| Aida: Atto II, scena 2. Marcia trionfale (orchestra) | | | | | | | |
| Anne Frank / Family History | | | | | | | |
| Apartment Search | | | | | | | |
| Ave Maria | | | | | | | |
| Bodies, Ovens & Sunflowers | | | | | | | |
| Choir Suite | | | | | | | |
| Der fliegende Holländer, WWV 63: Akt II, Nr. 4. Lied, Scene, Ballade und Chor "Summ und brumm, du gutes Rädchen" | | | | | | | |
| Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!" | | | | | | | |
| Eichmann | | | | | | | |
| Eine Faust-Symphonie, S. 108: IV. Chorus mysticus | | - Boston Symphony Orchestra, Tanglewood Festival Chorus, Leonard Bernstein, Kenneth Riegel
- Charles Bressler, Choral Art Society, New York Philharmonic, Leonard Bernstein
- Vinson Cole, Chor der Staatsoper Dresden, Staatskapelle Dresden, Giuseppe Sinopoli
- Hungarian State Choir, András Molnar, Orchestra of the Ferenc Liszt Academy, András Ligeti
- (show 16 more)
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| Ernani: Atto I. (no. 1) Preludio | | | | | | | |
| Ernani: Atto I. (no. 2) Coro d’Introduzione. “Evviva!… beviamo” (Ribelli e Banditi) | | | | | | | |
| Ernani: Atto I. (no. 3a) “Ernani pensoso!” (Coro) | | | | | | | |
| Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani) | | - Roberto Alagna, Berliner Philharmoniker, Claudio Abbado
- Andrea Bocelli, Israel Philharmonic Orchestra, Zubin Mehta
- Andrew Greenwood, Chorus of the Welsh National Opera, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge
- Plácido Domingo, The Roger Wagner Chorale, Los Angeles Philharmonic, Carlo Maria Giulini
- (show 19 more)
| | Aria | | | |
| Ernani: Atto I. (no. 3c) “Si rapisca…” (Ernani, Coro) | | - Andrew Greenwood, Chorus of the Welsh National Opera, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge
- Plácido Domingo
- Coro del Teatro alla Scala di Milano, Plácido Domingo, Orchestra del Teatro alla Scala di Milano, Antonino Votto
- Hungarian State Opera Chorus, Giorgio Lamberti, Hungarian State Opera Orchestra, Lamberto Gardelli
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| Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro) | | - Roberto Alagna, Berliner Philharmoniker, Claudio Abbado
- Plácido Domingo, The Roger Wagner Chorale, Los Angeles Philharmonic, Carlo Maria Giulini
- Andrew Greenwood, Chorus of the Welsh National Opera, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge
- Carlo Bergonzi, Coro della RCA Italiana, Orchestra della RCA Italiana, Thomas Schippers
- (show 6 more)
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| Ernani: Atto I. (no. 4c) “Quante d’Iberia giovani” (Coro, Elvira) | | - Andrew Greenwood, Chorus of the Welsh National Opera, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge
- Mirella Freni
- Coro del Teatro alla Scala di Milano, Raina Kabaivanska, Orchestra del Teatro alla Scala di Milano, Antonino Votto
- Hungarian State Opera Chorus, Sylvia Sass, Hungarian State Opera Orchestra, Lamberto Gardelli
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| Ernani: Atto I. (no. 6a) Scena “Che mai vegg’io!” (Silva) | | | | | | | |
| Ernani: Atto I. (no. 6g) “Mio signor, dolente io sono…” (Silva, Carlo, Elvira, Ernani) | | - Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Linda McLeod, Alastair Miles, Richard Morton, Leo Nucci, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge
- Plácido Domingo, Mirella Freni, Renato Bruson, Nicolaï Ghiaurov, Gianfranco Manganotti, Jolanda Michieli, Alfredo Giacomotti
- Plácido Domingo, Nicolaï Ghiaurov, Raina Kabaivanska, Carlo Meliciani, Orchestra del Teatro alla Scala di Milano, Antonino Votto
- Hungarian State Opera Chorus, Pal Kovacs, Kolos Kováts, Giorgio Lamberti, Lajos Miller, András Molnar, Mária Takács, Sylvia Sass, Hungarian State Opera Orchestra, Lamberto Gardelli
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| Ernani: Atto II. (no. 7) Coro d’introduzione “Esultiamo!… Letizia ne innondi” (Coro) | | | | | | | |
| Ernani: Atto III. (no. 12a) Scena “Ad augusta! - Chi va là?” (Coro, Silva, Ernani, Jago) | | - Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Alastair Miles, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge
- Symfonický orchester Slovenského rozhlasu, Slovenský filharmonický zbor, Oliver von Dohnányi
- Renato Bruson
- Luciano Pavarotti, Leo Nucci, Paata Burchuladze, Alastair Miles
- (show 4 more)
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| Ernani: Atto III. (no. 13c) Settimino “O sommo Carlo, più del tuo nome” (Carlo, Silva, Elvira, Ernani, Giovanna, Jago, Riccardo, Coro) | | - Carlo Bergonzi, Coro della RCA Italiana, Ezio Flagello, Julia Hamari, Hartje Mueller, Leontyne Price, Mario Sereni, Orchestra della RCA Italiana, Thomas Schippers
- Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Linda McLeod, Alastair Miles, Richard Morton, Leo Nucci, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge
- Renato Bruson, Coro del Teatro alla Scala di Milano, Plácido Domingo, Mirella Freni, Nicolaï Ghiaurov, Alfredo Giacomotti, Gianfranco Manganotti, Jolanda Michieli, Orchestra del Teatro alla Scala di Milano, Riccardo Muti
- Luciano Pavarotti, Dame Joan Sutherland, Leo Nucci, Paata Burchuladze, Linda McLeod, Richard Morton, Alastair Miles
- (show 6 more)
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| Ernani: Atto IV. (no. 14) Coro “Oh, come felici gioiscon gli sposi!” (Coro) | | | | | | | |
| Falstaff: Atto II, scena 2. “C'è - C'è! - Se t'agguanto!” (Ford, Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Alice, gente del vicinato) | | - Larissa Diadkova, Stella Doufexis, Enrico Facini, Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Daniil Shtoda, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Chor des Bayerischen Rundfunks, Marilyn Horne, Julie Kaufmann, Frank Lopardo, Piero de Palma, Rolando Panerai, Susan Quittmeyer, Ulrich Reß, Sharon Sweet, Alan Titus, Francesco Ellero d’Artegna, Münchner Rundfunkorchester, Sir Colin Davis
- Brenda Boozer, Renato Bruson, Francis Egerton, Dalmacio Gonzalez, Barbara Hendricks, Los Angeles Master Chorale, Leo Nucci, Katia Ricciarelli, Michael Sells, Lucia Valentini Terrani, William Wildermann, Los Angeles Philharmonic, Carlo Maria Giulini
- (show 9 more)
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| Falstaff: Atto III, scena 2. “Alto là!” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford) | | - Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- Larissa Diadkova, Stella Doufexis, Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Coro della RCA Italiana, Rosalind Elias, Geraint Evans, Giovanni Foiani, Mirella Freni, Ilva Ligabue, Robert Merrill, Piero de Palma, Giulietta Simionato, Orchestra della RCA Italiana, Sir Georg Solti
- (show 10 more)
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| Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi! Doridi! Sirene!” (Nannetta, Fate, Falstaff, Alice) | | - Tito Gobbi, Anna Moffo, Philharmonia Chorus, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Geraint Evans, Mirella Freni, Ilva Ligabue, Orchestra della RCA Italiana, Sir Georg Solti
- (show 8 more)
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| Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” (Falstaff, Tutti, Ford, Alice, Cajus, Pistola, Coro, Meg, Quickly, Bardolfo, Fenton, Nannetta) | | - Luigi Alva, Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Tomaso Spataro, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- Larissa Diadkova, Stella Doufexis, Enrico Facini, Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Daniil Shtoda, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Brenda Boozer, Renato Bruson, Francis Egerton, Dalmacio Gonzalez, Barbara Hendricks, Los Angeles Master Chorale, Leo Nucci, Katia Ricciarelli, Michael Sells, Lucia Valentini Terrani, William Wildermann, Los Angeles Philharmonic, Carlo Maria Giulini
- (show 10 more)
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| Falstaff: Atto III, scena 2. “Sul fil d'un soffio etesio” (Nannetta, Fate) | | - Anna Moffo, Philharmonia Chorus, Philharmonia Orchestra, Herbert von Karajan
- Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Sumi Jo, English Chamber Orchestra, Giuliano Carella
- (show 14 more)
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| Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti) | | - Luigi Alva, Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Tomaso Spataro, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- Brenda Boozer, Renato Bruson, Francis Egerton, Dalmacio Gonzalez, Barbara Hendricks, Los Angeles Master Chorale, Leo Nucci, Katia Ricciarelli, Michael Sells, Lucia Valentini Terrani, William Wildermann, Los Angeles Philharmonic, Carlo Maria Giulini
- Larissa Diadkova, Stella Doufexis, Enrico Facini, Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Daniil Shtoda, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- (show 14 more)
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| Father and Daughter / Home | | | | | | | |
| Following Simon | | | | | | | |
| I Swear – End of Part One | | | | | | | |
| Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins) | | | | | | | |
| L'italiana in Algeri: Atto I, scena 4. No. 4 Coro e cavatina: “Quanta roba! Quanti schiavi!” (Coro, Haly) | | - Helmuth Froschauer, Agnes Baltsa, Alessandro Corbelli, Enzo Dara, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado
- Coro del Maggio Musicale Fiorentino, Paolo Montarsolo, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso
- Alessandro Corbelli, Männerchor des Westdeutschen Rundfunks, Cappella Coloniensis, Gabriele Ferro
- Prague Philharmonic Choir, Nicola Zaccaria, I Solisti Veneti, Claudio Scimone
- (show 6 more)
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| L'italiana in Algeri: Atto II, scena 11. No. 15. Coro, recitativo e rondò: “Pronti abbiamo e ferri e mani” (Coro) / “Amici, in ogni evento” / “Pensa alla patria” (Isabella, Coro) | | - Helmuth Froschauer, Agnes Baltsa, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado
- Marilyn Horne, Coro di Torino della RAI, Orchestra di Torino della RAI, Carlo Franci
- Teresa Berganza, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso
- Cecilia Bartoli, Orchester der Wiener Volksoper, Giuseppe Patanè
- (show 15 more)
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| L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara” (Nemorino, Giannetta, Coro) | | | | Aria | | | |
| L’elisir d’amore: Atto I. Cavatina “Come Paride vezzoso” (Belcore, Adina, Giannetta, Nemorino, Coro) | | - Ambrosian Opera Chorus, Maria Casula, Dominic Cossa, Luciano Pavarotti, Joan Sutherland, English Chamber Orchestra, Richard Bonynge
- Chorus of the Royal Opera House, Covent Garden, Ileana Cotrubaș, Plácido Domingo, Lillian Watson, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir John Pritchard
- Kathleen Battle, Luciano Pavarotti, Leo Nucci, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine / Leo Nucci, Kathleen Battle, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine
- English Chamber Orchestra, Marcello Viotti
- (show 17 more)
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| L’elisir d’amore: Atto I. Cavatina “Udite, udite, o rustici” … “Così chiaro è come il sole” (Dulcamara, Coro) | | - Ambrosian Opera Chorus, Spiro Malas, English Chamber Orchestra, Richard Bonynge
- Chorus of the Royal Opera House, Covent Garden, Geraint Evans, Orchestra of the Royal Opera House, Covent Garden, Sir John Pritchard
- Enzo Dara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine
- English Chamber Orchestra, Marcello Viotti
- (show 19 more)
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| L’elisir d’amore: Atto I. Coro “Che vuol dire cotesta suonata” (Coro) | | | | | | | |
| L’elisir d’amore: Atto I. Coro d’Introduzione “Bel conforto al mietitore” (Giannetta, Coro) | | - Ambrosian Opera Chorus, Maria Casula, English Chamber Orchestra, Richard Bonynge
- Metropolitan Opera Chorus, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine
- English Chamber Orchestra, Marcello Viotti
- Chorus of the Royal Opera House, Covent Garden, Lillian Watson, Orchestra of the Royal Opera House, Covent Garden, Sir John Pritchard
- (show 11 more)
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| L’elisir d’amore: Atto I. Recitativo “Intanto, o mia ragazza” (Belcore, Adina, Coro) | | - Kathleen Battle, Luciano Pavarotti, Leo Nucci, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine / Leo Nucci, Kathleen Battle, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine
- English Chamber Orchestra, Marcello Viotti
- Chorus of the Royal Opera House, Covent Garden, Ileana Cotrubaș, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir John Pritchard
- Margherita Carosio, Coro del Teatro dell’Opera di Roma, Tito Gobbi, Orchestra del Teatro dell’Opera di Roma, Gabriele Santini
- (show 3 more)
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| L’elisir d’amore: Atto I. Scena e Cavatina “Benedette queste carte!…Della crudele Isotta” (Adina, Giannetta, Nemorino, Coro) | | - Ambrosian Opera Chorus, Maria Casula, Luciano Pavarotti, Joan Sutherland, English Chamber Orchestra, Richard Bonynge
- Margherita Carosio, Coro del Teatro dell’Opera di Roma, Loretta di Lelio, Nicola Monti, Orchestra del Teatro dell’Opera di Roma, Gabriele Santini
- Norberto Mola, Luigi Alva, Rosanna Carteri, Coro del Teatro alla Scala di Milano, Angela Vercelli, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
- Kathleen Battle, Metropolitan Opera Chorus, Luciano Pavarotti, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine
- (show 13 more)
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| L’elisir d’amore: Atto II. Aria finale “Ei corregge ogni difetto” (Dulcamara, Adina, Nemorino, Belcore, Coro) | | - Ambrosian Opera Chorus, Dominic Cossa, Spiro Malas, Luciano Pavarotti, Joan Sutherland, English Chamber Orchestra, Richard Bonynge
- Kathleen Battle, Enzo Dara, Metropolitan Opera Chorus, Leo Nucci, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
- English Chamber Orchestra, Marcello Viotti
- Chorus of the Royal Opera House, Covent Garden, Ileana Cotrubaș, Plácido Domingo, Geraint Evans, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir John Pritchard
- (show 10 more)
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| L’elisir d’amore: Atto II. Barcaruola “Io son ricco e tu sei bella” (Dulcamara, Adina, Coro) | | - Ambrosian Singers, Spiro Malas, Joan Sutherland, English Chamber Orchestra, Richard Bonynge
- Kathleen Battle, Enzo Dara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine / Leo Nucci, Enzo Dara, Kathleen Battle, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine / Enzo Dara, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
- English Chamber Orchestra, Marcello Viotti
- Chorus of the Royal Opera House, Covent Garden, Ileana Cotrubaș, Geraint Evans, Orchestra of the Royal Opera House, Covent Garden, Sir John Pritchard
- (show 12 more)
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| L’elisir d’amore: Atto II. Coro “Saria possibile?” (Coro, Giannetta) | | - Ambrosian Opera Chorus, Maria Casula, English Chamber Orchestra, Richard Bonynge
- Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine
- English Chamber Orchestra, Marcello Viotti
- Metropolitan Opera Chorus, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine
- (show 11 more)
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| L’elisir d’amore: Atto II. Coro d’introduzione “Cantiamo, facciam brindisi” (Belcore, Dulcamara, Giannetta, Adina, Coro) | | - Ambrosian Singers, Maria Casula, Spiro Malas, English Chamber Orchestra, Richard Bonynge
- Kathleen Battle, Dawn Upshaw, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine
- English Chamber Orchestra, Marcello Viotti
- Chorus of the Royal Opera House, Covent Garden, Ileana Cotrubaș, Geraint Evans, Lillian Watson, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir John Pritchard
- (show 15 more)
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| L’elisir d’amore: Atto II. Quartetto “Dell’elisir mirabile” … “Io già m’immagino” (Nemorino, Giannetta, Adina, Dulcamara, Coro) | | - Chorus of the Royal Opera House, Covent Garden, Ileana Cotrubaș, Plácido Domingo, Geraint Evans, Lillian Watson, Orchestra of the Royal Opera House, Covent Garden, Sir John Pritchard
- Ambrosian Singers, Maria Casula, Spiro Malas, Luciano Pavarotti, Joan Sutherland, English Chamber Orchestra, Richard Bonynge
- Ambrosian Opera Chorus, Maria Casula, Spiro Malas, Luciano Pavarotti, Joan Sutherland, English Chamber Orchestra, Richard Bonynge
- Kathleen Battle, Enzo Dara, Metropolitan Opera Chorus, Luciano Pavarotti, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine
- (show 13 more)
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| L’elisir d’amore: Atto II. Recitativo “Alto! Fronte! Che vedo?” (Belcore, Adina, Dulcamara, Nemorino, Giannetta, Coro) | | - Ambrosian Opera Chorus, Maria Casula, Dominic Cossa, Spiro Malas, Joan Sutherland, English Chamber Orchestra, Richard Bonynge
- Kathleen Battle, Enzo Dara, Metropolitan Opera Chorus, Leo Nucci, Luciano Pavarotti, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine
- English Chamber Orchestra, Marcello Viotti
- Chorus of the Royal Opera House, Covent Garden, Ileana Cotrubaș, Plácido Domingo, Geraint Evans, Lillian Watson, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir John Pritchard
- (show 10 more)
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| La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) | | - Gloria Banditelli, Cecilia Bartoli, Alessandro Corbelli, Coro del Teatro Comunale di Bologna, Fernanda Costa, Enzo Dara, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly
- Luigi Alva, Teresa Berganza, Renato Capecchi, Margherita Guglielmi, Paolo Montarsolo, Scottish Opera Chorus, Ugo Trama, Laura Zannini, London Symphony Orchestra, Claudio Abbado
- Rita Noël, Ljubljana Radio Symphony Orchestra, Anton Nanut
- Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno
- (show 52 more)
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| La favorita: Atto IV, Scena 3. “Favorita del re!” (Baldassarre, Fernando) | | | | | | | |
| La favorita: Atto IV, Scena 3. “Spirto gentil” (Fernando) | | | | Aria | | | |
| Lauda alla Vergine Maria | | | | | | | |
| Le nozze di Figaro, K. 492: Sinfonia | | | | Overture | | | |
| Liberation / Main Title | | | | | | | |
| Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, coro, Butterfly, Suzuki) | | - Mirella Freni, Konzertvereinigung Wiener Staatsopernchor, Christa Ludwig, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan
- Coro della RCA Italiana, Rosalind Elias, Leontyne Price, Richard Tucker, Orchestra della RCA Italiana, Erich Leinsdorf
- Nelly Boschkowa, Miriam Gauci, Yordy Ramiro, Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari
- Carlo Bergonzi, Coro dell’Accademia Nazionale di Santa Cecilia, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- (show 18 more)
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| Madama Butterfly: Atto I. “Ecco! Son giunte al sommo del pendìo” (Goro, amiche di Butterfly, Butterfly) | | - Mirella Freni, Robert Kerns, Konzertvereinigung Wiener Staatsopernchor, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan
- Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari
- Carlo Bergonzi, Enzo Sordello, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
- (show 9 more)
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| Madama Butterfly: Atto I. “Gran ventura” … “Quanti anni avete?” (Butterfly, Amiche, Pinkerton, Sharpless, Goro) | | - Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Nicolai Gedda, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Mirella Freni, Robert Kerns, Konzertvereinigung Wiener Staatsopernchor, Luciano Pavarotti, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan
- Carlo Bergonzi, Coro dell’Accademia Nazionale di Santa Cecilia, Angelo Mercuriali, Enzo Sordello, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- Coro della RCA Italiana, Philip Maero, Piero de Palma, Leontyne Price, Richard Tucker, Orchestra della RCA Italiana, Erich Leinsdorf
- (show 22 more)
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| Madama Butterfly: Atto I. “L’Imperial Commissario” … “Che burletta” … “O amico fortunato” … “Mi pare un re” (Goro, Pinkerton, coro, Butterfly, Cugina, Madre, Yakusidè, Zia, Sharpless) | | - Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Renato Ercolani, Nicolai Gedda, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Mirella Freni, Martha Heigl, Konzertvereinigung Wiener Staatsopernchor, Erna Maria Mühlberger, Luciano Pavarotti, Wolfgang Schneider, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan
- Carlo Bergonzi, Coro dell’Accademia Nazionale di Santa Cecilia, Angelo Mercuriali, Enzo Sordello, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- Silvia Bertona, Fernanda Cadoni, Coro della RCA Italiana, Gianna Lollini, Philip Maero, Piero de Palma, Leontyne Price, Leo Pudis, Richard Tucker, Orchestra della RCA Italiana, Erich Leinsdorf
- (show 25 more)
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| Madama Butterfly: Atto I. “O Kami! O Kami!” … “Cio‐Cio‐San! Abbominazione!” (Bonzo, Goro, Pinkerton, parenti, amiche) | | - Mirella Freni, Martha Heigl, Konzertvereinigung Wiener Staatsopernchor, Luciano Pavarotti, Marius Rintzler, Wolfgang Schneider, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan
- Konzertvereinigung Wiener Staatsopernchor, Luciano Pavarotti, Marius Rintzler, Wiener Philharmoniker, Herbert von Karajan
- Coro dell’Accademia Nazionale di Santa Cecilia, Angelo Mercuriali, Paolo Washington, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- Carlo Bergonzi, Coro dell’Accademia Nazionale di Santa Cecilia, Angelo Mercuriali, Paolo Washington, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- (show 15 more)
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| Madama Butterfly: Atto II. Coro a bocca chiusa | | | | | | | |
| Madama Butterfly: Atto III. “Oh eh! Oh eh!” (Voci dei marinai) | | - Norberto Mola, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Nino Antonellini, Rosalind Elias, Leontyne Price, RCA Italiana Opera Chorus, Orchestra della RCA Italiana, Erich Leinsdorf
- Coro del Teatro dell'Opera, Roma, Orchestra del Teatro dell’Opera, Roma, Sir John Barbirolli
- Slovak Philharmonic Chorus, Jan Rozehnal, Czecho‐Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari
- (show 14 more)
| | | | | |
| Memories of Camp | | | | | | | |
| Messa da requiem: I. Requiem aeternam – Kyrie (quartetto solista, coro) | | - Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Helmuth Froschauer, Carlo Cossutta, Mirella Freni, Nicolaï Ghiaurov, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Wiener Philharmoniker, Nikolaus Harnoncourt
- Wiener Philharmoniker, Herbert von Karajan
- (show 56 more)
| | | | | |
| Messa da requiem: Ia. Requiem: Requiem aeternam | | - Nicolai Gedda, Nicolaï Ghiaurov, Christa Ludwig, Philharmonia Chorus, Elisabeth Schwarzkopf, Philharmonia Orchestra, Carlo Maria Giulini
- Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS‐Kammerchor, Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- Warsaw Philharmonic Orchestra, Masamichi Amano
- Giuseppe Conca, Maria Caniglia, Coro del Teatro dell’Opera di Roma, Beniamino Gigli, Ezio Pinza, Ebe Stignani, Orchestra del Teatro dell’Opera di Roma, Tullio Serafin
- (show 26 more)
| | | | | |
| Messa da requiem: II. Dies irae (quartetto solista, coro) | | - Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti
- Ján Rezehnal, Graciela Alperyn, Miriam Gauci, Donald George, Peter Mikuláš, Slovak Philharmonic Choir, Slovak Radio New Philharmonic Orchestra, Alexander Rahbari
- 新日本フィル・ワールド・ドリーム・オーケストラ, 久石譲
- The Philadelphia Orchestra, Eugene Ormandy
- (show 8 more)
| | | | | |
| Messa da requiem: IIa. Dies irae: Dies irae (coro) | | | | | | | |
| Messa da requiem: IIb. Dies irae: Tuba mirum (basso, coro) | | - Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- London Philharmonic Orchestra, London Philharmonic Choir, The London Chorus, David Parry
- Helmuth Froschauer, Frauenchor des Wiener Singverein, Nicolaï Ghiaurov, Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- (show 93 more)
| | | | | |
| Messa da requiem: IId. Dies irae: Liber scriptus (mezzo-soprano, coro) | | - Chor der Wiener Staatsoper, Marilyn Horne, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Helmuth Froschauer, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- NBC Symphony Orchestra, Arturo Toscanini
- Wiener Philharmoniker, Nikolaus Harnoncourt
- (show 73 more)
| | | | | |
| Messa da requiem: IIf. Dies irae: Rex tremendae (quartetto solista, coro) | | - Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Helmuth Froschauer, Carlo Cossutta, Mirella Freni, Nicolaï Ghiaurov, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- NBC Symphony Orchestra, Arturo Toscanini
- Wiener Philharmoniker, Nikolaus Harnoncourt
- (show 70 more)
| | | | | |
| Messa da requiem: IIg. Dies irae: Recordare (soprano, mezzo-soprano) | | | | | | | |
| Messa da requiem: IIi. Dies irae: Confutatis (basso, coro) | | | | | | | |
| Messa da requiem: IIj. Dies irae: Lacrymosa (quartetto solista, coro) | | - Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Helmuth Froschauer, Carlo Cossutta, Mirella Freni, Nicolaï Ghiaurov, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- NBC Symphony Orchestra, Arturo Toscanini
- (show 76 more)
| | | | | |
| Messa da requiem: IV. Sanctus (a doppio coro) | | | | | | | |
| Messa da requiem: V. Agnus Dei (soprano, mezzo-soprano, coro) | | - [unknown]
- Chor der Wiener Staatsoper, Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Mirella Freni, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- NBC Symphony Orchestra, Arturo Toscanini
- (show 82 more)
| | | | | |
| Messa da requiem: VII. Libera me (soprano, coro) | | - Wiener Philharmoniker, Herbert von Karajan
- Maria Stader, RIAS‐Kammerchor, Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- Helmuth Froschauer, Mirella Freni, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado
- (show 49 more)
| | | | | |
| Messa da requiem: VIIb. Libera me: Dies irae | | | | | | | |
| Messa da requiem: VIIc. Libera me: Requiem aeternam | | | | | | | |
| Messa da requiem: VIId. Libera me: Libera me, Domine | | | | | | | |
| Messe solennelle en la majeur, op. 12 : V. Panis Angelicus | | | | Song | | | |
| Mother / Train Search | | | | | | | |
| Muller / Cyla at Chruch | | | | | | | |
| Nabucco: Parte IV, scena 1. “Dio di Giuda! L’ara, il tempio a te sacro, sorgeranno” (Nabucco, Abdallo, Coro) | | - Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti
- Giovanni Foiani, Tito Gobbi, Wiener Opernorchester, Lamberto Gardelli
- Piero Cappuccilli, Chor der Deutschen Oper Berlin, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
- Walter Hagen-Groll, Piero Cappuccilli, Chor der Deutschen Oper Berlin, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
- (show 18 more)
| | Aria | | | |
| Nabucco: Parte IV, scena 1. “Son pur queste mie membra!” (Nabucco, Coro) | | | | | | | |
| Not Forgotten / End Credits | | | | | | | |
| Out of the Camp | | | | | | | |
| Photo Hand Off / Search | | | | | | | |
| Psalmus Hungaricus, op. 13 | | - Vera H. Kemenes, Gábor Ugrin, Bartók Béla Children's Chorus of Győr, Hungarian State Chorus, András Molnar, Budapest Festival Orchestra, Iván Fischer
- Róbert Ilosfalvy, Russian State Academy Choir, USSR State Symphony Orchestra, Igor Markevitch
- Danish National Radio Choir, Copenhagen Boys Choir, Peter Svensson, DR SymfoniOrkestret, Charles Mackerras
- Zoltán Kodály
- (show 6 more)
| | | | | |
| She's Alive / Reunion | | | | | | | |
| Simon and Cyla | | | | | | | |
| Simon Boccanegra: Atto I, scena 2. “Plebe! Patrizi! Popolo!” (Simon, Amelia, Pietro, Paolo, Gabriele, Fiesco, coro) | | - Piero Cappuccilli, José Carreras, Coro del Teatro alla Scala di Milano, Giovanni Foiani, Mirella Freni, Nicolaï Ghiaurov, José van Dam, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Renato Bruson, Konzertvereinigung Wiener Staatsopernchor, Veriano Luchetti, Ruggero Raimondi, Katia Ricciarelli, Felice Schiavi, Konstantin Sfiris, Orchester der Wiener Staatsoper, Claudio Abbado
- Giuseppe Campora, Boris Christoff, Coro del Teatro dell’Opera di Roma, Paolo Dari, Tito Gobbi, Walter Monachesi, Victoria de los Ángeles, Orchestra del Teatro dell’Opera di Roma, Gabriele Santini
- Plácido Domingo
- (show 8 more)
| | | | | |
| Simon's Wife | | | | | | | |
| Stabat Mater | | | | | | | |
| Stabat Mater: I. Introduzione - Stabat mater dolorosa (soprano, alto, tenore, basso, coro) | | - Agnes Baltsa, Coro del Maggio Musicale Fiorentino, Robert Gambill, Gwynne Howell, Catherine Malfitano, Orchestra del Maggio Musicale Fiorentino, Riccardo Muti
- Daniel Borowski, Bruce Fowler, Petra Lang, RIAS Kammerchor, Krassimira Stoyanova, Akademie für Alte Musik Berlin, Marcus Creed
- Arthur Oldham, London Symphony Chorus, Pilar Lorengar, Yvonne Minton, Luciano Pavarotti, Hans Sotin, London Symphony Orchestra, István Kertész
- Maria Stader, Marianna Radev, Ernst Haefliger, Kim Borg, RIAS Kammerchor, Chor der St. Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 16 more)
| | | | | |
| Stabat Mater: II. Aria - Cuius animam gementem (tenore) | | | | Aria | | | |
| Stabat Mater: III. Duetto - Quis est homo qui non fleret (soprano, alto) | | - Agnes Baltsa, Catherine Malfitano, Orchestra del Maggio Musicale Fiorentino, Riccardo Muti
- Petra Lang, RIAS Kammerchor, Krassimira Stoyanova, Akademie für Alte Musik Berlin, Marcus Creed
- Pilar Lorengar, Yvonne Minton, London Symphony Orchestra, István Kertész
- Maria Stader, Marianna Radev, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 15 more)
| | | | | |
| Stabat Mater: VI. Quartetto - Sancta mater, istud agas (soprano, alto, tenore, basso) | | - Agnes Baltsa, Robert Gambill, Gwynne Howell, Catherine Malfitano, Orchestra del Maggio Musicale Fiorentino, Riccardo Muti
- Daniel Borowski, Bruce Fowler, Petra Lang, RIAS Kammerchor, Krassimira Stoyanova, Akademie für Alte Musik Berlin, Marcus Creed
- Pilar Lorengar, Yvonne Minton, Luciano Pavarotti, Hans Sotin, London Symphony Orchestra, István Kertész
- Maria Stader, Marianna Radev, Ernst Haefliger, Kim Borg, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 17 more)
| | | | | |
| Suicide Attempt | | | | | | | |
| Te Deum | | - Janet Baker, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini
- Chicago Symphony Chorus, Jo-Ann Pickens, Chicago Symphony Orchestra, Sir Georg Solti
- Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado
- [unknown]
- (show 15 more)
| | | | | |
| The Address | | | | | | | |
| The Books | | | | | | | |
