The Complete EMI Recordings 1946–1984, Volume 2: Opera & Vocal

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

▶ CD 1: Opera Arias (1947)
▶ CD 2: Choruses / Rosenkavalier And Salome Excerpts.
▶ CD 3: Die Zauberflöte (Orquesta Filarmónica de Viena)
▶ CD 4: Die Zauberflöte (Orquesta Filarmónica de Viena)
▶ CD 5: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 6: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▼ CD 7: Salome (Wiener Philharmoniker)
#TitleArtistRatingLength
1Salome, Op. 54: "Wie schön ist die Prinzessin Salome heute Nacht!"
producer:
Michel Glotz
bass vocals [Erster Soldat]:
Gerd Nienstedt (bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (operatic bass) (from 1977-05-09 until 1978-05-02)
contralto vocals [Ein Page]:
Heljä Angervo (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Erste Szene. "Wie schön ist die Prinzessin Salome heute nacht!" (Narraboth, Page, Erster Soldat, Zweiter Soldat) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:52
2Salome, Op. 54: "Nach mir wird Einer kommen"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Ein Cappadocier]:
Helge von Bömches (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Soldat]:
Gerd Nienstedt (bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (operatic bass) (from 1977-05-09 until 1978-05-02)
contralto vocals [Ein Page]:
Heljä Angervo (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Erste Szene. "Nach mir wird Einer kommen" (Jochanaan, Zweiter Soldat, Erster Soldat, Kappadozier, Narraboth, Page) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:48
3Salome, Op. 54: "Ich will nicht bleiben"
producer:
Michel Glotz
contralto vocals [Ein Page]:
Heljä Angervo (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Ich will nicht bleiben. Ich kann nicht bleiben" (Salome, Page) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:49
4Salome, Op. 54: "Siehe, der Herr ist gekommen"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Soldat]:
Gerd Nienstedt (bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (operatic bass) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Ein Sklave]:
Horst Nitsche (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Siehe, der Herr ist gekommen" (Jochanaan, Salome, Zweiter Soldat, Narraboth, Sklave, Erster Soldat) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:38
5Salome, Op. 54: "Jauchze nicht, du Land Palästina"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Soldat]:
Gerd Nienstedt (bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (operatic bass) (from 1977-05-09 until 1978-05-02)
contralto vocals [Ein Page]:
Heljä Angervo (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Jauchze nicht, du Land Palästina" (Jochanaan, Salome, Zweiter Soldat, Erster Soldat, Page, Narraboth) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:26
6Salome, Op. 54: "Du wirst das für mich tun"
producer:
Michel Glotz
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Du wirst das für mich tun" (Salome, Narraboth) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss4:22
7Salome, Op. 54: "Wo ist er, dessen Sündenbecher jetzt voll ist?"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Dritte Szene. "Wo ist er, dessen Sündenbecher jetzt voll ist?" (Jochanaan, Salome, Narraboth) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss9:37
8Salome, Op. 54: "Jochanaan! Ich bin verliebt in deinen Leib"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Dritte Szene. "Jochanaan! Ich bin verliebt in deinen Leib" (Salome, Jochanaan) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss8:48
9Salome, Op. 54: "Wird dir nicht bange, Tochter der Herodias?"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Dritte Szene. "Wird dir nicht bange, Tochter der Herodias?" (Jochanaan, Salome) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss8:27
10Salome, Op. 54: "Wo ist Salome? Wo ist die Prinzessin?"
producer:
Michel Glotz
bass vocals [Erster Soldat]:
Gerd Nienstedt (bass-baritone) (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Wo ist Salome? Wo ist die Prinzessin?" (Herodes, Herodias, Erster Soldat) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:38
11Salome, Op. 54: "Es ist kalt hier. Es weht ein Wind"
producer:
Michel Glotz
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Es ist kalt hier. Es weht ein Wind" (Herodes, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:27
12Salome, Op. 54: "Salome, komm, trink Wein mit mir"
producer:
Michel Glotz
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Salome, komm, trink Wein mit mir" (Herodes, Salome, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:49
13Salome, Op. 54: "Sieh, die Zeit ist gekommen"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Sieh, die Zeit ist gekommen" (Jochanaan, Salome, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss0:54
14Salome, Op. 54: "Warhaftig, Herr es wäre besser"
producer:
Michel Glotz
baritone vocals [Fünfter Jude]:
Erich Kunz (baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Nazarener]:
Jules Bastin (Belgian 20th century operatic bass) (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Dritter Jude]:
Martin Vantin (tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Erster Jude]:
Heinz Zednik (tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Vierter Jude]:
Gerhard Unger (tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Zweiter Jude]:
David Knutson (operatic tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben" (Erster Soldat, Herodes, Zweiter Jude, Dritter Jude, Vierter Jude, Fünfter Jude, Herodias, Erster Nazarener) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:58
15Salome, Op. 54: "Siehe, der Tag ist nahe, der Tag des Herrn"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Nazarener]:
Jules Bastin (Belgian 20th century operatic bass) (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Erster Jude]:
Heinz Zednik (tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Zweiter Nazarener]:
Dieter Ellenbeck (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Siehe, der Tag ist nahe, der Tag des Herrn" (Jochanaan, Herodes, Erster Nazarener, Erster Jude, Zweiter Nazarener, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss3:03
▶ CD 8: Salome (Wiener Philharmoniker)
▶ CD 9: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 10: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 11: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 12: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
▶ CD 13: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
▶ CD 14: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
▶ CD 15: Missa Solemnis in D major
▶ CD 16: Missa Solemnis in D major, Mozart, Strauss
▶ CD 17: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
▶ CD 18: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
▶ CD 19: Così fan tutte (Philharmonia Orchestra & Chorus)
▶ CD 20: Così fan tutte (Philharmonia Orchestra & Chorus)
▶ CD 21: Così fan tutte (Philharmonia Orchestra & Chorus)
▶ CD 22: Arias and Orchestral Music – 1954
▶ CD 23: Die Fledermaus (Philharmonia Orchestra & Chorus)
▶ CD 24: Die Fledermaus (Philharmonia Orchestra & Chorus)
▶ CD 25: Ariadne auf Naxos: Prologue and Opera: Beginning (Philharmonia Orchestra)
▶ CD 26: Ariadne auf Naxos: Opera: Conclusion (Philharmonia Orchestra)
▶ CD 27: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
▶ CD 28: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
▶ CD 29: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
▶ CD 30: Falstaff (Philharmonia Orchestra & Chorus)
▶ CD 31: Falstaff (Philharmonia Orchestra & Chorus)
▶ CD 32: Fidelio (Berliner Philharmoniker)
▶ CD 33: Fidelio (Berliner Philharmoniker)
▶ CD 34: Missa Solemnis in D major
▶ CD 35: Ein deutsches Requiem, Op. 45
▶ CD 36: Pelléas et Mélisande (Berliner Philharmoniker)
▶ CD 37: Pelléas et Mélisande (Berliner Philharmoniker)
▶ CD 38: Pelléas et Mélisande (Berliner Philharmoniker)
▶ CD 39: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
▶ CD 40: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
▶ CD 41: Don Carlo (1884 4 Act Version)
▶ CD 42: Don Carlo (1884 4 Act Version)
▶ CD 43: Don Carlo (1884 4 Act Version)
▶ CD 44: Otello (Berliner Philharmoniker)
▶ CD 45: Otello (Berliner Philharmoniker)
▶ CD 46: Il Trovatore (Berliner Philharmoniker)
▶ CD 47: Il Trovatore (Berliner Philharmoniker)
▶ CD 48: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
▶ CD 49: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
▶ CD 50: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶ CD 51: Lohengrin, Act 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶ CD 52: Lohengrin, Acts 2 and 3 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶ CD 53: Die Meistersinger von Nürnberg, Act 1 (Bayreuth Festival Chorus and Orchestra)
▶ CD 54: Die Meistersinger von Nürnberg, Acts 1 and 2 (Bayreuth Festival Chorus and Orchestra)
▶ CD 55: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
▶ CD 56: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
▶ CD 57: Die Meistersinger von Nürnberg, Act 1 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 58: Die Meistersinger von Nürnberg, Acts 1 and 2 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 59: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 60: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 61: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
▶ CD 62: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
▶ CD 63: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
▶ CD 64: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
▶ CD 65: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
▶ CD 66: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
▶ CD 67: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
▶ CD 68: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▶ CD 69: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
▶ CD 70: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▶ CD 71: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (operatic bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker, Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan (conductor)