| orchestra |
---|
| Alexander Nevsy op 78, 7: Alexander's Entry into Pskov | | Сергей Сергеевич Прокофьев | 4:47 |
| Attempt to Free Hess | | The London Symphony Orchestra, Roy Budd | 8:29 |
| Cat and Mouse in Berlin | | The London Symphony Orchestra, Roy Budd | 3:40 |
| End Titles | | The London Symphony Orchestra, Roy Budd | 2:45 |
| Escape | | The London Symphony Orchestra, Roy Budd | 1:35 |
| Main Title | | The London Symphony Orchestra, Roy Budd | 4:30 |
| Moving Around Spandau | | The London Symphony Orchestra, Roy Budd | 3:15 |
| Plot and Deceit | | The London Symphony Orchestra, Roy Budd | 2:20 |
| Say You'll Be Mine | | The London Symphony Orchestra, Roy Budd | 4:43 |
| Solitary Confinement | | The London Symphony Orchestra, Roy Budd | 3:40 |
| The Romance Begins | | The London Symphony Orchestra, Roy Budd | 2:23 |
| The Wall | | The London Symphony Orchestra, Roy Budd | 1:47 |
| Violin Concerto no. 2 in D minor, op. 44: I. Adagio non troppo | | Yehudi Menuhin, London Symphony Chorus, Sir Adrian Boult | 10:20 |
| Violin Concerto no. 2 in D minor, op. 44: II. Recitativo: Allegro moderato - Allegro - Andante sostenuto | | Yehudi Menuhin, London Symphony Chorus, Sir Adrian Boult | 4:19 |
| Violin Concerto no. 2 in D minor, op. 44: III. Finale: Allegro molto | | Yehudi Menuhin, London Symphony Chorus, Sir Adrian Boult | 10:16 |
| performed |
---|
1970-06 | Daphnis & Chloë - Suite no. 2: III. Danse générale | | London Symphony Orchestra, Leopold Stokowski, London Symphony Chorus | 3:45 |
| Celebration | | Paul McCartney | 6:25 |
| O Fortuna | | London Symphony Chorus, London Symphony Orchestra, André Previn | 2:49 |
| Requiem: Agnus Dei | | London Symphony Orchestra, Richard Hickox, London Symphony Chorus | 4:03 |
| Requiem: Domine Jesu Christe | | London Symphony Orchestra, Richard Hickox, London Symphony Chorus | 9:20 |
| Requiem: In Paradisum | | London Symphony Orchestra, Richard Hickox, London Symphony Chorus | 3:03 |
| Requiem: Introit-Kyrie | | London Symphony Orchestra, Richard Hickox, London Symphony Chorus | 7:16 |
| Requiem: Libera me | | London Symphony Orchestra, Richard Hickox, London Symphony Chorus | 6:15 |
| Requiem: Lux aeterna | | London Symphony Orchestra, Richard Hickox, London Symphony Chorus | 4:13 |
| Requiem: Pie Jesu | | London Symphony Orchestra, Richard Hickox, London Symphony Chorus | 3:20 |
| Requiem: Sanctus | | London Symphony Orchestra, Richard Hickox, London Symphony Chorus | 3:31 |
| Seid Umschlungen, Millionen | | Benjamin Wallfisch, London Symphony Chorus, London Symphony Orchestra | 1:51 |
| Symphony No.9 In D Minor Op.125 I. Allegro Ma Non Troppo | | Richard Hickox, Stuart Burrows, Júlia Hamari, Robert Holl, Kiri Te Kanawa, London Symphony Orchestra, Eugen Jochum, London Symphony Chorus | 16:21 |
| Symphony No.9 In D Minor Op.125 II. Molto Vivace | | Richard Hickox, Stuart Burrows, Júlia Hamari, Robert Holl, Kiri Te Kanawa, London Symphony Orchestra, Eugen Jochum, London Symphony Chorus | 11:11 |
| Symphony No.9 In D Minor Op.125 III. Adagio Molto E Cantabile – Andante Moderato – Tempo I – Andante Moderato – Adagio | | Richard Hickox, Stuart Burrows, Júlia Hamari, Robert Holl, Kiri Te Kanawa, London Symphony Orchestra, Eugen Jochum, London Symphony Chorus | 16:39 |
| Symphony No.9 In D Minor Op.125 IV. Presto – Allegro Assai – Presto – Recititavo – Allegro Assai – Allegro Assai Vivace (Alle Marcia) – Andante Maestoso – Adagio Ma Non Troppo Ma Divoto | | Richard Hickox, Stuart Burrows, Júlia Hamari, Robert Holl, Kiri Te Kanawa, London Symphony Orchestra, Eugen Jochum, London Symphony Chorus | 23:58 |
| vocals |
---|
1961-08 | Messiah: And suddenly... | choir vocals | London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Sir Adrian Boult | 2:34 |
1961-08 | Messiah: And the glory of the Lord | choir vocals | London Symphony Chorus, London Symphony Orchestra, Sir Adrian Boult | 3:16 |
1961-08 | Messiah: Behold a virgin shall conceive...O thou that tellest | choir vocals | Grace Bumbry, London Symphony Chorus, London Symphony Orchestra, Sir Adrian Boult | 7:24 |
1961-08 | Messiah: Behold I tell you a mystery...The trumpet shall sound | choir vocals | London Symphony Chorus, David Ward, Alan Stringer, London Symphony Orchestra, Sir Adrian Boult | 9:11 |
1961-08 | Messiah: Comfort ye | choir vocals | London Symphony Chorus, Kenneth McKellar, London Symphony Orchestra, Sir Adrian Boult | 3:38 |
1961-08 | Messiah: Every valley shall be exalted | choir vocals | London Symphony Chorus, Kenneth McKellar, London Symphony Orchestra, Sir Adrian Boult | 3:33 |
1961-08 | Messiah: For unto us a child is born | choir vocals | London Symphony Chorus, London Symphony Orchestra, Sir Adrian Boult | 4:28 |
1961-08 | Messiah: Hallelujah | choir vocals | London Symphony Chorus, London Symphony Orchestra, Sir Adrian Boult | 4:38 |
1961-08 | Messiah: I know that my redeemer liveth | choir vocals | London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Sir Adrian Boult | 7:12 |
1961-08 | Messiah: Let us break their bonds | choir vocals | London Symphony Chorus, London Symphony Orchestra, Sir Adrian Boult | 1:52 |
1961-08 | Messiah: Rejoice greatly | choir vocals | London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Sir Adrian Boult | 4:43 |
1961-08 | Messiah: Why do the nations | choir vocals | London Symphony Chorus, David Ward, London Symphony Orchestra, Sir Adrian Boult | 2:53 |
1961-08 | Messiah: Worthy is the lamb...Amen | choir vocals | London Symphony Chorus, London Symphony Orchestra, Sir Adrian Boult | 9:21 |
1962-03-08 | La Damnation de Faust, op. 24: Deuxième Partie. Scène IV. Nord de l’Allemagne. « Christ vient de ressusciter ! » | choir vocals | London Symphony Chorus, André Turp, London Symphony Orchestra, Pierre Monteux | 7:27 |
1962-03-08 | La Damnation de Faust, op. 24: Deuxième Partie. Scène VI. La cave d’Auerbach à Leipzig. Chanson de Brander « Certain rat, dans une cuisine » | choir vocals | London Symphony Chorus, Michel Roux, John Shirley‐Quirk, London Symphony Orchestra, Pierre Monteux | 2:20 |
1962-03-08 | La Damnation de Faust, op. 24: Deuxième Partie. Scène VI. La cave d’Auerbach à Leipzig. Chanson de Méphistophélès « Une puce gentille » | choir vocals | London Symphony Chorus, Michel Roux, André Turp, London Symphony Orchestra, Pierre Monteux | 4:33 |
1962-03-08 | La Damnation de Faust, op. 24: Deuxième Partie. Scène VI. La cave d’Auerbach à Leipzig. Chœur de buveurs « Oh ! qu’il fait bon, quand le ciel tonne » | choir vocals | London Symphony Chorus, Michel Roux, John Shirley‐Quirk, London Symphony Orchestra, Pierre Monteux | 2:20 |
1962-03-08 | La Damnation de Faust, op. 24: Deuxième Partie. Scène VI. La cave d’Auerbach à Leipzig. Fugue sur le thème de la chanson de Brander « Amen » | choir vocals | London Symphony Chorus, Michel Roux, John Shirley‐Quirk, London Symphony Orchestra, Pierre Monteux | 2:56 |
1962-03-08 | La Damnation de Faust, op. 24: Deuxième Partie. Scène VII. Bosquet et prairies du bord de l’Elbe. Songe de Faust "Dors ! heureux Faust ! | choir vocals | London Symphony Chorus, Michel Roux, André Turp, London Symphony Orchestra, Pierre Monteux | 6:44 |
1962-03-08 | La Damnation de Faust, op. 24: Deuxième Partie. Scène VIII. Finale. Chœur de soldats « Villes entourées de murs et remparts » / Chanson d’étudiants « Jam nox stellata velamina pandit » | choir vocals | London Symphony Chorus, Michel Roux, André Turp, London Symphony Orchestra, Pierre Monteux | 4:32 |
1962-03-08 | La Damnation de Faust, op. 24: Première Partie. Scène II. Ronde des paysans « Les bergers quittent leur troupeaux » | choir vocals | London Symphony Chorus, André Turp, London Symphony Orchestra, Pierre Monteux | 3:59 |
1962-03-08 | La Damnation de Faust, op. 24: Quatrième Partie. Scène XIX Pandaemonium. Chœur de damnés et de démons « Has! Irimirukarabrao! Has! » | choir vocals | London Symphony Chorus, Michel Roux, London Symphony Orchestra, Pierre Monteux | 5:05 |
1962-03-08 | La Damnation de Faust, op. 24: Quatrième Partie. Scène XV. Chœur de soldats « Au son des trompettes » | choir vocals | Régine Crespin, London Symphony Chorus, London Symphony Orchestra, Pierre Monteux | 2:09 |
1962-03-08 | La Damnation de Faust, op. 24: Quatrième Partie. Scène XVIII « La Course à l’abîme » / « Dans mon cœur retentit sa voix » | choir vocals | London Symphony Chorus, Michel Roux, André Turp, London Symphony Orchestra, Pierre Monteux | 3:50 |
1962-03-08 | La Damnation de Faust, op. 24: Quatrième Partie. Scène XX Dans le ciel. Chœur d’esprits célestes « Laus! Laus! Hosanna! » / Apothéose de Marguerite « Remonte au ciel, âme naïve » | choir vocals | London Symphony Chorus, London Symphony Orchestra, Pierre Monteux | 5:55 |
1962-03-08 | La Damnation de Faust, op. 24: Troisième Partie. Scène XII. Sérénade de Méphistophélès et chœur de feux follets « Devant la maison » | choir vocals | London Symphony Chorus, Michel Roux, London Symphony Orchestra, Pierre Monteux | 2:20 |
1962-03-08 | La Damnation de Faust, op. 24: Troisième Partie. Scène XIV. Trio et chœur « Allons, il est trop tard ! » | choir vocals | Régine Crespin, London Symphony Chorus, Michel Roux, André Turp, London Symphony Orchestra, Pierre Monteux | 4:57 |
1963-01-03 – 1963-01-10 | War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam | choir vocals | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | 5:56 |
1963-01-03 – 1963-01-10 | War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle? | choir vocals | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | 3:38 |
1963-01-03 – 1963-01-10 | War Requiem, op. 66: II. Dies irae: Confutatis | choir vocals | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | 1:12 |
1963-01-03 – 1963-01-10 | War Requiem, op. 66: II. Dies irae: Dies irae | choir vocals | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | 3:37 |
1963-01-03 – 1963-01-10 | War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa | choir vocals | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | 1:54 |
1963-01-03 – 1963-01-10 | War Requiem, op. 66: II. Dies irae: Liber scriptus proferetur | choir vocals | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | 2:57 |
1963-01-03 – 1963-01-10 | War Requiem, op. 66: II. Dies irae: Move him into the sun | choir vocals | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | 4:50 |
1963-01-03 – 1963-01-10 | War Requiem, op. 66: II. Dies irae: Recordare Jesu pie | choir vocals | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | 4:49 |
1963-01-03 – 1963-01-10 | War Requiem, op. 66: III. Offertorium: Domine Jesu Christe | choir vocals | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | 3:31 |
1963-01-03 – 1963-01-10 | War Requiem, op. 66: III. Offertorium: So Abram rose, and clave the wood | choir vocals | Sir David Willcocks, The Bach Choir, Dietrich Fischer‐Dieskau, London Symphony Chorus, Peter Pears, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | 6:08 |
1963-01-03 – 1963-01-10 | War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus | choir vocals | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | 6:02 |
1963-01-03 – 1963-01-10 | War Requiem, op. 66: V. Agnus Dei: One ever hangs where shelled roads part | choir vocals | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | 3:41 |
1963-01-03 – 1963-01-10 | War Requiem, op. 66: VI. Libera me: Let us sleep now / In Paradisum | choir vocals | Sir David Willcocks, The Bach Choir, Dietrich Fischer‐Dieskau, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | 5:34 |
1963-01-03 – 1963-01-10 | War Requiem, op. 66: VI. Libera me: Libera me, Domine | choir vocals | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | 7:37 |
1963-01 | War Requiem, op. 66: Agnus Dei | choir vocals | The Bach Choir, John Culshaw, London Symphony Chorus, Peter Pears, The Melos Ensemble of London, London Symphony Orchestra, Benjamin Britten | 1:07 |
1963-01 | War Requiem, op. 66: Dies Irae | choir vocals | The Bach Choir, Highgate School Choir, London Symphony Chorus, Galina Vishnevskaya, London Symphony Orchestra, Benjamin Britten | 4:39 |
1963-01 | War Requiem, op. 66: Dies Irae | choir vocals | The Bach Choir, John Culshaw, London Symphony Chorus, Galina Vishnevskaya, London Symphony Orchestra, Benjamin Britten | 2:05 |
1963-01 | War Requiem, op. 66: Dies Irae | choir vocals | The Bach Choir, London Symphony Chorus, Galina Vishnevskaya, London Symphony Orchestra, Benjamin Britten | 9:46 |
1963-01 | War Requiem, op. 66: Libera me | choir vocals | The Bach Choir, London Symphony Chorus, Galina Vishnevskaya, London Symphony Orchestra, Benjamin Britten | 5:22 |
1963-01 | War Requiem, op. 66: Libera me | choir vocals | The Bach Choir, Dietrich Fischer‐Dieskau, Highgate School Choir, London Symphony Chorus, Peter Pears, Galina Vishnevskaya, The Melos Ensemble of London, Simon Preston, London Symphony Orchestra, Benjamin Britten | 3:18 |
1963-01 | War Requiem, op. 66: Offertorium | choir vocals | The Bach Choir, Dietrich Fischer‐Dieskau, Highgate School Choir, London Symphony Chorus, Peter Pears, The Melos Ensemble of London, Simon Preston, London Symphony Orchestra, Benjamin Britten | 8:24 |
1963-01 | War Requiem, op. 66: Requiem aeternam | choir vocals | The Bach Choir, Highgate School Choir, London Symphony Chorus, The Melos Ensemble of London, Simon Preston, London Symphony Orchestra, Benjamin Britten | 7:22 |
1963-01 | War Requiem, op. 66: Sanctus | choir vocals | The Bach Choir, Dietrich Fischer‐Dieskau, Highgate School Choir, London Symphony Chorus, Galina Vishnevskaya, The Melos Ensemble of London, London Symphony Orchestra, Benjamin Britten | 6:16 |
1963-12 | Cantata misericordium, op. 69 | choir vocals | Dietrich Fischer‐Dieskau, London Symphony Chorus, Peter Pears, London Symphony Orchestra | 19:47 |
1964-07-15 | Norma: Act I. Cavatina "Casta Diva" (Norma) | choir vocals | London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 6:33 |
1964-07 | Prince Igor: Act I. “Greshno tait, ya skuki ne lyublyu (Galitzky’s Aria)” | choir vocals | Nicolaï Ghiaurov, London Symphony Orchestra, Sir Edward Downes | 3:52 |
1964 | Norma: Atto I, scena 1. “Ah! bello a me ritorna“ (Norma, Oroveso, coro) | choir vocals | Richard Cross, London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 4:30 |
1964 | Norma: Atto I, scena 1. “Casta Diva“ (Norma, Oroveso, coro) | choir vocals | Richard Cross, London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 6:29 |
1964 | Norma: Atto I, scena 1. “Fine al rito“ (Norma, Oroveso, coro) | choir vocals | Richard Cross, London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 1:36 |
1964 | Norma: Atto I, scena 1. “Me protegge, me difende“ (Pollione) | choir vocals | John Alexander, London Symphony Chorus, Joseph Ward, London Symphony Orchestra, Richard Bonynge | 2:45 |
1964 | Norma: Atto I, scena 1. “Meco all'altar di Venere” (Pollione) | choir vocals | John Alexander, London Symphony Chorus, Joseph Ward, London Symphony Orchestra, Richard Bonynge | 4:21 |
1964 | Norma: Atto I, scena 1. “Norma viene” (Coro) | choir vocals | London Symphony Chorus, London Symphony Orchestra, Richard Bonynge | 4:12 |
1964 | Norma: Atto I, scena 1. “Sediziose voci, voci di guerra“ (Norma, Oroveso, coro) | choir vocals | Richard Cross, London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 4:21 |
1964 | Norma: Atto I, scena 1. Introduzione (orchestra) / “Ite sul colle, o Druidi” (Oroveso, coro) | choir vocals | Richard Cross, London Symphony Chorus, London Symphony Orchestra, Richard Bonynge | 7:49 |
1964 | Norma: Atto I, scena 2. “Vanne, si: mi lascia, indegno” (Norma, Pollione, Adalgisa, coro) | choir vocals | John Alexander, Marilyn Horne, London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 2:54 |
1964 | Norma: Atto II, scena 2. “Guerrieri! a voi venirne” (Oroveso, coro) | choir vocals | Richard Cross, London Symphony Chorus, London Symphony Orchestra, Richard Bonynge | 4:06 |
1964 | Norma: Atto II, scena 2. “Non parti?” (Coro) | choir vocals | London Symphony Chorus, London Symphony Orchestra, Richard Bonynge | 4:16 |
1964 | Norma: Atto II, scena 3. “Dammi quel ferro” (Pollione, Norma, Oroveso, coro) | choir vocals | John Alexander, Richard Cross, London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 3:21 |
1964 | Norma: Atto II, scena 3. “Deh! non volerli vittime” (Pollione, Norma, Oroveso, coro) | choir vocals | John Alexander, Richard Cross, London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 4:32 |
1964 | Norma: Atto II, scena 3. “Guerra, guerra!” (Oroveso, coro, Norma) | choir vocals | Richard Cross, London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 3:28 |
1964 | Norma: Atto II, scena 3. “Nè compi il rito, o Norma?” (Oroveso, Norma, Clotilde, coro, Pollione) | choir vocals | John Alexander, Richard Cross, London Symphony Chorus, Yvonne Minton, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 3:48 |
1964 | Norma: Atto II, scena 3. “Norma! deh! Norma, scolpati” (Pollione, Norma, Oroveso, coro) | choir vocals | John Alexander, Richard Cross, London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 2:28 |
1964 | Norma: Atto II, scena 3. “Qual cor tradisti, qual cor perdesti” (Pollione, Norma, Oroveso, coro) | choir vocals | John Alexander, Richard Cross, London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 5:21 |
1964 | Norma: Atto II, scena 3. “Squilla il bronzo del Dio!” (Oroveso, coro, Norma) | choir vocals | Richard Cross, London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 1:33 |
1965-01 | Fantasia For Piano, Chorus and Orchestra in C minor, op. 80 | choir vocals | London Symphony Chorus, Julius Katchen, London Symphony Orchestra, Piero Gamba | 19:05 |
1966-04-20 | Symphony no. 8 in E-flat major, "Symphony of a Thousand": I. Teil. Hymnus: "Veni, creator spiritus" (5.0 mix) | choir vocals | London Symphony Orchestra, Leonard Bernstein | 24:05 |
1966-04-20 | Symphony no. 8 in E-flat major, "Symphony of a Thousand": II. Teil. Schulßszene aus Faust (5.0 mix) | choir vocals | London Symphony Orchestra, Leonard Bernstein | 55:05 |
1966-04-20 | Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ia. "Veni, Creator Spiritus!" | choir vocals | London Symphony Orchestra, Leonard Bernstein | 1:27 |
1966-04-20 | Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ib. "Imple superna gratia" | choir vocals | London Symphony Orchestra, Leonard Bernstein | 3:46 |
1966-04-20 | Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ic. "Infirma nostri corporis" | choir vocals | London Symphony Orchestra, Leonard Bernstein | 2:21 |
1966-04-20 | Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! If. "Accende lumen sensibus" | choir vocals | London Symphony Orchestra, Leonard Bernstein | 5:20 |
1966-04-20 | Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ig. "Qui Paraclitus diceris" | choir vocals | London Symphony Orchestra, Leonard Bernstein | 4:16 |
1966-04-20 | Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ih. "Gloria Patri Domino" | choir vocals | London Symphony Orchestra, Leonard Bernstein | 2:05 |
1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIc. "Waldung, sie schwankt heran" (Heilige Anachoreten) | choir vocals | London Symphony Orchestra, Leonard Bernstein | 4:16 |
1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIf. "Gerettet ist das edle Glied" (Chor der Engel und Chor seliger Knaben) | choir vocals | London Symphony Orchestra, Leonard Bernstein | 0:55 |
1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIg. "Jene Rosen, aus den Händen" (Chor der jûngeren Engel) | choir vocals | London Symphony Orchestra, Leonard Bernstein | 1:45 |
1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIh. "Uns bleibt ein Erdenrest" (Die vollendeteren Engel) | choir vocals | London Symphony Orchestra, Leonard Bernstein | 2:18 |
1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIi. "Ich spür' soeben" (Die jûngeren Engel) | choir vocals | London Symphony Orchestra, Leonard Bernstein | 0:34 |
1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIj. "Hier ist die Aussicht frei" (Doctor Marianus) / "Freudig empfangen wir" (Chor seliger Knaben) | choir vocals | London Symphony Orchestra, Leonard Bernstein | 0:38 |
1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIk. "Höchste Herrscherin der Welt" (Doctor Marianus) | choir vocals | London Symphony Orchestra, Leonard Bernstein | 2:33 |
1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIl. "Jungfrau, rein im schänsten Sinne" (Doctor Marianus und Chor) | choir vocals | London Symphony Orchestra, Leonard Bernstein | 1:38 |
1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIm. Aussert langsam. Adagissimo. | choir vocals | London Symphony Orchestra, Leonard Bernstein | 1:15 |
1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIn. "Dir, der Unberührbaren" (Chöre) / "Du schwebst zu Höhen" (Una Poenitentium und Chor der Büßerinnen) | choir vocals | London Symphony Orchestra, Leonard Bernstein | 1:59 |
1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIv. "Komm! Hebe dich zu höhern Sphären!" (Mater Gloriosa) | choir vocals | London Symphony Orchestra, Leonard Bernstein | 1:21 |
1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIw. "Blicket auf zum Retterblick" (Doctor Marianus) | choir vocals | London Symphony Orchestra, Leonard Bernstein | 5:46 |
1966-04-20 | Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIx. "Alles Vergängliche" (Chorus Mysticus) | choir vocals | London Symphony Orchestra, Leonard Bernstein | 5:38 |
1966-04-20 | Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: I. Teil. Hymnus: “Veni, creator spiritus” | choir vocals | London Symphony Orchestra, Leonard Bernstein | 24:05 |
1966-04-20 | Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: II. Teil. Schlußszene aus Faust | choir vocals | London Symphony Orchestra, Leonard Bernstein | 55:05 |
1966-05-21 | Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo: Wieder zurückhaltend… Der große Appell… Conclusion | choir vocals | John Alldis, London Symphony Chorus, Heather Harper, Helen Watts, London Symphony Orchestra, Sir Georg Solti | 20:07 |
1966-05-27 | Prince Igor: Polovtsian Dances and Chorus | choir vocals | John Alldis, London Symphony Orchestra Chorus, London Symphony Orchestra, Sir Georg Solti | 13:43 |
1966-06 | Messiah, HWV 56: Part II, Scene 7, no. 44 “Hallelujah” (Chorus) | choir vocals | London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 3:54 |
1966-06 | Messiah: Part I, No. 3 Chorus "And the glory of the Lord" | choir vocals | London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 2:46 |
1966-06 | Messiah: Part I, No. 7 Recitative "Behold, a virgin shall conceive" / Nos. 8-9 Air and Chorus "O thou that tellest good tidings" | choir vocals | Helen Watts, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 6:39 |
| See all 1,346 relationships |
| vocals |
---|
1996-09-30 – 1996-10-05 | The Canterbury Pilgrims | choir vocals | Dyson; London Symphony Orchestra, London Symphony Chorus, Richard Hickox | |
| A Sea Symphony | choir vocals | Ralph Vaughan Williams; London Symphony Orchestra, André Previn | |
| Billy Budd | choir vocals | Benjamin Britten; Simon Keenlyside, Philip Langridge, John Tomlinson, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | |
| Candide | choir vocals | Bernstein; Jerry Hadley, June Anderson, Christa Ludwig, Adolph Green, Nicolai Gedda, Della Jones, Kurt Ollmann, London Symphony Orchestra & Chorus, Leonard Bernstein | |
| Carmina Burana | choir vocals | Carl Orff; Thomas Allen, Sheila Armstrong, Gerald English, London Symphony Chorus, London Symphony Orchestra, André Previn | |
| Carmina Burana | choir vocals | Carl Orff; London Symphony Orchestra, André Previn, London Symphony Chorus | |
| Elijah | choir vocals | Felix Mendelssohn; London Symphony Orchestra, London Symphony Chorus, Richard Hickox, Willard White, Rosalind Plowright, Linda Finnie, Arthur Davies | |
| Elijah (Oratorio), op. 70 | choir vocals | Felix Mendelssohn; London Symphony Orchestra, London Symphony Chorus, Richard Hickox | |
| Fauré: Requiem / Bernstein: Chichester Psalms | choir vocals | Fauré, Bernstein; Royal Philharmonic Orchestra, London Symphony Chorus, Richard Hickox | |
| L’Enfant et les Sortilèges / Ma Mère l’Oye | choir vocals | Ravel; London Symphony Orchestra, André Previn | |
| La Damnation de Faust | choir vocals | Berlioz; Veasey, Gedda, Bastin, Van Allan, London Symphony Orchestra, London Symphony Chorus & Sir Colin Davis | |
| Le Martyre de Saint Sebastien | choir vocals | Debussy; London Symphony Orchestra, London Symphony Chorus, Michael Tilson Thomas | |
| Petite Messe solennelle / Stabat Mater | choir vocals | Rossini; Pavarotti, Freni, Lorengar, Minton, Valentini-Terrani, Sotin, Raimondi | |
| Symphony no. 2 "Resurrection" | choir vocals | Mahler; London Symphony Orchestra, Gilbert Kaplan | |
| Symphony No. 7 / Rakastava / En saga / Kullervo | choir vocals | Sibelius; London Symphony Orchestra, Sir Colin Davis | |
| Symphony no. 9 "Choral" | choir vocals | Beethoven; London Symphony Orchestra, Eugen Jochum | |
| The Dream of Gerontius | choir vocals | Elgar; Sir Colin Davis, David Rendall, Anne Sofie von Otter, Alastair Miles, London Symphony Chorus, London Symphony Orchestra | |
| The Dream of Gerontius (disc 1) | choir vocals | Sir Edward Elgar; London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | |