| balance engineered |
|---|
| 1987-03 | Piano Quartet in E-flat major, K. 493: I. Allegro | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 14:56 |
| 1987-03 | Piano Quartet in E-flat major, K. 493: II. Larghetto | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 10:22 |
| 1987-03 | Piano Quartet in E-flat major, K. 493: III. Allegretto | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 8:53 |
| 1987-03 | Piano Quartet in G minor, K. 478: I. Allegro | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 11:10 |
| 1987-03 | Piano Quartet in G minor, K. 478: II. Andante | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 7:27 |
| 1987-03 | Piano Quartet in G minor, K. 478: III. Rondo: Allegro moderato | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 7:53 |
| 1987-12 | Symphony no. 8 in B minor, D 759 “Unfinished”: I. Allegro moderato | | The Chamber Orchestra of Europe, Claudio Abbado | 15:00 |
| 1987-12 | Symphony no. 8 in B minor, D 759 “Unfinished”: II. Andante con moto | | The Chamber Orchestra of Europe, Claudio Abbado | 11:37 |
| 1987-12 | Symphony no. 9 in C major "Great", D. 944: 1. Andante - Allegro ma non troppo | | The Chamber Orchestra of Europe, Claudio Abbado | 16:43 |
| 1987-12 | Symphony no. 9 in C major "Great", D. 944: 2. Andante con moto | | The Chamber Orchestra of Europe, Claudio Abbado | 15:26 |
| 1987-12 | Symphony no. 9 in C major "Great", D. 944: 3. Scherzo. Allegro vivace | | The Chamber Orchestra of Europe, Claudio Abbado | 14:00 |
| 1987-12 | Symphony no. 9 in C major "Great", D. 944: 4. Allegro vivace | | The Chamber Orchestra of Europe, Claudio Abbado | 15:28 |
| 1991-08 | Piano Sonata No. 19 in D major: III. Finale. Allegro assai | | Ivo Pogorelich | 3:13 |
| 1991-09 | Sonata in D minor, K. 9: Allegro moderato | piano | Ivo Pogorelich | 4:14 |
| 1992-11 | Finlandia, op. 26 no. 7 | | Berliner Philharmoniker, James Levine | 8:32 |
| 1992-11 | Symphony no. 2 in D major, op. 43: I. Allegretto | | Berliner Philharmoniker, James Levine | 9:07 |
| 1992-11 | Symphony no. 2 in D major, op. 43: II. Tempo Andante, ma rubato | | Berliner Philharmoniker, James Levine | 12:43 |
| 1992-11 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | | Berliner Philharmoniker, James Levine | 5:51 |
| 1992-11 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | | Berliner Philharmoniker, James Levine | 12:32 |
| 1992-11 | Symphony no. 5 in E-flat major, op. 82: Ia. Tempo molto moderato - Largamente - Allegro moderato - Presto | | Berliner Philharmoniker, James Levine | 7:40 |
| 1992-11 | Symphony no. 5 in E-flat major, op. 82: Ib. Allegro moderato - Presto | | Berliner Philharmoniker, James Levine | 4:52 |
| 1992-11 | Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | | Berliner Philharmoniker, James Levine | 8:11 |
| 1992-11 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai | | Berliner Philharmoniker, James Levine | 8:38 |
| 1992-11 | Valse Triste, op. 44 | | Berliner Philharmoniker, James Levine | 6:39 |
| 1993-04 | Così fan tutte: Act II. "Una donna a quindici anni" (Despina) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 3:26 |
| 1993-04 | Die Entführung aus dem Serail - Ach ich liebte (Constanze) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 5:16 |
| 1993-04 | Die Entführung aus dem Serail - Welcher Kummer herrscht in meiner Seele...Traurigkeit ward mir zum Lose (Constanze) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 8:29 |
| 1993-04 | Die Entführung aus dem Serail: Welche Wonne, welche Lust | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 2:45 |
| 1993-04 | Die Zauberflöte - Ach, ich fühl's, es ist verschwunden (Pamina) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 4:02 |
| 1993-04 | Die Zauberflöte - Bald prangt, den Morgen zu verkünden (Pamina) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 5:50 |
| 1993-04 | Don Giovanni - Batti, batti, o bel Masetto (Zerlina) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 3:59 |
| 1993-04 | Don Giovanni - Vedrai, carino (Zerlina) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 3:47 |
| 1993-04 | La Clemenza di Tito: Act II. "S'altro che lagrime" (Servilia) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 2:53 |
| 1993-04 | Le nozze di Figaro - Giunse alfin il momento...Deh vieni, non tardar (Susanna) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 4:42 |
| 1993-04 | Le nozze di Figaro - Non so più cosa son, cosa faccio (Cherubino) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 3:12 |
| 1993-04 | Le nozze di Figaro - Porgi amor, qualche ristoro (Countess) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 4:12 |
| 1993-04 | Zaïde - Ruhe sanft, mein holdes Leben (Zaide) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 6:30 |
| 1993-11 | Adagio for Violin and Orchestra in E, K. 261: Adagio | | David Garrett, Alexander Markovich | 8:40 |
| 1993-11 | Partita for Violin Solo no. 2 in D minor, BWV 1004: I. Allemande | | David Garrett | 5:18 |
| 1993-11 | Partita for Violin Solo no. 2 in D minor, BWV 1004: II. Corrente | | David Garrett | 3:02 |
| 1993-11 | Partita for Violin Solo no. 2 in D minor, BWV 1004: III. Sarabande | | David Garrett | 5:42 |
| 1993-11 | Partita for Violin Solo no. 2 in D minor, BWV 1004: IV. Giga | | David Garrett | 3:32 |
| 1993-11 | Partita for Violin Solo no. 2 in D minor, BWV 1004: V. Ciaccona | | David Garrett | 19:53 |
| 1993-11 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": I. Allegro | | David Garrett, Alexander Markovich | 10:52 |
| 1993-11 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": II. Adagio molto espressivo | | David Garrett, Alexander Markovich | 7:09 |
| 1993-11 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": III. Scherzo (Allegro molto) | | David Garrett, Alexander Markovich | 1:19 |
| 1993-11 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": IV. Rondo (Allegro ma non troppo) | | David Garrett, Alexander Markovich | 6:50 |
| 1994-02 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | | Berliner Philharmoniker, James Levine | 11:23 |
| 1994-02 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | | Berliner Philharmoniker, James Levine | 4:57 |
| 1994-02 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | | Berliner Philharmoniker, James Levine | 11:30 |
| 1994-02 | Symphony no. 4 in A minor, op. 63: IV. Allegro | | Berliner Philharmoniker, James Levine | 9:38 |
| 1996-12 | Violin Concerto no. 3 in G major, K. 216: I. Allegro aperto | | Augustin Dumay, Camerata Salzburg | 9:19 |
| 1996-12 | Violin Concerto no. 3 in G major, K. 216: II. Adagio | | Augustin Dumay, Camerata Salzburg | 7:33 |
| 1996-12 | Violin Concerto no. 3 in G major, K. 216: III. Rondeau | | Augustin Dumay, Camerata Salzburg | 6:31 |
| 1996-12 | Violin Concerto no. 4 in D major, K. 218: I. Allegro aperto | | Augustin Dumay, Camerata Salzburg | 9:15 |
| 1996-12 | Violin Concerto no. 4 in D major, K. 218: II. Andante cantabile | | Augustin Dumay, Camerata Salzburg | 6:45 |
| 1996-12 | Violin Concerto no. 4 in D major, K. 218: III. Rondeau | | Augustin Dumay, Camerata Salzburg | 7:24 |
| 1996-12 | Violin Concerto no. 5 in A major, K. 219: I. Allegro aperto | | Augustin Dumay, Camerata Salzburg | 10:02 |
| 1996-12 | Violin Concerto no. 5 in A major, K. 219: II. Adagio | | Augustin Dumay, Camerata Salzburg | 9:33 |
| 1996-12 | Violin Concerto no. 5 in A major, K. 219: III. Rondeau | | Augustin Dumay, Camerata Salzburg | 8:44 |
| “Porgy and Bess” Suite | | Chicago Symphony Orchestra, James Levine | 23:26 |
| 2 Pieces for Cello and Piano: I. Langsam | | Clemens Hagen, Oleg Maisenberg | 2:05 |
| 2 Pieces for Cello and Piano: II. Langsam | | Clemens Hagen, Oleg Maisenberg | 3:07 |
| A Set of Pieces: I. In the Cage | | Orpheus Chamber Orchestra | 1:01 |
| A Set of Pieces: II. In the Inn | | Orpheus Chamber Orchestra | 4:23 |
| A Set of Pieces: III. In the Night | | Orpheus Chamber Orchestra | 2:52 |
| An American in Paris | | Chicago Symphony Orchestra, James Levine | 17:33 |
| Aria variata alla maniera italiana in A minor, (Aria)[without tempo indication] | | Kenneth Gilbert | 2:10 |
| Aria variata alla maniera italiana in A minor, Variatio Aria variata alla maniera italiana in A minor, Variatio IV. Allegro | | Kenneth Gilbert | 1:51 |
| Aria variata alla maniera italiana in A minor, Variatio I. Largo | | Kenneth Gilbert | 1:23 |
| Aria variata alla maniera italiana in A minor, Variatio II | | Kenneth Gilbert | 1:13 |
| Aria variata alla maniera italiana in A minor, Variatio III | | Kenneth Gilbert | 1:09 |
| Aria variata alla maniera italiana in A minor, Variatio IX | | Kenneth Gilbert | 1:11 |
| Aria variata alla maniera italiana in A minor, Variatio V. Un poco allegro | | Kenneth Gilbert | 1:04 |
| Aria variata alla maniera italiana in A minor, Variatio VI. Andante | | Kenneth Gilbert | 1:45 |
| Aria variata alla maniera italiana in A minor, Variatio VII. Un poco allegro | | Kenneth Gilbert | 1:12 |
| Aria variata alla maniera italiana in A minor, Variatio VIII. Allegro | | Kenneth Gilbert | 1:03 |
| Aria variata alla maniera italiana in A minor, Variatio X | | Kenneth Gilbert | 1:54 |
| Atlas Eclipticalis | | Chicago Symphony Orchestra, James Levine | 14:19 |
| Atmosphères (1961) | | Wiener Philharmoniker, Claudio Abbado | 9:06 |
| Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396 | | Michael Chance, Ashley Stafford, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | 5:36 |
| Benedicamus Domino II | | Pomerium, Alexander Blachly | 1:33 |
| Benvenuto Cellini, op. 23 | | Berliner Philharmoniker, James Levine | 10:22 |
| Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: 1b. Arie (soprano) "Fliesse, Wonnezähre, fliesse!" | | Orchester der Deutschen Oper Berlin, Christian Thielemann | 12:08 |
| Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: Ia. Recitative (soprano, choir) "Er schlummert" - "Lasst sanft den grossen Fürsten ruhen!" | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 4:23 |
| Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: II. Recitative (bass) "Ihr staunt, Völker der Erde!" | | Orchester der Deutschen Oper Berlin, Christian Thielemann | 0:50 |
| Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IIIa. Recitative (tenor) "Wie bebt mein Herz vor Wonne!" | | Orchester der Deutschen Oper Berlin, Christian Thielemann | 0:56 |
| Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IIIb. Trio (tenor, bass, soprano) "Ihr, die Joseph ihren vater nannten" | | Orchester der Deutschen Oper Berlin, Christian Thielemann | 4:15 |
| Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IV. Choir "Heil! Stürzet nieder, Millionen'" | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 5:10 |
| Capriccio in B flat major, [without tempo indication] | | Kenneth Gilbert | 0:34 |
| Capriccio in B flat major, [without tempo indication] | | Kenneth Gilbert | 1:39 |
| Capriccio in B flat major, Adagiosissimo | | Kenneth Gilbert | 2:31 |
| Capriccio in B flat major, Aria di Postiglione. Allegro poco | | Kenneth Gilbert | 1:08 |
| Capriccio in B flat major, Arioso. Adagio | | Kenneth Gilbert | 2:00 |
| Capriccio in B flat major, Fuga all'imitatione di Posta | | Kenneth Gilbert | 2:47 |
| Cello Sonata "Sehr bewegt" | | Clemens Hagen, Oleg Maisenberg | 1:51 |
| Certes mon oueil | | Orlando Consort | 5:37 |
| Chamber Concerto for Piano and Violin with 13 Wind Instruments: II. Adagio | | Gidon Kremer, Oleg Maisenberg, Sabine Meyer | 12:30 |
| Christe Fili Dei – J’ay pris amours (à 4) | | Orlando Consort | 3:00 |
| Comment puet on | | Orlando Consort | 4:29 |
| See all 493 relationships |
| edited |
|---|
| Adagio in E major, K. 261 | | Itzhak Perlman, Wiener Philharmoniker, James Levine | 8:08 |
| Allnächtlich im Traume, op. 86 Nr. 4 | | Samuel Hasselhorn, Boris Kusnezow | 1:24 |
| Am leuchtenden Sommermorgen, op. 11 Nr. 2 | | Samuel Hasselhorn, Boris Kusnezow | 1:38 |
| Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396 | | Michael Chance, Ashley Stafford, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | 5:36 |
| Aus alten Märchen winkt es, op. 60 Nr. 3 | | Samuel Hasselhorn, Boris Kusnezow | 3:28 |
| Aus meinen Tränen sprießen „Iz slyoz moikh vyroslo mnogo“ | | Samuel Hasselhorn, Boris Kusnezow | 1:42 |
| Concerto a Due Cori No. 2: I. Pomposo | | The English Concert, Trevor Pinnock | 1:46 |
| Concerto a due cori No. 2: II. Allegro | | The English Concert, Trevor Pinnock | 2:10 |
| Concerto a due cori No. 2: III. A tempo giusto | | The English Concert, Trevor Pinnock | 2:50 |
| Concerto a due cori No. 2: IV. Largo | | The English Concert, Trevor Pinnock | 2:25 |
| Concerto a due cori No. 2: V. Allegro ma non troppo | | The English Concert, Trevor Pinnock | 4:04 |
| Concerto a due cori No. 2: VI. A tempo ordinario | | The English Concert, Trevor Pinnock | 3:33 |
| Concerto a due cori No. 3: I. Ouverture | | The English Concert, Trevor Pinnock | 1:53 |
| Concerto a due cori No. 3: II. Allegro | | The English Concert, Trevor Pinnock | 3:06 |
| Concerto a due cori No. 3: III. Allegro ma non troppo | | The English Concert, Trevor Pinnock | 3:16 |
| Concerto a due cori No. 3: IV. Adagio | | The English Concert, Trevor Pinnock | 1:21 |
| Concerto a due cori No. 3: V. Andante larghetto | | The English Concert, Trevor Pinnock | 4:02 |
| Concerto a due cori No. 3: VI. Allegro | | The English Concert, Trevor Pinnock | 4:29 |
| Concerto for 2 cellos, strings and basso continuo in G minor, RV 531: I. Allegro | | Thomas Demenga, Regula Häusler, Camerata Bern, Thomas Füri | 3:50 |
| Concerto for 2 cellos, strings and basso continuo in G minor, RV 531: II. Largo | | Thomas Demenga, Regula Häusler, Camerata Bern, Thomas Füri | 3:08 |
| Concerto for 2 cellos, strings and basso continuo in G minor, RV 531: III. Allegro | | Thomas Demenga, Regula Häusler, Camerata Bern, Thomas Füri | 3:09 |
| Concerto for 2 violins, strings and basso continuo in B major RV 524: I. | | Patrick Genet, Karen Turpie, Camerata Bern, Thomas Füri | 4:22 |
| Concerto for 2 violins, strings and basso continuo in B major RV 524: II. | | Patrick Genet, Karen Turpie, Camerata Bern, Thomas Füri | 3:56 |
| Concerto for 2 violins, strings and basso continuo in B major RV 524: III. | | Patrick Genet, Karen Turpie, Camerata Bern, Thomas Füri | 2:58 |
| Concerto for lute, violins and basso continuo in D major, RV 93: I. (Allegro giusto) | | Göran Söllscher, Camerata Bern, Thomas Füri | 3:30 |
| Concerto for Lute, Violins and Basso continuo in D major, RV 93: II. Largo | | Göran Söllscher, Camerata Bern, Thomas Füri | 5:05 |
| Concerto for lute, violins and basso continuo in D major, RV 93: III. Allegro | | Göran Söllscher, Camerata Bern, Thomas Füri | 2:06 |
| Concerto for Piano and Orchestra no. 16 in D major, K. 451: I. Allegro assai | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 10:31 |
| Concerto for Piano and Orchestra no. 16 in D major, K. 451: II. Andante | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 6:00 |
| Concerto for Piano and Orchestra no. 16 in D major, K. 451: III. Rondeau. Allegro di molto | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 6:22 |
| Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 11:27 |
| Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 10:30 |
| Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 8:11 |
| Concerto per 2 mandolini, archi e cembalo in Do maggiore, RV 532: I. Allegro molto | | Göran Söllscher, Camerata Bern, Thomas Füri | 4:01 |
| Concerto per 2 mandolini, archi e cembalo in Do maggiore, RV 532: II. Andante | | Göran Söllscher, Camerata Bern, Thomas Füri | 4:31 |
| Concerto per 2 mandolini, archi e cembalo in Do maggiore, RV 532: III. Allegro | | Göran Söllscher, Camerata Bern, Thomas Füri | 3:23 |
| Das ist ein Flöten und Geigen, op. 60 Nr. 1 | | Samuel Hasselhorn, Boris Kusnezow | 1:51 |
| Dichterliebe, op. 48: Allnächtlich im Traume | | Samuel Hasselhorn, Boris Kusnezow | 1:21 |
| Dichterliebe, op. 48: Am leuchtenden Sommermorgen | | Samuel Hasselhorn, Boris Kusnezow | 2:04 |
| Dichterliebe, op. 48: Aus alten Märchen winkt es | | Samuel Hasselhorn, Boris Kusnezow | 2:28 |
| Dichterliebe, op. 48: Aus meinen Tränen spriessen | | Samuel Hasselhorn, Boris Kusnezow | 0:59 |
| Dichterliebe, op. 48: Das ist ein Flöten und Geigen | | Samuel Hasselhorn, Boris Kusnezow | 1:26 |
| Dichterliebe, op. 48: Die alten, bösen Lieder | | Samuel Hasselhorn, Boris Kusnezow | 4:18 |
| Dichterliebe, op. 48: Die Rose, die Lilie, die Taube, die Sonne | | Samuel Hasselhorn, Boris Kusnezow | 0:37 |
| Dichterliebe, op. 48: Ein Jüngling liebt ein Mädchen | | Samuel Hasselhorn, Boris Kusnezow | 1:05 |
| Dichterliebe, op. 48: Hör’ ich das Liedchen klingen | | Samuel Hasselhorn, Boris Kusnezow | 1:51 |
| Dichterliebe, op. 48: Ich grolle nicht | | Samuel Hasselhorn, Boris Kusnezow | 1:30 |
| Dichterliebe, op. 48: Ich hab’ im Traum geweinet | | Samuel Hasselhorn, Boris Kusnezow | 2:14 |
| Dichterliebe, op. 48: Ich will meine Seele tauchen | | Samuel Hasselhorn, Boris Kusnezow | 0:51 |
| Dichterliebe, op. 48: Im Rhein, im heiligen Strome | | Samuel Hasselhorn, Boris Kusnezow | 2:27 |
| Dichterliebe, op. 48: Im wunderschönen Monat Mai | | Samuel Hasselhorn, Boris Kusnezow | 1:25 |
| Dichterliebe, op. 48: Und wüßten’s die Blumen, die kleinen | | Samuel Hasselhorn, Boris Kusnezow | 1:14 |
| Dichterliebe, op. 48: Wenn ich in deine Augen seh | | Samuel Hasselhorn, Boris Kusnezow | 1:37 |
| Die alten, bösen Lieder, op. 60 Nr. 4 | | Samuel Hasselhorn, Boris Kusnezow | 4:55 |
| Die Rose, die Lilie, op. 34 Nr. 5 | | Samuel Hasselhorn, Boris Kusnezow | 0:46 |
| Ein Jüngling liebt ein Mädchen, op. 60 Nr. 2 | | Samuel Hasselhorn, Boris Kusnezow | 5:34 |
| Episoden, op. 115: I. Andante | | Markus Becker | 3:40 |
| Episoden, op. 115: II. Andantino con moto | | Markus Becker | 3:15 |
| Episoden, op. 115: III. Allegretto | | Markus Becker | 3:30 |
| Episoden, op. 115: IV. Andante sostenuto | | Markus Becker | 4:16 |
| Episoden, op. 115: V. Larghetto | | Markus Becker | 5:13 |
| Freue dich des Weibes deiner Jugend, SWV 453 | | Frieder Lang, The Monteverdi Choir, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | 4:23 |
| Hör ich das Liedchen klingen, op. 39 Nr. 6 | | Samuel Hasselhorn, Boris Kusnezow | 1:17 |
| Ich grolle nicht | | Samuel Hasselhorn, Boris Kusnezow | 2:49 |
| Ich hab’ im Traume geweinet, op. 9 Nr. 6 | | Samuel Hasselhorn, Boris Kusnezow | 1:34 |
| Ich will meine Seele tauchen, op. 43 Nr. 4 | | Samuel Hasselhorn, Boris Kusnezow | 0:53 |
| Im Rhein, im schönen Strome, S. 272 | | Samuel Hasselhorn, Boris Kusnezow | 2:55 |
| Im wunderschönen Monat Mai, op. 25 Nr. 5 | | Samuel Hasselhorn, Boris Kusnezow | 1:19 |
| Ist nicht Ephraim mein teurer Sohn, SWV 40 | | Ruth Holton, The Monteverdi Choir, Ashley Stafford, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | 6:18 |
| L'Orfeo: Atto primo. "In questo lieto e fortunato giorno" / "Vieni, Imeneo" / "Muse, onor di Parnaso" | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Nancy Argenta, Mark Tucker | 3:28 |
| L'Orfeo: Atto primo. "Ma se il nostro gioir" / "Ecco Orfeo, cui pur" | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Nancy Argenta, Mark Tucker, Nigel Robson, Michael Chance, Simon Birchall | 5:09 |
| L'Orfeo: Atto primo. "Rosa del ciel" / "Io non dirò qual sia" / Balletto. "Lasciate i monti" / "Vieni, Imeneo" | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Anthony Rolfe Johnson, Julianne Baird | 4:27 |
| L'Orfeo: Atto primo. Balletto. "Lasciate i monti" / "Ma tu, gentil cantor" | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Michael Chance | 2:34 |
| L'Orfeo: Atto quarto. "Ahi, vista troppo dolce" / "Torn'a l'ombra" / "Dove ten vai" | | John Eliot Gardiner, The English Baroque Soloists; Anthony Rolfe Johnson, Julianne Baird, Howard Milner | 2:34 |
| L'Orfeo: Atto quarto. "È la virtute un raggio" (Coro di spiriti) | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir | 2:29 |
| L'Orfeo: Atto quarto. "Pietade, oggi, e amore" / "Ecco il gentil cantor" | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Howard Milner | 0:40 |
| L'Orfeo: Atto quarto. "Qual onor di te" / "O dolcissimi lumi" / "Rotto haila legge" | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, John Tomlinson | 3:15 |
| L'Orfeo: Atto quarto. "Signor, quel infelice" / "Benché severo" / "O degli abitator" / "Quali grazie ti rendo" / "Tue soavi parole" | | John Eliot Gardiner, The English Baroque Soloists, Diana Montague, Willard White, Howard Milner, Nicolas Robertson | 6:54 |
| L'Orfeo: Atto quinto. "Questi i campi di Tracia" (Orfeo, Eco) | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Mark Tucker | 8:09 |
| L'Orfeo: Atto quinto. "Vanne Orfeo" (Coro di ninfe e pastori) | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir | 0:59 |
| L'Orfeo: Atto quinto. Moresca | | John Eliot Gardiner, The English Baroque Soloists | 1:15 |
| L'Orfeo: Atto quinto. Sinfonia / "Perché a lo sdegno" | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Nigel Robson | 5:47 |
| L'Orfeo: Atto secondo. "Ahi, caso acerbo" / "In un fiorito prato" | | Michael Chance, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, Mark Tucker, English Baroque Soloists, Sir John Eliot Gardiner | 9:28 |
| L'Orfeo: Atto secondo. "Ahi, caso acerbo" / "Ma io, che in questa lingua" | | Monteverdi Choir, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | 2:49 |
| L'Orfeo: Atto secondo. "Mira che sé n'alletta" / "Dunque fa degni, Orfeo" | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Mark Tucker, Nigel Robson | 2:15 |
| L'Orfeo: Atto secondo. "Vi ricorda, o bosch'ombrosi" (Orfeo, Pastore I) | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson | 2:51 |
| L'Orfeo: Atto secondo. Sinfonia / "Chi ne consola, ahi lassi?" / "Ahi, caso acerbo" / "Ma dove, ah dove" / "Ahi, caso acerbo" | | Monteverdi Choir, Nigel Robson, Mark Tucker, English Baroque Soloists, Sir John Eliot Gardiner | 7:09 |
| L'Orfeo: Atto secondo. Sinfonia / "Ecco pur ch'a voi ritorno" | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson | 0:49 |
| L'Orfeo: Atto terzo. "Ben mi lusinga" | | John Eliot Gardiner, Anthony Rolfe Johnson, Nicolas Robertson | 5:21 |
| L'Orfeo: Atto terzo. "Nulla impresa per uom" (Coro di spiriti) | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir | 2:48 |
| L'Orfeo: Atto terzo. "O tu, ch'inanzi morte" (Caronte) | | The English Baroque Soloists, John Tomlinson | 2:13 |
| L'Orfeo: Atto terzo. Sinfonia / "Scorto da te, mio Nume" / "Ecco l'atra palude" / "Dove, ah dove ten vai" | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Mary Nichols | 6:29 |
| L'Orfeo: Prologo. "Dal mio Permesso" (La Musica) | | John Eliot Gardiner, The English Baroque Soloists, Lynne Dawson | 5:44 |
| L’Orfeo: Toccata | | His Majestys Sagbutts and Cornetts, English Baroque Soloists, Sir John Eliot Gardiner | 1:37 |
| Lose Blätter, op. 13: XII. Choral | | Markus Becker | 1:31 |
| Mass in B minor BWV 232: I. Kyrie: Kyrie eleison | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 9:29 |
| Mass in B minor BWV 232: II. Kyrie: Christe eleison | | Lynne Dawson, Carol Hall, English Baroque Soloists, Sir John Eliot Gardiner | 4:52 |
| Mass in B minor BWV 232: III. Kyrie: Kyrie eleison | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 3:32 |
| Mass in B minor BWV 232: IV. Gloria: Gloria in excelsis (attacca) | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 1:43 |
| Mass in B minor BWV 232: IX. Gloria: Qui tollis peccata mundi | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 3:19 |
| See all 147 relationships |
| engineered |
|---|
| 1992-11 | Swan Lake, suite from ballet, op. 20: I. Scène | | Wiener Philharmoniker, James Levine | 2:48 |
| 1992-11 | Swan Lake, suite from ballet, op. 20: II. Valse | | Wiener Philharmoniker, James Levine | 6:47 |
| 1992-11 | Swan Lake, suite from ballet, op. 20: III. Danse des cygnes | | Wiener Philharmoniker, James Levine | 1:32 |
| 1992-11 | Swan Lake, suite from ballet, op. 20: IV. Scène | | Wiener Philharmoniker, James Levine | 6:57 |
| 1992-11 | Swan Lake, suite from ballet, op. 20: V. Danse hongroise (Czardas) | | Wiener Philharmoniker, James Levine | 3:00 |
| 1992-11 | Swan Lake, suite from ballet, op. 20: VI. Scène (finale) | | Wiener Philharmoniker, James Levine | 9:38 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: I. Ouverture miniature | | Wiener Philharmoniker, James Levine | 3:08 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: II. Danses Caractéristiques: a. Marche | | Wiener Philharmoniker, James Levine | 2:25 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: II. Danses Caractéristiques: b. Danse de la Fée Dragée | | Wiener Philharmoniker, James Levine | 1:41 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: II. Danses Caractéristiques: c. Danse russe Trépack | | Wiener Philharmoniker, James Levine | 1:09 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: II. Danses Caractéristiques: d. Danse arabe | | Wiener Philharmoniker, James Levine | 3:36 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: II. Danses Caractéristiques: e. Danse chinoise | | Wiener Philharmoniker, James Levine | 1:02 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: II. Danses Caractéristiques: f. Danse des mirlitons | | Wiener Philharmoniker, James Levine | 2:06 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: III. Valse des fleures | | Wiener Philharmoniker, James Levine | 6:27 |
| 1992-11 | The Sleeping Beauty, op. 66a: I. Introduction - La Fée des lilas | | Wiener Philharmoniker, James Levine | 4:29 |
| 1992-11 | The Sleeping Beauty, op. 66a: II. Adagio - Pas d'action | | Wiener Philharmoniker, James Levine | 6:15 |
| 1992-11 | The Sleeping Beauty, op. 66a: III. Pas de caractère - Le Chat botté et la Chatte blanche | | Wiener Philharmoniker, James Levine | 1:49 |
| 1992-11 | The Sleeping Beauty, op. 66a: IV. Panorama | | Wiener Philharmoniker, James Levine | 3:11 |
| 1992-11 | The Sleeping Beauty, op. 66a: V. Valse | | Wiener Philharmoniker, James Levine | 4:20 |
| Agnus dei | | Charles Daniels, Donald Greig, Robert Harre-Jones, Angus Smith | 6:24 |
| Ariodante, HWV 33, Act 1: "Ami dunque, o signora?": "Ginevra?" | | Veronica Cangemi, Lynne Dawson, Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 0:53 |
| Ariodante, HWV 33, Act 1: "Apri le luci, e mira" | | Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 3:15 |
| Ariodante, HWV 33, Act 1: "Conosco il merto tuo" | | Veronica Cangemi, Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 1:25 |
| Ariodante, HWV 33, Act 1: "Coperta la frode" | | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 3:29 |
| Ariodante, HWV 33, Act 1: "Dalinda, in occidente" | | Veronica Cangemi, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 0:31 |
| Ariodante, HWV 33, Act 1: "Del mio sol vezzosi rai" | | Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 4:43 |
| Ariodante, HWV 33, Act 1: "Mie speranze, che fate?" | | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 0:28 |
| Ariodante, HWV 33, Act 1: "Orgogliosa beltade!" | | Ewa Podleś, Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 0:27 |
| Ariodante, HWV 33, Act 1: "Orrida agli occhi miei" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 2:13 |
| Ariodante, HWV 33, Act 1: "Pare, ovunque m'aggiri": "E qual propizia stella" | | Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 0:46 |
| Ariodante, HWV 33, Act 1: "Qui d'amor" | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 2:11 |
| Ariodante, HWV 33, Act 1: "Si godete al vostro amor" | | Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski, Chœur des Musiciens du Louvre | 1:01 |
| Ariodante, HWV 33, Act 1: "Spero per voi" | | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 3:27 |
| Ariodante, HWV 33, Act 1: "T'amerò dunque sempre" | | Anne Sofie von Otter, Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 0:40 |
| Ariodante, HWV 33, Act 1: "Vanne pronto, Odoardo" | | Denis Sedov, Luc Coadou, Les Musiciens du Louvre, Marc Minkowski | 0:39 |
| Ariodante, HWV 33, Act 1: "Vezzi, lusinghe, e brio" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 2:19 |
| Ariodante, HWV 33, Act 1: "Volate, amori" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 3:30 |
| Ariodante, HWV 33, Act 1: "Voli colla sua tromba" | | Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 3:41 |
| Ariodante, HWV 33, Act 1: Ah! che quest'alma amante | | Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 0:11 |
| Ariodante, HWV 33, Act 1: Allegro | | Les Musiciens du Louvre, Marc Minkowski | 1:33 |
| Ariodante, HWV 33, Act 1: Ballo: (Gavotte) | | Les Musiciens du Louvre, Marc Minkowski | 0:56 |
| Ariodante, HWV 33, Act 1: Con l'ali di costanza | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 6:16 |
| Ariodante, HWV 33, Act 1: Il primo ardor | | Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 3:00 |
| Ariodante, HWV 33, Act 1: Musette I (Lentement) | | Les Musiciens du Louvre, Marc Minkowski | 2:02 |
| Ariodante, HWV 33, Act 1: Musette II (Andante) | | Les Musiciens du Louvre, Marc Minkowski | 0:49 |
| Ariodante, HWV 33, Act 1: Non vi turbate | | Denis Sedov, Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 1:15 |
| Ariodante, HWV 33, Act 1: Oh! felice mio core! | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 0:11 |
| Ariodante, HWV 33, Act 1: Prendi da questa mano | | Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 1:36 |
| Ariodante, HWV 33, Act 1: Se rinasce nel mio cor | | Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 1:04 |
| Ariodante, HWV 33, Act 1: Sì godete al vostro amor | | Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski, Chœur des Musiciens du Louvre | 0:55 |
| Ariodante, HWV 33, Act 1: Sinfonia pastorale | | Les Musiciens du Louvre, Marc Minkowski | 0:45 |
| Ariodante, HWV 33, Act 2: "A me impudica?" | | Lynne Dawson, Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 2:08 |
| Ariodante, HWV 33, Act 2: "Andiam, fidi, al consiglio" | | Luc Coadou, Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 1:20 |
| Ariodante, HWV 33, Act 2: "Di Dalinda l'amore": "Eccolo o amico" | | Ewa Podleś, Anne Sofie von Otter, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 1:33 |
| Ariodante, HWV 33, Act 2: "E vivo ancora?" | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 0:24 |
| Ariodante, HWV 33, Act 2: "Ginevra?" | | Veronica Cangemi, Ewa Podleś, Anne Sofie von Otter, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 0:24 |
| Ariodante, HWV 33, Act 2: "Il mio crudel martoro" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 9:24 |
| Ariodante, HWV 33, Act 2: "Il tuo sangue" | | Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 3:48 |
| Ariodante, HWV 33, Act 2: "Invida sorte avara" | | Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 5:33 |
| Ariodante, HWV 33, Act 2: "Lo stral ferì nel segno" | | Veronica Cangemi, Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 0:36 |
| Ariodante, HWV 33, Act 2: "Mi palpita il core" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 2:12 |
| Ariodante, HWV 33, Act 2: "Quante sventure un giorno sol ne porta!" | | Lynne Dawson, Veronica Cangemi, Luc Coadou, Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 0:22 |
| Ariodante, HWV 33, Act 2: "Scherza infida in grembo al drudo" | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 11:52 |
| Ariodante, HWV 33, Act 2: "Se tanto piace al cor" | | Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 3:01 |
| Ariodante, HWV 33, Act 2: "Sta'lieta, o principessa!": "Mio Re!" | | Veronica Cangemi, Lynne Dawson, Richard Croft, Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 2:24 |
| Ariodante, HWV 33, Act 2: "Tu preparati a morire" | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 3:51 |
| Ariodante, HWV 33, Act 2: "Tu vivi, e punito" | | Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 3:14 |
| Ariodante, HWV 33, Act 2: Entrée des Songes agréables | | Les Musiciens du Louvre, Marc Minkowski | 1:56 |
| Ariodante, HWV 33, Act 2: Entrée des Songes agréables affligés | | Les Musiciens du Louvre, Marc Minkowski | 0:50 |
| Ariodante, HWV 33, Act 2: Entrée des Songes funestes | | Les Musiciens du Louvre, Marc Minkowski | 1:31 |
| Ariodante, HWV 33, Act 2: Felice fu il mio inganno | | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 0:13 |
| Ariodante, HWV 33, Act 2: Le combat des songes funestes et agréables / "Che vidi?" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 1:41 |
| Ariodante, HWV 33, Act 2: Se l'inganno sortisce felice | | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 3:55 |
| Ariodante, HWV 33, Act 2: Sinfonia | | Les Musiciens du Louvre, Marc Minkowski | 1:11 |
| Ariodante, HWV 33, Act 3: "Al sen ti stringo" | | Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 3:37 |
| Ariodante, HWV 33, Act 3: "Arrida il cielo alla giustizia": "Ferma, signor" - "E Dalinda dov'è?" | | Veronica Cangemi, Ewa Podleś, Anne Sofie von Otter, Richard Croft, Luc Coadou, Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 2:40 |
| Ariodante, HWV 33, Act 3: "Bramo aver mille vite..." | | Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 4:29 |
| Ariodante, HWV 33, Act 3: "Cieca notte, infidi sguardi" | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 6:09 |
| Ariodante, HWV 33, Act 3: "Così mi lascia il padre?" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 0:22 |
| Ariodante, HWV 33, Act 3: "Da dubbia infausta sorte" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 0:50 |
| Ariodante, HWV 33, Act 3: "Dalinda! ecco risorge" | | Veronica Cangemi, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 0:26 |
| Ariodante, HWV 33, Act 3: "Dite spera, e son contento" | | Veronica Cangemi, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 4:29 |
| Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta" | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 6:45 |
| Ariodante, HWV 33, Act 3: "Dover, giustizia, amor" | | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 3:07 |
| Ariodante, HWV 33, Act 3: "Figlia, da dubbia sorte" | | Lynne Dawson, Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 0:33 |
| Ariodante, HWV 33, Act 3: "Figlia! innocente figlia!" | | Veronica Cangemi, Lynne Dawson, Anne Sofie von Otter, Richard Croft, Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 1:06 |
| Ariodante, HWV 33, Act 3: "Io ti bacio" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 3:20 |
| Ariodante, HWV 33, Act 3: "Manca, oh Dei!" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 1:21 |
| Ariodante, HWV 33, Act 3: "Numi! Lasciarmi vivere" | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 1:44 |
| Ariodante, HWV 33, Act 3: "Ognuno acclami bella virtute" | | Les Musiciens du Louvre, Marc Minkowski, Chœur des Musiciens du Louvre | 2:00 |
| Ariodante, HWV 33, Act 3: "Or venga a me la figlia": "Ecco la figlia" | | Denis Sedov, Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 1:13 |
| Ariodante, HWV 33, Act 3: "Perfidi! io son tradita!" | | Veronica Cangemi, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 1:17 |
| Ariodante, HWV 33, Act 3: "Sa trionfar ognor" | | Les Musiciens du Louvre, Marc Minkowski, Chœur des Musiciens du Louvre | 1:35 |
| Ariodante, HWV 33, Act 3: "Si, morrò, ma l'onor mio" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 1:28 |
| Ariodante, HWV 33, Act 3: "Sire, deh, non negare" | | Ewa Podleś, Luc Coadou, Denis Sedov, Marc Minkowski, Les Musiciens du Louvre | 0:28 |
| Ariodante, HWV 33, Act 3: Alla gavotta | | Les Musiciens du Louvre, Marc Minkowski | 1:17 |
| Ariodante, HWV 33, Act 3: Ingrato Polinesso! | | Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 0:15 |
| Ariodante, HWV 33, Act 3: Neghittosi, or voi che fate? | | Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 2:32 |
| Ariodante, HWV 33, Act 3: Rondeau | | Les Musiciens du Louvre, Marc Minkowski | 0:50 |
| Ariodante, HWV 33: Overture I | | Les Musiciens du Louvre, Marc Minkowski | 3:29 |
| See all 134 relationships |
| produced |
|---|
| Allnächtlich im Traume, op. 86 Nr. 4 | | Samuel Hasselhorn, Boris Kusnezow | 1:24 |
| Am leuchtenden Sommermorgen, op. 11 Nr. 2 | | Samuel Hasselhorn, Boris Kusnezow | 1:38 |
| Aus alten Märchen winkt es, op. 60 Nr. 3 | | Samuel Hasselhorn, Boris Kusnezow | 3:28 |
| Aus meinen Tränen sprießen „Iz slyoz moikh vyroslo mnogo“ | | Samuel Hasselhorn, Boris Kusnezow | 1:42 |
| Das ist ein Flöten und Geigen, op. 60 Nr. 1 | | Samuel Hasselhorn, Boris Kusnezow | 1:51 |
| Dichterliebe, op. 48: Allnächtlich im Traume | | Samuel Hasselhorn, Boris Kusnezow | 1:21 |
| Dichterliebe, op. 48: Am leuchtenden Sommermorgen | | Samuel Hasselhorn, Boris Kusnezow | 2:04 |
| Dichterliebe, op. 48: Aus alten Märchen winkt es | | Samuel Hasselhorn, Boris Kusnezow | 2:28 |
| Dichterliebe, op. 48: Aus meinen Tränen spriessen | | Samuel Hasselhorn, Boris Kusnezow | 0:59 |
| Dichterliebe, op. 48: Das ist ein Flöten und Geigen | | Samuel Hasselhorn, Boris Kusnezow | 1:26 |
| Dichterliebe, op. 48: Die alten, bösen Lieder | | Samuel Hasselhorn, Boris Kusnezow | 4:18 |
| Dichterliebe, op. 48: Die Rose, die Lilie, die Taube, die Sonne | | Samuel Hasselhorn, Boris Kusnezow | 0:37 |
| Dichterliebe, op. 48: Ein Jüngling liebt ein Mädchen | | Samuel Hasselhorn, Boris Kusnezow | 1:05 |
| Dichterliebe, op. 48: Hör’ ich das Liedchen klingen | | Samuel Hasselhorn, Boris Kusnezow | 1:51 |
| Dichterliebe, op. 48: Ich grolle nicht | | Samuel Hasselhorn, Boris Kusnezow | 1:30 |
| Dichterliebe, op. 48: Ich hab’ im Traum geweinet | | Samuel Hasselhorn, Boris Kusnezow | 2:14 |
| Dichterliebe, op. 48: Ich will meine Seele tauchen | | Samuel Hasselhorn, Boris Kusnezow | 0:51 |
| Dichterliebe, op. 48: Im Rhein, im heiligen Strome | | Samuel Hasselhorn, Boris Kusnezow | 2:27 |
| Dichterliebe, op. 48: Im wunderschönen Monat Mai | | Samuel Hasselhorn, Boris Kusnezow | 1:25 |
| Dichterliebe, op. 48: Und wüßten’s die Blumen, die kleinen | | Samuel Hasselhorn, Boris Kusnezow | 1:14 |
| Dichterliebe, op. 48: Wenn ich in deine Augen seh | | Samuel Hasselhorn, Boris Kusnezow | 1:37 |
| Die alten, bösen Lieder, op. 60 Nr. 4 | | Samuel Hasselhorn, Boris Kusnezow | 4:55 |
| Die Rose, die Lilie, op. 34 Nr. 5 | | Samuel Hasselhorn, Boris Kusnezow | 0:46 |
| Ein Jüngling liebt ein Mädchen, op. 60 Nr. 2 | | Samuel Hasselhorn, Boris Kusnezow | 5:34 |
| Episoden, op. 115: I. Andante | | Markus Becker | 3:40 |
| Episoden, op. 115: II. Andantino con moto | | Markus Becker | 3:15 |
| Episoden, op. 115: III. Allegretto | | Markus Becker | 3:30 |
| Episoden, op. 115: IV. Andante sostenuto | | Markus Becker | 4:16 |
| Episoden, op. 115: V. Larghetto | | Markus Becker | 5:13 |
| Hör ich das Liedchen klingen, op. 39 Nr. 6 | | Samuel Hasselhorn, Boris Kusnezow | 1:17 |
| Ich grolle nicht | | Samuel Hasselhorn, Boris Kusnezow | 2:49 |
| Ich hab’ im Traume geweinet, op. 9 Nr. 6 | | Samuel Hasselhorn, Boris Kusnezow | 1:34 |
| Ich will meine Seele tauchen, op. 43 Nr. 4 | | Samuel Hasselhorn, Boris Kusnezow | 0:53 |
| Im Rhein, im schönen Strome, S. 272 | | Samuel Hasselhorn, Boris Kusnezow | 2:55 |
| Im wunderschönen Monat Mai, op. 25 Nr. 5 | | Samuel Hasselhorn, Boris Kusnezow | 1:19 |
| Lose Blätter, op. 13: XII. Choral | | Markus Becker | 1:31 |
| Verlust, op. 9 Nr. 10 | | Samuel Hasselhorn, Boris Kusnezow | 1:21 |
| Wenn ich in deine Augen seh | | Samuel Hasselhorn, Boris Kusnezow | 1:19 |
| recording engineer for |
|---|
| Certes mon oueil | | Orlando Consort | 5:37 |
| Christmas Oratorio, BWV 248: no. 2. Evangelista: "Es begab sich aber zu der Zeit" | | English Baroque Soloists & John Eliot Gardiner | 1:11 |
| Christmas Oratorio, BWV 248: no. 3. Recitativo (Alto): "Nun wird mein liebster Bräutigam" | | English Baroque Soloists, John Eliot Gardiner | 0:51 |
| Christmas Oratorio, BWV 248: no. 4. Aria (Alto): "Bereite dich, Zion, mit zärtlichen Trieben" | | English Baroque Soloists, John Eliot Gardiner | 5:03 |
| Christmas Oratorio, BWV 248: no. 5. Choral: "Wie soll ich dich empfangen" | | English Baroque Soloists, John Eliot Gardiner | 1:04 |
| Christmas Oratorio, BWV 248: no. 6. Evangelista: "Und sie gebar ihren ersten Sohn" | | English Baroque Soloists, John Eliot Gardiner | 0:21 |
| Christmas Oratorio, BWV 248: no. 7. Choral (Soprani): "Er ist auf Erden kommen arm" / Recitativo (Basso): "Wer will die Liebe recht erhöhn" | | English Baroque Soloists, John Eliot Gardiner | 2:57 |
| Christmas Oratorio, BWV 248: no. 8. Aria (Basso): "Großer Herr, o starker König" | | English Baroque Soloists, John Eliot Gardiner | 4:22 |
| Christmas Oratorio, BWV 248: no. 9. Choral: "Ach mein herzliebes Jesulein" | | English Baroque Soloists, John Eliot Gardiner | 1:20 |
| Christmas Oratorio, BWV 248: no. 10. Sinfonia | | English Baroque Soloists, John Eliot Gardiner | 5:18 |
| Christmas Oratorio, BWV 248: no. 11. Evangelista: "Und es waren Hirten in derselben Gegend" | | English Baroque Soloists, John Eliot Gardiner | 0:34 |
| Christmas Oratorio, BWV 248: no. 12. Choral: "Brich an, o schönes Morgenlicht" | | English Baroque Soloists, John Eliot Gardiner | 1:01 |
| Christmas Oratorio, BWV 248: no. 13. Evangelista: "Und der Engel sprach zu ihnen" / Angelus: "Fürchtet euch nicht" | | English Baroque Soloists, John Eliot Gardiner | 0:38 |
| Christmas Oratorio, BWV 248: no. 14. Recitativo (Basso): "Was Gott dem Abraham verheißen" | | English Baroque Soloists, John Eliot Gardiner | 0:42 |
| Christmas Oratorio, BWV 248: no. 15. Aria (Tenore): "Frohe Hirten, eilt, ach eilet" | | English Baroque Soloists, John Eliot Gardiner | 3:19 |
| Christmas Oratorio, BWV 248: no. 16. Evangelista: "Und das habt zum Zeichen" | | English Baroque Soloists, John Eliot Gardiner | 0:22 |
| Christmas Oratorio, BWV 248: no. 17. Choral: "Schaut hin, dort liegt im finstern Stall" | | English Baroque Soloists, John Eliot Gardiner | 0:39 |
| Christmas Oratorio, BWV 248: no. 18. Recitativo (Basso): "So geht denn hin" | | English Baroque Soloists, John Eliot Gardiner | 0:49 |
| Christmas Oratorio, BWV 248: no. 19. Aria (Alto): "Schlafe, mein Liebster, genieße der Ruh" | | English Baroque Soloists, John Eliot Gardiner | 9:21 |
| Christmas Oratorio, BWV 248: no. 20. Evangelista: "Und alsobald war da bei dem Engel" | | English Baroque Soloists, John Eliot Gardiner | 0:15 |
| Christmas Oratorio, BWV 248: no. 21. Coro: "Ehre sei Gott in der Höhe" | | English Baroque Soloists, John Eliot Gardiner | 2:27 |
| Christmas Oratorio, BWV 248: no. 22. Recitativo (Basso): "So recht, ihr Engel, jauchzt und singet" | | English Baroque Soloists, John Eliot Gardiner | 0:23 |
| Christmas Oratorio, BWV 248: no. 23. Choral: "Wir singen dir in deinem Heer" | | English Baroque Soloists, John Eliot Gardiner | 1:17 |
| Christmas Oratorio, BWV 248: no. 24. Coro de capo: "Herrscher des Himmels, erhöre das Lallen" | | English Baroque Soloists, John Eliot Gardiner | 1:56 |
| Christmas Oratorio, BWV 248: no. 25. Evangelista: "Und da die Engel von ihnen gen Himmel fuhren" | | English Baroque Soloists, John Eliot Gardiner | 0:09 |
| Christmas Oratorio, BWV 248: no. 27. Recitativo (Basso): "Er hat sein Volk getröst'" | | English Baroque Soloists, John Eliot Gardiner | 0:36 |
| Christmas Oratorio, BWV 248: no. 28 Choral: "Dies hat er alles uns getan" | | English Baroque Soloists, John Eliot Gardiner | 0:44 |
| Christmas Oratorio, BWV 248: no. 29. Duetto (Soprano, Basso): "Herr, dein Mitleid, dein Erbarmen" | | English Baroque Soloists, John Eliot Gardiner | 6:49 |
| Christmas Oratorio, BWV 248: no. 30. Evangelista: "Und sie kamen eilend" | | English Baroque Soloists, John Eliot Gardiner | 1:09 |
| Christmas Oratorio, BWV 248: no. 31. Aria (Alto): "Schließe, mein Herze, dies selige Wunder" | | English Baroque Soloists, John Eliot Gardiner | 4:59 |
| Christmas Oratorio, BWV 248: no. 32. Recitativo (Alto): "Ja, ja, mein Herz soll es bewahren" | | English Baroque Soloists, John Eliot Gardiner | 0:21 |
| Christmas Oratorio, BWV 248: no. 33. Choral: "Ich will dich mit Fleiß bewahren" | | English Baroque Soloists, John Eliot Gardiner | 0:50 |
| Christmas Oratorio, BWV 248: no. 34. Evangelista: "Und die Hirten kehrten wieder um" | | English Baroque Soloists, John Eliot Gardiner | 0:23 |
| Christmas Oratorio, BWV 248: no. 35. Choral: "Seid froh dieweil" | | English Baroque Soloists, John Eliot Gardiner | 0:43 |
| Christmas Oratorio, BWV 248: no. 36. Coro: "Fallt mit Danken, fallt mit Loben" | | English Baroque Soloists, John Eliot Gardiner | 5:31 |
| Christmas Oratorio, BWV 248: no. 37. Evangelista: "Und da acht Tage um waren" | | English Baroque Soloists, John Eliot Gardiner | 0:32 |
| Christmas Oratorio, BWV 248: no. 38. Recitativo (Basso): "Immanuel, o süßes Wort" / Arioso (Soprani, Basso): "Jesu, du mein liebstes Leben" | | English Baroque Soloists, John Eliot Gardiner | 2:16 |
| Christmas Oratorio, BWV 248: no. 39. Aria (Soprano, Echo Soprano): "Flößt, mein Heiland, flößt dein Namen" | | English Baroque Soloists, John Eliot Gardiner | 5:40 |
| Christmas Oratorio, BWV 248: no. 40. Recitativo (Basso): "Wohlan, dein Name soll allein" / Choral (Soprani): "Jesu, meine Freud und Wonne" | | English Baroque Soloists, John Eliot Gardiner | 1:22 |
| Christmas Oratorio, BWV 248: no. 41. Aria (Tenore): "Ich will nur dir zu Ehren leben" | | English Baroque Soloists, John Eliot Gardiner | 4:23 |
| Christmas Oratorio, BWV 248: no. 42. Choral: "Jesus richte mein Beginnen" | | English Baroque Soloists, John Eliot Gardiner | 2:10 |
| Christmas Oratorio, BWV 248: no. 44. Evangelista: "Da Jesu geboren war zu Bethlehem" | | English Baroque Soloists, John Eliot Gardiner | 0:23 |
| Christmas Oratorio, BWV 248: no. 45. Coro: "Wo is der neugeborene König der Jüden" / Recitativo (Alto): "Sucht ihn in meiner Brust" | | English Baroque Soloists, John Eliot Gardiner | 1:40 |
| Christmas Oratorio, BWV 248: no. 46. Choral: "Dein Glanz all Finsternis verzehrt" | | English Baroque Soloists, John Eliot Gardiner | 0:45 |
| Christmas Oratorio, BWV 248: no. 47. Aria (Basso): "Erleucht auch meine finstre Sinnen" | | English Baroque Soloists, John Eliot Gardiner | 3:59 |
| Christmas Oratorio, BWV 248: no. 48. Evangelista: "Da das der König Herodes hörte" | | English Baroque Soloists, John Eliot Gardiner | 0:12 |
| Christmas Oratorio, BWV 248: no. 49. Recitativo (Alto): "Warum wollt ihr erschrecken" | | English Baroque Soloists, John Eliot Gardiner | 0:30 |
| Christmas Oratorio, BWV 248: no. 50. Evangelista: "Und ließ versammlen alle Hohepriester" | | English Baroque Soloists, John Eliot Gardiner | 1:24 |
| Christmas Oratorio, BWV 248: no. 51. Terzetto (Soprano, Alto, Tenore): "Ach, wenn wird die Zeit erscheinen" | | English Baroque Soloists, John Eliot Gardiner | 5:34 |
| Christmas Oratorio, BWV 248: no. 52. Recitativo (Alto): "Mein Liebster herrschet schon" | | English Baroque Soloists, John Eliot Gardiner | 0:25 |
| Christmas Oratorio, BWV 248: no. 54. Coro: "Herr, wenn die stolzen Feinde schnauben" | | English Baroque Soloists, John Eliot Gardiner | 4:59 |
| Christmas Oratorio, BWV 248: no. 55. Evangelista: "Da berief Herodes die Weisen heimlish" / Herodes: "Ziehet hin und forschet fleißig" | | English Baroque Soloists, John Eliot Gardiner | 0:42 |
| Christmas Oratorio, BWV 248: no. 56. Recitativo (Soprano): "Du Falscher, suche nur den Herrn zu fällen" | | English Baroque Soloists, John Eliot Gardiner | 0:56 |
| Christmas Oratorio, BWV 248: no. 57. Aria (Soprano): "Nur ein Wink von seinen Händen" | | English Baroque Soloists, John Eliot Gardiner | 4:25 |
| Christmas Oratorio, BWV 248: no. 58. Evangelista: "Als sie nun den König gehöret hatten" | | English Baroque Soloists, John Eliot Gardiner | 1:02 |
| Christmas Oratorio, BWV 248: no. 59. Choral: "Ich steh an deiner Krippen hier" | | English Baroque Soloists, John Eliot Gardiner | 1:02 |
| Christmas Oratorio, BWV 248: no. 60. Evangelista: "Und Gott befahl ihnen im Traum" | | English Baroque Soloists, John Eliot Gardiner | 0:23 |
| Christmas Oratorio, BWV 248: no. 61. Recitativo (Tenore): "So geht! Genug, mein Schatz geht nicht von hier" | | English Baroque Soloists, John Eliot Gardiner | 1:52 |
| Christmas Oratorio, BWV 248: no. 62. Aria (Tenore): "Nun mögt ihr stolzen Feinde schrecken" | | English Baroque Soloists, John Eliot Gardiner | 3:59 |
| Christmas Oratorio, BWV 248: no. 63. Recitativo (Soprano, Alto, Tenore, Basso): "Was will der Höllen Schrecken nun" | | English Baroque Soloists, John Eliot Gardiner | 0:37 |
| Christmas Oratorio, BWV 248: no. 64. Choral: "Nun seid ihr wohl gerochen" | | English Baroque Soloists, John Eliot Gardiner | 3:26 |
| Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 53. Chorale: “Zwar ist solche Herzensstube” | | Johann Sebastian Bach | 0:55 |
| Christmas Oratorio, BWV 248: Part I, No. 1 Chorus: »Jauchzet, frohlocket, auf, preiset die Tage« | | Olaf Bär, Anthony Rolfe Johnson, The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner | 7:41 |
| Christmas Oratorio, BWV 248: Part III, No. 24 Chorus: »Herrscher des Himmels, erhöre das Lallen« | | English Baroque Soloists, John Eliot Gardiner | 1:50 |
| Christmas Oratorio, BWV 248: Part V, No. 43 Chorus »Ehre sei dir, Gott, gesungen« | | English Baroque Soloists, John Eliot Gardiner | 5:56 |
| Comment puet on | | Orlando Consort | 4:29 |
| De Fortune | | Orlando Consort | 5:53 |
| De toutes flours | | Orlando Consort | 6:46 |
| En amer a douce vie | | Orlando Consort | 5:59 |
| Fierrabras, D. 796: Akt I. Nr. 1 Introduktion: »Der runde Silberfaden« (Jungfrauen, Emma) | | Chamber Orchestra of Europe, Claudio Abbado | 6:06 |
| Fierrabras, D. 796: Akt I. Nr. 2 Duett: »O mög' auf froher Hoffnung Schwingen« (Eginhard, Emma) | | Chamber Orchestra of Europe, Claudio Abbado | 4:16 |
| Fierrabras, D. 796: Akt I. Nr. 3 Marsch und Chor. »Zu hohen Ruhmespforten« (Eginhard, Emma) | | Chamber Orchestra of Europe, Claudio Abbado | 3:00 |
| Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. a) Rezitativ und Chor: »Die Beute lass, o Herr, die Krieger teilen« … »Des Siegers Lohn, der Feinde Zahl« (Ogier, Roland, Karl, Chor) | | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 1:37 |
| Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. b) Arioso und Chor: »Des Krieges Los hat euch mir übergeben« … »Dem Fürsten Heil« (Karl, Chor) | | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 2:45 |
| Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. c) Rezitativ und Erzählung: »Wer bist du, dessen tiefgesenkter Blick« … »Am Rande der Ebene« (Karl, Roland, Fierrabras) | | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 3:27 |
| Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. d) Ensemble und Chor: »Der Landestöchter fromme Pflichten« (Emma, Jungfrauen, Karl, Fierrabras, Roland) | | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 4:18 |
| Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. e) Quartett mit Chor: »Dem Erfolg vertrauen« (Ritter, Ogier, Karl, Emma, Eginhard, Fierrabras, Roland) | | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 3:57 |
| Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. f) Marsch und Chor (Nr. 3 da capo): »Zu hohen Ruhmespforten« | | Franz Schubert | 2:51 |
| Fierrabras, D. 796: Akt I. Nr. 5 Duett: »Lass uns mutvoll hoffen« (Fierrabras, Roland) | | Chamber Orchestra of Europe, Claudio Abbado | 1:41 |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. a) Romanze (Duett): »Der Abend sinkt auf stiller Flur« (Eginhard, Emma) | | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 5:15 |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. b) Rezitativ und Arie. »Was quälst du mich, o Missgeschick! … In tiefbeweegteer Brust« (Fierrabras) | | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 5:22 |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. c) Ensemble: »Doch horch! Was regt sich noch in stiller Nacht?« (Fierrabras, Männerchor, Emma, Eginhard) | | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 2:04 |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. d) Szene und Terzett: »Ha, hier waltet ein Verrat!« (Fierrabras, Eginhard, Emma) | | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 3:13 |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. e) Rezitativ: »Nun fasset Mut!« (Fierrabras, Emma) | | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 1:45 |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. f) Rezitativ, Terzett und Ensemble: »Ha!« / »Wie, Emma hier?« … »Das Blut fühl' ich erstarren« (Emma, Fierrabras, Karl) | | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 2:44 |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. f) Rezitativ, Terzett und Ensemble: Ensemble: »Dich rief ich, Eginhard« (Karl, Eginhard, Emma, Fierrabras) | | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 2:38 |
| Fierrabras, D. 796: Akt I. Nr. 6 Finale I. g) Quartett mit Chor. »Fort zum Siegesreigen« (Ritter, Emma, Eginhard, Fierrabras, Karl) | | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 2:37 |
| Fierrabras, D. 796: Akt II. Nr. 7 Lied mit Chor: »Im jungen Morgenstrahle« (Eginhard, Roland, Ritter) | | Franz Schubert | 3:41 |
| Fierrabras, D. 796: Akt II. Nr. 8a Rezitativ, Marsch (mit Melodram) und Ensemble: »Beschlossen ist's, ich löse meine Ketten!« (Eginhard) / »Verwegene! Was führt euch hierher?« (Eginhard, Brutamonte) / »Was mag der Ruf bedeuten?« (Brutamonte, Mauren, Eginhard) | | Franz Schubert | 5:26 |
| Fierrabras, D. 796: Akt II. Nr. 8b Duett mit Chor: »Was ist ihm geschehn?« (Roland, Ogier, Ritter) | | Franz Schubert | 1:24 |
| Fierrabras, D. 796: Akt II. Nr. 9 Duett: »Weit über Glanz und Erdenschimmer« (Florinda, Maragond) | | Franz Schubert | 6:12 |
| Fierrabras, D. 796: Akt II. Nr. 10 Quintett: »Verderben denn und Fluch« (Boland, Florinda, Maragond, Eginhard, Brutamonte) | | Franz Schubert | 3:20 |
| Fierrabras, D. 796: Akt II. Nr. 11 Chor: »Lasst Friede in die Hallen« | | Franz Schubert | 3:07 |
| Fierrabras, D. 796: Akt II. Nr. 12 Terzett mit Chor: »Im Tode sollt ihr büßen« (Boland, Roland, Florinda, Ritter, Mauren) | | Franz Schubert | 3:01 |
| Fierrabras, D. 796: Akt II. Nr. 12 Terzett mit Chor: »Sie sollen erblassen in heimlicher Not« (Boland, Mauren, Florinda, Roland, Ritter) | | Franz Schubert | 1:28 |
| Fierrabras, D. 796: Akt II. Nr. 13 Arie: »Die Brust, gebeugt von Sorgen« (Florinda) | | Franz Schubert | 2:16 |
| Fierrabras, D. 796: Akt II. Nr. 14 Chor a capella: »O teures Vaterland!« (Eginhard, Ogier, Roland, Ritter) | | Franz Schubert | 1:59 |
| Fierrabras, D. 796: Akt II. Nr. 15 Melodram. a) Melodram, Rezitativ und Ensemble. »Ha! Was ist das?« … »Wo ist er?« (Ritter, Olivier, Ogier, Roland, Florinda) | | Franz Schubert | 3:24 |
| Fierrabras, D. 796: Akt II. Nr. 15 Melodram. b) Duett mit Chor. »Selbst an des Grabes Rande« (Roland, Florinda, Ritter) | | Franz Schubert | 2:24 |
| Fierrabras, D. 796: Akt II. Nr. 16 Chor und Melodrama: »Der Hoffnung Strahl, den du gegeben« … »Ha, neue Quall« (Ritter, Ogier, Roland, Florinda, Eginhard) | | Franz Schubert | 2:56 |
| See all 164 relationships |
| sound engineered |
|---|
| Piano Sonata No. 19 in D major: I. Moderato | | Ivo Pogorelich | 9:46 |
| Piano Sonata No. 19 in D major: II. Andante | | Ivo Pogorelich | 11:49 |
| Piano Sonata No. 19 in D major: III. Finale. Allegro assai | | Ivo Pogorelich | 3:13 |
| Piano Sonata No. 46 in A-flat major: I. Allegro moderato | | Ivo Pogorelich | 9:57 |
| Piano Sonata No. 46 in A-flat major: II. Adagio | | Ivo Pogorelich | 13:15 |
| Piano Sonata No. 46 in A-flat major: III. Finale. Presto | | Ivo Pogorelich | 4:06 |
| balance engineered |
|---|
| 6 sonates, op. 3 | | Jean-Joseph de Mondonville; Les Musiciens du Louvre, Marc Minkowski | |
| Stravinsky: Oedipus Rex | | Игорь Фёдорович Стравинский; Philip Langridge, Florence Quivar, James Morris, Jan‐Hendrik Rootering, Donald Kaasch, Jules Bastin, Chicago Symphony Orchestra, Chicago Symphony Chorus & James Levine | |
| engineered |
|---|
| Symphony no. 1 "Classical" / Symphony no. 5 | | Serge Prokofiev; Chicago Symphony Orchestra, James Levine | |
| The Planets | | Gustav Holst; Chicago Symphony Orchestra, James Levine | |
| mastering |
|---|
| Das Lied von der Erde | | Mahler; King, Fischer‐Dieskau, Wiener Philharmoniker, Bernstein | |
| Dichterliebe² | | Samuel Hasselhorn, Boris Kusnezow | |
| Piano Concertos 2 & 3 | | Rachmaninov; Ashkenazy | |
