| instruments |
|---|
| 1959-12-21 | The Wedding: Part I Scene I. The Bride's Chamber | piano | Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky | 5:12 |
| 1959-12-21 | The Wedding: Part I Scene II. At the Bridegroom's | piano | Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky | 6:06 |
| 1959-12-21 | The Wedding: Part I Scene III. The Bride's Departure | piano | Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky | 3:11 |
| 1959-12-21 | The Wedding: Part I Scene IV. The Wedding Feast | piano | Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky | 10:24 |
| liner notes |
|---|
| Panufnik: Sinfonia Votiva (Symphony no. 8) / Sessions: Concerto for Orchestra | | Panufnik, Sessions; Boston Symphony Orchestra, Seiji Ozawa | |
| composed |
|---|
| 1923 | The Black Maskers | | | |
| 1927 – 1935 | Violin Concerto | | | |
| 1927 – 1935 | Violin Concerto: I. Largo e tranquillo | | | |
| 1927 – 1935 | Violin Concerto: II. Scherzo: Allegro | | | |
| 1927 – 1935 | Violin Concerto: III. Romanza: Andante | | | |
| 1927 – 1935 | Violin Concerto: IV. Molto vivace e sempre con fuoco | | | |
| 1928 | The Black Maskers (Orchestral Suite) | | | |
| 1928 | The Black Maskers (Orchestral Suite): I. Dance: Stridente-sarcastico | | | |
| 1928 | The Black Maskers (Orchestral Suite): II. Scene: Agitato molto | | | |
| 1928 | The Black Maskers (Orchestral Suite): III. Dirge: Larghissimo | | | |
| 1928 | The Black Maskers (Orchestral Suite): IV. Finale: Andante moderato un poco agitato | | | |
| 1929 | On the Beach at Fontana | | | |
| 1930 | Piano Sonata no. 1 | | | |
| 1937 – 1940 | From My Diary | | | |
| 1937 – 1940 | From My Diary: I. Poco adagio | | | |
| 1937 – 1940 | From My Diary: II. Allegro con brio – Tranquillo ed espressivo | | | |
| 1937 – 1940 | From My Diary: III. Larghissimo e misterioso | | | |
| 1937 – 1940 | From My Diary: IV. Allegro pesante | | | |
| 1944 – 1946 | Symphony no. 2 | | | |
| 1944 – 1946 | Symphony no. 2: I. Molto agitato | | | |
| 1944 – 1946 | Symphony no. 2: II. Allegretto capriccioso | | | |
| 1944 – 1946 | Symphony no. 2: III. Adagio, tranquillo ed espressivo | | | |
| 1944 – 1946 | Symphony no. 2: IV. Allegramente | | | |
| 1946 | Piano Sonata no. 2 | | | |
| 1946 | Piano Sonata no. 2: I. Allegro con fuoco | | | |
| 1946 | Piano Sonata no. 2: II. Lento | | | |
| 1946 | Piano Sonata no. 2: III. Misurato e pesante | | | |
| 1953 | Sonata for Solo Violin | | | |
| 1953 | Sonata for Solo Violin: 1. Tempo moderato, con ampiezza, e liberamente | | | |
| 1953 | Sonata for Solo Violin: 2. Molto vivo | | | |
| 1953 | Sonata for Solo Violin: 3. Adagio e dolcemente | | | |
| 1953 | Sonata for Solo Violin: 4. Alla marcia vivace | | | |
| 1955 | Mass for Unison Chorus and Organ | | | |
| 1957 | Symphony no. 3 | | | |
| 1957 | Symphony no. 3: I. Allegro grazioso e con fuoco | | | |
| 1957 | Symphony no. 3: II. Allegro, un poco ruvido | | | |
| 1957 | Symphony no. 3: III. Andante sostenuto e con affetto | | | |
| 1957 | Symphony no. 3: IV. Allegro con fuoco | | | |
| 1958 | Symphony no. 4 | | | |
| 1965 – 1966 | Symphony no. 6 | | | |
| 1965 – 1966 | Symphony no. 6: I. Allegro | | | |
| 1965 – 1966 | Symphony no. 6: II. Adagio e tranquilo | | | |
| 1965 – 1966 | Symphony no. 6: III. Allegro moderato | | | |
| 1966 | Six Pieces for Violoncello | | | |
| 1966 | Six Pieces for Violoncello: No. 1. Prelude | | | |
| 1966 | Six Pieces for Violoncello: No. 2. Dialogue | | | |
| 1966 | Six Pieces for Violoncello: No. 3. Scherzo | | | |
| 1966 | Six Pieces for Violoncello: No. 4. Berceuse | | | |
| 1966 | Six Pieces for Violoncello: No. 5. Capriccio | | | |
| 1966 | Six Pieces for Violoncello: No. 6. Epilogue | | | |
| 1967 | Symphony no. 7 | | | |
| 1967 | Symphony no. 7: I. Allegro con fuoco | | | |
| 1967 | Symphony no. 7: II. Lento e dolce | | | |
| 1967 | Symphony no. 7: III. Allegro misurato | | | |
| 1968 | Symphony no. 8 | | | |
| 1970 | Rhapsody for Orchestra | | | |
| 1970 – 1971 | Concerto for Violin and Cello | | | |
| 1971 | When Lilacs Last in the Dooryard Bloom'd | | | |
| 1978 | Symphony no. 9 | | | |
| 1978 | Symphony no. 9: I. Allegro: Impetuoso - Tranquilo | | | |
| 1978 | Symphony no. 9: II. Con movimento adagio - Doppio movimento quasi allegretto - | | | |
| 1978 | Symphony no. 9: III. Allegro vivace | | | |
| 1979 – 1981-08-16 | Concerto for Orchestra | | | |
| – 1927-01 | Symphony no. 1 | | | |
| – 1927-01 | Symphony no. 1: I. Giusto | | | |
| – 1927-01 | Symphony no. 1: II. Largo | | | |
| – 1927-01 | Symphony no. 1: III. Allegro vivace | | | |
| Duo for Violin and Cello | | | |
| dedicated works |
|---|
| A Mirror of Whitening Light, op. 75 | | | |
