The Complete EMI Recordings 1946–1984, Volume 2: Opera & Vocal

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

▶ CD 1: Opera Arias (1947)
▶ CD 2: Choruses / Rosenkavalier And Salome Excerpts.
▼ CD 3: Die Zauberflöte (Orquesta Filarmónica de Viena)
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Ouverture
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Ouvertüre (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620
Wolfgang Amadeus Mozart7:05
2Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [First Lady]:
Sena Jurinac (soprano) (in 1950-11)
soprano vocals [Second Lady]:
Friedl Riegler (operatic soprano) (in 1950-11)
soprano vocals [Third Lady]:
Else Schürhoff (german operatic soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:07
3Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals:
Erich Kunz (baritone) (in 1950)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:39
4Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:28
5Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Queen of Night]:
Wilma Lipp (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:53
6Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [First Lady]:
Sena Jurinac (soprano) (in 1950-11)
soprano vocals [Second Lady]:
Friedl Riegler (operatic soprano) (in 1950-11)
soprano vocals [Third Lady]:
Else Schürhoff (german operatic soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:23
7Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:44
8Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:12
9Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [First Boy]:
Hermine Steinmassl (in 1950-11)
soprano vocals [Second Boy]:
Eleonore Dörpinghans (in 1950-11)
soprano vocals [Third Boy]:
Annelies Stükl (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:04
10Die Zauberflöte, K. 620: Act I. "Zurück!... Zurück?" (Stimme, Tamino, Sprecher)
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
bass-baritone vocals [Speaker]:
George London (bass-baritone) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. „Zurück!” … „Zurück?” … „Wo willst du kühner Fremdling hin?” … „O ewige Nacht” (Priester, Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:01
11Die Zauberflöte, K. 620: Act I, Scene XV. "O ew'ge Nacht, wann wirst du schwinden?"
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
partial recording of:
Die Zauberflöte: Akt I. „Zurück!” … „Zurück?” … „Wo willst du kühner Fremdling hin?” … „O ewige Nacht” (Priester, Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:08
12Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:03
13Die Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:24
14Die Zauberflöte, K. 620: Act I, Scene XVII. "Wer viel wagt, gewinnt oft viel!"
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
partial recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart0:50
15Die Zauberflöte, K. 620: Act I, Scene XVII. "Könnte jeder brave Mann"
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. „Könnte jeder brave Mann” (Pamina, Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart0:44
16Die Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:44
17Die Zauberflöte, K. 620: Act I, Scene XVII. Larghetto - recitative. "Herr, ich bin zwar Verbrecherin!"
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. „Herr, ich bin zwar Verbrecherin” (Pamina, Sarastro) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:31
18Die Zauberflöte, K. 620: Act I, Scene XVIII. Allegro - recitativo - adagio. "Na, stolzer Jüngling; nur hierher!"
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. „Nun, stolzer Jüngling; nur hierher!” (Monostatos, Pamina, Tamino, Gefolge, Sarastro) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:27
19Die Zauberflöte, K. 620: Act I, Scene XVIII. "Führt diese beiden Fremdlinge"
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: Akt I. „Führt diese beiden Fremdlinge” (Sarastro, Chor)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:39
▶ CD 4: Die Zauberflöte (Orquesta Filarmónica de Viena)
▶ CD 5: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 6: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 7: Salome (Wiener Philharmoniker)
▶ CD 8: Salome (Wiener Philharmoniker)
▶ CD 9: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 10: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 11: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 12: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
▶ CD 13: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
▶ CD 14: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
▶ CD 15: Missa Solemnis in D major
▶ CD 16: Missa Solemnis in D major, Mozart, Strauss
▶ CD 17: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
▶ CD 18: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
▶ CD 19: Così fan tutte (Philharmonia Orchestra & Chorus)
▶ CD 20: Così fan tutte (Philharmonia Orchestra & Chorus)
▶ CD 21: Così fan tutte (Philharmonia Orchestra & Chorus)
▶ CD 22: Arias and Orchestral Music – 1954
▶ CD 23: Die Fledermaus (Philharmonia Orchestra & Chorus)
▶ CD 24: Die Fledermaus (Philharmonia Orchestra & Chorus)
▶ CD 25: Ariadne auf Naxos: Prologue and Opera: Beginning (Philharmonia Orchestra)
▶ CD 26: Ariadne auf Naxos: Opera: Conclusion (Philharmonia Orchestra)
▶ CD 27: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
▶ CD 28: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
▶ CD 29: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
▶ CD 30: Falstaff (Philharmonia Orchestra & Chorus)
▶ CD 31: Falstaff (Philharmonia Orchestra & Chorus)
▶ CD 32: Fidelio (Berliner Philharmoniker)
▶ CD 33: Fidelio (Berliner Philharmoniker)
▶ CD 34: Missa Solemnis in D major
▶ CD 35: Ein deutsches Requiem, Op. 45
▶ CD 36: Pelléas et Mélisande (Berliner Philharmoniker)
▶ CD 37: Pelléas et Mélisande (Berliner Philharmoniker)
▶ CD 38: Pelléas et Mélisande (Berliner Philharmoniker)
▶ CD 39: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
▶ CD 40: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
▶ CD 41: Don Carlo (1884 4 Act Version)
▶ CD 42: Don Carlo (1884 4 Act Version)
▶ CD 43: Don Carlo (1884 4 Act Version)
▶ CD 44: Otello (Berliner Philharmoniker)
▶ CD 45: Otello (Berliner Philharmoniker)
▶ CD 46: Il Trovatore (Berliner Philharmoniker)
▶ CD 47: Il Trovatore (Berliner Philharmoniker)
▶ CD 48: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
▶ CD 49: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
▶ CD 50: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶ CD 51: Lohengrin, Act 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶ CD 52: Lohengrin, Acts 2 and 3 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶ CD 53: Die Meistersinger von Nürnberg, Act 1 (Bayreuth Festival Chorus and Orchestra)
▶ CD 54: Die Meistersinger von Nürnberg, Acts 1 and 2 (Bayreuth Festival Chorus and Orchestra)
▶ CD 55: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
▶ CD 56: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
▶ CD 57: Die Meistersinger von Nürnberg, Act 1 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 58: Die Meistersinger von Nürnberg, Acts 1 and 2 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 59: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 60: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 61: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
▶ CD 62: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
▶ CD 63: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
▶ CD 64: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
▶ CD 65: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
▶ CD 66: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
▶ CD 67: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
▶ CD 68: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▶ CD 69: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
▶ CD 70: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▶ CD 71: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (operatic bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker, Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan (conductor)