| Adriana Lecouvreur, Act II: Intermezzo | The Australian Opera and Ballet Orchestra, Andrea Molino, Nicole Car | | | 2:46 | |
| Adriana Lecouvreur, Act II: Io son l’umile ancella (I am the humble servant) | Nicole Car, The Australian Opera and Ballet Orchestra, Andrea Molino | | | 3:09 | |
| Adriana Lecouvreur: “Una volta c'era un Principe” … “Poveri fiori” | Jennifer Bermingham, Jeffrey Black, Christopher Dawes, Judith Saliba, John Shaw, Joan Sutherland, Elizabethan Sydney Orchestra, Richard Bonynge | | | 6:45 | |
| Ah Chi mi Dice Mai From 'Don Giovanni' | Stephen Bennett, Jeffrey Black, Lisa Gasteen, The Australian Opera and Ballet Orchestra, Richard Bonynge | | | 3:29 | |
| Aida: Gloria all' Egitto (Triumphal Scene - Grand Finale) | Bernadette Cullen, Lisa Gasteen, Horst Hoffmann, Opera Australia Chorus, Greg Scott, Daniel Sumegi, Neville Wilkie, The Australian Opera and Ballet Orchestra, Simone Young | | | 3:16 | |
| Aida: Vieni, o guerriero vindice (Triumphal March) | Bernadette Cullen, Lisa Gasteen, Horst Hoffmann, Opera Australia Chorus, Greg Scott, Daniel Sumegi, Neville Wilkie, The Australian Opera and Ballet Orchestra, Simone Young | | | 2:29 | |
| Carmen, Act I-II: Entr’acte | The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 1:47 | |
| Carmen, Act I: Mais nous ne voyons pas la Carmencita!…Quand je vous aimerai? | Rinat Shaham, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 1:12 | |
| Carmen, Act I: No. 2 Sur la place, chacun passe, chacun vient, chacun va | Samuel Dundas, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 1:47 | |
| Carmen, Act I: No. 4 La cloche a sonné | Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 3:42 | |
| Carmen, Act I: No. 5 Habanera: L’amour est un oiseau rebelle | Rinat Shaham, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 4:29 | |
| Carmen, Act I: No. 6 Carmen! sur tes pas nous nous pressons tous! | Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 1:20 | |
| Carmen, Act I: No. 7 Parle-moi de ma mère | Dmytro Popov, Nicole Car, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 5:58 | |
| Carmen, Act I: No. 8 Que se passe-t-il done là-bas? …Au secours! | Adrian Tamburini, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 2:36 | |
| Carmen, Act I: No. 9 Avez-vous quelque chose à répondre? | Dmytro Popov, Adrian Tamburini, Rinat Shaham, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 2:34 | |
| Carmen, Act I: No. 10 Près des remparts de Séville | Rinat Shaham, Dmytro Popov, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 4:45 | |
| Carmen, Act I: No. 11 Voici l’ordre, partez | Adrian Tamburini, Rinat Shaham, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 2:14 | |
| Carmen, Act I: Regardez donc cette petite qui semble vouloir nous parler | Samuel Dundas, Nicole Car, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 3:53 | |
| Carmen, Act II-III: Entr’acte | The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 3:05 | |
| Carmen, Act II: Au quartier! pour l’appel! | Rinat Shaham, Dmytro Popov, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 2:22 | |
| Carmen, Act II: Bel officier, l’amour vous joue en ce moment un assez vilain tour! | Rinat Shaham, Luke Gabbedy, Sam Roberts-Smith, Adrian Tamburini, Dmytro Popov, Ariya Sawadivong, Tania Ferris, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 4:22 | |
| Carmen, Act II: La fleur que tu m’avais jetée | Dmytro Popov, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 4:44 | |
| Carmen, Act II: La-la-la-la…Attends un peu, Carmen | Rinat Shaham, Dmytro Popov, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 2:07 | |
| Carmen, Act II: No. 12 Les tringles des sistres tintaient avec un éclat métallique | Rinat Shaham, Tania Ferris, Ariya Sawadivong, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 5:50 | |
| Carmen, Act II: No. 13 Vivat! vivat le Torero! | Adrian Tamburini, Rinat Shaham, Ariya Sawadivong, Samuel Dundas, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 0:49 | |
| Carmen, Act II: No. 14 Votre toast, je peux vous le rendre…Toréador, en garde | Andrew Jones, Ariya Sawadivong, Tania Ferris, Rinat Shaham, Samuel Dundas, Adrian Tamburini, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 6:00 | |
| Carmen, Act II: No. 15 Nous avons un tête une affaire | Luke Gabbedy, Tania Ferris, Ariya Sawadivong, Sam Roberts-Smith, Rinat Shaham, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 4:14 | |
| Carmen, Act II: No. 16 Halte-là! Qui va là? | Dmytro Popov, Rinat Shaham, Ariya Sawadivong, Tania Ferris, Luke Gabbedy, Sam Roberts-Smith, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 0:39 | |
| Carmen, Act II: No. 17 Je vais danser en votre honneur | Rinat Shaham, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 0:43 | |
| Carmen, Act II: No. 18 Holà! Carmen! holà! holà! | Adrian Tamburini, Dmytro Popov, Rinat Shaham, Sam Roberts-Smith, Luke Gabbedy, Tania Ferris, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 1:24 | |
| Carmen, Act II: Non! je ne veux plus t’écouter | Dmytro Popov, Rinat Shaham, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 1:00 | |
| Carmen, Act II: Non! tu ne m’aimes pas! | Rinat Shaham, Dmytro Popov, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 2:53 | |
| Carmen, Act III-IV: Entr’acte | The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 2:31 | |
| Carmen, Act III: Elle avait pour amant | Andrew Jones, Dmytro Popov, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 2:22 | |
| Carmen, Act III: En vain pour éviter les réponses amères | Rinat Shaham, Ariya Sawadivong, Tania Ferris, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 3:44 | |
| Carmen, Act III: Je dis que rien ne m’épouvante (I say that nothing can frighten me) | Nicole Car, The Australian Opera and Ballet Orchestra, Andrea Molino | | | 5:33 | |
| Carmen, Act III: Moi! je viens te chercher! | Nicole Car, Rinat Shaham, Dmytro Popov, Ariya Sawadivong, Tania Ferris, Sam Roberts-Smith, Luke Gabbedy, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 3:41 | |
| Carmen, Act III: No. 19 Écoute, écoute, compagnon, écoute! | Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 2:27 | |
| Carmen, Act III: No. 20 Mélons! Coupons! | Tania Ferris, Ariya Sawadivong, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 2:44 | |
| Carmen, Act III: No. 21 Quant au douanier | Ariya Sawadivong, Tania Ferris, Rinat Shaham, Sam Roberts-Smith, Luke Gabbedy, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 2:44 | |
| Carmen, Act III: No. 22 Je dis que rien ne m’épouvante | Nicole Car, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 6:23 | |
| Carmen, Act III: No. 23 Je suis Escamillo, Toréro de Grenade! | Andrew Jones, Dmytro Popov, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 0:59 | |
| Carmen, Act III: No. 24 Holà! holà! José! | Rinat Shaham, Andrew Jones, Luke Gabbedy, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 2:23 | |
| Carmen, Act III: Notre métier est bien | Dmytro Popov, Rinat Shaham, Sam Roberts-Smith, Luke Gabbedy, Ariya Sawadivong, Tania Ferris, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 1:32 | |
| Carmen, Act III: Prends garde à toi, Carmen | Dmytro Popov, Luke Gabbedy, Sam Roberts-Smith, Rinat Shaham, Nicole Car, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 0:31 | |
| Carmen, Act III: Toréador, en garde! | Andrew Jones, Dmytro Popov, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 1:03 | |
| Carmen, Act III: Voyons, que j’essaie à mon tour | Rinat Shaham, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 0:53 | |
| Carmen, Act IV: Carmen, un bon conseil | Ariya Sawadivong, Rinat Shaham, Tania Ferris, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 1:22 | |
| Carmen, Act IV: No. 25 À deux cuartos! | Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 1:12 | |
| Carmen, Act IV: No. 26 Les voici! Voici la quadrille! | Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 3:47 | |
| Carmen, Act IV: No. 27 C’est toi! C’est moi! | Rinat Shaham, Dmytro Popov, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 3:53 | |
| Carmen, Act IV: Si tu m’aimes, Carmen | Andrew Jones, Rinat Shaham, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 1:28 | |
| Carmen, Act IV: Tu ne m’aimes donc plus? | Dmytro Popov, Rinat Shaham, Opera Australia Chorus, Michael Black, The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 5:31 | |
| Carmen: No. 1 Prelude | The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 3:39 | |
| Carmen: Opening | The Australian Opera and Ballet Orchestra, Brian Castles-Onion | | | 2:10 | |
| Casta Diva (Chaste Goddess) From Norma | Clifford Grant, Australian Opera Chorus, Joan Sutherland, Elizabethan Sydney Orchestra, Richard Bonynge | | | 6:09 | |
| Cavalleria Rusticana: Easter Hymn | Catherine Carby, Opera Australia, The Australian Opera and Ballet Orchestra, Thomas Woods | | | 6:12 | |
| Cavalleria Rusticana: Regina Coeli, laetare (Easter Hymn) | John Antoniou, Opera Australia Chorus, Claire Primrose, The Australian Opera and Ballet Orchestra, Jorge Mester | | | 6:37 | |
| Che Gelida Manina (Your Tiny Hand Is Frozen) | David Hobson & The Australian Opera and Ballet Orchestra | | | 2:46 | |
| Cosi Fan Tutte Act 1: Quintet (No. 9) "Di scrivermi ogni giorno..." | Stephen Bennett, David Brennan, David Hobson, Fiona Janes, Amanda Thane, The Australian Opera and Ballet Orchestra, Carlo Rizzi | | | 1:59 | |
| Cosi Fan Tutte Act 1: Sextet (No. 13) "Alla bella Despinetta..." | Stephen Bennett, David Brennan, Christine Douglas, David Hobson, Fiona Janes, Amanda Thane, The Australian Opera and Ballet Orchestra, Carlo Rizzi | | | 4:21 | |
| Così fan tutte, K. 588 / Act 1: Soave sia il vento | Amanda Thane, Fiona Janes, David Brennan, Opera Australia Orchestra, Carlo Rizzi | | | 2:38 | |
| Così fan tutte, K. 588, Act 1: Soave sia il vento (Trio) | David Brennan, Fiona Janes, Amanda Thane, The Australian Opera and Ballet Orchestra, Carlo Rizzi | | | 2:40 | |
| Cosi fan tutte, KV588: Soave sia il vento (Gentle be the Breeze) | David Brennan, Fiona Janes, Amanda Thane, The Australian Opera and Ballet Orchestra, Carlo Rizzi | | | 2:43 | |
| Così fan tutte: Soave sia il vento (Act I trio) | Amanda Thane, Fiona Janes, David Brennan, The Australian Opera and Ballet Orchestra, Carlo Rizzi | | | 2:44 | |
| Cosi fan Tutte: Soave sia il vento, Act I Trio | Catherine Carby, Warwick Fyfe, Antoinette Halloran, The Australian Opera and Ballet Orchestra, Thomas Woods | | | 2:40 | |
| Das Rheingold: Entry Into Valhalla | Warwick Fyfe, The Australian Opera and Ballet Orchestra, Thomas Woods | | | 4:54 | |
| Der Rosenkavalier, op. 59: Aufzug III. "Marie Theres'!" … "Hab'mir's gelobt" (Octavian, Marschallin, Sophie) | Cheryl Barker, Catherine Carby, Emma Pearson, The Australian Opera and Ballet Orchestra, Andrew Litton | | | 5:01 | |
| Der Rosenkavalier: Act III Trio | Catherine Carby, Antoinette Halloran, Natalie Jones, The Australian Opera and Ballet Orchestra, Thomas Woods | | | 12:51 | |
| Dido and Aeneas: Dido's Lament | Sally-Anne Russell, The Australian Opera and Ballet Orchestra, Thomas Woods | | | 4:09 | |
| Die Fledermaus: “I Wonder If She Really is Hungarian?” … “The Melodies of My Homeland” | Monique Brynnel, Michael Lewis, Anne-Maree McDonald, Joan Sutherland, Elizabethan Sydney Orchestra, Richard Bonynge | | | 5:18 | |
| Don Giovanni Act 1: Aria & Trio (No. 3) "Ah chi mi dice mai..." | Stephen Bennett, Jeffrey Black, Lisa Gasteen, The Australian Opera and Ballet Orchestra, György Fischer | | | 3:26 | |
| Don Giovanni Act 1: Duet (No. 7) "Là ci darem la mano..." | Jeffrey Black, Fiona Janes, The Australian Opera and Ballet Orchestra, György Fischer | | | 3:12 | |
| Don Giovanni Act 1: Introduction & Recitative (No. 1) "Notte e giorno faticar... Leporello, ove sei?" | Stephen Bennett, Jeffrey Black, Donald Shanks, Gillian Sullivan, The Australian Opera and Ballet Orchestra, György Fischer | | | 5:59 | |
| Don Giovanni Act 2: Sextet (No. 19) "Sola, sola in buio loco..." | Stephen Bennett, Jeffrey Black, Douglas McNicol, Gillian Sullivan, The Australian Opera and Ballet Orchestra, György Fischer | | | 7:34 | |
| Eugene Onegin, Act I Scene 2: Tatyana’s Letter Scene : Puskai pogibnu ya (Even though it kill me) | Nicole Car, The Australian Opera and Ballet Orchestra, Andrea Molino | | | 12:45 | |
| Eugene Onegin, Act III: Introduction | The Australian Opera and Ballet Orchestra, Andrea Molino, Nicole Car | | | 2:26 | |
| Eugene Onegin, Act III: Polonaise | The Australian Opera and Ballet Orchestra, Andrea Molino, Nicole Car | | | 4:56 | |
| Eugene Onegin, op. 24, TH. 5: Act 3: 19. Polonaise | Opera Australia Orchestra, Andrea Molino | | | 4:54 | |
| Faust, Act III: Jewel Song : O Dieu, que de bijoux... Ah, je ris de me voir si belle | Nicole Car, The Australian Opera and Ballet Orchestra, Andrea Molino | | | 4:52 | |
| Fidelio: Prisoners' Chorus | Henry Choo, Luke Gabbedy, Opera Australia, The Australian Opera and Ballet Orchestra, Thomas Woods | | | 6:46 | |
| Hubička (The Kiss), Act I: Overture | The Australian Opera and Ballet Orchestra, Andrea Molino, Nicole Car | | | 5:53 | |
| Hubička (The Kiss), Act I: Vendulka’s Lullaby : Hajej, můj andílku (Hush-a-bye, my angel) | Nicole Car, The Australian Opera and Ballet Orchestra, Andrea Molino | | | 4:08 | |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni) | Teddy Tahu Rhodes, The Australian Opera and Ballet Orchestra, Mark Wigglesworth | | | 1:33 | |
| Il trovatore: “Siam giunti” … “D'amor sull'ali rosee” … “Miserere d'un'alma già vicina” | Kenneth Collins, Robin Donald, The Australian Opera Chorus, Joan Sutherland, Elizabethan Sydney Orchestra, Richard Bonynge | | | 14:48 | |
| Il trovatore: Atto I, scena 2. “Tacea la notte placida” (The night was still and calm) | Nicole Car, The Australian Opera and Ballet Orchestra, Andrea Molino | | | 5:09 | |
| Il trovatore: Atto II, Scena I. "Vedi! Le fosche notturne" | Opera Australia Chorus, The Australian Opera and Ballet Orchestra, Richard Bonynge | | | 2:52 | |
| Il Trovatore: Vedi! Le fosche (Anvil Chorus)... Stride la vampa | Lauris Elms, Opera Australia Chorus, The Elizabethan Sydney Orchestra, Richard Bonynge | | | 5:39 | |
| L’elisir d’amore: “Una furtiva lagrima” | Luciano Pavarotti, Elizabethan Sydney Orchestra, Richard Bonynge | | | 4:23 | |
| La Bohème, Act 1: O soave fanciulla | Cheryl Barker, David Hobson, The Australian Opera and Ballet Orchestra, Julian Smith | | | 4:13 | |
| La Bohème, Act 4: Sono andati? (Death of Mimì) | Cheryl Barker, David Hobson, The Australian Opera and Ballet Orchestra, Julian Smith | | | 5:57 | |
| La Bohème, Act I: Mi chiamano Mimì (They call me Mimì) | Nicole Car, The Australian Opera and Ballet Orchestra, Andrea Molino | | | 4:55 | |
| La Bohème: “O soave fanciulla“ | Cheryl Barker, David Hobson, The Australian Opera and Ballet Orchestra, Julian Smith | | | 4:12 | |
| La bohème: Atto II. "Quando me'n vo'" (Musetta) | Taryn Fiebig, The Australian Opera and Ballet Orchestra, Shao-Chia Lü | | | 5:20 | |
| La Bohème: Caro! Fuori il danaro! | Australian Opera Children's Chorus, Christine Douglas, David Hobson, David Lemke, Roger Lemke, Opera Australia Chorus, Gary Rowley, The Australian Opera and Ballet Orchestra, Julian Smith | | | 2:05 | |
| La Clemenza di Tito Act 2: Quintet & Chorus (No. 12) "Deh coservate, O Dei" | Richard Gill, Elizabeth Campbell, Joan Carden, Suzanne Johnston, Bruce Martin, Akiko Nakajima, The Australian Opera Chorus, The Australian Opera and Ballet Orchestra, Christopher Hogwood | | | 6:09 | |
| La Clemenza di Tito Act 2: Trio (No. 14) "Se al volto mai ti senti..." | Elizabeth Campbell, Joan Carden, Bruce Martin, The Australian Opera and Ballet Orchestra, Christopher Hogwood | | | 4:22 | |
| La Clemenza di Tito Act 2: Trio (No. 18) "Quello di Tito è il volto?" | Elizabeth Campbell, Christopher Doig, Bruce Martin, The Australian Opera and Ballet Orchestra, Christopher Hogwood | | | 3:20 | |
| La Fille du Régiment : « Les bonnes âmes du pays » … « Le jour naissait dans le bocage » | Heather Begg, Joan Sutherland, Gregory Yurisich, Elizabethan Sydney Orchestra, Richard Bonynge | | | 10:46 | |
| La Traviata, Act 1: Libiamo, ne’ lieti calici (Brindisi) | Joan Sutherland, Luciano Pavarotti, Elizabethan Sydney Orchestra, Richard Bonynge | | | 3:16 | |
