# | Title | Artist | Rating | Length |
---|
1 | Suspicious Minds- engineer:
- Al Pachucki
- producer:
- Felton Jarvis and Chips Moman
- bass:
- Tommy Cogbill (on 1969-01-23) and Mike Leech (on 1969-01-23)
- drums (drum set):
- Gene Chrisman (on 1969-01-23)
- guitar:
- Elvis Presley (on 1969-01-23) and Reggie Young (on 1969-01-23)
- organ:
- Bobby Emmons (on 1969-01-23)
- piano:
- Bobby Wood (on 1969-01-23)
- steel guitar:
- John Hughey (on 1969-01-23)
- lead vocals:
- Elvis Presley (on 1969-01-22)
- vocals:
- J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
- arranger:
- Mike Leech and Glen Spreen
- phonographic copyright (℗) by:
- BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (in 1969), RCA Records (in 1973) and Sony BMG Music Entertainment (in 2002)
- recorded at:
- American Sound Studio in Memphis, Tennessee, United States (on 1969-01-23) and United Recording Studios in Las Vegas, Nevada, United States (on 1969-08-07)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 91)
- cover recording of:
- Suspicious Minds (from 1969-01-23 until 1969-08-07)
- lyricist and composer:
- Mark James
- publisher:
- Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. and Sony/ATV Songs LLC
| Elvis Presley | 4 | 4:33 |
2 | Ring of Fire | Johnny Cash | | 2:37 |
3 | Don’t Think Twice, It’s All Right | Bob Dylan | | 3:38 |
4 | Suzanne | Leonard Cohen | 4.15 | 3:49 |
5 | I Left My Heart in San Francisco | Tony Bennett | | 2:52 |
6 | Me and Mrs. Jones | Billy Paul | | 4:42 |
7 | To Love Somebody- recording engineer:
- Ray Hall and Mike Moran
- producer:
- Danny Davis
- drums (drum set):
- Don Alias (in 1967)
- piano and lead vocals:
- Nina Simone (in 1967)
- conductor:
- Jimmy Wisner
- arranger:
- Jimmy Wisner
- phonographic copyright (℗) by:
- BMG Music (in 1969)
- produced for:
- Stroud Productions & Enterprises Inc.
- recorded at:
- RCA Studio B in New York, New York, United States
- cover recording of:
- To Love Somebody (in 1967)
- written in:
- New York, New York, United States (in 1967)
- writer:
- Barry Gibb (in 1967) and Robin Gibb (in 1967)
- publisher:
- Abigail Music, BMG Music, BMG Music Publishing , BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. and Universal Music Careers
- part of:
- 50/50
| Nina Simone | 4 | 2:40 |
8 | Be My Baby- engineer:
- Larry Levine
- producer:
- Phil Spector
- vocals:
- Ronnie Spector (in 1963-07)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Phil Spector Records (in 1963)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 22) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 22)
- recording of:
- Be My Baby (in 1963-07)
- writer:
- Jeff Barry, Ellie Greenwich and Phil Spector
- publisher:
- ABKCO Music, Inc. , Carlin Music Corporation, Mother Bertha Music Inc., Trio Music Co., Inc. and Universal–Songs of PolyGram International, Inc.
- sub-publisher:
- ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan , Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Ronettes | 4 | 2:42 |
9 | Can’t Take My Eyes Off You | Andy Williams | 4 | 3:14 |
10 | When You’re Smiling (the Whole World Smiles With You) | Frank Sinatra | | 2:30 |
11 | Whatever Will Be, Will Be (Que sera, sera) | Doris Day | | 2:05 |
12 | Skylark- recorded in:
- New York, New York, United States (on 1963-06-12)
- producer:
- Robert Mersey
- conductor:
- Robert Mersey
- arranger:
- Robert Mersey
- phonographic copyright (℗) by:
- CBS, Inc. (in 1963) and Sony Music Entertainment Inc. (in 1992)
- cover recording of:
- Skylark (on 1963-06-12)
- lyricist:
- Johnny Mercer
- composer:
- Hoagy Carmichael (in 1941)
- publisher:
- Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. , The Johnny Mercer Foundation, Warner Bros. Music , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- 日音 Synch事業部
| Aretha Franklin | | 2:52 |
13 | Put Your Head on My Shoulder | Paul Anka | | 2:35 |
14 | Magic Moments | Perry Como | 4 | 2:40 |
15 | Can’t Smile Without You | Barry Manilow | 4.65 | 3:12 |
16 | Lovely Day- producer:
- Clarence McDonald and Bill Withers
- bass guitar:
- Jerry Knight (in 1977)
- drums (drum set) and shakers:
- Russell Kunkel (in 1977)
- guitar:
- Ray Parker (in 1977)
- keyboard:
- Clarence McDonald (in 1977)
- percussion:
- Ralph MacDonald (in 1977)
- lead vocals:
- Bill Withers (in 1977)
- arranger:
- Clarence McDonald
- concertmaster:
- Charles Veal (in 1977)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977) and Columbia Records (in 1977)
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 402)
- recording of:
- Lovely Day (in 1977)
- writer:
- Skip Scarborough and Bill Withers
- publisher:
- Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. , フジパシフィックミュージック, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Bill Withers | 4.75 | 4:12 |
17 | Midnight Train to Georgia | Gladys Knight & the Pips | 4.5 | 3:53 |