| ’Round Midnight | | | | Song | | | |
| 2 Songs, op. 35 no. 1: Jubal | | | | Song | | | |
| 5 Romanzen und Lieder, op. 84: Nr. 4. Vergebliches Ständchen | | | | Song | | | |
| 7 Lieder, op. 48: Nr. 1. Der Gang zum Liebchen | | | | Song | | | |
| 9 Lieder und Gesänge, op. 63: Nr. 5. Junge Liebe I | | | | Song | | | |
| Aamu-usva | | | | | | | |
| Aamulaulu, op. 2 no. 3 | | | | Song | | | |
| Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) | | | | Aria | | | |
| Arioso, op. 3 | | | | | | | |
| Arioso, op. 3 | | | | | | | |
| Ave Maria | | | | Song | | | 5 |
| Bill | | | | Song | | - 4271759 (AGADU ID)
- 4126275 (APDAYC ID)
- (show 8 more)
- 10064182 (SOCAN ID)
| |
| Blåsippan, op. 88 no. 1 | | | | Song | | | |
| Blommans öde, op. 88 no. 6 | | | | Song | | | |
| Cäcilie, op. 27 no. 2 | | | | Song | | | |
| Chants d'Auvergne: Première Série: No. 2. Baïlèro | | | | Song | | | |
| Così fan tutte: Atto I. No. 9 Quintetto e coro “Di scrivermi ogni giorno” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, coro) | | - Wiener Philharmoniker, Karl Böhm
- Chamber Orchestra of Europe, Sir Georg Solti
- La Petite Bande, Sigiswald Kuijken
- Sesto Bruscantini, Nan Merriman, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan
- (show 29 more)
| | | | | |
| Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) | | - Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
- [unknown]
- Renée Fleming, Anne Sofie von Otter, Michele Pertusi, Chamber Orchestra of Europe, Sir Georg Solti
- Joanna Borowska, Peter Mikuláš, Slovak Philharmonic Chorus, Rohangiz Yachmi, Capella Istropolitana, Johannes Wildner
- (show 77 more)
| | Aria | | | |
| Das Marienleben, op. 27: No. 1. Geburt Mariä | | | | Song | | | |
| Das Marienleben, op. 27: No. 2. Argwohn Josephs | | | | Song | | | |
| Das Marienleben, op. 27: No. 3. Geburt Christi | | | | Song | | | |
| Das Marienleben, op. 27: No. 4. Rast auf der Flucht in Ägypten | | | | Song | | | |
| Das Marienleben, op. 27: No. 5. Vor der Passion | | | | Song | | | |
| Das Marienleben, op. 27: No. 6. Vom Tode Mariä | | | | Song | | | |
| De bägge rosorna, op. 88 no. 2 | | | | Song | | | |
| Demanten på marssnön, op. 36 no. 6 | | | | Song | | | |
| Den första kyssen, op. 37 no. 1 | | | | Song | | | |
| Den judiska flickans sång, JS 48 no. 2b | | | | Song | | | |
| Denkst du nie daran? | | | | Song | | | |
| Die Fledermaus: Akt II. Nr. 9 Duett „Dieser Anstand, so manierlich“ (Eisenstein, Rosalinde) | | - Wolfgang Baumgart, Hermann Prey, Júlia Várady, Bayerisches Staatsorchester, Carlos Kleiber
- Edita Gruberová, Werner Hollweg, Koninklijk Concertgebouworkest, Nikolaus Harnoncourt
- Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erika Köth, Regina Resnik, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan
- Richard Tauber
- (show 14 more)
| | | | | |
| Die Fledermaus: Akt II. Nr. 10 Csárdás „Klänge der Heimat“ (Rosalinde) | | - Wolfgang Baumgart, Júlia Várady, Bayerisches Staatsorchester, Carlos Kleiber
- Wiener Philharmoniker, Lorin Maazel
- Edita Gruberová, Koninklijk Concertgebouworkest, Nikolaus Harnoncourt
- Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Regina Resnik, Hedwig Schubert, Wiener Philharmoniker, Herbert von Karajan
- (show 34 more)
| | | | | |
| Die heiligen drei Könige aus Morgenland, op. 56 no. 6 | | | | | | | |
| Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor) | | - Berliner Philharmoniker, Herbert von Karajan
- Lesley Garrett, The Royal Philharmonic Concert Orchestra, James Holmes
- Sir John Eliot Gardiner, Wiener Philharmoniker, Monteverdi Choir, Bryn Terfel, Barbara Bonney, Bo Skovhus, Cheryl Studer, Rainer Trost, Karl-Magnus Fredriksson & Heinz Zednik
- Chor der Wiener Volksoper, Orchester der Wiener Volksoper, Franz Bauer-Theussl
- (show 41 more)
| | | | | |
| Die lustige Witwe: Akt II. N°12a. Entr'act. Vilja-Lied | | | | | | | |
| Die Walküre, WWV 86B: Akt I, Scene III "Ein Schwert verhieß mir der Vater" | | | | | | | |
| Don Carlos : Acte I. « O chants de fête » (Dames d'Elisabeth, pages, valets, peuple, Elisabeth, Carlos, Lerme) | | - Coro del Teatro alla Scala di Milano, Plácido Domingo, Tibère Raffali, Katia Ricciarelli, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Roberto Alagna, Chœur du Théâtre du Châtelet, Karita Mattila, Scot Weir, Orchestre de Paris, Antonio Pappano
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- BBC Singers, Emile Belcourt, Edith Tremblay, André Turp, BBC Concert Orchestra, John Matheson
| | | | | |
| Don Carlos : Acte I. « Que faites-vous donc ? » … « De quels transports » (Elisabeth, Carlos) | | - Plácido Domingo, Katia Ricciarelli, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Roberto Alagna, Karita Mattila, Orchestre de Paris, Antonio Pappano
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Edith Tremblay, André Turp, BBC Concert Orchestra, John Matheson
| | | | | |
| Don Carlos : Acte I. Scène et duo « Le bruit du cor s'éteint sous l'ombre épaisse » (Carlos, Thibault, Elisabeth) | | - Plácido Domingo, Ann Murray, Katia Ricciarelli, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Roberto Alagna, Anat Efraty, Karita Mattila, Orchestre de Paris, Antonio Pappano
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Gillian Knight, Edith Tremblay, André Turp, BBC Concert Orchestra, John Matheson
| | | | | |
| Don Carlos : Acte I. Scène et final « À celui qui vous vient … L’heure fatale est sonnée » (Thibault, Elisabeth, Carlos) | | - Plácido Domingo, Ann Murray, Katia Ricciarelli, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Roberto Alagna, Anat Efraty, Karita Mattila, Orchestre de Paris, Antonio Pappano
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Gillian Knight, Edith Tremblay, André Turp, BBC Concert Orchestra, John Matheson
| | | | | |
| Don Carlos : Acte II, scène 2. « O ma chère compagne » (Elisabeth, Rodrigue, Philippe, dames) | | - Coro del Teatro alla Scala di Milano, Leo Nucci, Ruggero Raimondi, Katia Ricciarelli, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Orchestre de Paris, Antonio Pappano
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- BBC Singers, Joseph Rouleau, Robert Savoie, Edith Tremblay, BBC Concert Orchestra, John Matheson
- Chœur du Théâtre du Châtelet, Thomas Hampson, Karita Mattila, José van Dam, Orchestre de Paris, Antonio Pappano
| | | | | |
| Don Carlos : Acte II, scène 2. Grande scène et duo « Je viens solliciter de la Reine une grâce … O bien perdu … Par quelle douce voix » (Carlos, Elisabeth) | | - Plácido Domingo, Katia Ricciarelli, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Roberto Alagna, Karita Mattila, Orchestre de Paris, Antonio Pappano
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Edith Tremblay, André Turp, BBC Concert Orchestra, John Matheson
| | | | | |
| Don Carlos : Acte II, scène 2. Scène, terzettino, dialogue et romance « La Reine! ... L’infant Carlos, notre espérance » (Dames d'Elisabeth, Eboli, Elisabeth, Thibault, Rodrigue) | | - Coro del Teatro alla Scala di Milano, Ann Murray, Leo Nucci, Katia Ricciarelli, Lucia Valentini Terrani, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Chœur du Théâtre du Châtelet, Anat Efraty, Thomas Hampson, Karita Mattila, Waltraud Meier, Orchestre de Paris, Antonio Pappano
- Thomas Hampson, Karita Mattila, Waltraud Meier, Orchestre de Paris, Antonio Pappano
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- BBC Singers, Gillian Knight, Robert Savoie, Edith Tremblay, Michèle Vilma, BBC Concert Orchestra, John Matheson
| | | | | |
| Don Carlos : Acte III, scène 2. « En plaçant sur mon front, peuple, cette couronne … Sire, la dernière heure a-t-elle donc sonné » (Philippe, Elisabeth, Rodrigue, Carlos, 6 Députés flamands, 6 moines, Thibault, le peuple, une Voix d'en haut) | | - Arleen Augér, Coro del Teatro alla Scala di Milano, Plácido Domingo, Ann Murray, Leo Nucci, Ruggero Raimondi, Katia Ricciarelli, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Orchestre de Paris, Antonio Pappano
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- BBC Singers, Gillian Knight, Prudence Lloyd, Joseph Rouleau, Robert Savoie, Edith Tremblay, André Turp, BBC Concert Orchestra, John Matheson
- (show 2 more)
| | | | | |
| Don Carlos : Acte IV, scène 1. Introduction et chœur « Que de fleurs … Pour une nuit me voilà reine » (Dames et seigneurs, Elisabeth, Eboli, les femmes de la Reine) | | - Coro del Teatro alla Scala di Milano, Katia Ricciarelli, Lucia Valentini Terrani, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Orchestre de Paris, Antonio Pappano
- BBC Singers, Edith Tremblay, Michèle Vilma, BBC Concert Orchestra, John Matheson
- Chœur du Théâtre du Châtelet, Karita Mattila, Waltraud Meier, Orchestre de Paris, Antonio Pappano
| | | | | |
| Don Carlos : Acte IV, scène 1. Scène et air « Pitié ! Pardon pour la femme coupable ! » (Eboli, Elisabeth) | | - Katia Ricciarelli, Lucia Valentini Terrani, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Karita Mattila, Waltraud Meier, Orchestre de Paris, Antonio Pappano
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Edith Tremblay, Michèle Vilma, BBC Concert Orchestra, John Matheson
| | | | | |
| Don Carlos : Acte IV, scène 1. Scène et quatuor « Justice ! Sire ! … Maudit soit le soupçon infâme » (Elisabeth, Philippe, Eboli, Rodrigue) | | - Leo Nucci, Ruggero Raimondi, Katia Ricciarelli, Lucia Valentini Terrani, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Thomas Hampson, Karita Mattila, Waltraud Meier, José van Dam, Orchestre de Paris, Antonio Pappano
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Joseph Rouleau, Robert Savoie, Edith Tremblay, Michèle Vilma, BBC Concert Orchestra, John Matheson
| | | | | |
| Don Carlos : Acte IV, scène 2. Émeute « Mon fils, reprenez votre épée … Ciel ! Le tocsin ! » (Philippe, Carlos, Lerme, Eboli, l'Inquisiteur, les grands d'Espagne, le peuple) | | - Coro del Teatro alla Scala di Milano, Plácido Domingo, Nicolaï Ghiaurov, Tibère Raffali, Ruggero Raimondi, Lucia Valentini Terrani, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Roberto Alagna, Chœur du Théâtre du Châtelet, José van Dam, Orchestre de Paris, Antonio Pappano
- Chœur du Théâtre du Châtelet, Eric Halfvarson, Karita Mattila, Waltraud Meier, Scot Weir, José van Dam, Orchestre de Paris, Antonio Pappano
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- (show 2 more)
| | | | | |
| Don Carlos : Acte V. Scène et air « Toi qui sus le néant des grandeurs de ce monde » (Elisabeth) | | | | | | | |
| Don Carlos : Acte V. Scène et duo d’adieu « C'est elle ! … J’avais fait un beau rêve ! … Au revoir dans un monde où la vie est meilleure … » (Elisabeth, Don Carlos, Philippe, L’Inquisiteur, Un moine, Chœur) | | - Coro del Teatro alla Scala di Milano, Plácido Domingo, Nicolaï Ghiaurov, Ruggero Raimondi, Katia Ricciarelli, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Roberto Alagna, Karita Mattila, Orchestre de Paris, Antonio Pappano
- Csaba Airizer, Roberto Alagna, Chœur du Théâtre du Châtelet, Eric Halfvarson, Karita Mattila, José van Dam, Orchestre de Paris, Antonio Pappano
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Edith Tremblay, André Turp, BBC Concert Orchestra, John Matheson
| | | | | |
| Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) | | | | Aria | | | |
| Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] | | | | Aria | | | |
| Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] | | | | | | | |
| Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) | | | | | | | |
| Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) | | | | | | | |
| Don’t Cry for Me Argentina | | | | Song | | - 6082722 (AGADU ID)
- 44293002 (AKM ID)
- (show 67 more)
- 000456 725 70 (SUISA ID)
| |
| Elektra: "Ich kann nicht sitzen und ins Dunkel starren" (Chrysothemis, Elektra) | | - Marie Collier, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
- Inge Borkh, Marianne Schech, Staatskapelle Dresden, Karl Böhm
- Gordan Nikolitch, Jeanne‐Michèle Charbonnet, Angela Denoke, London Symphony Orchestra, Valery Gergiev
- Éva Marton, Cheryl Studer, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Sawallisch
- (show 7 more)
| | | | | |
| Emilie | | | | Opera | | | |
| En etsi valtaa, loistoa | | | | Song | | | |
| En slända, op. 17 no. 5 | | | | Song | | | |
| Enkellaulu kajahtaa | | | | Song | | | |
| Fåfäng önskan, op. 61 no. 7 | | | | Song | | | |
| Fågellek, op. 17 no. 3 | | | | Song | | | |
| Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. b) Arioso und Chor: »Des Krieges Los hat euch mir übergeben« … »Dem Fürsten Heil« (Karl, Chor) | | - Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado
| | | | | |
| Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. c) Rezitativ und Erzählung: »Wer bist du, dessen tiefgesenkter Blick« … »Am Rande der Ebene« (Karl, Roland, Fierrabras) | | - Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado
| | | | | |
| Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. d) Ensemble und Chor: »Der Landestöchter fromme Pflichten« (Emma, Jungfrauen, Karl, Fierrabras, Roland) | | - Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado
| | | | | |
| Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. e) Quartett mit Chor: »Dem Erfolg vertrauen« (Ritter, Ogier, Karl, Emma, Eginhard, Fierrabras, Roland) | | - Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado
| | | | | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. a) Romanze (Duett): »Der Abend sinkt auf stiller Flur« (Eginhard, Emma) | | - Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado
| | | | | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. b) Rezitativ und Arie. »Was quälst du mich, o Missgeschick! … In tiefbeweegteer Brust« (Fierrabras) | | - Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado
| | | | | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. c) Ensemble: »Doch horch! Was regt sich noch in stiller Nacht?« (Fierrabras, Männerchor, Emma, Eginhard) | | - Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado
| | | | | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. d) Szene und Terzett: »Ha, hier waltet ein Verrat!« (Fierrabras, Eginhard, Emma) | | - Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado
| | | | | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. e) Rezitativ: »Nun fasset Mut!« (Fierrabras, Emma) | | - Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado
| | | | | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. f) Rezitativ, Terzett und Ensemble: »Ha!« / »Wie, Emma hier?« … »Das Blut fühl' ich erstarren« (Emma, Fierrabras, Karl) | | - Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado
| | | | | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. f) Rezitativ, Terzett und Ensemble: Ensemble: »Dich rief ich, Eginhard« (Karl, Eginhard, Emma, Fierrabras) | | - Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado
| | | | | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. g) Quartett mit Chor. »Fort zum Siegesreigen« (Ritter, Emma, Eginhard, Fierrabras, Karl) | | - Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado
| | | | | |
| Fierrabras: Akt I. "Die Beute laß, o Herr, die Krieger teilen" | | - Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado
- Chamber Orchestra of Europe, Claudio Abbado
| | | | | |
| Fire digte fra Fiskerjenten, op. 21: No. 1. Det første møte | | | | Song | | | |
| Flickan kom ifrån sin älsklings möte, op. 37 no. 5 | | | | Song | | | |
| Flickan kom ifrån sin älsklings möte, op. 37 no. 5 | | | | Song | | | |
| Fra Monte Pincio, op. 39 no. 1 | | | | | | | |
| Freundliche Vision, op. 48 no. 1 | | | | Song | | | |
| Frühlingsfeier, op. 56 no. 5 | | | | Song | | | |
| Genesis | | | | | | | |
| Gesang der Apollopriesterin, op. 33 no. 2 | | | | Song | | | |
| Gurre-Lieder: Part I: Tove: "Du sendest mir einem Liebesblick" | | - Sharon Sweet, Wiener Philharmoniker, Claudio Abbado
- Yvonne Minton, BBC Singers, Jess Thomas, Kenneth Bowen, Goldsmith's Choral Union, BBC Symphony Chorus, Marita Napier, Siegmund Nimsgern, Günter Reich, BBC Symphony Orchestra, Pierre Boulez
- Boston Symphony Orchestra, Seiji Ozawa
- Philharmonia Orchestra, Robert Craft
- (show 14 more)
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| Gurre-Lieder: Part I: Tove: "Nun sag' ich dir zum ersten Mal" | | - Sharon Sweet, Wiener Philharmoniker, Claudio Abbado
- Yvonne Minton, BBC Singers, Jess Thomas, Kenneth Bowen, Goldsmith's Choral Union, BBC Symphony Chorus, Marita Napier, Siegmund Nimsgern, Günter Reich, BBC Symphony Orchestra, Pierre Boulez
- Boston Symphony Orchestra, Seiji Ozawa
- Philharmonia Orchestra, Robert Craft
- (show 15 more)
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| Gurre-Lieder: Part I: Tove: "O, wenn des Mondes Strahlen leise gleiten" | | - Sharon Sweet, Wiener Philharmoniker, Claudio Abbado
- Yvonne Minton, BBC Singers, Jess Thomas, Kenneth Bowen, Goldsmith's Choral Union, BBC Symphony Chorus, Marita Napier, Siegmund Nimsgern, Günter Reich, BBC Symphony Orchestra, Pierre Boulez
- Boston Symphony Orchestra, Seiji Ozawa
- Philharmonia Orchestra, Robert Craft
- (show 14 more)
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| Gurre-Lieder: Part I: Tove: "Sterne jubeln, das Meer, es leuchtet" | | - Sharon Sweet, Wiener Philharmoniker, Claudio Abbado
- Goldsmith's Choral Union, Marita Napier, BBC Symphony Chorus, Jess Thomas, Kenneth Bowen, BBC Singers, Yvonne Minton, Siegmund Nimsgern, Günter Reich, BBC Symphony Orchestra, Pierre Boulez
- Boston Symphony Orchestra, Seiji Ozawa
- Philharmonia Orchestra, Robert Craft
- (show 13 more)
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| Gurre-Lieder: Part I: Waldemar: "Du wunderliche Tove!" | | - Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado
- Yvonne Minton, BBC Singers, Jess Thomas, Kenneth Bowen, Goldsmith's Choral Union, BBC Symphony Chorus, Marita Napier, Siegmund Nimsgern, Günter Reich, BBC Symphony Orchestra, Pierre Boulez
- Boston Symphony Orchestra, Seiji Ozawa
- Philharmonia Orchestra, Robert Craft
- (show 14 more)
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| Gurre-Lieder: Part I: Waldemar: "So tanzen die Engel vor Gottes Thron nicht" | | - Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado
- Yvonne Minton, BBC Singers, Jess Thomas, Kenneth Bowen, Goldsmith's Choral Union, BBC Symphony Chorus, Marita Napier, Siegmund Nimsgern, Günter Reich, BBC Symphony Orchestra, Pierre Boulez
- Boston Symphony Orchestra, Seiji Ozawa
- Philharmonia Orchestra, Robert Craft
- (show 15 more)
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| Hilu, hilu | | | | Song | | | |
| Höstkväll, op. 38 no. 1 | | | | Song | | | |
| Höstkväll, op. 38 no. 1 | | | | Song | | | |
| I Could Have Danced All Night | | | | Song | | - 3923132 (ACAM ID)
- 229523 (ACDAM ID)
- (show 20 more)
- 000007 095 29 (SUISA ID)
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| Ich will nicht vergessen… | | | | Song | | | |
| Ihminen ihmiselle | | | | | | | |
| Illalle, op. 17 no. 6 | | | | Song | | | |
| Iltalaulu | | | | | | | |
| Itke en lemmen tähden | | | | Song | | | |
| Jenůfa: Jednání II. "Mamičko, mám těžkou hlavu" (Jenůfa) | | | | | | | |
| Jo joutuu ilta | | | | Song | | | |
