The Complete EMI Recordings 1946–1984, Volume 2: Opera & Vocal

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

▶ CD 1: Opera Arias (1947)
▶ CD 2: Choruses / Rosenkavalier And Salome Excerpts.
▶ CD 3: Die Zauberflöte (Orquesta Filarmónica de Viena)
▶ CD 4: Die Zauberflöte (Orquesta Filarmónica de Viena)
▶ CD 5: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 6: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 7: Salome (Wiener Philharmoniker)
▶ CD 8: Salome (Wiener Philharmoniker)
▶ CD 9: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 10: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 11: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 12: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
▶ CD 13: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
▶ CD 14: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
▶ CD 15: Missa Solemnis in D major
▶ CD 16: Missa Solemnis in D major, Mozart, Strauss
▶ CD 17: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
▶ CD 18: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
▶ CD 19: Così fan tutte (Philharmonia Orchestra & Chorus)
▶ CD 20: Così fan tutte (Philharmonia Orchestra & Chorus)
▶ CD 21: Così fan tutte (Philharmonia Orchestra & Chorus)
▶ CD 22: Arias and Orchestral Music – 1954
▶ CD 23: Die Fledermaus (Philharmonia Orchestra & Chorus)
▶ CD 24: Die Fledermaus (Philharmonia Orchestra & Chorus)
▶ CD 25: Ariadne auf Naxos: Prologue and Opera: Beginning (Philharmonia Orchestra)
▶ CD 26: Ariadne auf Naxos: Opera: Conclusion (Philharmonia Orchestra)
▶ CD 27: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
▶ CD 28: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
▶ CD 29: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
▶ CD 30: Falstaff (Philharmonia Orchestra & Chorus)
▶ CD 31: Falstaff (Philharmonia Orchestra & Chorus)
▶ CD 32: Fidelio (Berliner Philharmoniker)
▼ CD 33: Fidelio (Berliner Philharmoniker)
#TitleArtistRatingLength
1Fidelio, Op. 72: Act II, Scene I, No. 11. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan)
producer:
Michel Glotz
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven11:23
2Fidelio, Op. 72: Act II, Scene I, No. 12. Melodrama "Wie kalt ist es in diesem unterirdischen Gewölbe!" (Leonore, Rocco)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (austrian soprano and mezzo-soprano) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12a. Melodrama "Wie kalt ist es in diesem unteirdischen Gewölbe!" (Leonore, Rocco) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:25
3Fidelio, Op. 72: Act II, Scene I, No. 12. Duet "Nur hurtig fort" (Rocco, Leonore)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (austrian soprano and mezzo-soprano) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven4:13
4Fidelio, Op. 72: Act II, Scene I, No. 12. "Er erwacht" (Leonore, Rocco, Florestan)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (austrian soprano and mezzo-soprano) (from 1970-10 until 1970-12)
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:23
5Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (austrian soprano and mezzo-soprano) (from 1970-10 until 1970-12)
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:36
6Fidelio, Op. 72: Act II, Scene I, No. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
bass-baritone vocals [Pizarro]:
Karl Ridderbusch (operatic bass) (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (austrian soprano and mezzo-soprano) (from 1970-10 until 1970-12)
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:39
7Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
bass-baritone vocals [Pizarro]:
Karl Ridderbusch (operatic bass) (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (austrian soprano and mezzo-soprano) (from 1970-10 until 1970-12)
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:40
8Fidelio, Op. 72: Act II, Scene I, No. 14. "Vater Rocco! Vater Rocco!" (Jaquino, Rocco)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
tenor vocals [Jaquino]:
Horst Laubenthal (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:18
9Fidelio, Op. 72: Act II, Scene I, No. 14. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco)
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
bass-baritone vocals [Pizarro]:
Karl Ridderbusch (operatic bass) (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (austrian soprano and mezzo-soprano) (from 1970-10 until 1970-12)
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:11
10Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan)
producer:
Michel Glotz
soprano vocals [Leonore]:
Helga Dernesch (austrian soprano and mezzo-soprano) (from 1970-10 until 1970-12)
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:58
11Fidelio, Op. 72: Act II, Scene I, No. 16. "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Leonore, Marzelline)
producer:
Michel Glotz
baritone vocals [Fernando]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
bass vocals [Pizarro]:
Zoltán Kelemen (operatic bass) (from 1970-10 until 1970-12)
bass vocals [Rocco]:
Karl Ridderbusch (operatic bass) (from 1970-10 until 1970-12)
choir vocals:
Chor der Deutschen Oper Berlin (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (austrian soprano and mezzo-soprano) (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (soprano) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven6:02
12Fidelio, Op. 72: Act II, Scene I, No. 16. "Du schlossest auf des Edlen Grab (Don Fernando, Leonore, Florestan, Marzelline, Rocco, Chor, Jaquino)
producer:
Michel Glotz
bass vocals [Fernando & Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
choir vocals:
Chor der Deutschen Oper Berlin (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (austrian soprano and mezzo-soprano) (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (soprano) (from 1970-10 until 1970-12)
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
tenor vocals [Jaquino]:
Horst Laubenthal (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven8:10
13Missa Solemnis in D major, Op. 123: Kyrie
producer:
Michel Glotz
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1974-09-23 until 1974-09-28)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1974-09-23 until 1974-09-28)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (from 1974-09-23 until 1974-09-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1974-09-23 until 1974-09-28)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-09-23 until 1974-09-28)
orchestra:
Berliner Philharmoniker (from 1974-09-23 until 1974-09-28)
conductor:
Herbert von Karajan (conductor) (from 1974-09-23 until 1974-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1974-09-23 until 1974-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-23 until 1974-09-28)
recording of:
Missa Solemnis D-Dur, op. 123: I. Kyrie (from 1974-09-23 until 1974-09-28)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven10:34
14Missa Solemnis in D major, Op. 123, Gloria: Gloria in excelsis
producer:
Michel Glotz
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1974-09-23 until 1974-09-28)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1974-09-23 until 1974-09-28)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (from 1974-09-23 until 1974-09-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1974-09-23 until 1974-09-28)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-09-23 until 1974-09-28)
orchestra:
Berliner Philharmoniker (from 1974-09-23 until 1974-09-28)
conductor:
Herbert von Karajan (conductor) (from 1974-09-23 until 1974-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1974-09-23 until 1974-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-23 until 1974-09-28)
partial recording of:
Missa Solemnis D-Dur, op. 123: II. Gloria (from 1974-09-23 until 1974-09-28)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven4:46
15Missa Solemnis in D major, Op. 123, Gloria: Qui tollis
producer:
Michel Glotz
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1974-09-23 until 1974-09-28)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1974-09-23 until 1974-09-28)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (from 1974-09-23 until 1974-09-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1974-09-23 until 1974-09-28)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-09-23 until 1974-09-28)
orchestra:
Berliner Philharmoniker (from 1974-09-23 until 1974-09-28)
conductor:
Herbert von Karajan (conductor) (from 1974-09-23 until 1974-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1974-09-23 until 1974-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-23 until 1974-09-28)
partial recording of:
Missa Solemnis D-Dur, op. 123: II. Gloria (from 1974-09-23 until 1974-09-28)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven5:38
16Missa Solemnis in D major, Op. 123, Gloria: Quoniam tu solus sanctus
producer:
Michel Glotz
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1974-09-23 until 1974-09-28)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1974-09-23 until 1974-09-28)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (from 1974-09-23 until 1974-09-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1974-09-23 until 1974-09-28)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-09-23 until 1974-09-28)
orchestra:
Berliner Philharmoniker (from 1974-09-23 until 1974-09-28)
conductor:
Herbert von Karajan (conductor) (from 1974-09-23 until 1974-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1974-09-23 until 1974-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-23 until 1974-09-28)
partial recording of:
Missa Solemnis D-Dur, op. 123: II. Gloria (from 1974-09-23 until 1974-09-28)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven7:00
▶ CD 34: Missa Solemnis in D major
▶ CD 35: Ein deutsches Requiem, Op. 45
▶ CD 36: Pelléas et Mélisande (Berliner Philharmoniker)
▶ CD 37: Pelléas et Mélisande (Berliner Philharmoniker)
▶ CD 38: Pelléas et Mélisande (Berliner Philharmoniker)
▶ CD 39: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
▶ CD 40: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
▶ CD 41: Don Carlo (1884 4 Act Version)
▶ CD 42: Don Carlo (1884 4 Act Version)
▶ CD 43: Don Carlo (1884 4 Act Version)
▶ CD 44: Otello (Berliner Philharmoniker)
▶ CD 45: Otello (Berliner Philharmoniker)
▶ CD 46: Il Trovatore (Berliner Philharmoniker)
▶ CD 47: Il Trovatore (Berliner Philharmoniker)
▶ CD 48: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
▶ CD 49: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
▶ CD 50: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶ CD 51: Lohengrin, Act 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶ CD 52: Lohengrin, Acts 2 and 3 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶ CD 53: Die Meistersinger von Nürnberg, Act 1 (Bayreuth Festival Chorus and Orchestra)
▶ CD 54: Die Meistersinger von Nürnberg, Acts 1 and 2 (Bayreuth Festival Chorus and Orchestra)
▶ CD 55: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
▶ CD 56: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
▶ CD 57: Die Meistersinger von Nürnberg, Act 1 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 58: Die Meistersinger von Nürnberg, Acts 1 and 2 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 59: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 60: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 61: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
▶ CD 62: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
▶ CD 63: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
▶ CD 64: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
▶ CD 65: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
▶ CD 66: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
▶ CD 67: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
▶ CD 68: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▶ CD 69: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
▶ CD 70: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▶ CD 71: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (operatic bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker, Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan (conductor)