| 3 Romanzen, op. 94: No. 1. Nicht zu schnell | | | | | | | |
| 3 Romanzen, op. 94: No. 2. Einfach, innig | | | | | | | |
| 3 Romanzen, op. 94: No. 3. Nicht schnell | | | | | | | |
| 5 Stücke im Volkston für Klavier und Cello, op. 102: I. Vanitas vanitatum (Mit Humor) | | | | | | | |
| 5 Stücke im Volkston für Klavier und Cello, op. 102: II. Langsam | | | | | | | |
| 5 Stücke im Volkston für Klavier und Cello, op. 102: III. Nicht schnell, mit viel Ton zu spielen | | | | | | | |
| 5 Stücke im Volkston für Klavier und Cello, op. 102: IV. Nicht zu rasch | | | | | | | |
| 5 Stücke im Volkston für Klavier und Cello, op. 102: V. Stark und markiert | | | | | | | |
| Adagio and Allegro, op. 70: I. Adagio. Langsam, mit innigem Ausdruck | | | | | | | |
| Adagio and Allegro, op. 70: II. Allegro. Rasch und feurig | | | | | | | |
| Cello Sonata in D minor, op. 40: I. Allegro non troppo – Largo | | | | | | | |
| Cello Sonata in D minor, op. 40: II. Allegro | | | | | | | |
| Cello Sonata in D minor, op. 40: III. Largo | | | | | | | |
| Cello Sonata in D minor, op. 40: IV. Allegro | | | | | | | |
| Élégie pour cor et piano | | | | | | | |
| F-A-E Sonata: III. Scherzo c-moll | | | | | | | |
| Fantasiestücke für Cello und Klavier, op. 73, Nr. 1: Zart und mit Ausdruck | | | | | | | |
| Fantasiestücke für Cello und Klavier, op. 73, Nr. 2: Lebhaft, leicht | | | | | | | |
| Fantasiestücke für Cello und Klavier, op. 73, Nr. 3: Rasch und mit Feuer | | | | | | | |
| On an Overgrown Path, Book 1: No. 4. The Madonna of Frýdek | | | | | | | |
| On an Overgrown Path, Book 1: No. 10. The Barn Owl Has Not Flown Away! | | | | | | | |
| On an Overgrown Path, Book 2: No. 5. Allegro | | | | | | | |
| Piano Quartet, H 287: I. Poco allegro | | | | | | | |
| Piano Quartet, H 287: II. Adagio | | | | | | | |
| Piano Quartet, H 287: III. Allegretto poco moderato - Poco allegro - Allegro - Andante - Allegretto - Allegro | | | | | | | |
| Piano Quintet no. 1 in A major, op. 5: I. Allegro, ma non troppo | | | | | | | |
| Piano Quintet no. 1 in A major, op. 5: II. Andante sostenuto | | | | | | | |
| Piano Quintet no. 1 in A major, op. 5: III. Finale. Allegro con brio | | | | | | | |
| Piano Quintet no. 1: I. Agitato | | | | | | | |
| Piano Quintet no. 1: I. Poco allegro | | | | | | | |
| Piano Quintet no. 1: II. Andante (poco moderato) | | | | | | | |
| Piano Quintet no. 1: II. Andante mistico | | | | | | | |
| Piano Quintet no. 1: III. Allegretto | | | | | | | |
| Piano Quintet no. 1: III. Allegro energico | | | | | | | |
| Piano Quintet no. 1: IV. Allegro moderato | | | | | | | |
| Piano Quintet no. 2 in A major, op. 81: I. Allegro ma non tanto | | | | | | | |
| Piano Quintet no. 2 in A major, op. 81: II. Dumka: Andante con moto | | | | | | | |
| Piano Quintet no. 2 in A major, op. 81: III. Scherzo – Furiant: Molto vivace | | | | | | | |
| Piano Quintet no. 2 in A major, op. 81: IV. Finale: Allegro | | | | | | | |
| Piano Quintet no. 2: I. Animato | | | | | | | |
| Piano Quintet no. 2: I. Poco allegro | | | | | | | |
| Piano Quintet no. 2: II. Adagio | | | | | | | |
| Piano Quintet no. 2: II. Andante | | | | | | | |
| Piano Quintet no. 2: III. Allegro | | | | | | | |
| Piano Quintet no. 2: III. Scherzo – Poco allegretto | | | | | | | |
| Piano Quintet no. 2: IV. Largo – Allegro (non troppo) | | | | | | | |
| Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34: I. Allegro non troppo | | | | | | | |
| Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34: II. Andante, un poco adagio | | | | | | | |
| Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34: III. Scherzo. Allegro | | | | | | | |
| Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34: IV. Finale. Poco sostenuto – Allegro non troppo – Presto, non troppo | | | | | | | |
| Septet in D minor, op. 74: I. Allegro con spirito | | | | | | | |
| Septet in D minor, op. 74: II. Menuetto o scherzo | | | | | | | |
| Septet in D minor, op. 74: III. Andante con variazioni | | | | | | | |
| Septet in D minor, op. 74: IV. Finale: Vivace | | | | | | | |
| Sextet for Piano and Wind Quintet, FP 100: I. Allegro vivace | | - Michel Bergès, André Boutard, Robert Casier, Jacques Castagner, Gérard Faisandier, Jacques Février
- Maurice Bourgue, André Cazalet, Patrick Gallois, Michel Portal, Pascal Rogé, Amaury Wallez
- Ensemble Confoederatio
- Philippe Bernold, Olivier Doise, Hervé Joulain, Laurent Lefèvre, Alexandre Tharaud, Ronald van Spaendonck
- (show 16 more)
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| Sextet for Piano and Wind Quintet, FP 100: II. Divertissement. Andantino | | - Michel Bergès, André Boutard, Robert Casier, Jacques Castagner, Gérard Faisandier, Jacques Février
- Maurice Bourgue, André Cazalet, Patrick Gallois, Michel Portal, Pascal Rogé, Amaury Wallez
- Ensemble Confoederatio
- Philippe Bernold, Olivier Doise, Hervé Joulain, Laurent Lefèvre, Alexandre Tharaud, Ronald van Spaendonck
- (show 18 more)
| | | | | |
| Sextet for Piano and Wind Quintet, FP 100: III. Finale. Prestissimo | | - Michel Bergès, André Boutard, Robert Casier, Jacques Castagner, Gérard Faisandier, Jacques Février
- Maurice Bourgue, André Cazalet, Patrick Gallois, Michel Portal, Pascal Rogé, Amaury Wallez
- Ensemble Confoederatio
- Philippe Bernold, Olivier Doise, Hervé Joulain, Laurent Lefèvre, Alexandre Tharaud, Ronald van Spaendonck
- (show 16 more)
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| Sonata for Piano and Cello no. 1 in E minor, op. 38: I. Allegro non troppo | | | | | | | |
| Sonata for Piano and Cello no. 1 in E minor, op. 38: II. Allegretto quasi menuetto | | | | | | | |
| Sonata for Piano and Cello no. 1 in E minor, op. 38: III. Allegro | | | | | | | |
| Sonata no. 2 for Cello and Piano in F major, op. 99: I. Allegro vivace | | | | | | | |
| Sonata no. 2 for Cello and Piano in F major, op. 99: II. Adagio affettuoso | | | | | | | |
| Sonata no. 2 for Cello and Piano in F major, op. 99: III. Allegro passionato | | | | | | | |
| Sonata no. 2 for Cello and Piano in F major, op. 99: IV. Allegro molto | | | | | | | |
| Sonate pour hautbois et piano: I. Élégie. Paisiblement | | | | | | | |
| Sonate pour hautbois et piano: II. Scherzo. Très animé | | | | | | | |
| Sonate pour hautbois et piano: III. Déploration. Très calme | | | | | | | |
