| vocals |
|---|
| 1986-11-01 | Mass no. 6 in E-flat major, D 950: Agnus Dei (soloists, chorus) | tenor vocals | Franz Schubert | 12:21 |
| 1986-11-01 | Mass no. 6 in E-flat major, D 950: Benedictus (soloists, chorus) | tenor vocals | Franz Schubert | 6:23 |
| 1986-11-01 | Mass no. 6 in E-flat major, D 950: Credo (soprano solo, tenor I/II solo, chorus) | tenor vocals | Franz Schubert | 15:54 |
| 1986-11-01 | Messe Nr. 6 Es-Dur, D 950: III. Credo. "Credo in unum Deum" Moderato | solo and tenor vocals [tenor I] | Wiener Philharmoniker, Claudio Abbado | 2:58 |
| 1986-11-01 | Messe Nr. 6 Es-Dur, D 950: III. Credo. "Et incarnatus est" Andante | solo and tenor vocals [tenor I] | Wiener Philharmoniker, Claudio Abbado | 6:05 |
| 1986-11-01 | Messe Nr. 6 Es-Dur, D 950: III. Credo. "Et resurrexit" Tempo I | solo and tenor vocals [tenor I] | Wiener Philharmoniker, Claudio Abbado | 6:47 |
| 1986-11-01 | Messe Nr. 6 Es-Dur, D 950: V. Benedictus. "Benedictus, qui venit" Andante | solo and tenor vocals [tenor I] | Wiener Philharmoniker, Claudio Abbado | 5:00 |
| 1986-11-01 | Messe Nr. 6 Es-Dur, D 950: V. Benedictus. "Osanna in excelsis" Allegro, ma non troppo | solo and tenor vocals [tenor I] | Wiener Philharmoniker, Claudio Abbado | 1:12 |
| 1986-11-01 | Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Agnus Dei, qui tollis peccata mundi" Allegro molto moderato | solo and tenor vocals [tenor I] | Wiener Philharmoniker, Claudio Abbado | 0:54 |
| 1986-11-01 | Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Agnus Dei, qui tollis peccata mundi" Andante con moto | solo and tenor vocals [tenor I] | Wiener Philharmoniker, Claudio Abbado | 3:57 |
| 1986-11-01 | Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Dona nobis pacem" Andante | solo and tenor vocals [tenor I] | Wiener Philharmoniker, Claudio Abbado | 3:31 |
| 1986-11-01 | Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Dona nobis pacem" Andantino | solo and tenor vocals [tenor I] | Wiener Philharmoniker, Claudio Abbado | 2:08 |
| 1986 | Requiem, K. 626: Introitus: Requiem | tenor vocals | Atlanta Symphony Chorus, Arleen Augér, Jerry Hadley, Tom Krause, Delores Ziegler, Atlanta Symphony Orchestra, Robert Shaw | 5:08 |
| 1987-04-11 – 1987-04-14 | Requiem: Agnus Dei | tenor vocals | Atlanta Symphony Chorus, Diane Curry, Susan Dunn, Jerry Hadley, Atlanta Symphony Orchestra, Robert Shaw | 5:05 |
| 1987-04-11 – 1987-04-14 | Requiem: Dies Irae (Dies Irae / Tuba mirum / Mors stupebit / Liber scriptus / Quid sum miser / Rex tremendae / Recordare / Ingemisco / Confutatis / Lacrimosa) | tenor vocals | Atlanta Symphony Chorus, Diane Curry, Susan Dunn, Jerry Hadley, Paul Plishka, Atlanta Symphony Orchestra, Robert Shaw | 36:52 |
| 1987-04-11 – 1987-04-14 | Requiem: Lux aeterna | tenor vocals | Diane Curry, Jerry Hadley, Paul Plishka, Atlanta Symphony Orchestra, Robert Shaw | 6:17 |
| 1987-04-11 – 1987-04-14 | Requiem: Offertory | tenor vocals | Diane Curry, Susan Dunn, Jerry Hadley, Paul Plishka, Atlanta Symphony Orchestra, Robert Shaw | 10:22 |
| 1987-04-11 – 1987-04-14 | Requiem: Requiem & Kyrie | tenor vocals | Atlanta Symphony Chorus, Diane Curry, Susan Dunn, Jerry Hadley, Paul Plishka, Atlanta Symphony Orchestra, Robert Shaw | 9:15 |
| 1987-05 – 1987-06 | La Bohème: Quadro I: “Che gelida manina” | tenor vocals [Rodolfo] | Coro dell’Accademia Nazionale di Santa Cecilia, Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 5:14 |
| 1987-05 – 1987-06 | La Bohème: Quadro I: “Non sono in vena” | tenor vocals [Rodolfo] | Coro dell’Accademia Nazionale di Santa Cecilia, Jerry Hadley, Angelina Réaux, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 4:32 |
| 1987-05 – 1987-06 | La Bohème: Quadro I: “O soave fanciulla” | tenor vocals [Rodolfo] | Coro dell’Accademia Nazionale di Santa Cecilia, Jerry Hadley, Thomas Hampson, Angelina Réaux, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 4:29 |
| 1987-05 – 1987-06 | La Bohème: Quadro I: “Questo Mar Rosso mi ammollisce e assidera” | tenor vocals [Rodolfo] | Coro dell’Accademia Nazionale di Santa Cecilia, Jerry Hadley, Thomas Hampson, Paul Plishka, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 6:00 |
| 1987-05 – 1987-06 | La Bohème: Quadro III: “Dunque è proprio finita!” | tenor vocals [Rodolfo] | Coro dell’Accademia Nazionale di Santa Cecilia, Barbara Daniels, Jerry Hadley, Thomas Hampson, Angelina Réaux, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 6:07 |
| 1987-05 – 1987-06 | La Bohème: Quadro III: “Mimì è tanto malata!” | tenor vocals [Rodolfo] | Coro dell’Accademia Nazionale di Santa Cecilia, Jerry Hadley, Thomas Hampson, Angelina Réaux, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 3:34 |
| 1987-05 – 1987-06 | La Bohème: Quadro IV: “Che ha detto il medico?” | tenor vocals [Rodolfo] | James Busterud, Coro dell’Accademia Nazionale di Santa Cecilia, Barbara Daniels, Jerry Hadley, Thomas Hampson, Paul Plishka, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 3:03 |
| 1987-05 – 1987-06 | La Bohème: Quadro IV: “O Mimì, tu più non torni” | tenor vocals [Rodolfo] | Coro dell’Accademia Nazionale di Santa Cecilia, Jerry Hadley, Thomas Hampson, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 3:23 |
| 1987-05 – 1987-06 | La Bohème: Quadro IV: “Sono andati? Fingevo di dormire” | tenor vocals [Rodolfo] | Coro dell’Accademia Nazionale di Santa Cecilia, Jerry Hadley, Angelina Réaux, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 9:20 |
| 1987-06-07 | La bohème: Atto I. "Che gelida manina" | | Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 5:14 |
| 1988-07 | Requiem in D minor, K. 626: IIIb. Tuba mirum (Sequenz) | tenor vocals | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | 4:30 |
| 1988-07 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | tenor vocals | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | 5:43 |
| 1988-07 | Requiem in D minor, K. 626: IVa. Domine Jesu (Offertorium) | tenor vocals | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein | 3:30 |
| 1988-07 | Requiem in D minor, K. 626: VI. Benedictus | tenor vocals | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Chor des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein | 5:21 |
| 1988 | La Bohème: “Che gelida manina” | tenor vocals | Jerry Hadley, Leonard Bernstein | 5:22 |
| 1989-01 | Il rè pastore, K. 208: Act I, Scene III. No. 4 Aria "Si spande al sole in faccia" (Alessandro) | tenor vocals | Jerry Hadley, John Constable, Academy of St Martin in the Fields, Sir Neville Marriner | 4:43 |
| 1989-01 | Il rè pastore, K. 208: Act I, Scene III. Recitativo "Perdono amici Dei" (Aminta, Agenore, Alessandro) | tenor vocals | Claes‐Håkan Ahnsjö, Angela Maria Blasi, Jerry Hadley, John Constable, Academy of St Martin in the Fields, Sir Neville Marriner | 3:55 |
| 1989-01 | Il rè pastore, K. 208: Act II, Scene II-III. Recitativo "La bella Elisa" (Aminta, Agenore, Alessandro) | tenor vocals | Claes‐Håkan Ahnsjö, Angela Maria Blasi, Jerry Hadley, John Constable, Academy of St Martin in the Fields, Sir Neville Marriner | 3:43 |
| 1989-01 | Il rè pastore, K. 208: Act II, Scene IV. No. 9 Aria "Se vincendo vi rendo felici" (Alessandro) | tenor vocals | Jerry Hadley, John Constable, Academy of St Martin in the Fields, Sir Neville Marriner | 6:29 |
| 1989-01 | Il rè pastore, K. 208: Act II, Scene XI-XIII. No. 13 Aria "Voi che fausti ognor donate" (Alessandro) | tenor vocals | Jerry Hadley, John Constable, Academy of St Martin in the Fields, Sir Neville Marriner | 4:36 |
| 1989-01 | Il rè pastore, K. 208: Act II, Scene XIII. No. 14 Coro "Viva l'invitto duce" (Elisa, Tamiri, Aminta, Agenore, Alessandro) | tenor vocals | Claes‐Håkan Ahnsjö, Angela Maria Blasi, Jerry Hadley, Sylvia McNair, Iris Vermillion, John Constable, Academy of St Martin in the Fields, Sir Neville Marriner | 5:54 |
| 1989-01 | Il rè pastore, K. 208: Act II, Scene XIII. Recitativo "Ola! che più si tarda?" (Alessandro, Tamiri, Agenore, Elisa, Aminta) | tenor vocals | Claes‐Håkan Ahnsjö, Angela Maria Blasi, Jerry Hadley, Sylvia McNair, Iris Vermillion, John Constable, Academy of St Martin in the Fields, Sir Neville Marriner | 3:01 |
| 1989-12-15 – 1989-12-18 | Candide: Act I, No. 2. Life Is Happiness Indeed | tenor vocals [Candide] | June Anderson, Jerry Hadley, Della Jones, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | 2:59 |
| 1989-12-15 – 1989-12-18 | Candide: Act I, No. 3. The Best of All Possible Worlds | tenor vocals [Candide] | June Anderson, Adolph Green, Jerry Hadley, Della Jones, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | 2:42 |
| 1989-12-15 – 1989-12-18 | Candide: Act I, No. 3a. Universal Good | tenor vocals [Candide] | June Anderson, Jerry Hadley, Della Jones, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | 0:55 |
| 1989-12-15 – 1989-12-18 | Candide: Act I, No. 4. Oh, Happy We | tenor vocals [Candide] | June Anderson, Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | 2:04 |
| 1989-12-15 – 1989-12-18 | Candide: Act I, No. 5. It Must Be So (Candide’s Meditation) | tenor vocals [Candide] | Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | 2:15 |
| 1989-12-15 – 1989-12-18 | Candide: Act I, No. 7. Candide’s Lament | tenor vocals [Candide] | Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | 6:21 |
| 1989-12-15 – 1989-12-18 | Candide: Act I, No. 9. Auto‐da‐fé | tenor vocals [Candide] | Clive Bayley, Lindsay Benson, Adolph Green, Jerry Hadley, Neil Jenkins, London Symphony Chorus, Richard Suart, John Treleaven, London Symphony Orchestra, Leonard Bernstein | 7:55 |
| 1989-12-15 – 1989-12-18 | Candide: Act I, No. 10. Candide Begins His Travels / Act I, No. 10a. It Must Be Me | tenor vocals [Candide] | Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | 3:11 |
| 1989-12-15 – 1989-12-18 | Candide: Act I, No. 13. You Were Dead, You Know | tenor vocals [Candide] | June Anderson, Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | 3:01 |
| 1989-12-15 – 1989-12-18 | Candide: Act I, No. 15. Quartet Finale | tenor vocals [Candide] | June Anderson, Jerry Hadley, London Symphony Chorus, Christa Ludwig, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | 3:24 |
| 1989-12-15 – 1989-12-18 | Candide: Act II, No. 19. The Pilgrims’ Procession – Alleluia | tenor vocals [Candide] | Jerry Hadley, Della Jones, London Symphony Chorus, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | 2:41 |
| 1989-12-15 – 1989-12-18 | Candide: Act II, No. 22. The Ballad of Eldorado | tenor vocals [Candide] | Jerry Hadley, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 3:47 |
| 1989-12-15 – 1989-12-18 | Candide: Act II, No. 25. The Kings’ Barcarolle | tenor vocals [Candide] | Clive Bayley, Lindsay Benson, Adolph Green, Jerry Hadley, Neil Jenkins, Richard Suart, John Treleaven, London Symphony Orchestra, Leonard Bernstein | 3:53 |
| 1989-12-15 – 1989-12-18 | Candide: Act II, No. 28. The Venice Gavotte | tenor vocals [Candide] | June Anderson, Adolph Green, Jerry Hadley, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein | 4:26 |
| 1989-12-15 – 1989-12-18 | Candide: Act II, No. 29. Nothing More Than This | tenor vocals [Candide] | Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | 4:03 |
| 1989-12-15 – 1989-12-18 | Candide: Act II, No. 31. Make Our Garden Grow (Finale) | tenor vocals [Candide] | June Anderson, Nicolai Gedda, Adolph Green, Jerry Hadley, Della Jones, London Symphony Chorus, Christa Ludwig, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | 5:41 |
| 1990-05-23 – 1990-05-26 | Stranger in Paradise | tenor vocals | Ruth Ann Swenson, Jerry Hadley, London Symphony Orchestra, Paul Gemignani | 4:17 |
| 1990 | Street Scene: Act I. No. 10 "Lonely house" | tenor vocals [Sam Kaplan] | Jerry Hadley, Orchestra of the Scottish Opera, John Mauceri | 5:41 |
| 1990 | Street Scene: Act I. No. 14a "Remember that I care" | tenor vocals [Sam Kaplan] | Jerry Hadley, Angelina Réaux, Orchestra of the Scottish Opera, John Mauceri | 10:03 |
| 1990 | Street Scene: Act II, Scene 1. No. 18a "We'll go away together" | tenor vocals [Sam Kaplan] | Jerry Hadley, Angelina Réaux, Orchestra of the Scottish Opera, John Mauceri | 3:38 |
| 1990 | Street Scene: Act II, Scene 1. No. 19a "The woman who lived up there" | tenor vocals [Sam Kaplan] | Josephine Barstow, Jerry Hadley, Angelina Réaux, Orchestra of the Scottish Opera, John Mauceri | 4:40 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620 (Anh, spurious): Act II, Scene XI. "Pamina, wo bist du?" (Tamino, Papageno) | tenor vocals | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 3:31 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino) | tenor vocals | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 6:04 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act I, Scene I. Monologue "Wo bin ich?" (Tamino) | tenor vocals | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 0:15 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act I, Scene III. No. 2 Dialogue "He da!... Was da?" (Tamino, Papageno) | tenor vocals | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 4:09 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino) | tenor vocals | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 3:42 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act I, Scene V. Dialogue "Rüste dich mit Mut und Standhaftigkeit" (Tamino) | tenor vocals | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 1:40 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act I, Scene VII. Monologue "Ist's denn auch Wirklichkeit, was ich sah?" (Tamino) | tenor vocals | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 0:11 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino) | tenor vocals | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 5:53 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino) | tenor vocals | Jerry Hadley, Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | 1:40 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino) | tenor vocals | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 2:45 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) | tenor vocals | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 1:42 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino) | tenor vocals | Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 7:58 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act II, Scene II. Dialogue "Eine schreckliche Nacht!" (Tamino, Papageno) | tenor vocals | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 3:32 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act II, Scene IV. Dialogue "He, Lichter Her!" (Papageno, Tamino) | tenor vocals | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 0:19 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Papageno, Tamino) | tenor vocals | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 0:59 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino) | tenor vocals | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 2:53 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act II, Scene VI. Dialogue "Heil dir, Jüngling" (Papageno, Tamino) | tenor vocals | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 1:53 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act II, Scene XIII - XV. Dialogue "Hier seid ihr euch beide allein überlassen" (Papageno, Tamino) | tenor vocals | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 2:58 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act II, Scene XVII - XVIII. Dialogue "Tamino, wollen wir nicht speisen?" (Papageno, Pamina) | tenor vocals | Sir Thomas Allen, Jerry Hadley, Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | 1:23 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act II, Scene XXII - XXIII. Dialogue "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno) | tenor vocals | Sir Thomas Allen, Jerry Hadley, Scottish Chamber Orchestra, Charles Mackerras | 1:43 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino) | tenor vocals | Jerry Hadley, Barbara Hendricks, Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras | 2:45 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina) | tenor vocals | Jerry Hadley, Barbara Hendricks, Alastair Miles, Peter Svensson, Scottish Chamber Orchestra, Charles Mackerras | 8:16 |
| 1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Wir wandeln durch des Tones Macht" (Pamina, Tamino) | tenor vocals | Jerry Hadley, Barbara Hendricks, Scottish Chamber Orchestra, Charles Mackerras | 3:04 |
| 1992-08 | Belisario: Atto II. “Liberi siete. Addio!” | tenor vocals | Jerry Hadley, Thomas Hampson, Orchestra of the Welsh National Opera, Carlo Rizzi | 7:51 |
| 1992-08 | Die Fledermaus: Akt I. “Komm mit mir zum Souper” | tenor vocals | Jerry Hadley, Thomas Hampson, Orchestra of the Welsh National Opera, Carlo Rizzi | 3:38 |
| 1992-08 | Dinorah : Acte II. “Quand l’heure sonnera” | tenor vocals | Jerry Hadley, Thomas Hampson, Orchestra of the Welsh National Opera, Carlo Rizzi | 7:35 |
| 1992-08 | Don Carlos : Acte I. “Le voilà ! C’est l’Infant!” | tenor vocals | Jerry Hadley, Thomas Hampson, Orchestra of the Welsh National Opera, Carlo Rizzi | 10:37 |
| 1992-08 | L’elisir d’amore: Atto II. “Venti scudi” | tenor vocals | Jerry Hadley, Thomas Hampson, Orchestra of the Welsh National Opera, Carlo Rizzi | 9:27 |
| 1992-08 | La Bohème: Atto IV. “O Mimi, tu più non torni” | tenor vocals | Jerry Hadley, Thomas Hampson, Orchestra of the Welsh National Opera, Carlo Rizzi | 4:46 |
| 1992-08 | Les Pêcheurs de perles: Acte I. “Au fond du temple saint” | tenor vocals | Jerry Hadley, Thomas Hampson, Orchestra of the Welsh National Opera, Carlo Rizzi | 7:43 |
| 1992-08 | Les Pêcheurs de perles: Acte I. Duo « Au fond du temple saint » | tenor vocals | Jerry Hadley, Thomas Hampson, Orchestra of the Welsh National Opera, Carlo Rizzi | 6:04 |
| 1992-08 | Les Vêpres siciliennes : Acte I. “Quel est ton nom ?” - “Henri” | tenor vocals | Jerry Hadley, Thomas Hampson, Orchestra of the Welsh National Opera, Carlo Rizzi | 7:44 |
| 1992-08 | Lucia di Lammermoor: Atto II. “Orrida è questa notte” | tenor vocals | Jerry Hadley, Thomas Hampson, Orchestra of the Welsh National Opera, Carlo Rizzi | 11:28 |
| 1993-08 – 1994-03 | Susannah: Act I, Scene 2. "Ain't it a pretty night?" (Susannah, Little Bat, Sam) | tenor vocals | Kenn Chester, Jerry Hadley, Cheryl Studer, Orchestre de l’Opéra de Lyon, Kent Nagano | 6:39 |
| 1993-08 – 1994-03 | Susannah: Act II, Scene 1. "How long's it gonna last, Sam?" (Susannah, Sam) | tenor vocals | Jerry Hadley, Cheryl Studer, Orchestre de l’Opéra de Lyon, Kent Nagano | 9:01 |
| 1993-08 – 1994-03 | Susannah: Act II, Scene 5. "Hey there, little robin, I'm back agin" (Sam, Susannah, Little Bat, Elders, Mob) | tenor vocals | Kenn Chester, Chœur de l’Opéra de Lyon, Jerry Hadley, Cheryl Studer, Orchestre de l’Opéra de Lyon, Kent Nagano | 11:24 |
| 1996-04-27 | Don Giovanni: Act II, Sextet “Di molte faci il lume” ... “Sola, sola, in buio loco” | tenor vocals [Don Ottavio] | Renée Fleming, Jerry Hadley, Hong Hei-Kyung, Julien Robbins, Kiri Te Kanawa, Bryn Terfel, Metropolitan Opera Orchestra, James Levine | 8:28 |
| All I Ask of You (The Phantom of the Opera) | | Jerry Hadley | 3:51 |
| Anna Bolena: Atto I, Scena 2. “Ah! cosi nei di ridenti” (Percy) | tenor vocals [Percy] | Jerry Hadley, Welsh National Orchestra, Richard Bonynge | 2:41 |
| See all 249 relationships |
| vocals |
|---|
| Elijah | tenor vocals | Felix Mendelssohn; Atlanta Symphony Orchestra, Atlanta Symphony Orchestra Chorus, Robert Shaw | |
| Messiah: The 250th Anniversary Performance | tenor vocals | Handel; Academy of St Martin in the Fields, Academy of St. Martin in the Fields Chorus, Sir Neville Marriner | |
| Show Boat | | Jerome Kern & Oscar Hammerstein II | |
