| Atalanta : Act III Final Scene: Accompagnato: Del supremo Tonante (Mercurio) | László Polgár, Capella Savaria, Nicholas McGegan | | | 1:25 | |
| Atalanta : Act III Final Scene: Aria: Sol prova contenti (Mercurio) | László Polgár, Capella Savaria, Nicholas McGegan | | | 6:15 | |
| Atalanta : Act III Final Scene: Recitative: Con voce giuliva (Mercurio) | László Polgár, Capella Savaria, Nicholas McGegan | | | 0:10 | |
| Bluebeard's Castle, Sz. 48 (op. 11): "Az utolsót nem nyitom ki" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | | | 4:10 | |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 2. "Mit látsz?" "Százkegyetlen szörnyü fegyver" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | | | 3:55 | |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 5. Kékszakállú: "Nézd hogy derül már a váram" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | | | 6:35 | |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 7. "Lásd a régi aszszonyokat" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | | | 8:31 | |
| Bluebeard’s Castle: Door 1: Jaj! – Mit látsz? Mit látsz? | Ildikó Komlósi, László Polgár, Budapest Festival Orchestra, Iván Fischer | | | 4:01 | |
| Bluebeard’s Castle: Door 2: Mit látsz? – Száz kegyetlen szörnyu fegyver | Ildikó Komlósi, László Polgár, Budapest Festival Orchestra, Iván Fischer | | | 3:56 | |
| Bluebeard’s Castle: Door 3: Oh, be sok kines! | Ildikó Komlósi, László Polgár, Budapest Festival Orchestra, Iván Fischer | | | 2:10 | |
| Bluebeard’s Castle: Door 4: Oh! virágok! Oh! Illatos kert! | Ildikó Komlósi, László Polgár, Budapest Festival Orchestra, Iván Fischer | | | 4:31 | |
| Bluebeard’s Castle: Door 5: Ah! – Lásd ez az én birodalmam | Ildikó Komlósi, László Polgár, Budapest Festival Orchestra, Iván Fischer | | | 5:56 | |
| Bluebeard’s Castle: Door 6: Csendes fehér ravat látok | Ildikó Komlósi, László Polgár, Budapest Festival Orchestra, Iván Fischer | | | 11:56 | |
| Bluebeard’s Castle: Door 7: Lásd a régi asszonyokat | Ildikó Komlósi, László Polgár, Budapest Festival Orchestra, Iván Fischer | | | 8:36 | |
| Er sterbe! | Sergei Leiferkus, Charlotte Margiono, László Polgár, Peter Seiffert, Chamber Orchestra of Europe, Nikolaus Harnoncourt | | | 5:46 | |
| Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. a) Rezitativ und Chor: »Die Beute lass, o Herr, die Krieger teilen« … »Des Siegers Lohn, der Feinde Zahl« (Ogier, Roland, Karl, Chor) | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | | | 1:37 | |
| Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. b) Arioso und Chor: »Des Krieges Los hat euch mir übergeben« … »Dem Fürsten Heil« (Karl, Chor) | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | | | 2:45 | |
| Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. c) Rezitativ und Erzählung: »Wer bist du, dessen tiefgesenkter Blick« … »Am Rande der Ebene« (Karl, Roland, Fierrabras) | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | | | 3:27 | |
| Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. d) Ensemble und Chor: »Der Landestöchter fromme Pflichten« (Emma, Jungfrauen, Karl, Fierrabras, Roland) | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | | | 4:18 | |
| Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. e) Quartett mit Chor: »Dem Erfolg vertrauen« (Ritter, Ogier, Karl, Emma, Eginhard, Fierrabras, Roland) | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | | | 3:57 | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. a) Romanze (Duett): »Der Abend sinkt auf stiller Flur« (Eginhard, Emma) | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | | | 5:15 | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. b) Rezitativ und Arie. »Was quälst du mich, o Missgeschick! … In tiefbeweegteer Brust« (Fierrabras) | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | | | 5:22 | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. c) Ensemble: »Doch horch! Was regt sich noch in stiller Nacht?« (Fierrabras, Männerchor, Emma, Eginhard) | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | | | 2:04 | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. d) Szene und Terzett: »Ha, hier waltet ein Verrat!« (Fierrabras, Eginhard, Emma) | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | | | 3:13 | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. e) Rezitativ: »Nun fasset Mut!« (Fierrabras, Emma) | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | | | 1:45 | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. f) Rezitativ, Terzett und Ensemble: »Ha!« / »Wie, Emma hier?« … »Das Blut fühl' ich erstarren« (Emma, Fierrabras, Karl) | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | | | 2:44 | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. f) Rezitativ, Terzett und Ensemble: Ensemble: »Dich rief ich, Eginhard« (Karl, Eginhard, Emma, Fierrabras) | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | | | 2:38 | |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. g) Quartett mit Chor. »Fort zum Siegesreigen« (Ritter, Emma, Eginhard, Fierrabras, Karl) | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | | | 2:37 | |
| Hat man nicht auch Gold beineben | László Polgár, Chamber Orchestra of Europe, Nikolaus Harnoncourt | | | 4:04 | |
| Leb wohl, du warmes Sonnenlicht | Arnold Schönberg Chor, Barbara Bonney, Sergei Leiferkus, Charlotte Margiono, László Polgár, Deon van der Walt, Chamber Orchestra of Europe, Nikolaus Harnoncourt | | | 3:53 | |
| Mass no. 15 for Soloists, Chorus & Orchestra in C major, K. 317 “Coronation Mass”: II. “Gloria” | Erwin Ortner, Arnold Schönberg Chor, Elisabeth von Magnus, László Polgár, Josef Protschka, Joan Rodgers, Concentus Musicus Wien, Nikolaus Harnoncourt | | | 4:37 | |
| Mir ist so wunderbar | Barbara Bonney, Charlotte Margiono, László Polgár, Deon van der Walt, Chamber Orchestra of Europe, Nikolaus Harnoncourt | | | 5:12 | |
| Missa coronationalis (Hungarian Coronation Mass R 487): Agnus Dei | Ferenc Sapszon, Dénes Gulyás, Veronika Kincses, Hungarian Radio and Television Chorus, László Polgár, Klára Takács, Gábor Lehotka, Budapest Symphony Orchestra, György Lehel | | | 6:52 | |
| Missa coronationalis (Hungarian Coronation Mass R 487): Benedictus | Ferenc Sapszon, Dénes Gulyás, Veronika Kincses, Hungarian Radio and Television Chorus, László Polgár, Klára Takács, Péter Hidy, Gábor Lehotka, Budapest Symphony Orchestra, György Lehel | | | 7:29 | |
| Missa coronationalis (Hungarian Coronation Mass R 487): Credo | Ferenc Sapszon, Dénes Gulyás, Veronika Kincses, Hungarian Radio and Television Chorus, László Polgár, Klára Takács, Gábor Lehotka, Budapest Symphony Orchestra, György Lehel | | | 7:21 | |
| Missa coronationalis (Hungarian Coronation Mass R 487): Gloria | Ferenc Sapszon, Dénes Gulyás, Veronika Kincses, Hungarian Radio and Television Chorus, László Polgár, Klára Takács, Gábor Lehotka, Budapest Symphony Orchestra, György Lehel | | | 7:34 | |
| Missa coronationalis (Hungarian Coronation Mass R 487): Graduale | Ferenc Sapszon, Dénes Gulyás, Veronika Kincses, Hungarian Radio and Television Chorus, László Polgár, Klára Takács, Gábor Lehotka, Budapest Symphony Orchestra, György Lehel | | | 5:30 | |
| Missa coronationalis (Hungarian Coronation Mass R 487): Kyrie | Ferenc Sapszon, Dénes Gulyás, Veronika Kincses, Hungarian Radio and Television Chorus, László Polgár, Klára Takács, Gábor Lehotka, Budapest Symphony Orchestra, György Lehel | | | 5:30 | |
| Missa coronationalis (Hungarian Coronation Mass R 487): Offertorium | Ferenc Sapszon, Dénes Gulyás, Veronika Kincses, Hungarian Radio and Television Chorus, László Polgár, Klára Takács, Gábor Lehotka, Budapest Symphony Orchestra, György Lehel | | | 5:23 | |
| Missa coronationalis (Hungarian Coronation Mass R 487): Sanctus | Ferenc Sapszon, Dénes Gulyás, Veronika Kincses, Hungarian Radio and Television Chorus, László Polgár, Klára Takács, Gábor Lehotka, Budapest Symphony Orchestra, György Lehel | | | 3:44 | |
| Poliuto: Atto I. “Coma fausta e a noi” | Harrie Peeters, László Polgár, Juan Pons, Wiener Symphoniker, Oleg Caetani | | | 1:14 | |
| Poliuto: Atto II. “Alla morte lo serbate“ | Agnès Grossmann, José Carreras, Paolo Gavanelli, László Polgár, Juan Pons, Katia Ricciarelli, Wiener Singakademie, Wiener Symphoniker, Oleg Caetani | | | 2:01 | |
| Poliuto: Atto II. “Celeste un’aura” | Agnès Grossmann, László Polgár, Wiener Singakademie, Wiener Symphoniker, Oleg Caetani | | | 3:06 | |
| Poliuto: Atto II. “Inoltra il piè” | László Polgár, Juan Pons, Wiener Symphoniker, Oleg Caetani | | | 3:23 | |
| Poliuto: Atto II. “La sacrilega parola“ | Agnès Grossmann, José Carreras, Paolo Gavanelli, László Polgár, Juan Pons, Katia Ricciarelli, Wiener Singakademie, Wiener Symphoniker, Oleg Caetani | | | 5:52 | |
| Poliuto: Atto II. “Lasciami in pace morire” | Agnès Grossmann, José Carreras, Paolo Gavanelli, László Polgár, Juan Pons, Katia Ricciarelli, Wiener Singakademie, Wiener Symphoniker, Oleg Caetani | | | 3:23 | |
| Poliuto: Atto II. “Magistrati, guerrieri, popolo” | Agnès Grossmann, Paolo Gavanelli, László Polgár, Juan Pons, Wiener Singakademie, Wiener Symphoniker, Oleg Caetani | | | 4:28 | |
| Poliuto: Atto III. “Alimento alla fiamma” | Agnès Grossmann, László Polgár, Wiener Singakademie, Wiener Symphoniker, Oleg Caetani | | | 3:23 | |
| Poliuto: Atto III. “Alle fiere chi oltraggia” | Agnès Grossmann, José Carreras, László Polgár, Juan Pons, Katia Ricciarelli, Wiener Singakademie, Wiener Symphoniker, Oleg Caetani | | | 4:40 | |
| Poliuto: Atto III. “Ecco il sommo Pontefice” | Agnès Grossmann, László Polgár, Wiener Singakademie, Wiener Symphoniker, Oleg Caetani | | | 2:47 | |
| Poliuto: Atto III. “Il suon dell’arpe angeliche” | Agnès Grossmann, José Carreras, László Polgár, Juan Pons, Katia Ricciarelli, Wiener Singakademie, Wiener Symphoniker, Oleg Caetani | | | 1:41 | |
| Poliuto: Atto III. “Più s’indugia?” | Agnès Grossmann, José Carreras, László Polgár, Juan Pons, Katia Ricciarelli, Wiener Singakademie, Wiener Symphoniker, Oleg Caetani | | | 1:22 | |
| Wer ein holdes Weib errungen | Arnold Schönberg Chor, Barbara Bonney, Charlotte Margiono, László Polgár, Peter Seiffert, Bo Skovhus, Deon van der Walt, Chamber Orchestra of Europe, Nikolaus Harnoncourt | | | 4:09 | |
