| vocals |
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1974-06-07 | Dybbuk: Part I. The Children. Kabbalah - Dream | David Johnson | baritone vocals | New York City Ballet Orchestra, Leonard Bernstein | 5:07 |
1974-06-07 | Dybbuk: Part I. The Community. Invocation and Trance | David Johnson | baritone vocals | New York City Ballet Orchestra, Leonard Bernstein | 4:47 |
1974-06-07 | Dybbuk: Part I. The Fathers. David & Jonathan (The Pledge) | David Johnson | baritone vocals | New York City Ballet Orchestra, Leonard Bernstein | 3:55 |
1974-06-07 | Dybbuk: Part I. Witnesses of Birth. Variation O - Messengers (Angelic Messengers) | David Johnson | baritone vocals | New York City Ballet Orchestra, Leonard Bernstein | 2:11 |
1974-06-07 | Dybbuk: Part II. Kabbalah: Six Variations (Alchemy - Variations A, M, N, X, Y, Z) | David Johnson | baritone vocals | New York City Ballet Orchestra, Leonard Bernstein | 10:52 |
1974-06-07 | Dybbuk: Part III. Exorcism | David Johnson | baritone vocals | New York City Ballet Orchestra, Leonard Bernstein | 3:13 |
1974-06-07 | Dybbuk: Part III. Leah (Maiden's Dance) | David Johnson | baritone vocals | New York City Ballet Orchestra, Leonard Bernstein | 2:59 |
1974-06-07 | Dybbuk: Part III. Possession - Demon - Pas de deux | David Johnson | baritone vocals | New York City Ballet Orchestra, Leonard Bernstein | 8:08 |
1974-06-07 | Dybbuk: Part III. The Community. Reprise and Coda | David Johnson | baritone vocals | New York City Ballet Orchestra, Leonard Bernstein | 5:14 |
1974-06-07 | Dybbuk: Part III. Witnesses of Death. Alchemy - Variation O | David Johnson | baritone vocals | New York City Ballet Orchestra, Leonard Bernstein | 1:38 |
1979-11 | La traviata: Atto II, Scena II. “Alfredo! Voi!” – “Or tutti a me” – “Ogni suo aver” (Tutti, Alfredo, Violetta) | | baritone vocals [Domestico di Flora] | Della Jones, Marjon Lambriks, Matteo Manuguerra, Alexander Oliver, Luciano Pavarotti, Jonathan Summers, Joan Sutherland, Giorgio Tadeo, John Tomlinson, David Wilson‐Johnson, National Philharmonic Orchestra, Richard Bonynge | 8:50 |
1980-03-31 | Ode to Napoleon Buonaparte, op. 41 | | spoken vocals | David Wilson-Johnson, Ensemble intercontemporain, Pierre Boulez | 16:23 |
1983-12-12 – 1983-12-13 | Missa in C major, K. 317 “Krönungsmesse”: 2. Gloria | | bass vocals | Margaret Marshall, Ann Murray, Rogers Covey‐Crump, David Wilson-Johnson, Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | 4:54 |
1983-12-12 – 1983-12-13 | Missa in C major, K. 317 “Krönungsmesse”: 3. Credo | | bass vocals | Margaret Marshall, Ann Murray, Rogers Covey‐Crump, David Wilson-Johnson, Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | 7:27 |
1983-12-12 – 1983-12-13 | Missa in C major, K. 317 “Krönungsmesse”: 5. Benedictus | | bass vocals | Margaret Marshall, Ann Murray, Rogers Covey‐Crump, David Wilson-Johnson, Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | 3:13 |
1983-12-12 – 1983-12-13 | Missa in C major, K. 317 “Krönungsmesse”: 6. Agnus Dei | | bass vocals | Margaret Marshall, Ann Murray, Rogers Covey‐Crump, David Wilson-Johnson, Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | 6:31 |
1983-12-12 – 1983-12-13 | Missa Solemnis in C major, K. 337: 2. Gloria | | bass vocals | Margaret Marshall, Ann Murray, Rogers Covey‐Crump, David Wilson-Johnson, Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | 4:14 |
1983-12-12 – 1983-12-13 | Missa Solemnis in C major, K. 337: 3. Credo | | bass vocals | Margaret Marshall, Ann Murray, Rogers Covey‐Crump, David Wilson-Johnson, Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | 5:29 |
1983-12-12 – 1983-12-13 | Missa Solemnis in C major, K. 337: 5. Agnus Dei | | bass vocals | Margaret Marshall, Ann Murray, Rogers Covey‐Crump, David Wilson-Johnson, Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | 6:02 |
1985-02-23 | “When the Ear Heard Him” (Quartet from Funeral Anthem for Queen Caroline) | | baritone vocals | James Bowman, Anthony Rolfe-Johnson, Pauline Tinsley, David Wilson‐Johnson, English Chamber Orchestra, Raymond Leppard | 4:07 |
1986-02-09 – 1986-02-10 | The Bells, op. 35: IV. Lento lugubre. The Mournful Iron Bells | | baritone vocals | Royal Scottish National Orchestra, Royal Scottish National Orchestra Chorus, Neeme Järvi, David Wilson-Johnson | 12:07 |
1986-09 | Missa in Angustiis Hob. XXII:11 "Nelson Mass": I. Kyrie | | bass vocals | The English Concert Choir, The English Concert, Trevor Pinnock | 4:39 |
1986-09 | Missa in Angustiis Hob. XXII:11 "Nelson Mass": IIa. Gloria: "Gloria in excelsis Deo" | | bass vocals | The English Concert Choir, The English Concert, Trevor Pinnock | 3:24 |
1986-09 | Missa in Angustiis Hob. XXII:11 "Nelson Mass": IIb. Gloria: "Qui tollis peccata mundi, miserere nobis" | | bass vocals | The English Concert Choir, The English Concert, Trevor Pinnock | 4:59 |
1986-09 | Missa in Angustiis Hob. XXII:11 "Nelson Mass": IIc. Gloria: "Quoniam to solus Sanctus" | | bass vocals | The English Concert Choir, The English Concert, Trevor Pinnock | 2:42 |
1986-09 | Missa in Angustiis Hob. XXII:11 "Nelson Mass": IIIa. Credo: "Credo in unum Deum" | | bass vocals | The English Concert Choir, The English Concert, Trevor Pinnock | 1:50 |
1986-09 | Missa in Angustiis Hob. XXII:11 "Nelson Mass": IIIb. Credo: "Et incarnatus est" | | bass vocals | The English Concert Choir, The English Concert, Trevor Pinnock | 4:51 |
1986-09 | Missa in Angustiis Hob. XXII:11 "Nelson Mass": IIIc. Credo: "Et resurrexit" | | bass vocals | The English Concert Choir, The English Concert, Trevor Pinnock | 3:52 |
1986-09 | Missa in Angustiis Hob. XXII:11 "Nelson Mass": IV. Sanctus | | bass vocals | The English Concert Choir, The English Concert, Trevor Pinnock | 2:52 |
1986-09 | Missa in Angustiis Hob. XXII:11 "Nelson Mass": V. Benedictus | | bass vocals | The English Concert Choir, The English Concert, Trevor Pinnock | 6:21 |
1986-09 | Missa in Angustiis Hob. XXII:11 "Nelson Mass": VIa. Agnus Dei: "Agnus Dei, qui tollis peccata mundi" | | bass vocals | The English Concert Choir, The English Concert, Trevor Pinnock | 3:27 |
1986-09 | Missa in Angustiis Hob. XXII:11 "Nelson Mass": VIb. Agnus Dei: "Dona nobis pacem" | | bass vocals | The English Concert Choir, The English Concert, Trevor Pinnock | 2:58 |
1987-07-27 – 1987-07-28 | Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" | | bass vocals | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | 5:14 |
1987-07-27 – 1987-07-28 | Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison" | | bass vocals | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | 2:40 |
1987-07-27 – 1987-07-28 | Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" | | bass vocals | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | 2:03 |
1987-07-27 – 1987-07-28 | Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum" | | bass vocals | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | 3:50 |
1987-07-27 – 1987-07-28 | Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae" | | bass vocals | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | 2:44 |
1987-07-27 – 1987-07-28 | Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare" | | bass vocals | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | 6:29 |
1987-07-27 – 1987-07-28 | Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis" | | bass vocals | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | 2:31 |
1987-07-27 – 1987-07-28 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | | bass vocals | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | 3:18 |
1987-07-27 – 1987-07-28 | Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu" | | bass vocals | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | 3:44 |
1987-07-27 – 1987-07-28 | Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias" | | bass vocals | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | 4:23 |
1987-07-27 – 1987-07-28 | Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus" | | bass vocals | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | 1:41 |
1987-07-27 – 1987-07-28 | Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus" | | bass vocals | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | 5:29 |
1987-07-27 – 1987-07-28 | Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei" | | bass vocals | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | 3:11 |
1987-07-27 – 1987-07-28 | Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" | | bass vocals | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | 6:10 |
1987-10 | Four Medieval Latin Lyrics, op. 32: Lament: Vel confossus cariter | | baritone vocals | David Wilson‐Johnson, City of London Sinfonia | 5:51 |
1987-10 | Four Medieval Latin Lyrics, op. 32: Pastoral: Ecce, chorus virginum | | baritone vocals | David Wilson‐Johnson, City of London Sinfonia | 1:27 |
1987-10 | Four Medieval Latin Lyrics, op. 32: Plaint: Dum estas inchoatur | | baritone vocals | David Wilson‐Johnson, City of London Sinfonia | 3:27 |
1987-10 | Four Medieval Latin Lyrics, op. 32: Rondel: tempus est iocundum | | baritone vocals | David Wilson‐Johnson, City of London Sinfonia | 2:37 |
1989-03-14 – 1989-03-17 | Part I- Recitative- Auf dass das Wort erfullet wurde (Evangelist, Jesus) | | bass vocals | Ian Partridge, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | 1:06 |
1989-03-14 – 1989-03-17 | Part I- Recitative- Derselbige Junger war dem Hohenpriester bekannt (Evangelist, Ancilla, Petrus, Jesus, Servus) | | bass vocals | Ian Partridge, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | 3:03 |
1989-03-14 – 1989-03-17 | Part I- Recitative- Jesus ging mit seinen Jungern (Evangelist, Jesus) -etc | | bass vocals | Ian Partridge, The Sixteen Choir, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | 2:26 |
1989-03-14 – 1989-03-17 | Part II- Chorale- Da sprach Pilatus zu ihm (Evangelist, Pilatus, Jesus) -etc | | bass vocals | Michael George, Ian Partridge, The Sixteen Choir, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | 1:56 |
1989-03-14 – 1989-03-17 | Part II- Recitative- Da fuhreten sie Jesum (Evangelist, Pilatus) -etc | | bass vocals | Michael George, Ian Partridge, The Sixteen Choir, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | 4:10 |
1989-03-14 – 1989-03-17 | Part II- Recitative- Die Kriegsknechte aber (Evangelist) - Lasset uns den nicht zerteilen (Chorus) – Recitative- Auf dass erfullet wurde die Schrift (Evangelist, Jesus) | | bass vocals | Ian Partridge, The Sixteen Choir, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | 3:40 |
1989-03-14 – 1989-03-17 | Part II- Recitative- Und die Kriegsknechte flochten eine Krone (Evangelist) -etc | | bass vocals | Michael George, Ian Partridge, The Sixteen Choir, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | 5:44 |
1989-03-14 – 1989-03-17 | Part II- Recitative- Und von Stund an nahm sie der Junger (Evangelist, Jesus) | | bass vocals | Ian Partridge, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | 1:27 |
1989 | Belshazzar’s Feast: And in that same hour, as they feasted | | baritone vocals and solo | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | 2:27 |
1989 | Belshazzar’s Feast: Babylon was a great city | | baritone vocals and solo | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | 4:45 |
1989 | Belshazzar’s Feast: By the waters of Babylon | | baritone vocals and solo | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | 3:24 |
1989 | Belshazzar’s Feast: If I forget thee, O Jerusalem | | baritone vocals and solo | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | 2:21 |
1989 | Belshazzar’s Feast: Praise ye the God of Gold | | baritone vocals and solo | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | 5:17 |
1989 | Belshazzar’s Feast: The trumpeters and pipers are silent | | baritone vocals and solo | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | 1:22 |
1989 | Belshazzar’s Feast: Then sing aloud to God our strength | | baritone vocals and solo | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | 4:17 |
1989 | Belshazzar’s Feast: Then sing aloud to God our strength (reprise) | | baritone vocals and solo | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | 3:40 |
1989 | Belshazzar’s Feast: Thus in Babylon the mighty city | | baritone vocals and solo | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | 3:16 |
1989 | Belshazzar’s Feast: Thus spake Isiah | | baritone vocals and solo | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | 6:01 |
1990-07 | Belshazzar: Act 1, Scene 2, Air "Behold the monstrous human beast" (Gobrias) | | baritone vocals [Gobrias] | David Wilson-Johnson, The English Concert, Trevor Pinnock | 3:16 |
1990-07 | Belshazzar: Act 1, Scene 2, Air "Opprest with never-ceasing grief" (Gobrias) | | baritone vocals [Gobrias] | David Wilson-Johnson, The English Concert, Trevor Pinnock | 3:33 |
1990-07 | Belshazzar: Act 1, Scene 2, Recitativo "Now, tell me, Gobrias" (Cyrus, Gobrias) | | baritone vocals [Gobrias] | Catherine Robbin, David Wilson-Johnson, The English Concert, Trevor Pinnock | 1:14 |
1990-07 | Belshazzar: Act 1, Scene 2, Recitativo "Well may they laugh" (Gobrias, Cyrus); Accompagnato "Oh memory! Still bitter to my soul" (Gobrias) | | baritone vocals [Gobrias] | Catherine Robbin, David Wilson-Johnson, The English Concert, Trevor Pinnock | 1:19 |
1990-07 | Belshazzar: Act 3, Scene 3, Air "To pow'r immortal my first thanks" (Gobrias) | | baritone vocals [Gobrias] | David Wilson-Johnson, The English Concert, Trevor Pinnock | 2:44 |
1992-08-03 – 1992-08-04 | The Trees So High: I. Adagio - (Molto) moderato | | baritone vocals and solo | David Hill, Philharmonia Chorus, David Wilson‐Johnson, Philharmonia Orchestra, Matthias Bamert | 11:11 |
1992-08-03 – 1992-08-04 | The Trees So High: II. Andante tranquillo | | baritone vocals and solo | David Hill, Philharmonia Chorus, David Wilson‐Johnson, Philharmonia Orchestra, Matthias Bamert | 5:10 |
1992-08-03 – 1992-08-04 | The Trees So High: III. Vivace | | baritone vocals and solo | David Hill, Philharmonia Chorus, David Wilson‐Johnson, Philharmonia Orchestra, Matthias Bamert | 5:08 |
1992-08-03 – 1992-08-04 | The Trees So High: IV. Adagio | | baritone vocals and solo | David Hill, Philharmonia Chorus, David Wilson‐Johnson, Philharmonia Orchestra, Matthias Bamert | 13:05 |
1993-04 | Himmelfahrts-Oratorium, BWV 11: 3. Rezitativ (Baß) «Ach, Jesu, ist dein Abschied schon so nah?» | David Wilson‐Johnson | bass vocals | David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 1:05 |
1993-04 | Himmelfahrts-Oratorium, BWV 11: 7a. Rezitativ (Tenor, Baß) «Und sa sie ihm nachshen gen Himmel fahren» | David Wilson‐Johnson | bass vocals | Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 1:01 |
1993-04 | Oster-Oratorium, BWV 249: 1. Sinfonia | David Wilson‐Johnson | bass vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 4:11 |
1993-04 | Oster-Oratorium, BWV 249: 2. Adagio | David Wilson‐Johnson | bass vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 4:13 |
1993-04 | Oster-Oratorium, BWV 249: 3. Chor und Duett (Tenor, Baß) «Kommt, eilet und laufet» | David Wilson‐Johnson | bass vocals | Choir of the Age of Enlightenment, Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 5:37 |
1993-04 | Oster-Oratorium, BWV 249: 4. Rezitativ (Altus, Sopran, Tenor, Baß) «O kalter Männer Sinn» | David Wilson‐Johnson | bass vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:55 |
1993-04 | Oster-Oratorium, BWV 249: 5. Arie (Sopran) «Seele, deine Spezereien» | David Wilson‐Johnson | bass vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 10:51 |
1993-04 | Oster-Oratorium, BWV 249: 6. Rezitativ (Tenor, Baß, Altus) «Hier ist die Gruft» | David Wilson‐Johnson | bass vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:42 |
1993-04 | Oster-Oratorium, BWV 249: 7. Arie (Tenor) «Sanfte soll mein Todeskummer» | David Wilson‐Johnson | bass vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 7:28 |
1993-04 | Oster-Oratorium, BWV 249: 8. Rezitativ und Arioso (Sopran, Altus) «Indessen seufzen wir mit brennender Begier» | David Wilson‐Johnson | bass vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:53 |
1993-04 | Oster-Oratorium, BWV 249: 9. Arie (Altus) «Saget, saget mir geschwinde» | David Wilson‐Johnson | bass vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 5:52 |
1993-04 | Oster-Oratorium, BWV 249: 10. Rezitativ (Baß) «Wir sind erfreut» | David Wilson‐Johnson | bass vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:38 |
1993-04 | Oster-Oratorium, BWV 249: 11. Chor und Allegro «Preis und Dank» | David Wilson‐Johnson | bass vocals | Choir of the Age of Enlightenment, Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 2:35 |
1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 1. Chorus: "Lasst uns sorgen, lasst uns wachen" | | baritone vocals [baritone - Mercury] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 5:55 |
1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 2. Recitative: "Und wo? Wo ist die rechte Bahn" | | baritone vocals [baritone - Mercury] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:41 |
1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 3. AriaL "Schlafe, mein Liebster" | | baritone vocals [baritone - Mercury] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 9:44 |
1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 4. Recitative: "Auf! Folge meiner Bahn" | | baritone vocals [baritone - Mercury] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 1:19 |
1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 5. Aria: "Treues Echo dieser Orten" | | baritone vocals [baritone - Mercury] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 5:20 |
1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 6. Recitative: "Mein hoffnungsvoller Held" | | baritone vocals [baritone - Mercury] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:54 |
1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 7. Aria: "Auf meinen Flügeln sollst du schweben" | | baritone vocals [baritone - Mercury] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 5:31 |
1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 8. Recitative: "Die weiche Wollust locket zwar" | | baritone vocals [baritone - Mercury] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:37 |
1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 9. Aria: "Ich will dich nicht hören, ich will dich nicht wissen" | | baritone vocals [baritone - Mercury] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 4:28 |
1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 10. Recitative: "Geliebte Tugend, du allein" | | baritone vocals [baritone - Mercury] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:46 |
| See all 355 relationships |
| vocals |
---|
| L’Enfant et les Sortilèges / Ma Mère l’Oye | | | Ravel; London Symphony Orchestra, André Previn | |
| Missa in Angustiis "Nelson Mass" / Te Deum in C major | | bass vocals [bass] | Joseph Haydn; The English Concert, Trevor Pinnock | |
| Requiem, op. 48 / Tantum Ergo, op. 65 no. 2 / Messe Basse / Marie, Mater Gratiae | | baritone vocals | Gabriel Fauré; City of London Sinfonia, David Hill, Westminster Cathedral Choir | |
| Taverner | | baritone vocals | Peter Maxwell Davies; BBC Symphony Orchestra, Oliver Knussen, Martyn Hill, David Wilson-Johnson | |