# | Title | Rating | Length |
---|
1 | Jesu Joy of Man's Desiring- recording engineer:
- Gary Barlough and Peter R. Kelsey
- assistant engineer:
- Daijiro Miyazawa and Steve Mixdorf
- executive producer:
- Eiichi Naito
- producer:
- Gary Barlough and Kitaro
- mixer:
- Peter R. Kelsey
- Blaster Beam [Beam], electric guitar, gong, Hammond organ, synthesizer [lead synthesizers] and taiko:
- Kitaro
- cello:
- Kevin Johnson
- flute:
- Kristen Stordahl Kanda
- guitar:
- Massito
- harp:
- Pamela Eldridge
- keyboard [analog keyboards] and synclavier:
- Gary Barlough
- keyboard [keyboards]:
- Keith Heffner
- percussion:
- Derek Zimmerman
- viola:
- Daniel Flick
- violin [violin 1]:
- Annamaria Karacson
- violin [violin 2]:
- Gyongyver Petheo
- choir vocals:
- International Peace Choir
- conductor:
- Keith Heffner
- arranger:
- Keith Heffner
- recorded at:
- Mochi House in Ward, Colorado, United States and NRG Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- NRG Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude”
- composer:
- Johann Sebastian Bach
- arrangement of:
- Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“
| | 4:47 |
2 | Silent Night- recording engineer:
- Gary Barlough and Peter R. Kelsey
- assistant engineer:
- Daijiro Miyazawa and Steve Mixdorf
- executive producer:
- Eiichi Naito
- producer:
- Gary Barlough and Kitaro
- mixer:
- Peter R. Kelsey
- Blaster Beam [Beam], electric guitar, gong, Hammond organ, synthesizer [lead synthesizers] and taiko:
- Kitaro
- cello:
- Kevin Johnson
- flute:
- Kristen Stordahl Kanda
- guitar:
- Massito
- harp:
- Pamela Eldridge
- keyboard [analog keyboards] and synclavier:
- Gary Barlough
- keyboard [keyboards]:
- Keith Heffner
- percussion:
- Derek Zimmerman
- viola:
- Daniel Flick
- violin [violin 1]:
- Annamaria Karacson
- violin [violin 2]:
- Gyongyver Petheo
- choir vocals:
- International Peace Choir
- conductor:
- Keith Heffner
- arranger:
- Keith Heffner
- recorded at:
- Mochi House in Ward, Colorado, United States and NRG Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- NRG Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Silent Night
- lyricist:
- Josef Mohr (in 1816)
- composer:
- Franz Xaver Gruber (in 1818)
- translator:
- John Freeman Young (in 1859)
- translated version of:
- Stille Nacht, heilige Nacht
| | 4:23 |
3 | Angels We Have Heard on High- recording engineer:
- Gary Barlough and Peter R. Kelsey
- assistant engineer:
- Daijiro Miyazawa and Steve Mixdorf
- executive producer:
- Eiichi Naito
- producer:
- Gary Barlough and Kitaro
- mixer:
- Peter R. Kelsey
- Blaster Beam [Beam], electric guitar, gong, Hammond organ, synthesizer [lead synthesizers] and taiko:
- Kitaro
- cello:
- Kevin Johnson
- flute:
- Kristen Stordahl Kanda
- guitar:
- Massito
- harp:
- Pamela Eldridge
- keyboard [analog keyboards] and synclavier:
- Gary Barlough
- keyboard [keyboards]:
- Keith Heffner
- percussion:
- Derek Zimmerman
- viola:
- Daniel Flick
- violin [violin 1]:
- Annamaria Karacson
- violin [violin 2]:
- Gyongyver Petheo
- choir vocals:
- International Peace Choir
- conductor:
- Keith Heffner
- arranger:
- Keith Heffner
- recorded at:
- Mochi House in Ward, Colorado, United States and NRG Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- NRG Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Angels We Have Heard on High
- lyricist:
- [unknown]
- composer:
- [traditional]
- translator:
- James Chadwick (in 1862)
- version of:
- Les Anges dans nos campagnes
| | 5:40 |
4 | Joy to the World / The First Noel- recording engineer:
- Gary Barlough and Peter R. Kelsey
- assistant engineer:
- Daijiro Miyazawa and Steve Mixdorf
- executive producer:
- Eiichi Naito
- producer:
- Gary Barlough and Kitaro
- mixer:
- Peter R. Kelsey
- Blaster Beam [Beam], electric guitar, gong, Hammond organ, synthesizer [lead synthesizers] and taiko:
- Kitaro
- cello:
- Kevin Johnson
- flute:
- Kristen Stordahl Kanda
- guitar:
- Massito
- harp:
- Pamela Eldridge
- keyboard [analog keyboards] and synclavier:
- Gary Barlough
- keyboard [keyboards]:
- Keith Heffner
- percussion:
- Derek Zimmerman
- viola:
- Daniel Flick
- violin [violin 1]:
- Annamaria Karacson
- violin [violin 2]:
- Gyongyver Petheo
- choir vocals:
- International Peace Choir
- conductor:
- Keith Heffner
- arranger:
- Keith Heffner
- recorded at:
- Mochi House in Ward, Colorado, United States and NRG Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- NRG Studios in North Hollywood, Los Angeles, California, United States
- medley including a recording of:
- Joy to the World
- lyricist:
- Isaac Watts
- additional composer:
- Lowell Mason (in 1839)
- composer:
- George Frideric Handel
- medley including a recording of:
- The First Noël
- publisher:
- William B. Sandys (in 1823, in 1833)
- additional lyricist:
- Davies Gilbert (in 1823)
- lyricist and composer:
- [traditional]
- additional arranger:
- Sir John Stainer (in 1871)
- arranger:
- Davies Gilbert (in 1823)
- part of:
- The New English Hymnal (number: 36)
- version of:
- The First Nowell
- part of:
- Meet Me in St. Louis
| | 4:37 |
5 | Little Drummer Boy- recording engineer:
- Gary Barlough and Peter R. Kelsey
- assistant engineer:
- Daijiro Miyazawa and Steve Mixdorf
- executive producer:
- Eiichi Naito
- producer:
- Gary Barlough and Kitaro
- mixer:
- Peter R. Kelsey
- Blaster Beam [Beam], electric guitar, gong, Hammond organ, synthesizer [lead synthesizers] and taiko:
- Kitaro
- cello:
- Kevin Johnson
- flute:
- Kristen Stordahl Kanda
- guitar:
- Massito
- harp:
- Pamela Eldridge
- keyboard [analog keyboards] and synclavier:
- Gary Barlough
- keyboard [keyboards]:
- Keith Heffner
- percussion:
- Derek Zimmerman
- viola:
- Daniel Flick
- violin [violin 1]:
- Annamaria Karacson
- violin [violin 2]:
- Gyongyver Petheo
- choir vocals:
- International Peace Choir
- conductor:
- Keith Heffner
- arranger:
- Keith Heffner
- recorded at:
- Mochi House in Ward, Colorado, United States and NRG Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- NRG Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Carol of the Drum
- lyricist and composer:
- Katherine K. Davis (in 1941)
- additional composer:
- Henry Onorati (in 1958) and Harry Simeone (in 1958)
- publisher:
- EMI Mills Music , International Korwin Corp., Belwin-Mills Publishing Corp. (in 1955) and Mills Music, Inc. (in 1964)
- is based on:
- Trad.
- part of:
- Psalty's Family Christmas Sing-A-Long
| | 5:58 |
6 | Jingle Bells- recording engineer:
- Gary Barlough and Peter R. Kelsey
- assistant engineer:
- Daijiro Miyazawa and Steve Mixdorf
- executive producer:
- Eiichi Naito
- producer:
- Gary Barlough and Kitaro
- mixer:
- Peter R. Kelsey
- Blaster Beam [Beam], electric guitar, gong, Hammond organ, synthesizer [lead synthesizers] and taiko:
- Kitaro
- cello:
- Kevin Johnson
- flute:
- Kristen Stordahl Kanda
- guitar:
- Massito
- harp:
- Pamela Eldridge
- keyboard [analog keyboards] and synclavier:
- Gary Barlough
- keyboard [keyboards]:
- Keith Heffner
- percussion:
- Derek Zimmerman
- viola:
- Daniel Flick
- violin [violin 1]:
- Annamaria Karacson
- violin [violin 2]:
- Gyongyver Petheo
- choir vocals:
- International Peace Choir
- conductor:
- Keith Heffner
- arranger:
- Keith Heffner
- recorded at:
- Mochi House in Ward, Colorado, United States and NRG Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- NRG Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Jingle Bells
- lyricist and composer:
- James Lord Pierpont (in 1850)
- publisher:
- Warner Chappell Music Ltd.
- composed at and lyrics written at:
- Simpson Tavern in Medford, Massachusetts, United States (in 1850)
| | 3:40 |
7 | Rosa Mystica- recording engineer:
- Gary Barlough and Peter R. Kelsey
- assistant engineer:
- Daijiro Miyazawa and Steve Mixdorf
- executive producer:
- Eiichi Naito
- producer:
- Gary Barlough and Kitaro
- mixer:
- Peter R. Kelsey
- Blaster Beam [Beam], electric guitar, gong, Hammond organ, synthesizer [lead synthesizers] and taiko:
- Kitaro
- cello:
- Kevin Johnson
- flute:
- Kristen Stordahl Kanda
- guitar:
- Massito
- harp:
- Pamela Eldridge
- keyboard [analog keyboards] and synclavier:
- Gary Barlough
- keyboard [keyboards]:
- Keith Heffner
- percussion:
- Derek Zimmerman
- viola:
- Daniel Flick
- violin [violin 1]:
- Annamaria Karacson
- violin [violin 2]:
- Gyongyver Petheo
- choir vocals:
- International Peace Choir
- conductor:
- Keith Heffner
- arranger:
- Keith Heffner
- recorded at:
- Mochi House in Ward, Colorado, United States and NRG Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- NRG Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Es ist ein Ros entsprungen
- composer:
- [anonymous]
- publisher:
- Dreiklang/Dreimasken
| | 2:57 |
8 | It Came Upon a Midnight Clear- recording engineer:
- Gary Barlough and Peter R. Kelsey
- assistant engineer:
- Daijiro Miyazawa and Steve Mixdorf
- executive producer:
- Eiichi Naito
- producer:
- Gary Barlough and Kitaro
- mixer:
- Peter R. Kelsey
- Blaster Beam [Beam], electric guitar, gong, Hammond organ, synthesizer [lead synthesizers] and taiko:
- Kitaro
- cello:
- Kevin Johnson
- flute:
- Kristen Stordahl Kanda
- guitar:
- Massito
- harp:
- Pamela Eldridge
- keyboard [analog keyboards] and synclavier:
- Gary Barlough
- keyboard [keyboards]:
- Keith Heffner
- percussion:
- Derek Zimmerman
- viola:
- Daniel Flick
- violin [violin 1]:
- Annamaria Karacson
- violin [violin 2]:
- Gyongyver Petheo
- choir vocals:
- International Peace Choir
- conductor:
- Keith Heffner
- arranger:
- Keith Heffner
- recorded at:
- Mochi House in Ward, Colorado, United States and NRG Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- NRG Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- It Came Upon the Midnight Clear
- lyricist:
- Edmund Sears
- composer:
- Richard Storrs Willis
- part of:
- The New English Hymnal (number: 29)
- is based on:
- CAROL
- is based on:
- It Came Upon the Midnight Clear
| | 4:00 |
9 | God Rest Ye Merry Gentlemen- recording engineer:
- Gary Barlough and Peter R. Kelsey
- assistant engineer:
- Daijiro Miyazawa and Steve Mixdorf
- executive producer:
- Eiichi Naito
- producer:
- Gary Barlough and Kitaro
- mixer:
- Peter R. Kelsey
- Blaster Beam [Beam], electric guitar, gong, Hammond organ, synthesizer [lead synthesizers] and taiko:
- Kitaro
- cello:
- Kevin Johnson
- flute:
- Kristen Stordahl Kanda
- guitar:
- Massito
- harp:
- Pamela Eldridge
- keyboard [analog keyboards] and synclavier:
- Gary Barlough
- keyboard [keyboards]:
- Keith Heffner
- percussion:
- Derek Zimmerman
- viola:
- Daniel Flick
- violin [violin 1]:
- Annamaria Karacson
- violin [violin 2]:
- Gyongyver Petheo
- choir vocals:
- International Peace Choir
- conductor:
- Keith Heffner
- arranger:
- Keith Heffner
- recorded at:
- Mochi House in Ward, Colorado, United States and NRG Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- NRG Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- God Rest Ye Merry, Gentlemen
- lyricist and composer:
- [traditional]
- part of:
- Roud Folk Song Index (number: 394)
| | 3:51 |
10 | A la Nanita Nana- recording engineer:
- Gary Barlough and Peter R. Kelsey
- assistant engineer:
- Daijiro Miyazawa and Steve Mixdorf
- executive producer:
- Eiichi Naito
- producer:
- Gary Barlough and Kitaro
- mixer:
- Peter R. Kelsey
- Blaster Beam [Beam], electric guitar, gong, Hammond organ, synthesizer [lead synthesizers] and taiko:
- Kitaro
- cello:
- Kevin Johnson
- flute:
- Kristen Stordahl Kanda
- guitar:
- Massito
- harp:
- Pamela Eldridge
- keyboard [analog keyboards] and synclavier:
- Gary Barlough
- keyboard [keyboards]:
- Keith Heffner
- percussion:
- Derek Zimmerman
- viola:
- Daniel Flick
- violin [violin 1]:
- Annamaria Karacson
- violin [violin 2]:
- Gyongyver Petheo
- choir vocals:
- International Peace Choir
- conductor:
- Keith Heffner
- guitar arranger:
- Massito
- arranger:
- Keith Heffner
- recorded at:
- Mochi House in Ward, Colorado, United States and NRG Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- NRG Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- La nana, balada al Niño Jesús
- lyricist:
- Juan Francisco Muñoz y Pabón (in 1904)
- composer:
- José Ramón Gomis (in 1904)
| | 5:14 |
11 | O Holy Night- recording engineer:
- Gary Barlough and Peter R. Kelsey
- assistant engineer:
- Daijiro Miyazawa and Steve Mixdorf
- executive producer:
- Eiichi Naito
- producer:
- Gary Barlough and Kitaro
- mixer:
- Peter R. Kelsey
- Blaster Beam [Beam], electric guitar, gong, Hammond organ, synthesizer [lead synthesizers] and taiko:
- Kitaro
- cello:
- Kevin Johnson
- flute:
- Kristen Stordahl Kanda
- guitar:
- Massito
- harp:
- Pamela Eldridge
- keyboard [analog keyboards] and synclavier:
- Gary Barlough
- keyboard [keyboards]:
- Keith Heffner
- percussion:
- Derek Zimmerman
- viola:
- Daniel Flick
- violin [violin 1]:
- Annamaria Karacson
- violin [violin 2]:
- Gyongyver Petheo
- choir vocals:
- International Peace Choir
- conductor:
- Keith Heffner
- arranger:
- Keith Heffner
- recorded at:
- Mochi House in Ward, Colorado, United States and NRG Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- NRG Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- O Holy Night
- lyricist:
- John Sullivan Dwight (in 1855)
- composer:
- Adolphe Adam (in 1847)
- translated version of:
- Cantique de Noël “Minuit chrétiens”
| | 4:56 |
12 | The Great Spirit- recording engineer:
- Gary Barlough and Peter R. Kelsey
- assistant engineer:
- Daijiro Miyazawa and Steve Mixdorf
- executive producer:
- Eiichi Naito
- producer:
- Gary Barlough and Kitaro
- mixer:
- Peter R. Kelsey
- Blaster Beam [Beam], electric guitar, gong, Hammond organ, synthesizer [lead synthesizers] and taiko:
- Kitaro
- cello:
- Kevin Johnson
- flute:
- Kristen Stordahl Kanda
- guitar:
- Massito
- harp:
- Pamela Eldridge
- keyboard [analog keyboards] and synclavier:
- Gary Barlough
- keyboard [keyboards]:
- Keith Heffner
- percussion:
- Derek Zimmerman
- viola:
- Daniel Flick
- violin [violin 1]:
- Annamaria Karacson
- violin [violin 2]:
- Gyongyver Petheo
- choir vocals:
- International Peace Choir
- conductor:
- Keith Heffner
- arranger:
- Keith Heffner
- recorded at:
- Mochi House in Ward, Colorado, United States and NRG Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- NRG Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- The Great Spirit
- composer:
- 喜多郎
| | 5:21 |