | | | | |
Habanera | | | | | | | |
Invocación y danza | | | | Suite | | | |
Jesu, Joy of Man’s Desiring, from Cantata BWV 147 | | | | | | | |
Julia Florida (barcarola) | | | | | | | |
La catedral: II. Andante religioso | | | | | | | |
La catedral: III. Allegro solemne | | | | | | | |
La oración del torero, op. 34 | | | | | | | |
Liza (All the Clouds’ll Roll Away) | | | | Song | | - 1979303 (AKM ID)
- 2586149 (ECAD ID)
- 489725-001 (GEMA ID)
- E-flat major (Key)
| |
Mallorca | | | | | | | |
Mallorca, op. 202 | | | | | | | |
My Lord Willoughby's Welcome Home, P. 66a | | | | | | | |
Nightshade Rounds | | | | | | | |
Nocturnal after John Dowland, op. 70: I. Musingly | | | | | | | |
Nocturnal after John Dowland, op. 70: II. Very agitated | | | | | | | |
Nocturnal after John Dowland, op. 70: III. Restless | | | | | | | |
Nocturnal after John Dowland, op. 70: IV. Uneasy | | | | | | | |
Nocturnal after John Dowland, op. 70: V. March-like | | | | | | | |
Nocturnal after John Dowland, op. 70: VI. Dreaming | | | | | | | |
Nocturnal after John Dowland, op. 70: VII. Gently rocking | | | | | | | |
Nocturnal after John Dowland, op. 70: VIII. Passacaglia | | | | | | | |
Of Love and Longing: 1. Listen ... | | | | | | | |
Of Love and Longing: 2. This Night of Love | | | | | | | |
Of Love and Longing: 3. Your Beauty | | | | | | | |