Adagio a-Moll nach Johann Adam Reincken, BWV 965/I | Robert Hill | | | 2:27 | |
Alphons Czibulka (1842-1894): Stephanie-Gavotte | Egon Evertz & Robert Hill | | | 3:06 | |
Antonin Dvorak (1841-1904): Humoresque | Egon Evertz & Robert Hill | | | 2:54 | |
Applicatio in C major, BWV 994 | Robert Hill | | | 0:50 | |
Aria variata, BWV 989: I. Thema | Robert Hill | | | 1:55 | |
Aria variata, BWV 989: II. Var. 1 (Largo) | Robert Hill | | | 1:22 | |
Aria variata, BWV 989: III. Var. 2 | Robert Hill | | | 1:13 | |
Aria variata, BWV 989: IV. Var. 3 | Robert Hill | | | 1:12 | |
Aria variata, BWV 989: IX. Var. 8 (Allegro) | Robert Hill | | | 0:54 | |
Aria variata, BWV 989: V. Var. 4 (Allegro) | Robert Hill | | | 1:11 | |
Aria variata, BWV 989: VI. Var 5 (Un poco allegro) | Robert Hill | | | 1:08 | |
Aria variata, BWV 989: VII. Var. 6 (Andante) | Robert Hill | | | 2:03 | |
Aria variata, BWV 989: VIII. Var. 7 (Un poco allegro) | Robert Hill | | | 0:55 | |
Aria variata, BWV 989: X. Var. 9 | Robert Hill | | | 1:16 | |
Aria variata, BWV 989: XI. Var. 10 | Robert Hill | | | 1:51 | |
Capriccio B-Dur sopra la lontananza de il fratro dilettissimo, BWV 992: I. Arioso (Adagio) | Robert Hill | | | 2:28 | |
Capriccio B-Dur sopra la lontananza de il fratro dilettissimo, BWV 992: II. (ohne Bezichnung) | Robert Hill | | | 1:32 | |
Capriccio B-Dur sopra la lontananza de il fratro dilettissimo, BWV 992: III. Adagioissimo | Robert Hill | | | 3:19 | |
Capriccio B-Dur sopra la lontananza de il fratro dilettissimo, BWV 992: IV. (ohne Bezeichnung) | Robert Hill | | | 0:57 | |
Capriccio B-Dur sopra la lontananza de il fratro dilettissimo, BWV 992: V. Aria di Postiglione (Allegro poco) | Robert Hill | | | 1:17 | |
Capriccio B-Dur sopra la lontananza de il fratro dilettissimo, BWV 992: VI. Fuga all'imitatione di Posta | Robert Hill | | | 2:32 | |
Capriccio in honorem Johann Christoph Bachii Ohrdufiensis E-Dur, BWV 993 | Robert Hill | | | 6:23 | |
Cello Sonata in A major, op. 21: I. Allegro | Guido Larisch, Robert Hill | | | 11:32 | |
Cello Sonata in A major, op. 21: II. Andantino quasi allegro | Guido Larisch, Robert Hill | | | 5:45 | |
Cello Sonata in A major, op. 21: III. Menuetto allegretto | Guido Larisch, Robert Hill | | | 3:27 | |
Cello Sonata in A major, op. 21: IV. Rondo. Allegro ma non troppo | Guido Larisch, Robert Hill | | | 5:39 | |
Cello Sonata in G minor, op. 125: I. Grave – Allegro | Guido Larisch, Robert Hill | | | 15:59 | |
Cello Sonata in G minor, op. 125: II. Larghetto con moto | Guido Larisch, Robert Hill | | | 5:01 | |
Cello Sonata in G minor, op. 125: III. Rondo. Allegretto | Guido Larisch, Robert Hill | | | 7:50 | |
Chromatic Fantasy in D minor, BWV 903a | Robert Hill | | | 7:05 | |
Chromatische Fantasie und Fuge d-Moll, BWV 903: I. Fantasia | Robert Hill | | | 7:18 | |
Chromatische Fantasie und Fuge d-Moll, BWV 903: II. Fuga | Robert Hill | | | 5:06 | |
Concerto for 2 Harpsichords and Orchestra in E-flat, Falck 46: I. Un poco allegro | Andreas Staier, Robert Hill, Musica Antiqua Köln, Reinhard Goebel | | | 10:39 | |
Concerto for 2 Harpsichords and Orchestra in E-flat, Falck 46: II. Cantabile senza accompagnamento | Andreas Staier, Robert Hill, Musica Antiqua Köln, Reinhard Goebel | | | 3:20 | |
Concerto for 2 Harpsichords and Orchestra in E-flat, Falck 46: III. Vivace | Andreas Staier, Robert Hill, Musica Antiqua Köln, Reinhard Goebel | | | 6:44 | |
Concerto for 2 Harpsichords in C minor, BWV 1060: I. Allegro | Michael Behringer, Robert Hill, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 4:45 | |
Concerto for 2 Harpsichords in C minor, BWV 1060: II. Largo ovvero adagio | Michael Behringer, Robert Hill, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 5:21 | |
Concerto for 2 Harpsichords in C minor, BWV 1060: III. Allegro | Michael Behringer, Robert Hill, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 3:36 | |
Concerto for 2 Harpsichords in C minor, BWV 1062: I. Allegro | Michael Behringer, Robert Hill, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 3:29 | |
Concerto for 2 Harpsichords in C minor, BWV 1062: II. Andante e piano | Michael Behringer, Robert Hill, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 6:06 | |
Concerto for 2 Harpsichords in C minor, BWV 1062: III. Allegro assai | Michael Behringer, Robert Hill, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 4:33 | |
Concerto for 3 Harpsichords in C major, BWV 1064: III. Allegro | Robert Hill, Gerald Hambitzer, Christoph Anselm Noll, Kölner Kammerorchester, Helmut Müller-Brühl | | | 4:33 | |
Concerto for 3 Harpsichords in D minor, BWV 1063: I. Allegro | Robert Hill, Michael Behringer, Christoph Anselm Noll, Kölner Kammerorchester, Helmut Müller-Brühl | | | 4:32 | |
Concerto for 3 Harpsichords in D minor, BWV 1063: II. Alla Siciliana | Robert Hill, Michael Behringer, Christoph Anselm Noll, Kölner Kammerorchester, Helmut Müller-Brühl | | | 4:10 | |
Concerto for 3 Harpsichords in D minor, BWV 1063: III. Allegro | Robert Hill, Michael Behringer, Christoph Anselm Noll, Kölner Kammerorchester, Helmut Müller-Brühl | | | 4:41 | |
Concerto for 4 Harpsichords in A minor, BWV 1065 (tr. of Vivaldi, RV 580): I. Allegro | Gerald Hambitzer, Robert Hill, Christoph Anselm Noll, Roderick Shaw, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 3:53 | |
Concerto for 4 Harpsichords in A minor, BWV 1065 (tr. of Vivaldi, RV 580): III. Allegro | Gerald Hambitzer, Robert Hill, Christoph Anselm Noll, Roderick Shaw, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 3:22 | |
Concerto for Harpsichord and Small Orchestra, H. 246: I. Poco allegro | Robert Hill, Holst-Sinfonietta, Klaus Simon | | | 6:48 | |
Concerto for Harpsichord and Small Orchestra, H. 246: II. Adagio | Robert Hill, Holst-Sinfonietta, Klaus Simon | | | 5:06 | |
Concerto for Harpsichord and Small Orchestra, H. 246: III. Allegretto | Robert Hill, Holst-Sinfonietta, Klaus Simon | | | 6:51 | |
Concerto for Two Claviers and Orchestra, Wq. 46: I. Allegro spirituoso | Andreas Staier, Robert Hill, Musica Antiqua Köln, Reinhard Goebel | | | 8:55 | |
Concerto for Two Claviers and Orchestra, Wq. 46: II. Largo e con sordino | Andreas Staier, Robert Hill, Musica Antiqua Köln, Reinhard Goebel | | | 10:06 | |
Concerto for Two Claviers and Orchestra, Wq. 46: III. Allegro assai | Andreas Staier, Robert Hill, Musica Antiqua Köln, Reinhard Goebel | | | 4:33 | |
Concerto for Violin, Harpsichord and Orchestra in F major, Hob. XVIII:6: I. Allegro moderato | Rainer Kussmaul, Robert Hill, Amsterdam Bach Soloists | | | 6:58 | |
Concerto for Violin, Harpsichord and Orchestra in F major, Hob. XVIII:6: II. Largo | Rainer Kussmaul, Robert Hill, Amsterdam Bach Soloists | | | 7:10 | |
Concerto for Violin, Harpsichord and Orchestra in F major, Hob. XVIII:6: III. Presto | Rainer Kussmaul, Robert Hill, Amsterdam Bach Soloists | | | 3:21 | |
Concerto in A minor for Four Harpsichords, BWV 1065: II. Largo | Gerald Hambitzer, Robert Hill, Christoph Anselm Noll, Roderick Shaw, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 2:04 | |
Concerto in A minor, BWV 1044: I. Allegro | Kölner Kammerorchester, Helmut Müller-Brühl, Karl Kaiser, Christine Pichlmeier, Robert Hill | | | 7:51 | |
Concerto in A minor, BWV 1044: II. Adagio ma non tanto e dolce | Kölner Kammerorchester, Helmut Müller-Brühl, Karl Kaiser, Christine Pichlmeier, Robert Hill | | | 5:15 | |
Concerto in A minor, BWV 1044: III. Alla breve | Kölner Kammerorchester, Helmut Müller-Brühl, Karl Kaiser, Christine Pichlmeier, Robert Hill | | | 6:17 | |
Concerto in C major for Three Harpsichords, BWV 1064: I. Allegro | Gerald Hambitzer, Robert Hill, Christoph Anselm Noll, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 6:21 | |
Concerto in C major for Three Harpsichords, BWV 1064: II. Adagio | Gerald Hambitzer, Robert Hill, Christoph Anselm Noll, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 5:18 | |
Concerto in C major for Three Harpsichords, BWV 1064: III. Allegro | Gerald Hambitzer, Robert Hill, Christoph Anselm Noll, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 4:36 | |
Concerto in F major, BWV 1057: I. Allegro | Kölner Kammerorchester, Helmut Müller-Brühl, Nadja Schubert, Eva Morsbach, Robert Hill | | | 6:37 | |
Concerto in F major, BWV 1057: II. Andante | Kölner Kammerorchester, Helmut Müller-Brühl, Nadja Schubert, Eva Morsbach, Robert Hill | | | 3:30 | |
Concerto in F major, BWV 1057: III. Allegro assai | Kölner Kammerorchester, Helmut Müller-Brühl, Nadja Schubert, Eva Morsbach, Robert Hill | | | 4:56 | |
Concerto no. 5 in D major, BWV 1050: I. Allegro | Kölner Kammerorchester, Helmut Müller-Brühl, Karl Kaiser, Christine Pichlmeier, Robert Hill | | | 9:03 | |
Concerto no. 5 in D major, BWV 1050: II. Affetuoso | Kölner Kammerorchester, Helmut Müller-Brühl, Karl Kaiser, Christine Pichlmeier, Robert Hill | | | 5:41 | |
Concerto no. 5 in D major, BWV 1050: III. Allegro | Kölner Kammerorchester, Helmut Müller-Brühl, Karl Kaiser, Christine Pichlmeier, Robert Hill | | | 4:59 | |
Concerto pour 2 Clavecins en mi bemol majeur Falck 46: I. Un poco allegro | Andreas Staier,Robert Hill,Musica Antiqua Köln,Reinhard Goebel | | | 10:39 | |
Concerto pour 2 Clavecins en mi bemol majeur Falck 46: II. Cantabile senza accompagnamento | Andreas Staier,Robert Hill,Musica Antiqua Köln,Reinhard Goebel | | | 3:20 | |
Concerto pour 2 Clavecins en mi bemol majeur Falck 46: III. Vivace | Andreas Staier,Robert Hill,Musica Antiqua Köln,Reinhard Goebel | | | 6:44 | |
Courante in G major, BWV 840 | Robert Hill | | | 1:58 | |
Die Kunst der Fuge, BWV 1080 No. 1: Contrapunctus 1 a 4 | Robert Hill | | | 3:03 | |
Die Kunst der Fuge, BWV 1080 No. 2: Contrapunctus 2 a 4 | Robert Hill | | | 2:51 | |
Die Kunst der Fuge, BWV 1080 No. 3: Contrapunctus 3 a 4 | Robert Hill | | | 2:57 | |
Die Kunst der Fuge, BWV 1080 No. 4: Contrapunctus 4 a 4 | Robert Hill | | | 4:49 | |
Die Kunst der Fuge, BWV 1080 No. 5: Contrapunctus 5 a 4 | Robert Hill | | | 3:55 | |
Die Kunst der Fuge, BWV 1080 No. 6: Contrapunctus 6 a 4 in Stylo Francese | Robert Hill | | | 3:58 | |
Die Kunst der Fuge, BWV 1080 No. 7: Contrapunctus 7 a 4, per Augentationem et Diminutionem | Robert Hill | | | 4:31 | |
Die Kunst der Fuge, BWV 1080 No. 8: Contrapunctus 8 a 4 | Robert Hill | | | 6:01 | |
Die Kunst der Fuge, BWV 1080 No. 9: Contrapunctus 9 a 4, alla Duodecima | Robert Hill | | | 3:24 | |
Die Kunst der Fuge, BWV 1080 No. 10: Contrapunctus 10 a 4, alla Decima | Robert Hill | | | 4:58 | |
Die Kunst der Fuge, BWV 1080 No. 11: Contrapunctus 11 a 4 | Robert Hill | | | 6:45 | |
Die Kunst der Fuge, BWV 1080 No. 12.1: Contrapunctus inversus 12 a 4 in forma recta | Robert Hill | | | 2:19 | |
Die Kunst der Fuge, BWV 1080 No. 12.2: Contrapunctus inversus 12 a 4 in forma inversa | Robert Hill | | | 2:24 | |
Die Kunst der Fuge, BWV 1080 No. 13.1: Contrapunctus inversus 13 a 3 in forma recta | Robert Hill | | | 2:13 | |
Die Kunst der Fuge, BWV 1080 No. 13.2: Contrapunctus inversus 13 a 3 in forma inverso | Robert Hill | | | 2:17 | |
Die Kunst der Fuge, BWV 1080 No. 14: Canon per Augmentationem in Contrario Motu | Robert Hill | | | 3:50 | |
Die Kunst der Fuge, BWV 1080 No. 15: Canon alla Ottava | Robert Hill | | | 4:17 | |
Die Kunst der Fuge, BWV 1080 No. 16: Canon alla Decima in Contrapunto alla Terza | Robert Hill | | | 4:46 | |
Die Kunst der Fuge, BWV 1080 No. 17: Canon alla Duodecima in Contrapunto alla Quinta | Robert Hill | | | 4:05 | |
Die Kunst der Fuge, BWV 1080 No. 18.1: Fuga inversa a 2 Claviere: Forma inversa | Robert Hill | | | 2:08 | |
Die Kunst der Fuge, BWV 1080 No. 18.2: Alio modo: Fuga inversa a 2 Claviere: Forma recta | Robert Hill | | | 2:17 | |
Die Kunst der Fuge, BWV 1080 No. 19: Fuga a 3 Soggetti | Robert Hill | | | 8:13 | |
Die Kunst der Fuge, BWV 1080a No. 1: Contrapunctus a 4 | Robert Hill | | | 3:11 | |
Die Kunst der Fuge, BWV 1080a No. 2: Contrapunctus a 4 | Robert Hill | | | 2:44 | |
Die Kunst der Fuge, BWV 1080a No. 3: Contrapunctus a 4 | Robert Hill | | | 2:49 | |
Die Kunst der Fuge, BWV 1080a No. 6: Contrapunctus a 4 | Robert Hill | | | 3:52 | |
Die Kunst der Fuge, BWV 1080a No. 12: Canon per Augmentationem in contrario motu | Robert Hill | | | 5:23 | |