| vocals |
|---|
| 1995-02 | Missa Solemnis en ré majeur, op. 123: Agnus Dei | tenor vocals | La Chapelle Royale, Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, Orchestre des Champs‐Élysées, Philippe Herreweghe | 16:09 |
| 1995-02 | Missa Solemnis en ré majeur, op. 123: Benedictus | tenor vocals | La Chapelle Royale, Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, Orchestre des Champs‐Élysées, Philippe Herreweghe | 9:22 |
| 1995-02 | Missa Solemnis en ré majeur, op. 123: Credo | tenor vocals | La Chapelle Royale, Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, Orchestre des Champs‐Élysées, Philippe Herreweghe | 17:42 |
| 1995-02 | Missa Solemnis en ré majeur, op. 123: Gloria | tenor vocals | La Chapelle Royale, Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, Orchestre des Champs‐Élysées, Philippe Herreweghe | 17:00 |
| 1995-02 | Missa Solemnis en ré majeur, op. 123: Kyrie | tenor vocals | La Chapelle Royale, Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, Orchestre des Champs‐Élysées, Philippe Herreweghe | 11:56 |
| 1995-02 | Missa Solemnis en ré majeur, op. 123: Sanctus | tenor vocals | La Chapelle Royale, Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, Orchestre des Champs‐Élysées, Philippe Herreweghe | 5:17 |
| 1995-07-08 – 1995-07-11 | Stabat Mater, op. 58: Fac me vere tecum flere | tenor vocals | Oregon Bach Festival Choir, James Taylor, Oregon Bach Festival Orchestra, Helmuth Rilling | 8:10 |
| 1995-07-08 – 1995-07-11 | Stabat Mater, op. 58: Fac ut portem christi mortem | tenor vocals | Marina Shaguch, James Taylor, Oregon Bach Festival Orchestra, Helmuth Rilling | 5:24 |
| 1995-07-08 – 1995-07-11 | Stabat Mater, op. 58: Quando corpus morietur | tenor vocals | Ingeborg Danz, Oregon Bach Festival Choir, Thomas Quasthoff, Marina Shaguch, James Taylor, Oregon Bach Festival Orchestra, Helmuth Rilling | 8:30 |
| 1995-07-08 – 1995-07-11 | Stabat Mater, op. 58: Quis est homo, qui non fleret | tenor vocals | Ingeborg Danz, Thomas Quasthoff, Marina Shaguch, James Taylor, Oregon Bach Festival Orchestra, Helmuth Rilling | 11:27 |
| 1995-07-08 – 1995-07-11 | Stabat Mater, op. 58: Stabat mater dolorosa | tenor vocals | Ingeborg Danz, Oregon Bach Festival Choir, Thomas Quasthoff, Marina Shaguch, James Taylor, Oregon Bach Festival Orchestra, Helmuth Rilling | 20:52 |
| 1996-03 | Johannes‐Passion, BWV 245: No. 13/II Aria (Tenor) „Zerschmettert mich“ | tenor vocals | Bach‐Collegium Stuttgart, Helmuth Rilling | 5:40 |
| 1996-03 | Johannes‐Passion, BWV 245: No. 19/II Aria (Tenor) „Ach, windet euch nicht so“ | tenor vocals | Bach‐Collegium Stuttgart, Helmuth Rilling | 5:35 |
| 1996-03 | Johannes‐Passion, BWV 245: Teil I. No. 13 Aria (Tenor) „Ach, mein Sinn“ | tenor vocals | Bach‐Collegium Stuttgart, Helmuth Rilling | 2:32 |
| 1996-03 | Johannes‐Passion, BWV 245: Teil II. No. 19 Arioso (Tenor) „Betrachte, meine Seel“ | tenor vocals | Bach‐Collegium Stuttgart, Helmuth Rilling | 2:39 |
| 1996-03 | Johannes‐Passion, BWV 245: Teil II. No. 20 Aria (Tenor) „Erwäge, wie sein blutgefärbter Rücken“ | tenor vocals | Bach‐Collegium Stuttgart, Helmuth Rilling | 7:01 |
| 1996-03 | Johannes‐Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) „Mein Herz, in dem die ganze Welt“ | tenor vocals | Bach‐Collegium Stuttgart, Helmuth Rilling | 0:58 |
| 1996-05 | BWV 211 Coffee Cantata | tenor vocals | Thomas Quasthoff, Christine Schäfer, James Taylor, Bach‐Collegium Stuttgart, Helmuth Rilling | 8:42 |
| 1996-09 | Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": III. Recitativo (Tenor) "Wie? Schönste Göttin! Wie?" | tenor vocals [Endymion] | Bach‐Collegium Stuttgart, Helmuth Rilling | 1:05 |
| 1996-09 | Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": IV. Aria (Tenor) "Willst du dich nicht mehr ergötzen" | tenor vocals [Endymion] | Bach‐Collegium Stuttgart, Helmuth Rilling | 4:50 |
| 1996-09 | Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": V. Recitativo (Sopran I, Tenor) "Ich liebe dich zwar noch!" | tenor vocals [Endymion] | Bach‐Collegium Stuttgart, Helmuth Rilling | 2:12 |
| 1996-09 | Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": XI. Chorus (Aria a 4) "Lebe, Sonne dieser Erdem" | tenor vocals [Endymion] | Bach‐Collegium Stuttgart, Helmuth Rilling | 2:46 |
| 1996-09 | Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": XII. Duetto (Sopran I, Tenor) "Entzücket uns beide" | tenor vocals [Endymion] | Bach‐Collegium Stuttgart, Helmuth Rilling | 1:43 |
| 1996-09 | Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": XV. Chorus "Ihr lieblichste Bliche! ihr freudige Stunden" | tenor vocals [Endymion] | Bach‐Collegium Stuttgart, Helmuth Rilling | 3:37 |
| 2007-09-09 | War Requiem, op. 66: I. Requiem aeternam | tenor vocals | Annette Dasch, James Taylor, Christian Gerhaher, Aurelius Sangerknaben, Robin Engelen, Festivalensemble Stuttgart, Helmuth Rilling | 9:23 |
| 2007-09-09 | War Requiem, op. 66: II. Dies irae | tenor vocals | Annette Dasch, James Taylor, Christian Gerhaher, Aurelius Sangerknaben, Robin Engelen, Festivalensemble Stuttgart, Helmuth Rilling | 26:15 |
| 2007-09-09 | War Requiem, op. 66: III. Offertorium | tenor vocals | Annette Dasch, James Taylor, Christian Gerhaher, Aurelius Sangerknaben, Robin Engelen, Festivalensemble Stuttgart, Helmuth Rilling | 10:32 |
| 2007-09-09 | War Requiem, op. 66: V. Agnus Dei | tenor vocals | Annette Dasch, James Taylor, Christian Gerhaher, Aurelius Sangerknaben, Robin Engelen, Festivalensemble Stuttgart, Helmuth Rilling | 3:28 |
| 2007-09-09 | War Requiem, op. 66: VI. Libera me | tenor vocals | Annette Dasch, James Taylor, Christian Gerhaher, Aurelius Sangerknaben, Robin Engelen, Festivalensemble Stuttgart, Helmuth Rilling | 23:05 |
| 2017-03-23 – 2017-03-25 | Erstanden ist der heilige Christ: I. Erstanden ist der heilige Christ | tenor vocals [tenor II] | Dann Coakwell, James Taylor, Yale Institute of Sacred Music, Masaaki Suzuki | 3:44 |
| 2017-03-23 – 2017-03-25 | Erstanden ist der heilige Christ: II. Und wär er nicht erstanden | tenor vocals [tenor II] | Dann Coakwell, James Taylor, Yale Institute of Sacred Music, Masaaki Suzuki | 3:41 |
| 2017-03-23 – 2017-03-25 | Erstanden ist der heilige Christ: III. Und seit dass er erstanden ist | tenor vocals [tenor II] | Dann Coakwell, James Taylor, Yale Institute of Sacred Music, Masaaki Suzuki | 1:46 |
| 2017-03-23 – 2017-03-25 | Jauchzet dem Herren alle Welt: I. Jauchzet dem herren alle welt | tenor vocals | James Taylor, Yale Institute of Sacred Music, Masaaki Suzuki | 7:26 |
| 2017-03-23 – 2017-03-25 | Jauchzet dem Herren alle Welt: II. Geht zu seinen Toren ein | tenor vocals | James Taylor, Yale Institute of Sacred Music, Masaaki Suzuki | 6:00 |
| 2017-03-23 – 2017-03-25 | Paratum cor meum: I. Alleluja - Paratum cor meum | tenor vocals [tenor II] | Dann Coakwell, James Taylor, Paul Max Tipton, Yale Institute of Sacred Music, Masaaki Suzuki | 5:32 |
| 2017-03-23 – 2017-03-25 | Paratum cor meum: II. Confitebor tibi in populis Domine | tenor vocals [tenor II] | Dann Coakwell, James Taylor, Paul Max Tipton, Yale Institute of Sacred Music, Masaaki Suzuki | 4:50 |
| 2017-03-23 – 2017-03-25 | Paratum cor meum: III. Exaltare super coelos Deus | tenor vocals [tenor II] | Dann Coakwell, James Taylor, Paul Max Tipton, Yale Institute of Sacred Music, Masaaki Suzuki | 2:18 |
| Am Abend: Geistliches Lied, BWV 446 "Der lieben Sonne Licht und Pracht" | tenor vocals | Sibylla Rubens, James Taylor, Gächinger Kantorei Stuttgart, Helmuth Rilling | 2:05 |
| Am Abend: Geistliches Lied, BWV 448 "Der Tag mit seinem Lichte" / Choralsatz, BWV deest (Wiemer 5) "Der Tag mit seinem Lichte" | tenor vocals | James Taylor, Gächinger Kantorei Stuttgart, Helmuth Rilling | 3:23 |
| Am Morgen: Geistliches Lied, BWV 440 „Auf, auf! die rechte Zeit ist hier“ | tenor vocals | James Taylor, Helmuth Rilling | 1:31 |
| Aus der Tiefen rufe ich, Herr, zu Dir, BWV 246/40a | tenor vocals | Bach‐Collegium Stuttgart, Helmuth Rilling | 1:05 |
| Coffee Cantata, BWV 211: Recitative, "Schweigt stille, plaudert nicht"; Aria, "Hat man nicht mit seinen Kindern hunderttausend Hudelei!" | tenor vocals | Matthias Goerne, James Taylor, Bach‐Collegium Stuttgart, Helmuth Rilling | 3:31 |
| Geistliches Lied, BWV 450 "Die bittre Leidenszeit beginnt" | tenor vocals | James Taylor | 1:33 |
| Geistliches Lied, BWV 458 "Es ist vollbracht! Vergiß ja nicht dies Wort" | tenor vocals | James Taylor | 2:29 |
| Geistliches Lied, BWV 481 / Choralsatz, BWV 413 "Lasset uns mit Jesu ziehen" | tenor vocals | James Taylor, Bach‐Collegium Stuttgart, Helmuth Rilling | 2:26 |
| Geistliches Lied, BWV 482 „Liebes Herz, bedenke doch“ | tenor vocals | James Taylor | 1:55 |
| h-Moll-Messe, BWV 232: Benedictus | tenor vocals | Bach‐Collegium Stuttgart, Helmuth Rilling | 5:05 |
| h-Moll-Messe, BWV 232: Domine Deus | tenor vocals | Bach‐Collegium Stuttgart, Helmuth Rilling | 6:00 |
| Kantate, BWV 66 "Erfreut euch, ihr Herzen": IV. Recitativo (Alto, Tenor) "Bei Jesu Leben freudig sein" | tenor vocals | Collegium Vocale Gent, Philippe Herreweghe | 4:26 |
| Kantate, BWV 66 "Erfreut euch, ihr Herzen": V. Aria (Alto, Tenor) "Ich fürchte zwar" - "Ich fürchte nicht" | tenor vocals | Collegium Vocale Gent, Philippe Herreweghe | 8:48 |
| Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": IX. Aria (Tmolus) "Phoebus, deine Melodei" | tenor vocals [Tmolus] | Akademie für Alte Musik Berlin, René Jacobs | 6:32 |
| Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": VIII. Rezitativ (Mercurius, Tmolus) "Nunmehro Richter her!" | tenor vocals [Tmolus] | Akademie für Alte Musik Berlin, René Jacobs | 0:44 |
| Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XII. Rezitativ (Momus, Mercurius, Tmolus, Phoebus, Midas, Pan) "Wie, Midas, bist du toll?" | tenor vocals [Tmolus] | Akademie für Alte Musik Berlin, René Jacobs | 1:03 |
| Kantate, BWV 201 „Geschwinde, ihr wirbelnden Winde“: X. Recitativo (Tenor II e Bass II) „Komm, Midas, sage du nun an“ | tenor vocals [Midas] | Bach‐Collegium Stuttgart, Helmuth Rilling | 0:53 |
| Kantate, BWV 201 „Geschwinde, ihr wirbelnden Winde“: XI. Aria (Tenor II) „Pan ist Meister, laßt ihn gehn“ | tenor vocals [Midas] | Bach‐Collegium Stuttgart, Helmuth Rilling | 5:17 |
| Kantate, BWV 201 „Geschwinde, ihr wirbelnden Winde“: XII. Recitativo (Tutti) „Wie, Midas, bist du toll“ | tenor vocals [Midas] | Bach‐Collegium Stuttgart, Helmuth Rilling | 1:15 |
| Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" | tenor vocals | Bach‐Collegium Stuttgart, Helmuth Rilling | 0:39 |
| Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" | tenor vocals | Bach‐Collegium Stuttgart, Helmuth Rilling | 0:45 |
| Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" | tenor vocals | Bach‐Collegium Stuttgart, Helmuth Rilling | 4:35 |
| Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": IV. Rezitativ (Wollust, Tugend) "Auf! folge meiner Bahn" | tenor vocals [Tugend] | Akademie für Alte Musik Berlin, René Jacobs | 1:18 |
| Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VI. Rezitativ (Tugend) "Mein hoffnungsvoller Held!" | tenor vocals [Tugend] | Akademie für Alte Musik Berlin, René Jacobs | 1:00 |
| Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VII. Aria (Tugend) "Auf meinen Flügeln sollst Du schweben" | tenor vocals [Tugend] | Akademie für Alte Musik Berlin, René Jacobs | 5:29 |
| Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VIII. Rezitativ (Tugend) "Die weiche Wollust locket zwar" | tenor vocals [Tugend] | Akademie für Alte Musik Berlin, René Jacobs | 0:38 |
| Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": X. Rezitativ (Hercules, Tugend) "Geliebte Tugend, du allein" | tenor vocals [Tugend] | Akademie für Alte Musik Berlin, René Jacobs | 0:43 |
| Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XI. Duetto (Hercules, Tugend) "Ich bin deine, du bist meine" | tenor vocals [Tugend] | Akademie für Alte Musik Berlin, René Jacobs | 8:11 |
| Magnificat D‐Dur, BWV 243: IX. Aria (Alt) „Esurientes implevit bonis“ | tenor vocals | Bach‐Collegium Stuttgart, Helmuth Rilling | 2:57 |
| Magnificat D‐Dur, BWV 243: VI. Aria (Alt, Tenor) „Et misericordia“ | tenor vocals | Bach‐Collegium Stuttgart, Helmuth Rilling | 3:46 |
| Magnificat D‐Dur, BWV 243: VIII. Aria (Tenor) „Deposuit potentes“ | tenor vocals | Bach‐Collegium Stuttgart, Helmuth Rilling | 1:58 |
| Missa Solemnis, op. 123, Ré majeur: Agnus Dei | | Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, La Chapelle Royale, Orchestre des Champs‐Élysées, Philippe Herreweghe | 16:09 |
| Missa Solemnis, op. 123, Ré majeur: Benedictus | | Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, La Chapelle Royale, Orchestre des Champs‐Élysées, Philippe Herreweghe | 9:22 |
| Missa Solemnis, op. 123, Ré majeur: Credo | | Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, La Chapelle Royale, Orchestre des Champs‐Élysées, Philippe Herreweghe | 17:42 |
| Missa Solemnis, op. 123, Ré majeur: Gloria | | Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, La Chapelle Royale, Orchestre des Champs‐Élysées, Philippe Herreweghe | 17:00 |
| Missa Solemnis, op. 123, Ré majeur: Kyrie | | Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, La Chapelle Royale, Orchestre des Champs‐Élysées, Philippe Herreweghe | 11:56 |
| Missa Solemnis, op. 123, Ré majeur: Sanctus | | Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, La Chapelle Royale, Orchestre des Champs‐Élysées, Philippe Herreweghe | 5:17 |
| Missa Solemnis, op. 123: Agnus Dei: Agnus Dei | tenor vocals | George Mabry, Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Nashville Symphony Orchestra, Kenneth Schermerhorn | 5:48 |
| Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem | tenor vocals | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | 9:27 |
| Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem | tenor vocals | George Mabry, Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Nashville Symphony Orchestra, Kenneth Schermerhorn | 9:27 |
| Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem | tenor vocals | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | 5:48 |
| Missa Solemnis, op. 123: Credo: Credo in unum Deum | tenor vocals | George Mabry, Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Nashville Symphony Orchestra, Kenneth Schermerhorn | 4:00 |
| Missa Solemnis, op. 123: Credo: Credo in unum Deum | tenor vocals | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | 4:00 |
| Missa Solemnis, op. 123: Credo: Et incarnatus est | tenor vocals | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | 5:06 |
| Missa Solemnis, op. 123: Credo: Et incarnatus est | tenor vocals | George Mabry, Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Nashville Symphony Orchestra, Kenneth Schermerhorn | 5:06 |
| Missa Solemnis, op. 123: Credo: Et resurrexit tertia die | tenor vocals | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | 9:18 |
| Missa Solemnis, op. 123: Credo: Et resurrexit tertia die | tenor vocals | George Mabry, Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Nashville Symphony Orchestra, Kenneth Schermerhorn | 9:18 |
| Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo | tenor vocals | George Mabry, Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Nashville Symphony Orchestra, Kenneth Schermerhorn | 4:42 |
| Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo | tenor vocals | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | 4:42 |
| Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundi | tenor vocals | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | 5:17 |
| Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu | tenor vocals | George Mabry, Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Nashville Symphony Orchestra, Kenneth Schermerhorn | 5:17 |
| Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus | tenor vocals | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | 6:55 |
| Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus | tenor vocals | George Mabry, Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Nashville Symphony Orchestra, Kenneth Schermerhorn | 6:55 |
| Missa Solemnis, op. 123: Kyrie eleison | tenor vocals | George Mabry, Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Nashville Symphony Orchestra, Kenneth Schermerhorn | 10:35 |
| Missa Solemnis, op. 123: Kyrie eleison | tenor vocals | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | 10:35 |
| Missa Solemnis, op. 123: Sanctus | tenor vocals | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | 5:33 |
| Missa Solemnis, op. 123: Sanctus: Benedictus | tenor vocals | George Mabry, Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | 10:29 |
| Missa Solemnis, op. 123: Sanctus: Benedictus | tenor vocals | Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Kenneth Schermerhorn | 10:29 |
| Missa Solemnis, op. 123: Sanctus: Sanctus | tenor vocals | George Mabry, Jay Baylon, Nashville Symphony Chorus, Lori Phillips, Robynne Redmon, James Taylor, Nashville Symphony Orchestra, Kenneth Schermerhorn | 5:33 |
| Oster-Oratorium, BWV 249: IV. Recitativo (Soprano, Alto, Tenor, Basso) "O kalter Männer Sinn" | tenor vocals | Collegium Vocale Gent, Philippe Herreweghe | 1:05 |
| Oster-Oratorium, BWV 249: VI. Recitativo (Alto, Tenor, Basso) "Hier ist die Gruft" | tenor vocals | Collegium Vocale Gent, Philippe Herreweghe | 0:49 |
| Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" | tenor vocals | Collegium Vocale Gent, Philippe Herreweghe | 7:41 |
| Sacred Song BWV 454 | | Johann Sebastian Bach | 2:20 |
| See all 127 relationships |
| vocals |
|---|
| 1996-07-06 – 1996-07-09 | Masses | tenor vocals | Franz Schubert | |
| Die kompletten Werke, Volume 20: Weihnachts-Oratorium / Ein Choralbuch | tenor vocals | Johann Sebastian Bach; Helmuth Rilling | |
