Artist credit “Philip Aaberg, Eugene Friesen & Tracy Silverman”
This artist credit is composed of the following artists:
Uses
Release Groups
Releases
Recordings
- Air on a Six-String (after Bach's Suite No. 3 for Strings)
- Betrayal (after Bach's Prelude No. 2 in C minor from the Well Tempered Clavier 1)
- Candlelight (after Bach's Prelude No. 8 in E flat minor from the Well Tempered Clavier 1)
- Honesty (after Bach's 2nd Movement from the Double Concerto)
- Improvisation on Bach's Arioso, from Cantata No. 156
- Oath (after Bach's Prelude No. 3 in C sharp major from the Well Tempered Clavier 2)
- Secret (after Bach's Wachet auf, ruft uns die Stimme from Cantata No. 140)
- Seduction (after Bach's Three-part Invention No. 15)
- The New Orleans Concerto (after Bach's 1st Movement of the Italian Concerto)
- The Soul in Stained Glass (after Bach's Largo from Sonata No. 3 for Violin)
- See all 11 recordings
Tracks
- Air on a Six-String (after Bach's Suite No. 3 for Strings)
- Betrayal (after Bach's Prelude No. 2 in C minor from the Well Tempered Clavier 1)
- Candlelight (after Bach's Prelude No. 8 in E flat minor from the Well Tempered Clavier 1)
- Honesty (after Bach's 2nd Movement from the Double Concerto)
- Improvisation on Bach's Arioso, from Cantata No. 156
- Oath (after Bach's Prelude No. 3 in C sharp major from the Well Tempered Clavier 2)
- Secret (after Bach's Wachet auf, ruft uns die Stimme from Cantata No. 140)
- Seduction (after Bach's Three-part Invention No. 15)
- The New Orleans Concerto (after Bach's 1st Movement of the Italian Concerto)
- The Soul in Stained Glass (after Bach's Largo from Sonata No. 3 for Violin)
- See all 11 tracks