| performed |
|---|
| 1975-01 | Cantata, BWV 24 "Ein ungefärbt Gemüte": I. Aria (alto) "Ein ungefärbt Gemüte" | | Hertha Töpper, Münchener Bach‐Orchester, Karl Richter | 5:00 |
| vocals |
|---|
| 1960-06-16 – 1960-06-25 | La traviata: Atto I. “Dell'invito trascorsa è già l'ora” | mezzo-soprano vocals | Giuseppe Conca, Franco Calabrese, Coro del Teatro dell’Opera di Roma, Anna Moffo, Piero de Palma, Anna Reynolds, Vito Susca, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | 4:53 |
| 1960-06-16 – 1960-06-25 | La traviata: Atto I. (Part1) | mezzo-soprano vocals | Giuseppe Conca, Franco Calabrese, Coro del Teatro dell’Opera di Roma, Anna Moffo, Piero de Palma, Anna Reynolds, Vito Susca, Richard Tucker, Franco Ventriglia, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali, Luigi Ricci | 20:19 |
| 1960-06-16 – 1960-06-25 | La traviata: Atto II, Scena 1 (Concluded) / Atto II, Scena 2 (Part 1) | mezzo-soprano vocals | Giuseppe Conca, Franco Calabrese, Coro del Teatro dell’Opera di Roma, Robert Merrill, Anna Moffo, Piero de Palma, Anna Reynolds, Vito Susca, Richard Tucker, Franco Ventriglia, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali, Luigi Ricci | 16:00 |
| 1960-06-16 – 1960-06-25 | La traviata: Atto II, Scena 1 (Concluded) / Atto II, Scena 2 (Part 1) | mezzo-soprano vocals | Giuseppe Conca, Franco Calabrese, Coro del Teatro dell’Opera di Roma, Robert Merrill, Anna Moffo, Piero de Palma, Anna Reynolds, Vito Susca, Richard Tucker, Franco Ventriglia, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali, Luigi Ricci | 16:00 |
| 1960-06-16 – 1960-06-25 | La traviata: Atto II, Scena 1 (Concluded) / Atto II, Scena 2 (Part 1) | mezzo-soprano vocals | Anna Moffo, Richard Tucker, Robert Merrill, Orchestra del Teatro dell'Opera di Roma, Coro del Teatro dell’Opera di Roma, Fernando Previtali | 16:00 |
| 1960-06-16 – 1960-06-25 | La traviata: Atto II, Scena 2 (Concluded) / Atto III (Part 1) | mezzo-soprano vocals | Giuseppe Conca, Franco Calabrese, Coro del Teatro dell’Opera di Roma, Robert Merrill, Anna Moffo, Piero de Palma, Liliana Poli, Anna Reynolds, Vito Susca, Richard Tucker, Franco Ventriglia, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali, Luigi Ricci | 18:14 |
| 1960-06-16 – 1960-06-25 | La traviata: Atto II, scena 2. “Alfredo! Voi?” | mezzo-soprano vocals | Giuseppe Conca, Franco Calabrese, Coro del Teatro dell’Opera di Roma, Anna Moffo, Piero de Palma, Anna Reynolds, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | 3:59 |
| 1960-06-16 – 1960-06-25 | La traviata: Atto II, scena 2. “Avrem lieta di maschere la notte” | mezzo-soprano vocals | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Anna Reynolds, Vito Susca, Franco Ventriglia, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | 1:04 |
| 1960-06-16 – 1960-06-25 | La traviata: Atto II, scena 2. “Noi siamo zingarelle” | mezzo-soprano vocals | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Anna Reynolds, Vito Susca, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | 3:07 |
| 1960-06-17 – 1960-06-18 | Otello: Assisa a piè di un salice | mezzo-soprano vocals [Emilia] | Nino Antonellini, Anna Reynolds, Virginia Zeani, Orchestra sinfonica di Roma della RAI, Fernando Previtali | 9:57 |
| 1960-06-17 – 1960-06-18 | Otello: Inutile è quel pianto | mezzo-soprano vocals [Emilia] | Nino Antonellini, Anna Reynolds, Virginia Zeani, Orchestra sinfonica di Roma della RAI, Fernando Previtali | 8:02 |
| 1966-04-20 | Symphony no. 8 in E-flat major, "Symphony of a Thousand": I. Teil. Hymnus: "Veni, creator spiritus" (5.0 mix) | mezzo-soprano vocals | London Symphony Orchestra, Leonard Bernstein | 24:05 |
| 1966-04-20 | Symphony no. 8 in E-flat major, "Symphony of a Thousand": II. Teil. Schulßszene aus Faust (5.0 mix) | mezzo-soprano vocals | London Symphony Orchestra, Leonard Bernstein | 55:05 |
| 1966-04-20 | Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ib. "Imple superna gratia" | alto vocals [Alto I] and solo | London Symphony Orchestra, Leonard Bernstein | 3:46 |
| 1966-04-20 | Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ic. "Infirma nostri corporis" | alto vocals [Alto I] and solo | London Symphony Orchestra, Leonard Bernstein | 2:21 |
| 1966-04-20 | Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ie. "Infirma nostri corporis" | alto vocals [Alto I] and solo | London Symphony Orchestra, Leonard Bernstein | 3:25 |
| 1966-04-20 | Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! If. "Accende lumen sensibus" | alto vocals [Alto I] and solo | London Symphony Orchestra, Leonard Bernstein | 5:20 |
| 1966-04-20 | Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ig. "Qui Paraclitus diceris" | alto vocals [Alto I] and solo | London Symphony Orchestra, Leonard Bernstein | 4:16 |
| 1966-04-20 | Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ih. "Gloria Patri Domino" | alto vocals [Alto I] and solo | London Symphony Orchestra, Leonard Bernstein | 2:05 |
| 1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIh. "Uns bleibt ein Erdenrest" (Die vollendeteren Engel) | alto vocals and solo | London Symphony Orchestra, Leonard Bernstein | 2:18 |
| 1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIp. "Bei dem Bronn, zu dem schon weiland" (Mulier Samaritana) | alto vocals [Mulier Samaritana] and solo | London Symphony Orchestra, Leonard Bernstein | 1:22 |
| 1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIr. "Die du grossen Sünderinnen" (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) | alto vocals [Mulier Samaritana] and solo | London Symphony Orchestra, Leonard Bernstein | 1:20 |
| 1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIx. "Alles Vergängliche" (Chorus Mysticus) | alto vocals [Alto I] and solo | London Symphony Orchestra, Leonard Bernstein | 5:38 |
| 1966-04-20 | Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: I. Teil. Hymnus: “Veni, creator spiritus” | mezzo-soprano vocals | London Symphony Orchestra, Leonard Bernstein | 24:05 |
| 1966-04-20 | Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: II. Teil. Schlußszene aus Faust | mezzo-soprano vocals | London Symphony Orchestra, Leonard Bernstein | 55:05 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene I. „Garstig glatter glitschriger Glimmer!“ (Alberich, Woglinde, Wellgunde, Flosshilde) | alto vocals | Berliner Philharmoniker, Herbert von Karajan | 7:19 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene I. „Haltet den Räuber!“ (Flosshilde, Wellgunde, Woglinde) | alto vocals | Berliner Philharmoniker, Herbert von Karajan | 3:22 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene I. „He he! Ihr Nicker!“ (Alberich, Woglinde, Flosshilde, Wellgunde) | alto vocals | Berliner Philharmoniker, Herbert von Karajan | 1:18 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene I. „Lugt, Schwestern! Die Weckerin lacht in den Grund“ (Woglinde, Wellgunde, Flosshilde, Alberich) | alto vocals | Berliner Philharmoniker, Herbert von Karajan | 4:08 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene I. „Nur wer der Minne Macht entsagt“ (Woglinde, Wellgunde, Flosshilde) | alto vocals | Berliner Philharmoniker, Herbert von Karajan | 1:40 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene I. „Weia! Waga! Woge, du Welle!“ (Woglinde, Wellgunde, Flosshilde) | alto vocals | Berliner Philharmoniker, Herbert von Karajan | 1:13 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Rheingold! Rheingold!“ (Die drei Rheintöchter, Wotan, Loge) | alto vocals | Berliner Philharmoniker, Herbert von Karajan | 3:21 |
| 1967-12 | Das Rheingold: "Zur Burg führt die Brücke" - "Abendlich strahlt der Sonne Auge" (Froh / Wotan) | mezzo-soprano vocals [Rheintöchter] | Richard Wagner | 9:00 |
| 1969-06 | Symphony no. 9 in D minor, op. 125 “Choral”: IVb. Allegro assai “Freude, schöner Götterfunken” – Alla marcia – Allegro assai vivace “Froh, wie seine Sonnen” – Andante maestoso “Seid umschlungen, Millionen!” – Adagio ma non troppo, ma divoto | mezzo-soprano vocals | Gerd Feldhoff, Liselotte Rebmann, Anna Reynolds, Anton de Ridder, Koninklijk Concertgebouworkest, Eugen Jochum | 16:29 |
| 1969-10-11 – 1970-01-06 | Götterdämmerung: Aufzug III, Szene I. „Frau Sonne sendet lichte Strahlen“ (Die drei Rheintöchter) | alto vocals [Flosshilde] | Berliner Philharmoniker, Herbert von Karajan | 3:12 |
| 1969-10-11 – 1970-01-06 | Götterdämmerung: Aufzug III, Szene I. „Ich höre sein Horn“ (Woglinde, Wellgunde, Flosshilde, Siegfried) | alto vocals [Flosshilde] | Berliner Philharmoniker, Herbert von Karajan | 4:15 |
| 1969-10-11 – 1970-01-06 | Götterdämmerung: Aufzug III, Szene I. „Was leid’ ich doch das karge Lob?“ (Siegfried, Flosshilde, Woglinde, Wellgunde) | alto vocals [Flosshilde] | Berliner Philharmoniker, Herbert von Karajan | 9:40 |
| 1970-06 – 1970-07 | Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" | alto vocals | Anna Reynolds, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Werner Binder, Detlef Kühl, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | 3:49 |
| 1970-06 – 1970-07 | Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" | alto vocals | Peter Schreier, Anna Reynolds, Detlef Kühl, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Karl Kolbinger, Werner Binder, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Manfred Clement, Münchener Bach‐Orchester, Karl Richter | 4:13 |
| 1970-06 – 1970-07 | Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt!, behalte nur das Deine" | alto vocals | Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | 0:55 |
| 1970-06 – 1970-07 | Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" | alto vocals | Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | 6:45 |
| 1971-05 | Cantata, BWV 24 "Ein ungefärbt Gemüte": I. Aria (alto) "Ein ungefärbt Gemüte" | alto vocals | Hertha Töpper, Münchener Bach‐Orchester, Karl Richter | 5:00 |
| 1971-06 | Mass No. 3 in F minor: I. Kyrie | contralto vocals | Heather Harper, Philharmonia Chorus, Anna Reynolds, Marius Rintzler, Robert Tear, Philharmonia Orchestra, Daniel Barenboim | 10:24 |
| 1971-06 | Mass No. 3 in F minor: II.Gloria | contralto vocals | Heather Harper, Philharmonia Chorus, Anna Reynolds, Marius Rintzler, Robert Tear, Philharmonia Orchestra, Daniel Barenboim | 10:08 |
| 1971-06 | Mass No. 3 in F minor: III.Credo | contralto vocals | Heather Harper, Philharmonia Chorus, Anna Reynolds, Marius Rintzler, Robert Tear, Philharmonia Orchestra, Daniel Barenboim | 17:36 |
| 1971-06 | Mass No. 3 in F minor: IV. Sanctus | contralto vocals | Heather Harper, Philharmonia Chorus, Anna Reynolds, Marius Rintzler, Robert Tear, Philharmonia Orchestra, Daniel Barenboim | 2:13 |
| 1971-06 | Mass No. 3 in F minor: V. Benedictus | contralto vocals | Heather Harper, Philharmonia Chorus, Anna Reynolds, Marius Rintzler, Robert Tear, Philharmonia Orchestra, Daniel Barenboim | 8:19 |
| 1971-06 | Mass No. 3 in F minor: VI. Agnus Dei | contralto vocals | Heather Harper, Philharmonia Chorus, Anna Reynolds, Marius Rintzler, Robert Tear, Philharmonia Orchestra, Daniel Barenboim | 9:17 |
| 1971-06 – 1971-07 | Kantate, BWV 13 "Meine Seufzer, meine Tränen": II. Recitativo (Alto) "Mein liebster Gott lässt mich annoch" | alto vocals | Anna Reynolds, Fritz Kiskalt, Herbert Duft, Johannes Fink, Kurt Hausmann, Günther Höller, Peter Jenne, Otto Büchner, Karl Kolbinger, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | 1:16 |
| 1971-06 – 1971-07 | Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" | alto vocals | Anna Reynolds, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Werner Binder, Detlef Kühl, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | 3:49 |
| 1971-06 – 1971-07 | Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" | alto vocals | Peter Schreier, Anna Reynolds, Detlef Kühl, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Karl Kolbinger, Werner Binder, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Manfred Clement, Münchener Bach‐Orchester, Karl Richter | 4:13 |
| 1971-06 – 1971-07 | Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alto) "Der Gnade unermeßlichs Wesen" | alto vocals | Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | 1:32 |
| 1971-11-01 | Alexander Nevsky, op. 78: VI. The Field of the Dead | mezzo-soprano vocals | Anna Reynolds, London Symphony Orchestra, André Previn | 6:38 |
| 1972-03 | Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alto) "Der Gnade unermeßlichs Wesen" | alto vocals | Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | 1:32 |
| 1972-03 – 1972-04 | Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" | alto vocals | Anna Reynolds, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Werner Binder, Detlef Kühl, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | 3:49 |
| 1972-03 – 1972-04 | Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" | alto vocals | Peter Schreier, Anna Reynolds, Detlef Kühl, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Karl Kolbinger, Werner Binder, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Manfred Clement, Münchener Bach‐Orchester, Karl Richter | 4:13 |
| 1972-03 – 1972-04 | Kantate, BWV 81 "Jesus schläft, was soll ich hoffen?": I. Aria (Alto) "Jesus Schläft, was soll ich hoffen?" | alto vocals | Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Kurt Hausmann, Günther Höller, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Hans-Martin Linde, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | 5:34 |
| 1972-03 – 1972-04 | Kantate, BWV 81 "Jesus schläft, was soll ich hoffen?": VI. Recitativo (Alto) "Wohl mir, mein Jesus spricht ein Wort" | alto vocals | Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Kurt Hausmann, Günther Höller, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Hans-Martin Linde, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | 0:39 |
| 1972-03 – 1972-04 | Kantate, BWV 111 "Was mein Gott will, das g'scheh allzeit": III. Rezitativ (Alto) "O Törichter! der sich von Gott entzieht" | alto vocals | Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Kurt Hausmann, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | 1:18 |
| 1972-03 – 1972-04 | Kantate, BWV 111 "Was mein Gott will, das g'scheh allzeit": IV. Duett (Alto, Tenore) "So geh ich mit beherzten Schritten" | alto vocals | Peter Schreier, Anna Reynolds, Karl Kolbinger, Johannes Fink, Kurt Hausmann, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Herbert Duft, Münchener Bach‐Orchester, Karl Richter | 8:28 |
| 1972-03 – 1972-04 | Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": IV. Recitativo (Alto) "Ich will, mein Gott, dir frei heraus bekennen" | alto vocals | Anna Reynolds, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Otto Büchner, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | 2:31 |
| 1972-03 – 1972-04 | Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": V. Aria (Alto) "Christi Glieder, ach bedenket" | alto vocals | Anna Reynolds, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Otto Büchner, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | 3:44 |
| 1972-04 | Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt!, behalte nur das Deine" | alto vocals | Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | 0:55 |
| 1972-04 | Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" | alto vocals | Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | 6:45 |
| 1972-06-19 | El amor brujo - Escenas gitanas de Andalucia. Ballet en un acto: I Introducción y Escena. Allegro furioso ma non troppo vivo | mezzo-soprano vocals | Anna Reynolds, Steuart Bedford, English Chamber Orchestra, Benjamin Britten | 0:41 |
| 1972-06-19 | El amor brujo - Escenas gitanas de Andalucia. Ballet en un acto: II En la cueva: La noche. Tranquillo e misterioso | mezzo-soprano vocals | Anna Reynolds, Steuart Bedford, English Chamber Orchestra, Benjamin Britten | 2:02 |
| 1972-06-19 | El amor brujo - Escenas gitanas de Andalucia. Ballet en un acto: III Canción del amor dolido. Allegro | mezzo-soprano vocals | Anna Reynolds, Steuart Bedford, English Chamber Orchestra, Benjamin Britten | 1:45 |
| 1972-06-19 | El amor brujo - Escenas gitanas de Andalucia. Ballet en un acto: IV El aparecido. Vivo, ma non troppo | mezzo-soprano vocals | Anna Reynolds, Steuart Bedford, English Chamber Orchestra, Benjamin Britten | 0:14 |
| 1972-06-19 | El amor brujo - Escenas gitanas de Andalucia. Ballet en un acto: IX Escena. Poco moderato | mezzo-soprano vocals | Anna Reynolds, Steuart Bedford, English Chamber Orchestra, Benjamin Britten | 1:04 |
| 1972-06-19 | El amor brujo - Escenas gitanas de Andalucia. Ballet en un acto: V Danza del terror. Allegro ritmico | mezzo-soprano vocals | Anna Reynolds, Steuart Bedford, English Chamber Orchestra, Benjamin Britten | 2:10 |
| 1972-06-19 | El amor brujo - Escenas gitanas de Andalucia. Ballet en un acto: VI El círculo mágico: Romance del pescador. Andante molto tranquillo | mezzo-soprano vocals | Anna Reynolds, Steuart Bedford, English Chamber Orchestra, Benjamin Britten | 2:31 |
| 1972-06-19 | El amor brujo - Escenas gitanas de Andalucia. Ballet en un acto: VII A media noche: Los sortilegios. Lento e lontano | mezzo-soprano vocals | Anna Reynolds, Steuart Bedford, English Chamber Orchestra, Benjamin Britten | 0:38 |
| 1972-06-19 | El amor brujo - Escenas gitanas de Andalucia. Ballet en un acto: VIII Danza ritual del fuego: Para ahuyentar los malos espíritus. Allegro ma non troppo e pesante | mezzo-soprano vocals | Anna Reynolds, Steuart Bedford, English Chamber Orchestra, Benjamin Britten | 4:17 |
| 1972-06-19 | El amor brujo - Escenas gitanas de Andalucia. Ballet en un acto: X Canción del fuego fatuo. Vivo | mezzo-soprano vocals | Anna Reynolds, Steuart Bedford, English Chamber Orchestra, Benjamin Britten | 1:54 |
| 1972-06-19 | El amor brujo - Escenas gitanas de Andalucia. Ballet en un acto: XI Pantomima. Allegro | mezzo-soprano vocals | Anna Reynolds, Steuart Bedford, English Chamber Orchestra, Benjamin Britten | 4:44 |
| 1972-06-19 | El amor brujo - Escenas gitanas de Andalucia. Ballet en un acto: XII Danza del juego de amor. Allegretto mosso | mezzo-soprano vocals | Anna Reynolds, Steuart Bedford, English Chamber Orchestra, Benjamin Britten | 2:53 |
| 1972-06-19 | El amor brujo - Escenas gitanas de Andalucia. Ballet en un acto: XIII Final: Las campanas del amenecer. Allegretto tranquillo | mezzo-soprano vocals | Anna Reynolds, Steuart Bedford, English Chamber Orchestra, Benjamin Britten | 1:43 |
| 1972-06-19 | Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht | mezzo-soprano vocals | Anna Reynolds, English Chamber Orchestra, Benjamin Britten | 4:00 |
| 1972-06-19 | Lieder eines fahrenden Gesellen: II. Ging heut morgen übers Feld | mezzo-soprano vocals | Anna Reynolds, English Chamber Orchestra, Benjamin Britten | 3:58 |
| 1972-06-19 | Lieder eines fahrenden Gesellen: III. Ich hab ein glühend Messer | mezzo-soprano vocals | Anna Reynolds, English Chamber Orchestra, Benjamin Britten | 3:09 |
| 1972-06-19 | Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen | mezzo-soprano vocals | Anna Reynolds, English Chamber Orchestra, Benjamin Britten | 5:25 |
| 1972-09-10 | Symphony no. 2 “Resurrection”: IV. “Urlicht”. Sehr feierlich, aber schlicht | mezzo-soprano vocals | Anna Reynolds, Münchner Philharmoniker, Rudolf Kempe | 5:31 |
| 1972-09-10 | Symphony no. 2 “Resurrection”: V. “Auferstehn, ja auferstehn wirst du” | mezzo-soprano vocals | Sheila Armstrong, New Philharmonia Chorus, Anna Reynolds, Münchner Philharmoniker, Rudolf Kempe | 15:10 |
| 1972-11-22 – 1972-11-29 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto - Allegro assai | mezzo-soprano vocals | London Symphony Orchestra, Carlo Maria Giulini | 26:01 |
| 1972-11 | Messiah, HWV 56: Part I. Recitative: “Behold, a virgin shall conceive” (alto) / Air: “O thou that tellest good tidings” (alto) | alto vocals | London Philharmonic Orchestra, Karl Richter | 5:31 |
| 1972-11 | Messiah, HWV 56: Part I. Recitative: “Then shall the eyes of the blind” (alto) / Duet: “He shall feed His flock” (soprano, alto) | alto vocals | London Philharmonic Orchestra, Karl Richter | 7:10 |
| 1972-11 | Messiah, HWV 56: Part II. Air: “He was despised” (alto) | alto vocals | London Philharmonic Orchestra, Karl Richter | 12:45 |
| 1972-11 | Messiah, HWV 56: Part II. Air: “Thou are gone up on high” (alto) | alto vocals | London Philharmonic Orchestra, Karl Richter | 3:15 |
| 1972-11 | Messiah, HWV 56: Part III. Recitative: “Then shall be brought to pass” (alto) / Duet: “O death, where is thy sting?” (alto, tenor) / Chorus: “But thanks be to God” | alto vocals | London Philharmonic Orchestra, Karl Richter | 3:31 |
| 1972-11 | Messiah: 7. Behold, a virgin shall conceive. Recitative (Contralto) | contralto vocals | Anna Reynolds, London Philharmonic Orchestra, Karl Richter | 0:36 |
| 1972-11 | Messiah: 8. O thou that tellest good tidings. Aria (Contralto) | contralto vocals | Anna Reynolds, London Philharmonic Orchestra, Karl Richter | 4:53 |
| 1972-11 | Messiah: 18. He shall feed his flock. Duet (Contralto, Soprano) | contralto vocals | Helen Donath, Anna Reynolds, London Philharmonic Orchestra, Karl Richter | 6:25 |
| 1973-05 | Cantata, BWV 11 "Lobet Gott in seinen Reichen": IV. Aria (alto) "Ach, bleibe doch, mein liebstes Leben" | alto vocals | Hertha Töpper, Münchener Bach‐Orchester, Karl Richter | 9:48 |
| 1973-05 | Cantata, BWV 11 "Lobet Gott in seinen Reichen": VIII. Recitativo (alto) "Ach ja! so komme bald zurück" | alto vocals | Hertha Töpper, Münchener Bach‐Orchester, Karl Richter | 0:46 |
| 1973-05 | Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" | alto vocals | Anna Reynolds, Münchener Bach‐Orchester, Karl Richter | 1:11 |
| 1973-05 | Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" | alto vocals | Anna Reynolds, Münchener Bach‐Orchester, Karl Richter | 6:53 |
| 1973-05 | Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": I. Aria (Duetto: Soprano, Alto) "Du wahrer Gott und Davids Sohn" | alto vocals | Edith Mathis, Anna Reynolds, Münchener Bach‐Orchester, Karl Richter | 7:02 |
| 1973-05 | Kantate, BWV 126 "Erhalt uns, Herr, bei deinem Wort": III. Recitativo (Alto, Tenore) e Chorale "Der Menschen Gunst und Macht" | alto vocals | Anna Reynolds, Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 2:28 |
| 1973-05 – 1973-06 | Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" | alto vocals | Anna Reynolds, Münchener Bach‐Orchester, Karl Richter | 4:06 |
| 1973-05 – 1973-06 | Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": III. Recitativo (Alto) "Mein Jesu, heißest du des Todes Gift" | alto vocals | Münchener Bach‐Orchester, Karl Richter | 0:46 |
| See all 214 relationships |
| vocals |
|---|
| Das Rheingold | mezzo-soprano vocals | Richard Wagner; Berliner Philharmoniker, Herbert von Karajan | |
| Götterdämmerung | mezzo-soprano vocals | Richard Wagner; Berliner Philharmoniker, Herbert von Karajan | |
| Luisa Miller | mezzo-soprano vocals | Verdi; Montserrat Caballé, Luciano Pavarotti, Sherrill Milnes, National Philharmonic Orchestra, Peter Maag | |
| Otello: Opera viva | alto vocals [Emilia] | Gioachino Rossini; Agostino Lazzari, Virginia Zeani, Herbert Handt, Giuseppe Baratti, Orchestra sinfonica di Roma della RAI, Fernando Previtali | |
