Allegro. Thus will your hymns, like incense, rise | | | | Oratorio | | | |
Blessed is the Man | | | | | | | |
By thy banks, gentle Stour | | | | | | | |
Concerto Grosso in B minor: Minuet | | | | Concerto | | | |
Concerto Grosso in B minor: Staccato - Largo - Allegro - Adagio - Minuet | | | | | | | |
Concerto Grosso in B-flat major: Moderato - Allegro - Adagio - Allegro -Gavotte | | | | | | | |
Concerto Grosso in E minor: Largo - Allegro - Alla Siciliana - Allegro | | | | | | | |
Firmly I Believe and Truly | | | | | | | |
Heart of Oak | | | | | | | |
Introduction and Trumpet Tune | | | | | | | |
No 2. Chorus. See the fam'd Apollo and the Nine | | | | Oratorio | | | |
No 3. Duet. Immortal Love, with tuneful lyres | | | | Oratorio | | | |
No 4. Recitative. Aloft the strains melodious swiftly fly | | | | Oratorio | | | |
No 5. Aria. What a tender, virtuous passion | | | | Oratorio | | | |
No 6. Recitative. Hark the loud trumpet calls a youth to arms | | | | Oratorio | | | |
No 7. Aria. The hero whom a fair one fires | | | | Oratorio | | | |
No 8. Recitative. Ah! say, could Painting, could the weeping muse | | | | Oratorio | | | |
No 9. Aria. What cruel pangs the lover feels | | | | Oratorio | | | |
No 10. Recitative. Thus, whilst the Muse Love's boundless influence sings | | | | Oratorio | | | |
No 11. Chorus. Sprung from Gods, immortal Love | | | | Oratorio | | | |
No 13. Chorus. Hail, Harmony! | | | | Oratorio | | | |
No 14. Aria. Glorious Power, to thee we owe | | | | Oratorio | | | |
No 15. Recitative. At Music's sacred name | | | | Oratorio | | | |
No 16. Aria. With celestial glory crown'd | | | | Oratorio | | | |
No 17. Recitatative. Mortals, in hymns of tuneful joy | | | | Oratorio | | | |
No 18. Aria. Music, gently soothing Power | | | | Oratorio | | | |
No 19. Recitative. Pleas'd the celestial visitant surveys | | | | Oratorio | | | |
No 20. Duet. As nature with the sun revives | | | | Oratorio | | | |
No 21. Aria. The captive, bound in rankling chains | | | | Oratorio | | | |
No 22. Recitative. The melting theme transports each mortal breast | | | | Oratorio | | | |
No 23. Aria. Music can the passions raise | | | | Oratorio | | | |
No 24. Recitative. Now the ætherial lyrist sweeps the strings | | | | Oratorio | | | |
No 25. Aria. Mortals, scorn the boasted Nine | | | | Oratorio | | | |
No 26. Recitative. Leave transient joys, and raise the theme | | | | Oratorio | | | |
No 27. Chorus. Display His goodness, Hail His might | | | | Oratorio | | | |
O where shall wisdom be found? | | | | | | | |
Ode for St Cecilia's Day | | | | Oratorio | | | |
Orpheus and Euridice | | | | | | | |
Overture no. 10 in F major: Allegro - Dolce Moderato - Allegro assai | | | | Overture | | | |
Overture no. 11 in D major: Larghetto - Allegro - Larghetto - Tempo di Minuetto | | | | Overture | | | |
Overture no. 12 in G major: Allegro - Vivace - Allegro assai | | | | Overture | | | |
Psalm 24: The earth is the Lord's | | | | Song | | | |
Psalm 62: My soul truly waitheth still upon God | | | | Song | | | |
Secular Masque | | | | | | | |
Solomon | | | | Oratorio | | | |
Solomon: Part I | | | | | | | |
Solomon: Part I. "As the rich apple, on whose boughs" | | | | | | | |
Solomon: Part I. "Balmy sweetness, ever flowing" | | | | | | | |
Solomon: Part I. "Behold, jerusalem, behold thy king" | | | | | | | |
Solomon: Part I. "Beneath his ample shade I lay" | | | | | | | |
Solomon: Part I. "Fair and comely is my love" | | | | | | | |
Solomon: Part I. "Fairest of the virgin throng" | | | | | | | |
Solomon: Part I. "Fill with cooling juice the bowl!" | | | | | | | |
Solomon: Part I. "Forbear, O charming swain, forbear!" | | | | | | | |
Solomon: Part I. "From the mountains, lo! He comes" | | | | | | | |
Solomon: Part I. "Let not my prince his slave Despise" / "Ah simple me! my own, more dear" | | | | | | | |
Solomon: Part I. "Tell me, lovely shepherd" | | | | | | | |
Solomon: Part I. "Who quits the lily's fleecy white" | | | | | | | |
Solomon: Part I. Ouverture: Largo - Allegro - Larghetto | | | | Overture | | | |
Solomon: Part II | | | | | | | |
Solomon: Part II. "How lovely art thou to the sight" | | | | | | | |
Solomon: Part II. "Let me, love, thy bole ascending" | | | | | | | |
Solomon: Part II. "My fair's a garden of delight" | | | | | | | |
Solomon: Part II. "O, that a sister's specious name" | | | | | | | |
Solomon: Part II. "Soft, I adjure you, by the fawns" | | | | | | | |
Solomon: Part II. "Softly rise, O southern breeze!" | | - The Parley of Instruments, Roy Goodman
- Allan Clayton, Philip Turbett, Orchestra of Classical Opera, Ian Page
- Choir of Classical Opera, Philip Turbett, Orchestra of Classical Opera, Ian Page
- Sophie Daneman, Madeleine Shaw, Ian Bostridge, Benjamin Hulett, Jonathan Gunthorpe, Alberto Grazzi, The English Concert, Bernard Labadie
| | | | | |
Solomon: Part II. "The cheerful spring begins today" / "Arise, my fair, and come away" | | | | | | | |
Solomon: Part II. "Together let us range the fields" | | | | | | | |
Solomon: Part II. Sinfonia | | | | Overture | | | |
Solomon: Part III | | | | | | | |
Solomon: Part III. "Arise, my fair, the doors unfold" | | | | | | | |
Solomon: Part III. "O take me! stamp me on thy breast!" | | | | | | | |
Solomon: Part III. "Obedient to thy voice I hie" | | | | | | | |
Solomon: Part III. "On his face the vernal rose" | | | | | | | |
Solomon: Part III. "Sweet nymph, whom ruddier charms addorn" | | | | | | | |
Solomon: Part III. "This, O ye virgins" | | | | | | | |
Solomon: Part III. "Thou soft invader of the soul!" / "In vain we trace the globe" | | | | | | | |
Solomon: Part III. "Who is thy love, O charming maid!" | | | | | | | |
Solomon: Part III. "Ye blooming virgins, as ye rove" | | | | | | | |
Sonata in D major, [op. 1] no. 5 | | | | Sonata | | | |
Suite | | | | Suite | | | |
Suite D-dur | | | | Suite | | | |
Suite D-dur: Brisk | | | | | | | |
Suite D-dur: Fuge | | | | | | | |
Suite D-dur: Larghetto | | | | | | | |
Suite D-dur: Marche | | | | | | | |
Suite D-dur: Menuett | | | | | | | |
Symphony no. 1 in B-flat major, op. 2 no. 1 | | | | Symphony | | | |
Symphony no. 1 in B-flat major, op. 2 no. 1: I. Allegro | | | | | | | |
Symphony no. 1 in B-flat major, op. 2 no. 1: II. Moderato e dolce | | | | | | | |
Symphony no. 1 in B-flat major, op. 2 no. 1: III. Allegro | | | | | | | |
Symphony no. 2 in A major, op. 2 no. 2 | | | | Symphony | | | |
Symphony no. 2 in A major, op. 2 no. 2: I. Allegro assai | | | | | | | |
Symphony no. 2 in A major, op. 2 no. 2: II. Vivace | | | | | | | |
Symphony no. 2 in A major, op. 2 no. 2: III. Presto (Allegro) | | | | | | | |
Symphony no. 3 in C major, op. 2 no. 3 | | | | Symphony | | | |
Symphony no. 3 in C major, op. 2 no. 3: I. Allegro | | | | | | | |
Symphony no. 3 in C major, op. 2 no. 3: II. Vivace | | | | | | | |
Symphony no. 3 in C major, op. 2 no. 3: III. Tempo di Minuetto | | | | | | | |
Symphony no. 4 in F major, op. 2 no. 4 | | | | Symphony | | | |