Tracklist

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CD 1
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1Matthäus‐Passion, BWV 244: Erster Teil. 1. „Kommt, ihr Töchter, helft mir klagen“ (Chorus I & II)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
soprano vocals [Soprano in ripieno]:
Schola Cantorum Cantate Domino (Belgian boys choir) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:59
2Matthäus‐Passion, BWV 244: Erster Teil. 2. „Da Jesus diese Rede vollendet hatte“ (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals [Jesus]:
Franz-Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:42
3Matthäus‐Passion, BWV 244: Erster Teil. 3. „Herzliebster Jesu, was hast du verbrochen“ (Choral)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1998-08)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:44
4Matthäus‐Passion, BWV 244: Erster Teil. 4a. „Da versammleten sich die Hohenpriester“ (Evangelista) / 4b. „Ja nicht auf das Fest“ (Chorus I & II) / 4c. „Da nun Jesus war zu Bethanien“ (Evangelista) / 4d. „Wozu dienet dieser Unrat“ (Chorus I) / 4e. „Da das Jesus merkete“ (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals [Jesus]:
Franz-Josef Selig (operatic bass) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:59
5Matthäus‐Passion, BWV 244: Erster Teil. 5. „Du lieber Heiland du“ (Recitativo (Alt))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:54
6Matthäus‐Passion, BWV 244: Erster Teil. 6. „Buß und Reu“ (Aria (Alt))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:21
7Matthäus‐Passion, BWV 244: Erster Teil. 7. „Da ging hin der Zwölfen einer“ (Evangelista, Judas)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:33
8Matthäus‐Passion, BWV 244: Erster Teil. 8. „Blute nur, du liebes Herz“ (Aria (Sopran))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:26
9Matthäus‐Passion, BWV 244: Erster Teil. 9a. „Aber am ersten Tage der süßen Brot“ (Evangelista) / 9b. „Wo willst du, daß wir dir bereiten“ (Chorus I) / 9c. „Er sprach: Gehet ihn in die Stadt“ (Evangelista, Jesus) / 9d. „Und sie wurden sehr betrübt“ (Evangelista) / 9e. „Herr, bin ich’s“ (Chorus I)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals [Jesus]:
Franz-Josef Selig (operatic bass) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:11
10Matthäus‐Passion, BWV 244: Erster Teil. 10. „Ich bin’s, ich sollte büßen“ (Choral)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:48
11Matthäus‐Passion, BWV 244: Erster Teil. 11. „Er antwortete und sprach“ (Evangelista, Jesus, Judas)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals [Jesus]:
Franz-Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:58
12Matthäus‐Passion, BWV 244: Erster Teil. 12. „Wiewohl mein Herz in Tränen schwimmt“ (Recitativo (Sopran))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:18
13Matthäus‐Passion, BWV 244: Erster Teil. 13. „Ich will dir mein Herze schenken“ (Aria (Sopran))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:28
14Matthäus‐Passion, BWV 244: Erster Teil. 14. „Und da sie den Lobgesang gesprochen hatten“ (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals [Jesus]:
Franz-Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:01
15Matthäus‐Passion, BWV 244: Erster Teil. 15. „Erkenne mich, mein Hüter“ (Choral)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:00
16Matthäus‐Passion, BWV 244: Erster Teil. 16. „Petrus aber antwortete“ (Evangelista, Petrus, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals [Jesus]:
Franz-Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:59
17Matthäus‐Passion, BWV 244: Erster Teil. 17. „Ich will hier bei dir stehen“ (Choral)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:02
18Matthäus‐Passion, BWV 244: Erster Teil. 18. „Da kam Jesus mit ihnen zu einem Hofe“ (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals [Jesus]:
Franz-Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:45
19Matthäus‐Passion, BWV 244: Erster Teil. 19. „O Schmerz! hier zittert das gequälte Herz“ (Recitativo a doi Cori (Tenor))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals:
Werner Güra (German classical tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:40
20Matthäus‐Passion, BWV 244: Erster Teil. 20. „Ich will bei meinem Jesu wachen“ (Aria a doi Cori (Tenor))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals:
Werner Güra (German classical tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:52
21Matthäus‐Passion, BWV 244: Erster Teil. 21. „Und ging hin ein wenig“ (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals [Jesus]:
Franz-Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:40
22Matthäus‐Passion, BWV 244: Erster Teil. 22. „Der Heiland fällt vor seinem Vater nieder“ (Recitativo (Baß))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:58
23Matthäus‐Passion, BWV 244: Erster Teil. 23. „Gerne will ich mich bequemen“ (Aria (Baß))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:15
24Matthäus‐Passion, BWV 244: Erster Teil. 24. „Und er kam zu seinen Jüngern“ (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals [Jesus]:
Franz-Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:19
25Matthäus‐Passion, BWV 244: Erster Teil. 25. „Was mein Gott will, das g’scheh’ allzeit“ (Choral)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:10
26Matthäus‐Passion, BWV 244: Erster Teil. 26. „Und er kam und fand sie aber schlafend“ (Evangelista, Jesus, Judas)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals [Jesus]:
Franz-Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:21
27Matthäus‐Passion, BWV 244: Erster Teil. 27a. „So ist mein Jesus nun gefangen“ (Aria a doi Cori (Sopran, Alt)) / 27b. „Sind Blitze, sind Donner in Wolken verschwunden“ (Chorus I & II)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:34
28Matthäus‐Passion, BWV 244: Erster Teil. 28: „Und siehe, einer aus denen“ (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals [Jesus]:
Franz-Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:23
29Matthäus‐Passion, BWV 244: Erster Teil. 29: „O Mensch, bewein’ dein Sünde groß“ (Choral)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
soprano vocals [Soprano in ripieno]:
Schola Cantorum Cantate Domino (Belgian boys choir) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:40
CD 2
#TitleArtistRatingLength
1Matthäus‐Passion, BWV 244: Zweiter Teil. 30. „Ach! nun ist mein Jesus hin“ (Aria (Alt, Chorus I & II))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:48
2Matthäus‐Passion, BWV 244: Zweiter Teil. 31. „Die aber Jesum gegriffen hatten“ (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:57
3Matthäus‐Passion, BWV 244: Zweiter Teil. 32. „Mir hat die Welt trüglich gericht’t“ (Choral)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 1998-08)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:48
4Matthäus‐Passion, BWV 244: Zweiter Teil. 33. „Und wiewohl viel falsche Zeugen herzutraten“ (Evangelista, Testis I & II, Pontifex)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:09
5Matthäus‐Passion, BWV 244: Zweiter Teil. 34. „Mein Jesus schweigt zu falschen Lügen stille“ (Recitativo (Tenor))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
tenor vocals:
Werner Güra (German classical tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:12
6Matthäus‐Passion, BWV 244: Zweiter Teil. 35. „Geduld, Geduld!“ (Aria (Tenor))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
tenor vocals:
Werner Güra (German classical tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:44
7Matthäus‐Passion, BWV 244: Zweiter Teil. 36a. „Und der Hohepriester antwortete“ (Evangelista, Pontifex, Jesus) / 36b. „Er ist des Todes schuldig“ (Chorus I & II) / 36c. „Da speieten sie aus in sein Angesicht“ (Evangelista) / 36d. „Weissage uns, Christie“ (Chorus I & II)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals [Jesus]:
Franz-Josef Selig (operatic bass) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:01
8Matthäus‐Passion, BWV 244: Zweiter Teil. 37. „Wer hat dich so geschlagen“ (Choral)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:53
9Matthäus‐Passion, BWV 244: Zweiter Teil. 38a. „Petrus aber saß draußen im Palast“ (Evangelista, Ancilla I & II, Petrus) / 38b. „Wahrlich, du bist auch einer von denen“ (Chorus II – Evangelista, Petrus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:14
10Matthäus‐Passion, BWV 244: Zweiter Teil. 39. „Erbarme dich“ (Aria (Alt))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
alto vocals and solo vocals:
Andreas Scholl (countertenor) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor and chorus master:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1998-08)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:38
11Matthäus‐Passion, BWV 244: Zweiter Teil. 40. „Bin ich gleich von dir gewichen“ (Choral)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1998-08)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:10
12Matthäus‐Passion, BWV 244: Zweiter Teil. 41a. „Des Morgens aber hielten alle Hohepriester“ (Evangelista, Judas) / 41b. „Was gehet uns das an“ (Chorus I & II) / 41c. „Und er warf die Silberlinge in den Tempel“ (Evangelista, Pontifex I & II)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:39
13Matthäus‐Passion, BWV 244: Zweiter Teil. 42. „Geht mir meinen Jesum wieder“ (Aria (Baß)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:49
14Matthäus‐Passion, BWV 244: Zweiter Teil. 43. „Sie hielten aber einen Rat“ (Evangelista, Pilatus, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals [Jesus]:
Franz-Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:12
15Matthäus‐Passion, BWV 244: Zweiter Teil. 44. „Befiehl du deine Wege“ (Choral)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:03
16Matthäus‐Passion, BWV 244: Zweiter Teil. 45a. „Auf das Fest aber hatte der Landpfleger“ (Evangelista, Pilatus, Uxor Pilati, Chorus I & II) / 45b. „Laß ihn kreuzigen!“ (Chorus I & II)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:17
17Matthäus‐Passion, BWV 244: Zweiter Teil. 46. „Wie wunderbarlich ist doch diese Strafe“ (Choral)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1998-08)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:48
18Matthäus‐Passion, BWV 244: Zweiter Teil. 47. „Der Landpfleger sagte“ (Evangelista, Pilatus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:15
19Matthäus‐Passion, BWV 244: Zweiter Teil. 48. „Er hat uns allen wohlgetan“ (Recitativo (Sopran))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:05
20Matthäus‐Passion, BWV 244: Zweiter Teil. 49. „Aus Liebe will mein Heiland sterben“ (Aria (Sopran))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:44
21Matthäus‐Passion, BWV 244: Zweiter Teil. 50a. „Sie schrieen aber noch mehr“ (Evangelista) / 50b. Chorus I & II „Laß ihn kreuzigen!“ / 50c. „Da aber Pilatus sahe“ (Evangelista, Pilatus) / 50d. „Sein Blut komme über uns“ (Chorus I & II)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:51
22Matthäus‐Passion, BWV 244: Zweiter Teil. 51. „Erbarm es Gott“ (Recitativo (Alt))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:57
23Matthäus‐Passion, BWV 244: Zweiter Teil. 52. „Können Tränen meiner Wangen“ (Aria (Alt))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:47
CD 3
#TitleArtistRatingLength
1Matthäus‐Passion, BWV 244: Zweiter Teil. 53a. „Da nahmen die Kriegsknechte“ (Evangelista) / 53b. „Gegrüßet seist du, Judenkönig“ (Chorus I & II) / 53c. „Und speieten ihn an“ (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:06
2Matthäus‐Passion, BWV 244: Zweiter Teil. 54. „O Haupt voll Blut und Wunden“ (Choral)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:13
3Matthäus‐Passion, BWV 244: Zweiter Teil. 55. „Und da sie ihn verspottet hatten“ (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:51
4Matthäus‐Passion, BWV 244: Zweiter Teil. 56. „Ja! freilich will in uns das Fleisch und Blut“ (Recitativo (Baß))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:37
5Matthäus‐Passion, BWV 244: Zweiter Teil. 57. „Komm, süßes Kreuz“ (Aria (Baß))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:46
6Matthäus‐Passion, BWV 244: Zweiter Teil. 58a. „Und da sie an die Stätte kamen“ (Evangelista) / 58b. „Der du den Tempel Gottes zerbrichst“ (Chorus I & II) / 58c. „Desgleichen auch die Hohenpriester“ (Evangelista) / 58d. „Andern hat er geholfen“ (Chorus I & II) / 58e. „Desgleichen schmäheten ihn“ (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:30
7Matthäus‐Passion, BWV 244: Zweiter Teil. 59. „Ach, Golgatha, unsel’ges Golgatha“ (Recitativo (Alt))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:37
8Matthäus‐Passion, BWV 244: Zweiter Teil. 60. „Sehet Jesus hat die Hand“ (Aria (Alt, Chorus II))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:55
9Matthäus‐Passion, BWV 244: Zweiter Teil. 61a. „Und von der sechsten Stunde“ (Evangelista, Jesus) / 61b. „Der rufet dem Elias“ (Chorus I) / 61c. „Und bald lief einer unter ihnen“ (Evangelista) / 61d. „Halt, laß sehen“ (Chorus II) / 61e. „Aber Jesus schriee abermals laut“ (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals [Jesus]:
Franz-Josef Selig (operatic bass) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:27
10Matthäus‐Passion, BWV 244: Zweiter Teil. 62. „Wenn ich einmal soll scheiden“ (Choral)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:17
11Matthäus‐Passion, BWV 244: Zweiter Teil. 63a. „Und siehe da, der Vorhang im Tempel zerriß“ (Evangelista) / 63b. „Wahrlich, dieser ist Gottes Sohn gewesen“ (Chorus I & II) / 63c. „Und es waren viel Weiber da“ (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:31
12Matthäus‐Passion, BWV 244: Zweiter Teil. 64. „Am Abend da es kühle war“ (Recitativo (Baß))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:53
13Matthäus‐Passion, BWV 244: Zweiter Teil. 65. „Mache dich, mein Herze, rein“ (Aria (Baß))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:50
14Matthäus‐Passion, BWV 244: Zweiter Teil. 66a. „Und Joseph nahm den Lieb“ (Evangelista) / 66b. „Herr, wir haben gedacht“ (Chorus I & II) / 66c. „Pilatus sprach zu ihnen“ (Evangelista, Pilatus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:29
15Matthäus‐Passion, BWV 244: Zweiter Teil. 67. „Nun ist der Herr zur Ruh gebracht“ (Recitativo (SATB, Chorus I & II))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
tenor vocals:
Werner Güra (German classical tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:57
16Matthäus‐Passion, BWV 244: Zweiter Teil. 68. „Wir setzen uns mit Tränen nieder“ (Chorus I & II)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:19
Data CD 4: Matthaüs‐Passion: Eine Interaktive Reise

Credits

Release

orchestra:Collegium Vocale Gent
conductor:Philippe Herreweghe (Belgian conductor)
chorus master:Michaël Ghijs (Belgian conductor)
baritone vocals:Frits Vanhulle
bass vocals:Dietrich Henschel (baritone)
Franz-Josef Selig (operatic bass)
Dominik Wörner
choir vocals:Collegium Vocale Gent
Schola Cantorum Cantate Domino (Belgian boys choir)
countertenor vocals:Andreas Scholl (countertenor)
soprano vocals:Susan Hamilton (classical artist)
Elisabeth Hermans (Belgian soprano)
Sibylla Rubens (soprano)
tenor vocals:Ian Bostridge (tenor)
Werner Güra (German classical tenor)
Discogs:https://www.discogs.com/release/1345266 [info]
ASIN:US: B00002R0ZL [info]

Release group

included in:Johannes-Passion / Matthäus-Passion by J.S. Bach (German Baroque period composer & musician); Collegium Vocale Gent, Philippe Herreweghe (Belgian conductor)
Discogs:https://www.discogs.com/master/579419 [info]