A German Requiem (extract) | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 3:23 | |
Ach herr, du schopfer aller ding | Heinrich Schütz Choir | | | 3:47 | |
Ach Herr, du Schöpfer aller Ding | The Schütz Choir of London, Sir Roger Norrington | | | 5:26 | |
Alleluja! Freuet euch, ihr Christen alle | The Schütz Choir of London, Sir Roger Norrington | | | 3:50 | |
Allelujah! Freuet euch ihr Christen alle | Heinrich Schütz Choir | | | 4:37 | |
Altri canti di Marte | Heinrich Schütz Choir, David Thomas, Roger Norrington | | | 9:12 | |
Angelus ad pastores ait | The Schütz Choir of London, Sir Roger Norrington | | | 3:26 | |
Angelus ad pastores ait | Heinrich Schütz Choir | | | 3:25 | |
Ardo, avvampo | John Elwes, Wyn Evans, Heinrich Schütz Choir, Roger Norrington | | | 5:18 | |
Ballo: Movete al mio bel suon | Kenneth Bowen, Heinrich Schütz Choir, Roger Norrington | | | 12:32 | |
Begräbnisgesang, op. 13 | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 5:54 | |
Behold, I Bring You Glad Tidings | The Schütz Choir of London, Sir Roger Norrington | | | 10:16 | |
Behold, I Bring You Glad Tidings | Heinrich Schütz Choir | | | 4:21 | |
Christe, Redemptor | The Schütz Choir of London, Sir Roger Norrington | | | 4:27 | |
Christe, redemptor omnium | Heinrich Schütz Choir | | | 4:26 | |
Die Zauberflöte: Akt II. Nr. 8 Finale „Es lebe Sarastro!“ (Gefolge, Papageno, Pamina) | Cornelius Hauptmann, Andreas Schmidt, The Schütz Choir of London, Dawn Upshaw, London Classical Players, Sir Roger Norrington | | | 1:30 | |
Die Zauberflöte: Akt II. Nr. 8 Finale „Na, stolzer Jüngling“ (Monostatos, Pamina, Tamino, Gefolge, Sarastro) | Cornelius Hauptmann, Guy de Mey, Anthony Rolfe Johnson, The Schütz Choir of London, Dawn Upshaw, London Classical Players, Sir Roger Norrington | | | 1:53 | |
Die Zauberflöte: Akt II. Nr. 8 Finale „Wenn Tugend und Gerechtigkeit“ (Gefolge) | The Schütz Choir of London, London Classical Players, Sir Roger Norrington | | | 1:29 | |
Die Zauberflöte: Akt II. Nr. 10 Aria con coro „O Isis und Osiris“ (Sarastro, Priester) | Simon Birchall, Cornelius Hauptmann, Rufus Müller, Wolfgang Riedelbauch, The Schütz Choir of London, London Classical Players, Sir Roger Norrington | | | 2:32 | |
Die Zauberflöte: Akt II. Nr. 18 Coro „O Isis und Osiris, welche Wonne!“ (Priester) | The Schütz Choir of London, London Classical Players, Sir Roger Norrington | | | 1:54 | |
Die Zauberflöte: Akt II. Nr. 21 Finale „Die Strahlen der Sonne vertreiben die Nacht“ (Sarastro, Gefolge, Priester) | Simon Birchall, Cornelius Hauptmann, Rufus Müller, Wolfgang Riedelbauch, The Schütz Choir of London, London Classical Players, Sir Roger Norrington | | | 1:18 | |
Die Zauberflöte: Akt II. Nr. 21 Finale „Es siegte die Stärke“ (Gefolge, Priester) | Simon Birchall, Rufus Müller, Wolfgang Riedelbauch, The Schütz Choir of London, London Classical Players, Sir Roger Norrington | | | 1:27 | |
Die Zauberflöte: Akt II. Nr. 21 Finale „Wir wandelten durch Feuersgluten“ (Pamina, Tamino, Gefolge, Priester) | Simon Birchall, Rufus Müller, Wolfgang Riedelbauch, Anthony Rolfe Johnson, The Schütz Choir of London, Dawn Upshaw, London Classical Players, Sir Roger Norrington | | | 2:46 | |
Ein deutsches Requiem, op. 45: Denn alles Fleisch, es ist wie Gras | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 12:56 | |
Ein deutsches Requiem, op. 45: Denn wir haben hie keine bleibende Statt | Olaf Bär, The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 10:18 | |
Ein deutsches Requiem, op. 45: Herr, lehre doch mich | Olaf Bär, The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 8:35 | |
Ein deutsches Requiem, op. 45: Ihr habt nun Traurigkeit | Lynne Dawson, The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 6:30 | |
Ein deutsches Requiem, op. 45: Selig sind die Toten | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 9:15 | |
Ein deutsches Requiem, op. 45: Selig sind, die da Leid tragen | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 8:49 | |
Ein deutsches Requiem, op. 45: Wie lieblich sind deine Wohnungen | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 5:40 | |
Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": Allegro - Allegretto, ma non troppo quasi andante con moto "Schmeichelnd hold un liblich klingen" - Presto | The Schütz Choir of London, Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 4:23 | |
Hodie christus natus est | Heinrich Schütz Choir | | | 6:01 | |
Hodie Christus natus est | The Schütz Choir of London, Sir Roger Norrington | | | 6:02 | |
Hor ch'el ciel e la terra | Heinrich Schütz Choir, Roger Norrington | | | 11:07 | |
Le Tempel Universel, Op.28, H. 137 | The Schütz Choir of London | | | 7:35 | |
Le temple universel, H. 137a | Ryland Davies, Heinrich Schütz Choir and Chorale, Peter Smith, Sir Roger Norrington | | | 7:33 | |
Mass No. 19 in D minor K626, 'Requiem' (completed by Duncan Druce), Sequenz: Dies irae | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 1:50 | |
Matthäus-Passion, SWV 479: Da ging hin der Zwölfen einer | Heinrich Schütz Choir, Sir Roger Norrington | | | 6:49 | |
Matthäus-Passion, SWV 479: Da kam Jesus mit ithnen zu einem Hofe | Heinrich Schütz Choir, Sir Roger Norrington | | | 9:01 | |
Matthäus-Passion, SWV 479: Da nahmen die Kriegsknechte des Landpfleger | Heinrich Schütz Choir, Sir Roger Norrington | | | 6:36 | |
Matthäus-Passion, SWV 479: Da nun Jesus war zu Bethanien | Heinrich Schütz Choir, Sir Roger Norrington | | | 2:49 | |
Matthäus-Passion, SWV 479: Das Leiden unsers Herren Jesu Christi | Heinrich Schütz Choir, Sir Roger Norrington | | | 3:28 | |
Matthäus-Passion, SWV 479: Des morgens aber hielten alle Hohepriester | Heinrich Schütz Choir, Sir Roger Norrington | | | 3:54 | |
Matthäus-Passion, SWV 479: Die aber Jesum gegriffen hatten | Heinrich Schütz Choir, Sir Roger Norrington | | | 4:46 | |
Matthäus-Passion, SWV 479: Ehre sei dir, Christi | Heinrich Schütz Choir, Sir Roger Norrington | | | 3:27 | |
Matthäus-Passion, SWV 479: Jesus aber stund für dem Landpfleger | Heinrich Schütz Choir, Sir Roger Norrington | | | 6:03 | |
Matthäus-Passion, SWV 479: Petrus aber saß draußen im Palast | Heinrich Schütz Choir, Sir Roger Norrington | | | 2:39 | |
Matthäus-Passion, SWV 479: Und da sie den Lobgesang gesprochen hatten | Heinrich Schütz Choir, Sir Roger Norrington | | | 2:30 | |
Matthäus-Passion, SWV 479: Und es waren viel Weiber da | Heinrich Schütz Choir, Sir Roger Norrington | | | 4:52 | |
Matthäus-Passion, SWV 479: Und siehe da, der Fürhang im Tempel | Heinrich Schütz Choir, Sir Roger Norrington | | | 2:20 | |
Matthäus-Passion, SWV 479: Und von der sechsten Stunde | Heinrich Schütz Choir, Sir Roger Norrington | | | 4:20 | |
Noe, noe! Pastores, cantate domino | Heinrich Schütz Choir | | | 5:24 | |
Noé! Pastores, cantate Domino | The Schütz Choir of London, Sir Roger Norrington | | | 4:23 | |
O ciechi, ciechi | Wyn Evans, Felicity Palmer, Heinrich Schütz Choir, David Thomas, Roger Norrington | | | 5:20 | |
O magnum mysterium | The Schütz Choir of London, Sir Roger Norrington | | | 4:38 | |
O magnum mysterium | Heinrich Schütz Choir | | | 2:44 | |
O Magnum Mysterium | The Schütz Choir of London, Charles Spinks, Roger Norrington | | | 6:22 | |
Prière du matin, H. 112 | Heinrich Schütz Choir and Chorale, Peter Smith, Sir Roger Norrington | | | 3:16 | |
Questi vaghi concenti | John Elwes, Wyn Evans, Hazel Holt, Heinrich Schütz Choir, Roger Norrington | | | 7:08 | |
Requiem in D minor, K.626: Kyrie eleison | John Mark Ainsley, Nancy Argenta, Alastair Miles, Catherine Robbin, Schütz Choir & Consort, The London Classical Players, Sir Roger Norrington | | | 2:13 | |
Requiem in D minor, K.626: Lacrimosa | John Mark Ainsley, Nancy Argenta, Alastair Miles, Catherine Robbin, Schütz Choir & Consort, The London Classical Players, Sir Roger Norrington | | | 3:35 | |
Requiem in D minor, K.626: Requiem aeternam | John Mark Ainsley, Nancy Argenta, Alastair Miles, Catherine Robbin, Schütz Choir & Consort, The London Classical Players, Sir Roger Norrington | | | 4:01 | |
Requiem K 626: Introitus: Requiem Aeternam | Nancy Argenta, The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 4:01 | |
Requiem, KV. 626: II. Kyrie eleison | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 2:17 | |
Requiem, KV. 626: IIIa. Sequenz: Dies irae | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 1:52 | |
Requiem, KV. 626: IIIc. Sequenz: Rex tremendae | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 1:51 | |
Requiem, KV. 626: IIIe. Sequenz: Confutatis | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 2:33 | |
Requiem, KV. 626: IIIf. Sequenz: Lacrimosa | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 3:29 | |
Requiem, KV. 626: IIIg. Sequenz: Amen | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 2:26 | |
Requiem, KV. 626: IVb. Offertorium: Hostias | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 4:00 | |
Requiem, KV. 626: Va. Sanctus et Benedictus: Sanctus / Vb. Sanctus et Benedictus: Osanna I | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The Schütz Choir of London, The London Classical Players | | | 2:19 | |
Requiem, KV. 626: Vc. Sanctus et Benedictus:"Benedictus / Vd. Sanctus et Benedictus: Osanna II | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 6:45 | |
Requiem, KV. 626: VI. Agnus Dei | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 3:36 | |
Requiem, KV. 626: VII. Communio | Nancy Argenta, The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 5:28 | |
Requiem: Lacrimosa | Sir Roger Norrington, The Schütz Choir of London & The London Classical Players | | | 3:31 | |
Singt, ihr lieben Christen all | The Schütz Choir of London, Sir Roger Norrington | | | 3:01 | |
Singt, ihr lieben Christen all | Heinrich Schütz Choir | | | 2:58 | |
Soberana Maria | The Schütz Choir of London, Sir Roger Norrington | | | 2:47 | |
Soberana Maria | Heinrich Schütz Choir | | | 10:20 | |
Stabat Mater. Scarlatti. I. Stabat Mater dolorosa | Heinrich Schütz Choir, Charles Spinks, Roger Norrington | | | 3:15 | |
Stabat Mater. Scarlatti. II. Cuius animam gementem | Heinrich Schütz Choir, Charles Spinks, Roger Norrington | | | 5:19 | |
Stabat Mater. Scarlatti. III. Quis non posset contristari | Heinrich Schütz Choir, Charles Spinks, Roger Norrington | | | 4:19 | |
Stabat Mater. Scarlatti. IV. Eia, Mater, fons amoris | Heinrich Schütz Choir, Charles Spinks, Roger Norrington | | | 2:22 | |
Stabat Mater. Scarlatti. V. Sancta Mater, istud agas | Heinrich Schütz Choir, Charles Spinks, Roger Norrington | | | 4:13 | |
Stabat Mater. Scarlatti. VI. Fac me vere tecum flere | Heinrich Schütz Choir, Charles Spinks, Roger Norrington | | | 3:33 | |
Stabat Mater. Scarlatti. VII. Inflammatus et accensus | Heinrich Schütz Choir, Charles Spinks, Roger Norrington | | | 9:04 | |
Tantum Ergo, H. 142 | The Schütz Choir of London, Sarah Walker, Sir Roger Norrington | | | 4:26 | |
Two Motets: Domine Refugium Factus es Nobis | The Schütz Choir of London, Charles Spinks, Roger Norrington | | | 4:10 | |
Veni Creator, H. 141 | The Schütz Choir of London, Sarah Walker, Sir Roger Norrington | | | 4:34 | |
Vox populi, H. 120: Hymne à la France, H. 97 | Heinrich Schütz Choir and Chorale, Peter Smith, Sir Roger Norrington | | | 6:25 | |
Vox populi, H. 120: La menace des Francs, H. 117 | Heinrich Schütz Choir and Chorale, Peter Smith, Sir Roger Norrington | | | 2:29 | |