| Chaconne for piano and violin | | | | | | | |
| Concerto for Violin, Strings, and Continuo in A major, RV 343: I. Allegro | | | | | | | |
| Concerto for Violin, Strings, and Continuo in A major, RV 343: II. | | | | | | | |
| Concerto for Violin, Strings, and Continuo in A major, RV 343: III. Allegro | | | | | | | |
| Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro | | - Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
- [unknown]
- Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser
- Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
- (show 424 more)
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| Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo | | | | | | | |
| Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale | | - Alexander Permovalsky, Baroque Festival Orchestra, Südwest-Studioorchester, Alberto Lizzio, Heribert Münchner
- I Solisti di Zagreb, Musici di San Marco, Slovak Chamber Orchestra, Alberto Lizzio, Bohdan Warchal
- [unknown]
- Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
- (show 371 more)
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| Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro | | | | | | | |
| Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto | | - Alexander Permovalsky, Baroque Festival Orchestra, Südwest-Studioorchester, Alberto Lizzio, Heribert Münchner
- Musici di San Marco, Slovak Chamber Orchestra, Alberto Lizzio, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 349 more)
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| Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro | | - Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
- Musici di San Marco, Alberto Lizzio
- Baroque Festival Orchestra, Alexander Permovalsky, Alberto Lizzio
- Trevor Pinnock, Simon Standage, The English Concert
- (show 354 more)
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| Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto | | | | | | - 0O7-3717-0 (JASRAC ID)
- F minor (Key)
| |
| Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo | | | | | | | |
| Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro | | | | | | | |
| Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto | | - Baroque Festival Orchestra, Alexander Permovalsky, Alberto Lizzio
- Musici di San Marco, Nova Filarmonia Portuguesa, Slovak Chamber Orchestra, Álvaro Cassuto, Alberto Lizzio, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 361 more)
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| Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte | | - Alexander Permovalsky, Baroque Festival Orchestra, Alberto Lizzio
- Musici di San Marco, Salzburger Kammerorchester, Slovak Chamber Orchestra, Alberto Lizzio, Alexander von Pitamic, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 361 more)
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| Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto | | | | | | | |
| Gesänge der Frühe, op. 133: Nr. 1. Im ruhigen Tempo | | | | | | | |
| Gesänge der Frühe, op. 133: Nr. 2. Belebt, nicht zu rasch | | | | | | | |
| Gesänge der Frühe, op. 133: Nr. 3. Lebhaft | | | | | | | |
| Gesänge der Frühe, op. 133: Nr. 4. Bewegt | | | | | | | |
| Gesänge der Frühe, op. 133: Nr. 5. Im Anfange ruhiges, im Verlauf bewegtes Tempo | | | | | | | |
| Le bourgeois gentilhomme, op. 60: IV. Auftritt und Tanz der Schneider | | | | | | | |
| Le bourgeois gentilhomme, op. 60: VI. Courante | | | | | | | |
| Piano Trio in E-flat major, D. 897 "Notturno" | | | | | | | |
| Piano Trio no. 1 in B-flat major, op. 99, D. 898: I. Allegro moderato | | | | | | | |
| Piano Trio no. 1 in B-flat major, op. 99, D. 898: II. Andante un poco mosso | | | | | | | |
| Piano Trio no. 1 in B-flat major, op. 99, D. 898: III. Scherzo. Allegro | | | | | | | |
| Piano Trio no. 1 in B-flat major, op. 99, D. 898: IV. Rondo. Allegro vivace | | | | | | | |
| Piano Trio no. 2 in E-flat major, op. 100, D. 929: I. Allegro | | | | | | | |
| Piano Trio no. 2 in E-flat major, op. 100, D. 929: II. Andante con moto | | | | | | | |
| Piano Trio no. 2 in E-flat major, op. 100, D. 929: III. Scherzando. Allegro moderato | | | | | | | |
| Piano Trio no. 2 in E-flat major, op. 100, D. 929: IV. Allegro moderato | | | | | | | |
| Piano Trio no. 4 in G major, op. 65: I. Allegro con spirito | | | | | | | |
| Piano Trio no. 4 in G major, op. 65: II. Andante grazioso | | | | | | | |
| Piano Trio no. 4 in G major, op. 65: III. Rondo. Vivace assai e scherzando | | | | | | | |
| Sonata for Violin and Piano no. 1 in A minor, op. 105: I. Mit leidenschaftlichem Ausdruck | | | | | | | |
| Sonata for Violin and Piano no. 1 in A minor, op. 105: II. Allegretto | | | | | | | |
| Sonata for Violin and Piano no. 1 in A minor, op. 105: III. Lebhaft | | | | | | | |
| Sonata for Violin and Piano no. 2 in D minor, op. 121: I. Ziemlich langsam - Lebhaft | | | | | | | |
| Sonata for Violin and Piano no. 2 in D minor, op. 121: II. Sehr lebhaft | | | | | | | |
| Sonata for Violin and Piano no. 2 in D minor, op. 121: III. Leise, einfach | | | | | | | |
| Sonata for Violin and Piano no. 2 in D minor, op. 121: IV. Bewegt | | | | | | | |
| Sonata for Violin and Piano no. 4 in A minor, op. 23: I. Presto | | | | | | | |
| Sonata for Violin and Piano no. 4 in A minor, op. 23: II. Andante scherzoso, più allegretto | | | | | | | |
| Sonata for Violin and Piano no. 4 in A minor, op. 23: III. Allegro molto | | | | | | | |
| Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2 | | | | Sonata | | | |
| Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: I. Allegro con brio | | | | | | | |
| Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: II. Adagio cantabile | | | | | | | |
| Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro | | | | | | | |
| Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: IV. Finale. Allegro | | | | | | | |
| Trio for Piano, Violin, and Cello no. 3 in C minor, op. 1 no. 3: I. Allegro con brio | | | | | | | |
| Trio for Piano, Violin, and Cello no. 3 in C minor, op. 1 no. 3: II. Andante cantabile con variazioni | | | | | | | |
| Trio for Piano, Violin, and Cello no. 3 in C minor, op. 1 no. 3: III. Menuetto. Quasi allegro | | | | | | | |
| Trio for Piano, Violin, and Cello no. 3 in C minor, op. 1 no. 3: IV. Finale. Prestissimo | | | | | | | |
| Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: I. Allegro vivace e con brio | | | | | | | |
| Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai e espressivo | | | | | | | |
| Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: III. Presto | | | | | | | |
| Trio Sonata in D minor, op. 1 no. 12, RV 63 "La follia" | | | | Sonata | | | |
| Zwölf Variationen F-Dur über das Thema "Se vuol ballare", WoO 40: Thema. Allegretto - Variazioni I-XII - Coda | | | | | | | |
