...as others see us...: I. Henry VIII | | | | | | | |
...as others see us...: II. John Wilmot | | | | | | | |
...as others see us...: III. John Churchill | | | | | | | |
...as others see us...: IV. George Byron and William Wordsworth | | | | | | | |
...as others see us...: V. T.S. Eliot | | | | | | | |
...as others see us...: VI. Dorothy Hodgkin | | | | | | | |
"Les Petits Riens", K. Anh. 10: I. Largo | | | | | | | |
"Les Petits Riens", K. Anh. 10: II. Gavotte | | | | | | | |
"Les Petits Riens", K. Anh. 10: III. Andantino | | | | | | | |
"Les Petits Riens", K. Anh. 10: IV. Larghetto | | | | | | | |
"Les Petits Riens", K. Anh. 10: IX. Gavotte gracieuse | | | | | | | |
"Les Petits Riens", K. Anh. 10: V. Allegro | | | | | | | |
"Les Petits Riens", K. Anh. 10: VI. Gavotte joyeuse (Allegro) | | | | | | | |
"Les Petits Riens", K. Anh. 10: VII. Adagio | | | | | | | |
"Les Petits Riens", K. Anh. 10: VIII. Cornemuse | | | | | | | |
"Les Petits Riens", K. Anh. 10: X. Pantomime | | | | | | | |
"Les Petits Riens", K. Anh. 10: XI. Passepied | | | | | | | |
"Les Petits Riens", K. Anh. 10: XII. Gavotte | | | | | | | |
"Les Petits Riens", K. Anh. 10: XIII. Andante | | | | | | | |
"Sono Alcina, e sono ancora", Hob. XXIVb:9 | | | | | | | |
6 German Dances for Orchestra, K. 571: No. 1 in D major. German Dance & Trio | | | | | | | |
6 German Dances for Orchestra, K. 571: No. 2 in A major. German Dance & Trio | | | | | | | |
6 German Dances for Orchestra, K. 571: No. 3 in C major. German Dance & Trio | | | | | | | |
6 German Dances for Orchestra, K. 571: No. 4 in G major. German Dance & Trio | | | | | | | |
6 German Dances for Orchestra, K. 571: No. 5 in B-flat major. German Dance & Trio | | | | | | | |
6 German Dances for Orchestra, K. 571: No. 6 in D major. German Dance & Trio & Coda | | | | | | | |
A Spell for Green Corn: The MacDonald Dances, op. 161 | | | | | | | |
Acis and Galatea, HWV 49: Act I, no. 1. Sinfonia | | | | | | | |
Acis and Galatea, HWV 49: Act II, no. 11. Recitativo accompagnato "I rage, I melt, I burn!" (Polyphemus) | | | | | | | |
Acis and Galatea, HWV 49: Act II, no. 12. Aria "O ruddier than the cherry" (Polyphemus) | | | | Aria | | | |
Adagio and Fugue in C minor, K. 546: I. Adagio | | | | | | | |
Adagio and Fugue in C minor, K. 546: II. Fugue | | | | | | | |
Adagio for Strings | | | | | | | |
Adagio for Strings and Organ in G minor | | | | | | | |
Adagio for Violin and Orchestra in E major, K. 261 | | | | | | | |
Adam’s Rib | | | | | | | |
Airs écossais, op. 34 | | | | | | | |
Akademische Fest-Ouvertüre, op. 80 | | | | Overture | | | |
Alcina, HWV 34: Atto II, Scena XII. Aria “Verdi prati, selva amene” (Ruggiero) | | | | Aria | | | |
Alexander's Feast, HWV 75: Part II, no. 4. Aria "Revenge, Timotheus cries" (Bass) | | | | Aria | | | |
Alexander's Feast, HWV 75: Part II, no. 5. Aria "Behold the ghastly band" | | | | Aria | | | |
Amadigi di Gaula, HWV 11: Atto II. "Desterò dall'empia Dite" (Melissa) | | - Helen Field, John Wallace, Philharmonia Orchestra, Simon Wright
- Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon
- Sandrine Piau, Les Paladins, Jérôme Corréas
- Emma Bell, Scottish Chamber Orchestra, Richard Egarr
- Giulia Semenzato, Kammerorchester Basel
| | Aria | | | |
An Orkney Wedding, with Sunrise, op. 120a | | | | | | | |
Andante festivo, JS 34b | | | | | | | |
Apollon musagète | | | | Ballet | | | |
Aria for Bass and Orchestra in E-flat major, K. 621a / KV Anh 245: Adagio "Io ti lascio, oh cara, addio" | | - Bryn Terfel, Scottish Chamber Orchestra, Charles Mackerras
- Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel
- Robert Lloyd, Mozarteum Orchester Salzburg, Leopold Hager
- Sabine Meyer, Kammerorchester Basel, Andreas Spering
- Vesselina Kasarova, Staatskapelle Dresden, Sir Colin Davis
| | Aria | | | |
Aria for Soprano & Orchestra in F major, K. 577: "Al desio di chi t'adora" | | | | Aria | | | |
Aria for Soprano and Orchestra in C major, K. 582: Andante "Chi sà, chi sà, qual sia" | | | | Aria | | | |
Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!” | | | | Aria | | | |
Aria for Soprano in G major, K. 579: "Un moto di gioia mi sento" | | | | Aria | | | |
Arietta for Bass and Orchestra in F major, K. 541: Allegretto "Un bacio di mano" | | | | | | | |
Autumnal Sketch, op. 8 | | | | | | | |
Ballet Music for Idomeneo, rè di Creta, K. 367: Ia. Chaconne: Allegro in D major | | | | | | | |
Ballet Music for Idomeneo, rè di Creta, K. 367: Ib. Chaconne: Larghetto in B-flat major | | | | | | | |
Ballet Music for Idomeneo, rè di Creta, K. 367: Ic. Chaconne: Allegro in D major | | | | | | | |
Barbe-bleue : Ouverture | | | | Overture | | | |
Barbe-Bleue: Acte I: Couplets de Boulotte « Y'a des bergers dans le village » | | - Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski
- Orchestre lyrique de l'O.R.T.F., Jean Doussard
- Frederica von Stade, Scottish Chamber Orchestra, Antonio de Almeida
- Ensemble vocal d'Aquitaine Éliane Lavail, Jane Rhodes, Orchestre National Bordeaux Aquitaine, Orchestre de Monte‐Carlo, Roberto Benzi, Manuel Rosenthal
| | Aria | | | |
Barbe-Bleue: Acte I: Couplets de la rosière « V’là z’encor’ de drôl’s de jeunesses » | | | | Aria | | | |
Bassoon Concerto in D minor, RV 481: I. Allegro | | | | | | | |
Bassoon Concerto in D minor, RV 481: II. Larghetto | | | | | | | |
Bassoon Concerto in D minor, RV 481: III. Allegro molto | | | | | | | |
Bassoon Concerto in F major, op. 75: I. Allegro ma non troppo | | | | | | | |
Bassoon Concerto in F major, op. 75: II. Adagio | | | | | | | |
Bassoon Concerto in F major, op. 75: III. Rondo: Allegro | | | | | | | |
Béatrice et Bénédict: Ouverture | | | | Overture | | | |
Belsazars gästabud, op. 51: I. Oriental Procession | | | | | | | |
Belsazars gästabud, op. 51: II. Solitude | | | | | | | |
Belsazars gästabud, op. 51: III. Night Music | | | | | | | |
Belsazars gästabud, op. 51: IV. Khadra's Dance | | | | | | | |
Berenice, HWV 38: Atto II | | | | | | | |
Berenice, HWV 38: Overture | | | | Overture | | | |
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) | | - J. Brezina, Camerata Labacensis, Camerata Romana, Hamburger Symphoniker, Musici di San Marco, Philharmonia Slavonia, Südwest-Studioorchester, Karel Brazda, Eugen Duvier, Francesco Macci, Heribert Münchner, Rudolf Pribil, Gabor Ötvös
- [unknown]
- Royal Philharmonic Orchestra, Louis Clark
- Münchener Bach‐Orchester, Karl Richter
- (show 163 more)
| | | | | |
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante | | - J. Brezina, Camerata Labacensis, Camerata Romana, The English Philharmonic Orchestra, Hamburger Symphoniker, Musici di San Marco, Philharmonia Slavonia, Südwest-Studioorchester, Simon Addison, Karel Brazda, Eugen Duvier, Francesco Macci, Heribert Münchner, Gabor Ötvös
- [unknown]
- Musica Antiqua Köln, Reinhard Goebel
- The English Concert, Trevor Pinnock
- (show 151 more)
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Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai | | - Rolf Quinque, Camerata Rhenania, Camerata Romana, The English Philharmonic Orchestra, Hamburger Symphoniker, Musici di San Marco, Philharmonia Slavonia, Philharmonia Slavonica, Südwest-Studioorchester, Simon Addison, Karel Brazda, Eugen Duvier, Hanspeter Gmür, Francesco Macci, Heribert Münchner, Gabor Ötvös
- Michael Laird, Philip Pickett, Trevor Pinnock, David Reichenberg, Simon Standage, The English Concert
- Musica Antiqua Köln, Reinhard Goebel
- [unknown]
- (show 173 more)
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Cadenza for the First Movement of Brahms' Violin Concerto in D major, op. 77 | | | | | | | |
Canon and Gigue in D major, T. 377: I. Canon | | | | | | | |
Canon and Gigue in D major, T. 377: I. Canon | | | | | | | |
Cantata: A Lyke-Wake Dirge (Versus I. Prelude) | | - London Sinfonietta Chorus, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Choir of St. Mary's Cathedral, Edinburgh, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
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Cantata: A Lyke-Wake Dirge (Versus II. 1st Interlude) | | - London Sinfonietta Chorus, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Choir of St. Mary's Cathedral, Edinburgh, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
| | | | | |
Cantata: A Lyke-Wake Dirge (Versus III. 2nd Interlude) | | - London Sinfonietta Chorus, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Choir of St. Mary's Cathedral, Edinburgh, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
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Cantata: A Lyke-Wake Dirge (Versus IV. Postlude) | | - London Sinfonietta Chorus, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Choir of St. Mary's Cathedral, Edinburgh, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
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Cantata: Ricercar I (Soprano) The Maidens Came | | - Yvonne Kenny, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Ruby Hughes, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
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Cantata: Ricercar II (Tenor) Tomorrow Shall Be (Sacred History) | | - John Aler, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Nicholas Mulroy, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
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Cantata: Westron Wind (Soprano and Tenor) | | - Yvonne Kenny, John Aler, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Ruby Hughes, Nicholas Mulroy, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
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Carmen Suite no. 1 : IV. Séguedille. Allegretto | | | | | | | |
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato | | | | | | | |
Carmen Suite no. 1: II. Aragonaise. Allegro vivo | | | | | | | |
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Julius Baker, New York Philharmonic, Leonard Bernstein
- (show 90 more)
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Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato | | | | | | | |
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Nemzeti Filharmonikus zenekar, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Emil Edlinger, Alfred Scholz, János Sándor
- [unknown]
- Royal Philharmonic Orchestra, Louis Clark
- New York Philharmonic, Leonard Bernstein
- (show 92 more)
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Carolísima, op. 168 | | | | | | | |
Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato | | | | | | | |
Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio | | | | | | | |
Cello Concerto no. 1 in C major, Hob. VIIb:1: III. Allegro molto | | | | | | | |
Cello Concerto no. 1 in E-flat major, G. 474: I. Allegro moderato | | | | | | | |
Cello Concerto no. 1 in E-flat major, G. 474: II. Largo | | | | | | | |
Cello Concerto no. 1 in E-flat major, G. 474: III. Rondo: Allegro | | | | | | | |
Cello Concerto no. 2 in A major, G. 475: I. Allegro | | | | | | | |
Cello Concerto no. 2 in A major, G. 475: II. Adagio | | | | | | | |