| Alessandro nell’Indie: Overture: I. Allegro con brio | | | | | | | |
| Alessandro nell’Indie: Overture: II. Andante | | | | | | | |
| Alessandro nell’Indie: Overture: III. Allegro moltissimo | | | | | | | |
| Amphitryon, Z. 572 "The Two Sosias": I. Overture | | | | | | | |
| Amphitryon, Z. 572 "The Two Sosias": II. Saraband | | | | | | | |
| Amphitryon, Z. 572 "The Two Sosias": III. Hornpipe | | | | | | | |
| Amphitryon, Z. 572 "The Two Sosias": IV. Scotch Tune | | | | | | | |
| Amphitryon, Z. 572 "The Two Sosias": V. Air | | | | | | | |
| Amphitryon, Z. 572 "The Two Sosias": VI. Minuet | | | | | | | |
| Amphitryon, Z. 572 "The Two Sosias": VII. Hornpipe | | | | | | | |
| Amphitryon, Z. 572 "The Two Sosias": VIII. Borree | | | | | | | |
| Amphitryon, Z. 572 "The Two Sosias". "Celia, That I Once Was Blest" | | | | | | | |
| Amphitryon, Z. 572 "The Two Sosias". "For Iris I Sigh" | | | | | | | |
| Amphitryon, Z. 572 "The Two Sosias". A Pastoral Dialogue Betwixt Thrsis and Iris | | | | | | | |
| Artaserse: Overture | | | | Overture | | | |
| Ballet d'Alcidiane et Polexandre: Chaconne des Maures | | | | | | | |
| Ballet d'Alcidiane et Polexandre: Ouverture | | | | | | | |
| Ballet d'Alcidiane et Polexandre: Petite Chaconne | | | | | | | |
| Ballet d'Alcidiane et Polexandre: Recit chante par la Signora Anna | | | | | | | |
| Ballet d'Alcidiane et Polexandre: Recits Italiens chantes par Mademoiselle de la Barre et la Signora Anna Bergerotti | | | | | | | |
| Ballet d'Alcidiane et Polexandre: Ritournelle et Recit chante par Mademoiselle Hilaire | | | | | | | |
| Ballet d'Alcidiane et Polexandre: Ritournelle et Recit de la Fortune chante par Mademoiselle Hilaire | | | | | | | |
| Ballet d'Alcidiane et Polexandre: Ritournelle et Recit Italien | | | | | | | |
| Ballet de Xerxes: 2e Air pour les matelots jouans des Trompettes marines; 3 Air pour les Esclaves et Singes dansans | | | | | | | |
| Ballet de Xerxes: 2e Air pour les mesmes | | | | | | | |
| Ballet de Xerxes: 2e Air pour les postures de Scaramouche | | | | | | | |
| Ballet de Xerxes: 3e Air pour les Docteurs, Frivelins, et Polichinelles | | | | | | | |
| Ballet de Xerxes: Air pour les Esclaves dansans (minuet and passepied versions) | | | | | | | |
| Ballet de Xerxes: Air pour les Matassins | | | | | | | |
| Ballet de Xerxes: Air pour les Paysans et Paysanes | | | | | | | |
| Ballet de Xerxes: Bourre pour les Basques | | | | | | | |
| Ballet de Xerxes: Gavotte en Rondeau | | | | | | | |
| Ballet de Xerxes: Gigue pour Bacchus | | | | | | | |
| Ballet de Xerxes: Gigue pour Scaramouche | | | | | | | |
| Ballet de Xerxes: Ouverture | | | | | | | |
| Ballet des Plaisirs: 1ere Entree | | | | | | | |
| Ballet des Plaisirs: 2e Entree | | | | | | | |
| Ballet des Plaisirs: 2e Ouverture | | | | | | | |
| Ballet des Plaisirs: Air pour le Vieillard et sa Famille | | | | | | | |
| Ballet des Plaisirs: Bourree pour les Coutisans | | | | | | | |
| Ballet des Plaisirs: Gavotte pour les Satyres | | | | | | | |
| Ballet des Plaisirs: Gavotte pour les Suisses | | | | | | | |
| Ballet des Plaisirs: Ouverture | | | | | | | |
| Ballet des Plaisirs: Sarabande | | | | | | | |
| Ballet du Temps: Air pour l'Este et ses Suivants | | | | | | | |
| Berchtesgadener Musik "Toy Symphony": I. Allegro | | | | | | | |
| Berchtesgadener Musik "Toy Symphony": II. Menuetto | | | | | | | |
| Berchtesgadener Musik "Toy Symphony": III. Finale. Presto | | | | | | | |
| Canta in prato, ride in monte, RV 623: I. Aria "Canta in prato, ride in monte" (Allegro) | | - Deborah York, The King’s Consort, Robert King
- Anke Herrmann, Academia Montis Regalis, Alessandro De Marchi
- Uta Spreckelsen, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz
- English Chamber Orchestra, Vittorio Negri, Elly Ameling
- (show 4 more)
| | | | | |
| Canta in prato, ride in monte, RV 623: II. Recitativo "Saeva fulgescit nobis" | | - Deborah York, The King’s Consort, Robert King
- Anke Herrmann, Academia Montis Regalis, Alessandro De Marchi
- Uta Spreckelsen, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz
- Elly Ameling, Jeffrey Tate, English Chamber Orchestra, Vittorio Negri
- (show 3 more)
| | | | | |
| Canta in prato, ride in monte, RV 623: III. Aria "Avenae rusticae sinceri fervida amoris" (Allegro) | | - Deborah York, The King’s Consort, Robert King
- Anke Herrmann, Academia Montis Regalis, Alessandro De Marchi
- Uta Spreckelsen, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz
- Elly Ameling, Jeffrey Tate, English Chamber Orchestra, Vittorio Negri
- (show 3 more)
| | | | | |
| Canta in prato, ride in monte, RV 623: IV. Alleluia (Allegro) | | - Deborah York, The King’s Consort, Robert King
- Anke Herrmann, Academia Montis Regalis, Alessandro De Marchi
- Uta Spreckelsen, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz
- Elly Ameling, Jeffrey Tate, English Chamber Orchestra, Vittorio Negri
- (show 3 more)
| | | | | |
| Cantata, BuxWV 53 "In te, Domine, speravi" | | | | Cantata | | | |
| Canticum in nativitatem Domini, H 393 | | | | | | | |
| Chacony in G minor for 2 violins, viola and continuo, Z. 730 | | | | | | | |
| Circe, Z. 575. "Come Every Demon" | | | | | | | |
| Circe, Z. 575. "Lovers Who To Their First Embraces Go" | | | | | | | |
| Circe, Z. 575. "Pluto, Arise!" | | | | | | | |
| Circe, Z. 575. "Their Necessary Aid You Use" | | | | | | | |
| Circe, Z. 575. "We Must Assemble By a Sacrific" | | | | | | | |
| Circe, Z. 575. Magicians' Dance | | | | | | | |
| Clarae stellae, scintillate, RV 625: I. "Clarae stellae scintillate" (Allegro) | | | | | | | |
| Clarae stellae, scintillate, RV 625: II. Recitativo "Coeli repleti iam novo splendore" | | | | | | | |
| Clarae stellae, scintillate, RV 625: III. "Nunc iubilare" (Allegro) | | | | | | | |
| Clarae stellae, scintillate, RV 625: IV. Alleluia (Allegro) | | | | | | | |
| Concerto for Harpsichord and Chamber Orchestra: I. | | | | | | | |
| Concerto for Harpsichord and Chamber Orchestra: II. | | | | | | | |
| Concerto for Harpsichord and Chamber Orchestra: III. | | | | | | | |
| Concerto for Oboe d'amore in G major, TWV 51:G3: I. Soave | | | | | | | |
| Concerto for Oboe d'amore in G major, TWV 51:G3: II. Allegro | | | | | | | |
| Concerto for Oboe d'amore in G major, TWV 51:G3: III. Adagio | | | | | | | |
| Concerto for Oboe d'amore in G major, TWV 51:G3: IV. Vivace | | | | | | | |
| Concerto for Oboe D'Amore, Strings & Continuo in A major, TWV 51:A2: I. Siciliano | | | | | | | |
| Concerto for Oboe D'Amore, Strings & Continuo in A major, TWV 51:A2: II. Allegro | | | | | | | |
| Concerto for Oboe D'Amore, Strings & Continuo in A major, TWV 51:A2: III. Largo | | | | | | | |
| Concerto for Oboe D'Amore, Strings & Continuo in A major, TWV 51:A2: IV. Vivace | | | | | | | |
| Concerto for Strings in D minor, RV 129 "madrigalesco" | | | | Concerto | | | |
| Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: I. Largo | | | | | | | |
| Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: II. Allegro | | | | | | | |
| Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: III. Largo e piano | | | | | | | |
| Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: IV. Andante | | | | | | | |
| Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: V. Hornpipe | | | | | | | |
| Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro | | - Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
- [unknown]
- Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser
- Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
- (show 424 more)
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| Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo | | | | | | | |
| Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale | | - Alexander Permovalsky, Baroque Festival Orchestra, Südwest-Studioorchester, Alberto Lizzio, Heribert Münchner
- I Solisti di Zagreb, Musici di San Marco, Slovak Chamber Orchestra, Alberto Lizzio, Bohdan Warchal
- [unknown]
- Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
- (show 371 more)
| | | | | |
| Concerto in E-flat major, op. 8 no. 5, RV 253 "La tempesta di mare": I. (Allegro e) Presto | | | | | | | |
| Concerto in E-flat major, op. 8 no. 5, RV 253 "La tempesta di mare": II. Largo | | | | | | | |
| Concerto in E-flat major, op. 8 no. 5, RV 253 "La tempesta di mare": III. Presto | | | | | | | |
| Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro | | | | | | | |
| Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto | | - Alexander Permovalsky, Baroque Festival Orchestra, Südwest-Studioorchester, Alberto Lizzio, Heribert Münchner
- Musici di San Marco, Slovak Chamber Orchestra, Alberto Lizzio, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 349 more)
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| Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro | | - Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
- Musici di San Marco, Alberto Lizzio
- Baroque Festival Orchestra, Alexander Permovalsky, Alberto Lizzio
- Trevor Pinnock, Simon Standage, The English Concert
- (show 354 more)
| | | | | |
| Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto | | | | | | - 0O7-3717-0 (JASRAC ID)
- F minor (Key)
| |
| Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo | | | | | | | |
| Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro | | | | | | | |
| Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto | | - Baroque Festival Orchestra, Alexander Permovalsky, Alberto Lizzio
- Musici di San Marco, Nova Filarmonia Portuguesa, Slovak Chamber Orchestra, Álvaro Cassuto, Alberto Lizzio, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 361 more)
| | | | | |
| Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte | | - Alexander Permovalsky, Baroque Festival Orchestra, Alberto Lizzio
- Musici di San Marco, Salzburger Kammerorchester, Slovak Chamber Orchestra, Alberto Lizzio, Alexander von Pitamic, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 361 more)
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| Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto | | | | | | | |
| Concerto no. 1 in G major: I. Grave | | | | | | | |
| Concerto no. 1 in G major: II. Allegro | | | | | | | |
| Concerto no. 1 in G major: III. Un poco andante | | | | | | | |
