"Rinaldo" Lascia Ch'io Pianga | Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam | | | 3:43 | |
"Winter" Slow Movement | London Baroque | | | 1:57 | |
(a) Fantasia (b) Almand (c) Ayre | London Baroque | | | 3:36 | |
(a) Fantasy In F Major A 3 To The Organ, (b) For A Treble And A Bass | London Baroque | | | 3:33 | |
(a) Pavan ''the Funerals'' (b) Almaine (c) Galliarde ''the Fairie Round'' | London Baroque | | | 5:26 | |
7 Aries con Tromba sola: No 4, "Rompe sprezza" | Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam | | | 1:12 | |
7 Aries con Tromba sola: No. 1, "Si suoni la troba" | Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam | | | 3:48 | |
7 Aries con Tromba sola: No. 3, "Con voce festiva" | Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam | | | 1:36 | |
7 Aries con Tromba sola. 'Con voce festiva' | Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam | | | 1:37 | |
7 Aries con Tromba sola. 'Mio tesoro per te moro' | Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam | | | 4:55 | |
7 Aries con Tromba sola. 'Rompe sprezza' | Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam | | | 1:11 | |
7 Aries con Tromba sola. 'Si suoni la troba' | Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam | | | 3:48 | |
A Sad Paven: For These Distracted Tymes: February 1649 | London Baroque | | | 6:56 | |
Aeneas in Elysia. 'Chi nel Camin d'onore' (Who on the path of honour) | Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam | | | 5:30 | |
Ahi, caso acerbo ! | Charles Medlam, London Baroque | | | 3:25 | |
Ahi, caso acerbo! | Charles Medlam, London Baroque | | | 3:37 | |
Ahi, vista troppo dolce | Charles Medlam, London Baroque | | | 2:05 | |
Air | London Baroque | | | 4:10 | |
Alcun non sia | Charles Medlam, London Baroque | | | 1:11 | |
Balletto in G major, op. 3 no. 3: Allemande. Allegro | London Baroque | | | 1:42 | |
Balletto in G major, op. 3 no. 3: Corrente. Allegro | London Baroque | | | 1:53 | |
Balletto in G major, op. 3 no. 3: Gavotta. Presto | London Baroque | | | 0:44 | |
Balletto in G major, op. 3 no. 3: Preludio. Largo | London Baroque | | | 1:09 | |
Ben mi lusinga alquanto... Ahi sventurato amante! ... Sinfonia | Charles Medlam, London Baroque | | | 2:44 | |
Benché severo ed immutabil fato | Charles Medlam, London Baroque | | | 1:57 | |
Bereite dir, Jesu, noch itzo die Bahn | Emma Kirkby, London Baroque | | | 4:11 | |
Bereite dir, Jesu, noch itzo die Bahn | Emma Kirkby, London Baroque, Charles Medlam | | | 4:14 | |
Canon | London Baroque, Charles Medlam | | | 3:45 | |
Canon | London Baroque | | | 4:37 | |
Canon and Gigue in D major | Irmgard Schaller, London Baroque | | | 5:16 | |
Canon and Gigue: Canon | London Baroque | | | 3:48 | |
Canon and Gigue: Gigue | London Baroque | | | 1:19 | |
Canzon a 2 Tenori | London Baroque | | | 4:38 | |
Canzon a 3 | London Baroque | | | 5:31 | |
Canzon quinta a basso solo detta la Trombocina | London Baroque | | | 4:44 | |
Chacony a 4 in G minor | London Baroque | | | 4:38 | |
Chacony in 4 parts in G minor, Z. 730 | London Baroque | | | 4:21 | |
Che poi che nembo rio | Charles Medlam, London Baroque | | | 1:08 | |
Chi ne consola, ahi lassi ? | Charles Medlam, London Baroque | | | 1:43 | |
Chiaconna | London Baroque | | | 2:43 | |
Christmas Concerto: 3rd Movement | Emma Kirkby, London Baroque, Charles Medlam | | | 6:18 | |
Church sonata no. 1 for 2 violins, bass & organ in E-flat major, K. 67 (K. 41h) | London Baroque, Charles Medlam | | | 2:31 | |
Church sonata no. 2 for 2 violins, bass & organ in B-flat major, K. 68 (K. 41i) | London Baroque, Charles Medlam | | | 2:42 | |
Church sonata no. 3 for 2 violins, bass & organ in D major, K. 69 (K. 41k) | London Baroque, Charles Medlam | | | 2:31 | |
Church sonata no. 4 for 2 violins, bass & organ in D major, K. 144 (K. 124a) | London Baroque, Charles Medlam | | | 3:07 | |
Church sonata no. 5 for 2 violins, bass & organ in F major, K. 145 (K. 124b) | London Baroque, Charles Medlam | | | 2:52 | |
Church sonata no. 6 for 2 violins, bass & organ in B-flat major, K. 212 | London Baroque, Charles Medlam | | | 3:07 | |
Church sonata no. 7 for 2 violins, bass & organ in F major, K. 224 (K. 241a) | London Baroque, Charles Medlam | | | 4:23 | |
Church sonata no. 8 for 2 violins, bass & organ in A major, K. 225 (K. 241b) | London Baroque, Charles Medlam | | | 3:51 | |
Church sonata no. 9 for 2 violins, bass & organ in G major, K. 241 | London Baroque, Charles Medlam | | | 2:42 | |
Church sonata no. 10 for 2 violins, bass & organ in F major, K. 244 | London Baroque, Charles Medlam | | | 3:31 | |
Church sonata no. 11 for 2 violins, bass & organ in D major, K. 245 | London Baroque, Charles Medlam | | | 3:44 | |
Church sonata no. 13 for 2 violins, bass & organ in G major, K. 274 (K. 271d) | London Baroque, Charles Medlam | | | 3:17 | |
Church sonata no. 15 for 2 violins, bass & organ in C major, K. 328 (K. 317c) | London Baroque, Charles Medlam | | | 4:26 | |
Church sonata no. 17 for 2 violins, bass & organ in C major, K. 336 (K. 336d) | London Baroque, Charles Medlam | | | 4:55 | |
Ciaconna | London Baroque | | | 2:40 | |
Ciaconna | London Baroque | | | 2:54 | |
Cœlestis dum spirat aura: "Alleluja" | London Baroque, Emma Kirkby | | | 1:56 | |
Cœlestis dum spirat aura: "Felix dies, præclara, serena" | London Baroque, Emma Kirkby | | | 4:20 | |
Cœlestis dum spirat aura: "Tam patrono singulari" | London Baroque, Emma Kirkby | | | 3:05 | |
Cœlestis dum spirat aura: Recitativo "Cœlestis dum spirat aura" | London Baroque, Emma Kirkby | | | 0:31 | |
Cœlestis dum spirat aura: Recitativo "Vestro, religiosi principes" | London Baroque, Emma Kirkby | | | 0:34 | |
Cœlestis dum spirat aura: Sonata | London Baroque | | | 1:37 | |
Concerto C-Moll für Orgel und Streicher: Vivace / Andante Affetuoso / Presto | London Baroque | | | 10:48 | |
Concerto D-Dur für Laute und Streicher: Allegro / Largo / Allegro | London Baroque | | | 9:53 | |
Concerto D-Moll für Violoncello und Streicher: Allegro / Largo / Allegro | London Baroque | | | 9:13 | |
Concerto Grosso F-Dur, Op. 6 Nr. 2: Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante / Allegro - Grave - Andante Largo - Allegro | London Baroque | | | 9:49 | |
Concerto grosso in G minor, op. 6 no. 8 'Fatto per la notte natale': I. Vivace - Grave - Allegro | London Baroque | | | 3:39 | |
Concerto grosso in G minor, op. 6 no. 8 'Fatto per la notte natale': II. Adagio - Allegro - Adagio | London Baroque | | | 3:10 | |
Concerto grosso in G minor, op. 6 no. 8 'Fatto per la notte natale': III. Vivace - Allegro - Pastorale Ad Libitum (Largo) | London Baroque | | | 6:14 | |
Concerto Grosso No. 8 in G Minor, Op. 6 "Christmas Concerto": I. Vivace - Grave - Allegro | Charles Medlam & London Baroque | | | 3:42 | |
Concerto Grosso No. 8 in G Minor, Op. 6 "Christmas Concerto": II. Adagio - Allegro - Adagio | Charles Medlam & London Baroque | | | 3:10 | |
Concerto Grosso no. 8 in G minor, op. 6 "Christmas Concerto": III. Vivace - Allegro - Pastorale ad libitum: Largo | London Baroque, Charles Medlam | | | 6:40 | |
Concerto Grosso No. 8 in G Minor, Op. 6 "Christmas Concerto": IV. Vivace - Allegro - Largo | Charles Medlam & London Baroque | | | 6:42 | |
Concerto in C major, RV 114: I. Allegro - Adagio | London Baroque | | | 2:40 | |
Concerto in C major, RV 114: II. Ciaccona | London Baroque | | | 2:58 | |
Concerto, K. 107 No. 2: I. Allegro | London Baroque | | | 4:15 | |
Concerto, K. 107 No. 2: II. Allegretto (variations) | London Baroque | | | 4:36 | |
Das zitternde Glänzen der spielenden Wellen, HWV 203 | Emma Kirkby, London Baroque | | | 4:51 | |
De profundis: I. De profundis clamavi | London Baroque, Choir of New College Oxford, Edward Higginbottom | | | 3:23 | |
De profundis: II. Fiant aures | London Baroque, Edward Higginbottom, Stephen Varcoe | | | 2:43 | |
De profundis: III. Quid apud te | London Baroque, Edward Higginbottom, Charles Daniels | | | 4:38 | |
De profundis: IV. A custodia | London Baroque, Choir of New College Oxford, Edward Higginbottom | | | 2:04 | |
De profundis: V. Quia apud Dominum | London Baroque, Edward Higginbottom, Gillian Fisher | | | 2:29 | |
De profundis: VI. Et ipse redimet | London Baroque, Choir of New College Oxford, Edward Higginbottom, Gillian Fisher | | | 2:25 | |
De profundis: VII. Requiem aeternam | London Baroque, Choir of New College Oxford, Edward Higginbottom | | | 4:45 | |
Der Geist hilft unser Schwachheit auf, BWV 226: Der aber die Herzen forschet | The Hilliard Ensemble, Knabenchor Hannover, London Baroque, Paul Hillier | | | 2:37 | |
Der Geist hilft unser Schwachheit auf, BWV 226: Der Geist hilft unserer Schwachheit auf | The Hilliard Ensemble, Knabenchor Hannover, London Baroque, Paul Hillier | | | 3:56 | |
Der Geist hilft unser Schwachheit auf, BWV 226: Du heilige Brunst, süßer Trost | The Hilliard Ensemble, Knabenchor Hannover, London Baroque, Paul Hillier | | | 1:42 | |
Der Schwanengesang, Op. 13: Deutsches Magnificat. “Meine Seele erhebt den Herren”, SWV 494 | The Hilliard Ensemble, Knabenchor Hannover, London Baroque & Heinz Hennig | | | 7:46 | |
Deutsches Magnificat, SWV 494 "Meine Seele erhebt den Herren" | The Hilliard Ensemble, Knabenchor Hannover, London Baroque, Heinz Hennig | | | 7:51 | |
Deutsches Magnificat, SWV 494: Meine Seele erhebt den Herren | The Hilliard Ensemble, London Baroque, Heinz Hennig | | | 7:42 | |
Dialogue | London Baroque | | | 1:17 | |
Dialogue pour le clavesin et les violes | London Baroque | | | 5:00 | |
Die ihr aus dunklen Grüften, HWV 208 | Emma Kirkby, London Baroque | | | 4:39 | |
Divertimento in D major, K. 251: I. Marcia alla francese | Robin Canter, London Baroque | | | 1:59 | |
Divertimento in D major, K. 251: II. Molto allegro | Robin Canter, London Baroque | | | 4:37 | |
Divertimento in D major, K. 251: III. Menuetto | Robin Canter, London Baroque | | | 3:42 | |
Divertimento in D major, K. 251: IV. Andantino | Robin Canter, London Baroque | | | 3:41 | |
Divertimento in D major, K. 251: V. Menuetto. Tema con variazioni | Robin Canter, London Baroque | | | 3:46 | |