Tracklist

CD 1: Opera Arias (1947)
CD 2: Choruses / Rosenkavalier And Salome Excerpts.
CD 3: Die Zauberflöte (Orquesta Filarmónica de Viena)
CD 4: Die Zauberflöte (Orquesta Filarmónica de Viena)
CD 5: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
CD 6: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
CD 7: Salome (Wiener Philharmoniker)
CD 8: Salome (Wiener Philharmoniker)
CD 9: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
CD 10: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
CD 11: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
CD 12: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
CD 13: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
CD 14: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
CD 15: Missa Solemnis in D major
CD 16: Missa Solemnis in D major, Mozart, Strauss
CD 17: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
CD 18: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
CD 19: Così fan tutte (Philharmonia Orchestra & Chorus)
CD 20: Così fan tutte (Philharmonia Orchestra & Chorus)
CD 21: Così fan tutte (Philharmonia Orchestra & Chorus)
CD 22: Arias and Orchestral Music – 1954
CD 23: Die Fledermaus (Philharmonia Orchestra & Chorus)
CD 24: Die Fledermaus (Philharmonia Orchestra & Chorus)
CD 25: Ariadne auf Naxos: Prologue and Opera: Beginning (Philharmonia Orchestra)
CD 26: Ariadne auf Naxos: Opera: Conclusion (Philharmonia Orchestra)
CD 27: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
CD 28: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
CD 29: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
CD 30: Falstaff (Philharmonia Orchestra & Chorus)
CD 31: Falstaff (Philharmonia Orchestra & Chorus)
CD 32: Fidelio (Berliner Philharmoniker)
CD 33: Fidelio (Berliner Philharmoniker)
CD 34: Missa Solemnis in D major
CD 35: Ein deutsches Requiem, Op. 45
CD 36: Pelléas et Mélisande (Berliner Philharmoniker)
CD 37: Pelléas et Mélisande (Berliner Philharmoniker)
CD 38: Pelléas et Mélisande (Berliner Philharmoniker)
CD 39: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
CD 40: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
CD 41: Don Carlo (1884 4 Act Version)
CD 42: Don Carlo (1884 4 Act Version)
CD 43: Don Carlo (1884 4 Act Version)
CD 44: Otello (Berliner Philharmoniker)
CD 45: Otello (Berliner Philharmoniker)
CD 46: Il Trovatore (Berliner Philharmoniker)
CD 47: Il Trovatore (Berliner Philharmoniker)
#TitleArtistRatingLength
1Il Trovatore: Act III, Scene I. "Or co' dadi, ma fra poco"
producer:
Michel Glotz
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:26
2Il Trovatore: Act III, Scene I. "In braccio al mio rival!"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (in 1977-09)
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:18
3Il Trovatore: Act III, Scene I. "Giorni poveri vivea"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (in 1977-09)
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:33
4Il Trovatore: Act III, Scene I. "Deh! rallentate, o barbari"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (in 1977-09)
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Azucena, Ferrando, Conte Luna, soldati) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:59
5Il Trovatore: Act III, Scene II. "Quale d'armi fragor"
producer:
Michel Glotz
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:06
6Il Trovatore: Act III, Scene II. "Ah si, ben mio, coll'essere io tuo"
producer:
Michel Glotz
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:14
7Il Trovatore: Act III, Scene II. "L'onda de'suoni mistici pura discenda al cor!"
producer:
Michel Glotz
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
tenor vocals [Ruiz]:
Horst Nitsche (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:31
8Il Trovatore: Act III, Scene II. "Di quella pira l'orrendo foco"
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
tenor vocals [Ruiz]:
Horst Nitsche (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:34
9Il Trovatore: Act IV, Scene I. "Siam giunti; ecco la torre"
producer:
Michel Glotz
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Ruiz]:
Horst Nitsche (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:08
10Il Trovatore: Act IV, Scene I. "D'amor sull'ali rosee"
producer:
Michel Glotz
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:36
11Il Trovatore: Act IV, Scene I. "Miserere" ... "Quel suon, quelle preci"
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:53
12Il Trovatore: Act IV, Scene I. "Di te! Di te! scordami di te"
producer:
Michel Glotz
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “Di te! Di te! scordami di te” (Leonora) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:06
13Il Trovatore: Act IV, Scene I. "Udiste?"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:43
14Il Trovatore: Act IV, Scene I. "Miera, d'acerbe lagrime"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:12
15Il Trovatore: Act IV, Scene I. "Conte" ... "Nè basti"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “Conte” … “Nè basti” (Leonora, Conte Luna) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:17
16Il Trovatore: Act IV, Scene I. "Vivrà, contende il giubilo"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:29
17Il Trovatore: Act IV, Scene II. "Madre, non dormi?"
producer:
Michel Glotz
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:46
18Il Trovatore: Act IV, Scene II. "Si, la stanchezza m'opprime"
producer:
Michel Glotz
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:25
19Il Trovatore: Act IV, Scene II. "Ai nostri monti ritorneremo"
producer:
Michel Glotz
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:20
20Il Trovatore: Act IV, Scene II. "Che! Non m'inganna!"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:13
21Il Trovatore: Act IV, Scene II. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto"
producer:
Michel Glotz
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 2. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto" (Manrico, Leonora) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:18
22Il Trovatore: Act IV, Scene II. "Ti scota"
producer:
Michel Glotz
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:03
23Il Trovatore: Act IV, Scene II. "Prima che d'altri vivere"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:03
CD 48: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
CD 49: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
CD 50: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
CD 51: Lohengrin, Act 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
CD 52: Lohengrin, Acts 2 and 3 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
CD 53: Die Meistersinger von Nürnberg, Act 1 (Bayreuth Festival Chorus and Orchestra)
CD 54: Die Meistersinger von Nürnberg, Acts 1 and 2 (Bayreuth Festival Chorus and Orchestra)
CD 55: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
CD 56: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
CD 57: Die Meistersinger von Nürnberg, Act 1 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
CD 58: Die Meistersinger von Nürnberg, Acts 1 and 2 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
CD 59: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
CD 60: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
CD 61: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
CD 62: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
CD 63: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
CD 64: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
CD 65: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
CD 66: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
CD 67: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
CD 68: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
CD 69: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
CD 70: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
CD 71: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (operatic bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker, Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan (conductor)