Mosaic Select: Johnny Mercer

~ Release by Johnny Mercer (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1They Didn't Believe Me
recorded in:
Los Angeles, California, United States (on 1942-04-06)
piano:
Jimmy Van Heusen (on 1942-04-06)
tenor saxophone:
Herbert "Bumps" Meyers (on 1942-04-06)
vocals:
The Mellowaires (on 1942-04-06)
orchestra:
Gordon Jenkins & His Orchestra (on 1942-04-06)
recording of:
They Didn’t Believe Me (on 1942-04-06)
lyricist:
Herbert Reynolds
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd. and Redwood Music Ltd. (Carlin)
part of:
The Girl From Utah
2:48
2The Old Music Master
recorded in:
Los Angeles, California, United States (on 1942-06-12)
alto saxophone:
Danny d'Andrea (on 1942-04-12) and Alvy West (on 1942-04-12)
baritone saxophone:
Tommy Mace (on 1942-04-12)
double bass:
Arthur "Artie" Shapiro (on 1942-06-12)
drums (drum set):
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1942-06-12)
guitar:
Mike Pingitore
piano:
Buddy Weed (on 1942-06-12)
strings:
Harry Azen (on 1942-06-12), Sol Blumenthal (on 1942-06-12) and David Bowman (strings) (on 1942-06-12)
tenor saxophone:
King Guion (on 1942-06-12) and Lenny Hartman (on 1942-06-12)
trombone:
Skip Layton (on 1942-06-12) and Murray McEachern (on 1942-06-12)
trumpet:
Monty Kelly (on 1942-06-12), Larry Neil (on 1942-06-12) and Don Waddilove (on 1942-06-12)
vocals:
Johnny Mercer and Jack Teagarden (on 1942-06-12)
orchestra:
Paul Whiteman and His Orchestra
recording of:
The Old Music Master (on 1942-06-12)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
2:56
3G.I. Jive
recorded in:
Los Angeles, California, United States (on 1943-10-15)
reeds:
Heine Beau (on 1943-10-15)
orchestra:
Paul Weston and His Orchestra (on 1943-10-15)
recording of:
G.I. Jive (on 1943-10-15)
lyricist and composer:
Johnny Mercer
publisher:
WC Music Corp.
3:21
4Dixieland Band
recorded in:
Los Angeles, California, United States (on 1943-10-22)
orchestra:
Paul Weston and His Orchestra (on 1943-10-22)
recording of:
Dixieland Band (on 1943-10-22)
lyricist:
Johnny Mercer
composer:
Bernie Hanighen
2:44
5Jamboree Jones
recorded in:
Los Angeles, California, United States (on 1943-10-22)
vocals:
Hal Hopper (on 1943-10-22), Chuck Lowry (on 1943-10-22), The Pied Pipers (American vocal group, active 1930s-50s) (on 1943-10-22), Jo Stafford (on 1943-10-22) and Clark Yocum (on 1943-10-22)
orchestra:
Paul Weston and His Orchestra (on 1943-10-22)
recording of:
Jamboree Jones (on 1943-10-22)
lyricist and composer:
Johnny Mercer
3:13
6San Fernando Valley
recorded in:
Los Angeles, California, United States (on 1944-01-22)
double bass:
Arthur "Artie" Shapiro (on 1944-01-22)
drums (drum set):
John Cyr (drums) (on 1944-01-22)
guitar:
Nappy Lamare (on 1944-01-22)
piano:
Charles LaVere (on 1944-01-22)
reeds:
Eddie Miller (US jazz saxophonist) (on 1944-01-22), Doc Rando (on 1944-01-22) and Arch Rosate (on 1944-01-22)
tenor saxophone:
Mort Friedman (on 1944-01-22)
trombone:
Ed Kusby (on 1944-01-22) and Allan Thompson (on 1944-01-22)
trumpet:
Don Anderson (trumpet player) (on 1944-01-22), Bob Goodrich (on 1944-01-22) and Billy May (on 1944-01-22)
vocals:
Lee Barrie (on 1944-01-22), Linda Barrie (on 1944-01-22), Sharon Barrie (on 1944-01-22) and The Barries (on 1944-01-22)
orchestra:
Paul Weston and His Orchestra (on 1944-01-22)
recording of:
San Fernando Valley (on 1944-01-22)
lyricist and composer:
Gordon Jenkins
2:55
7Someone's in the Kitchen With Dinah
recorded in:
Los Angeles, California, United States (on 1944-01-22)
double bass:
Arthur "Artie" Shapiro (on 1944-01-22)
drums (drum set):
John Cyr (drums) (on 1944-01-22)
guitar:
Nappy Lamare (on 1944-01-22)
piano:
Charles LaVere (on 1944-01-22)
reeds:
Eddie Miller (US jazz saxophonist) (on 1944-01-22), Doc Rando (on 1944-01-22) and Arch Rosate (on 1944-01-22)
tenor saxophone:
Mort Friedman (on 1944-01-22)
trombone:
Ed Kusby (on 1944-01-22) and Allan Thompson (on 1944-01-22)
trumpet:
Don Anderson (trumpet player) (on 1944-01-22), Bob Goodrich (on 1944-01-22) and Billy May (on 1944-01-22)
vocals:
Lee Barrie (on 1944-01-22), Linda Barrie (on 1944-01-22), Sharon Barrie (on 1944-01-22) and The Barries (on 1944-01-22)
orchestra:
Paul Weston and His Orchestra (on 1944-01-22)
recording of:
Someone's in the Kitchen with Dinah (American folk song) (on 1944-01-22)
part of:
I’ve Been Working on the Railroad
2:46
8The Tailgate Ramble
recorded in:
Los Angeles, California, United States (on 1944-03-07)
clarinet:
Matty Matlock (on 1944-03-07)
double bass:
Phil Stephens (bass and tuba player) (on 1944-03-07)
drums (drum set):
Zutty Singleton (on 1944-03-07)
guitar:
Nappy Lamare (on 1944-03-07)
piano:
Stan Wrightsman (on 1944-03-07)
trombone:
Jack Flores (on 1944-03-07), Abe Lincoln (jazz trombonist) (on 1944-03-07) and Floyd O'Brien (on 1944-03-07)
trumpet:
Wingy Manone (on 1944-03-07)
vocals:
Wingy Manone (on 1944-03-07)
orchestra:
Wingy Manone's Dixieland Band (on 1944-03-07)
recording of:
The Tailgate Ramble (on 1944-03-07)
lyricist:
Johnny Mercer
composer:
Wingy Manone
publisher:
Michael H. Goldsen Inc.
2:56
9(Love's Got Me in a) Lazy Mood
recorded in:
Los Angeles, California, United States (on 1944-03-11)
baritone saxophone:
Clyde Rogers (US big band vocalist) (on 1944-03-11)
double bass:
Arthur "Artie" Shapiro (on 1944-03-11)
drums (drum set):
Nick Fatool (on 1944-03-11)
guitar:
Nappy Lamare (on 1944-03-11)
piano:
Stan Wrightsman (on 1944-03-11)
reeds:
Doc Rando (on 1944-03-11) and Fred Stulce (on 1944-03-11)
tenor saxophone:
Matty Matlock (on 1944-03-11) and Eddie Miller (US jazz saxophonist) (on 1944-03-11)
trombone:
Abe Lincoln (jazz trombonist) (on 1944-03-11) and Allan Thompson (on 1944-03-11)
trumpet:
Bruce Hudson (on 1944-03-11) and Clyde Hurley (on 1944-03-11)
orchestra:
Eddie Miller and his Orchestra (on 1944-03-11)
3:05
10Duration Blues
recorded in:
Los Angeles, California, United States (on 1944-03-11)
orchestra:
Paul Weston and His Orchestra (on 1944-03-11)
3:09
11Sam's Got Him
recorded in:
Los Angeles, California, United States (on 1944-06-21)
alto saxophone:
Clyde Hylton (on 1944-06-21) and Les Robinson (on 1944-06-21)
baritone saxophone:
Wes Cheever (on 1944-06-21)
double bass:
Stan Fletcher (on 1944-06-21)
drums (drum set):
Mel Tormé (“The Velvet Fog”) (on 1944-06-21)
guitar:
Barney Kessel (on 1944-06-21)
piano:
Ted Repay (on 1944-06-21)
tenor saxophone:
King Guion (on 1944-06-21) and Karl Leaf (on 1944-06-21)
trombone:
Bill Atkinson (on 1944-06-21), Burt Johnson (on 1944-06-21), Dale Nichols (on 1944-06-21) and Jim Skiles (on 1944-06-21)
trumpet:
Paul Earl Geil (on 1944-06-21), Charles Griffard (on 1944-06-21), Billy May (on 1944-06-21) and John Enos Silva (on 1944-06-21)
orchestra:
King Guion and his Orchestra (on 1944-06-21)
2:41
12It Ain't Necessarily So
recorded in:
New York, New York, United States (on 1944-09-20)
alto saxophone:
Matty Matlock (on 1944-09-20) and Bill Stegmeyer (on 1944-09-20)
baritone saxophone:
Ernie Caceres (on 1944-09-20)
double bass:
Bob Haggart (on 1944-09-20)
drums (drum set):
Nick Fatool (on 1944-09-20)
guitar:
Carl Kress (on 1944-09-20)
piano:
Johnny Guarnieri (on 1944-09-20)
tenor saxophone:
Eddie Miller (US jazz saxophonist) (on 1944-09-20) and Art Rollini (on 1944-09-20)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (on 1944-09-20)
trumpet:
Billy Butterfield (on 1944-09-20), Andy Ferretti (on 1944-09-20) and Chris Griffin (Gordon Claude Griffin, trumpeter) (on 1944-09-20)
orchestra:
Billy Butterfield and His Orchestra (on 1944-09-20)
instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1944-09-20)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
2:49
13Evelina
recorded in:
New York, New York, United States (on 1944-09-20)
alto saxophone:
Matty Matlock (on 1944-09-20) and Bill Stegmeyer (on 1944-09-20)
baritone saxophone:
Ernie Caceres (on 1944-09-20)
double bass:
Bob Haggart (on 1944-09-20)
drums (drum set):
Nick Fatool (on 1944-09-20)
guitar:
Carl Kress (on 1944-09-20)
piano:
Johnny Guarnieri (on 1944-09-20)
tenor saxophone:
Eddie Miller (US jazz saxophonist) (on 1944-09-20) and Art Rollini (on 1944-09-20)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (on 1944-09-20)
trumpet:
Billy Butterfield (on 1944-09-20), Andy Ferretti (on 1944-09-20) and Chris Griffin (Gordon Claude Griffin, trumpeter) (on 1944-09-20)
orchestra:
Billy Butterfield and His Orchestra (on 1944-09-20)
recording of:
Evelina (from Bloomer Girl) (on 1944-09-20)
lyricist:
Yip Harburg
composer:
Harold Arlen
3:09
14I'm Gonna See My Baby
recorded in:
Los Angeles, California, United States (on 1944-10-04)
alto saxophone:
Doc Rando (on 1944-10-04) and Fred Stulce (on 1944-10-04)
baritone saxophone:
Harry Schuchman (on 1944-10-04)
double bass:
Jack Ryan (jazz bassist) (on 1944-10-04)
drums (drum set):
Nick Fatool (on 1944-10-04)
guitar:
Nappy Lamare (on 1944-10-04)
piano:
Stan Wrightsman (on 1944-10-04)
tenor saxophone:
Matty Matlock (on 1944-10-04) and Eddie Miller (US jazz saxophonist) (on 1944-10-04)
trombone:
Burt Johnson (on 1944-10-04) and Allan Thompson (on 1944-10-04)
trumpet:
Donald Anderson (trumpet) (on 1944-10-04), Nate Kazebier (on 1944-10-04) and Ray Linn (on 1944-10-04)
vocals:
Hal Hopper (on 1944-10-04), June Hutton (on 1944-10-04), Chuck Lowry (on 1944-10-04), The Pied Pipers (American vocal group, active 1930s-50s) (on 1944-10-04) and Clark Yocum (on 1944-10-04)
orchestra:
Paul Weston and His Orchestra (on 1944-10-04)
2:33
15Ac-Cent-Tchu-Ate the Positive
recorded in:
Los Angeles, California, United States (on 1944-10-04)
alto saxophone:
Doc Rando (on 1944-10-04) and Fred Stulce (on 1944-10-04)
baritone saxophone:
Harry Schuchman (on 1944-10-04)
double bass:
Jack Ryan (jazz bassist) (on 1944-10-04)
drums (drum set):
Nick Fatool (on 1944-10-04)
guitar:
Nappy Lamare (on 1944-10-04)
piano:
Stan Wrightsman (on 1944-10-04)
tenor saxophone:
Matty Matlock (on 1944-10-04) and Eddie Miller (US jazz saxophonist) (on 1944-10-04)
trombone:
Burt Johnson (on 1944-10-04) and Allan Thompson (on 1944-10-04)
trumpet:
Donald Anderson (trumpet) (on 1944-10-04), Nate Kazebier (on 1944-10-04) and Ray Linn (on 1944-10-04)
orchestra:
Paul Weston and His Orchestra (on 1944-10-04)
instrumental recording of:
Ac‐cent‐tchu‐ate the Positive (on 1944-10-04)
lyricist:
Johnny Mercer (in 1944)
composer:
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The 18th Academy Award for Best Original Song (number: 2)
2:49
16Camptown Races
recorded in:
Los Angeles, California, United States (on 1944-11-22)
alto saxophone:
Doc Rando (on 1944-11-22) and Fred Stulce (on 1944-11-22)
baritone saxophone:
Harry Schuchman (on 1944-11-22)
double bass:
Jackie Ryan (on 1944-11-22)
drums (drum set):
Nick Fatool (on 1944-11-22)
guitar:
Nappy Lamare (on 1944-11-22)
instruments:
Chuck Lowry
piano:
Stan Wrightsman (on 1944-11-22)
tenor saxophone:
Don Lodice (on 1944-11-22) and Matty Matlock (on 1944-11-22)
trombone:
Burt Johnson (on 1944-11-22) and Allan Thompson (on 1944-11-22)
trumpet:
Donald Anderson (trumpet) (on 1944-11-22), Nate Kazebier (on 1944-11-22) and John Martell (on 1944-11-22)
vocals:
Hal Hopper (on 1944-11-22), June Hutton (on 1944-11-22), The Pied Pipers (American vocal group, active 1930s-50s) (on 1944-11-22) and Clark Yocum (on 1944-11-22)
orchestra:
Paul Weston and His Orchestra (on 1944-11-22)
recording of:
Camptown Races (on 1944-11-22)
lyricist and composer:
Stephen Foster (composer)
2:47
17Mrs. Wiggs of the Cabbage Patch
2:40
18Surprise Party
3:11
19If I Knew Then
2:27
20Sweet Lorraine
recording of:
Sweet Lorraine
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
3:00
21By the River St. Marie
recording of:
By the River Sainte Marie
writer:
Edgar Leslie and Harry Warren (US composer and lyricist)
2:26
22He Should'a Flip'd When He Flop'd
recorded at:
WMCA in New York, New York, United States (on 1946-01-29)
recording of:
He Should'a Flip'd When He Flop'd (on 1946-01-29)
writer:
Mercer Ellington
3:02
23Any Place I Hang My Hat Is Home
recording of:
Any Place I Hang My Hat Is Home
lyricist:
Johnny Mercer
composer:
Harold Arlen
publisher:
Chappell & Co., Inc. (USA) and S.A. Music Co.
2:35
24Li'l Augie Is a Natural Man
2:43
25It's a Good Day
2:44
▼ CD 2
#TitleRatingLength
1I May Be Wrong
recorded in:
Los Angeles, California, United States (in 1946-05)
baritone saxophone:
Harry Schuchman (in 1946-05)
double bass:
Jack Ryan (jazz bassist) (in 1946-05)
drums (drum set):
Nick Fatool (in 1946-05)
guitar:
George van Eps (in 1946-05)
piano:
Stan Wrightsman (in 1946-05)
reeds:
Matty Matlock (in 1946-05) and Fred Stulce (in 1946-05)
trumpet:
Charles Griffard (in 1946-05) and Nate Kazebier (in 1946-05)
orchestra:
Paul Weston and His Orchestra (in 1946-05)
recording of:
I May Be Wrong (but I Think You’re Wonderful) (in 1946-05)
lyricist:
Harry Ruskin
composer:
Henry Sullivan
1:57
2By the River St. Marie
recorded in:
Los Angeles, California, United States (in 1946-05)
baritone saxophone:
Harry Schuchman (in 1946-05)
double bass:
Jack Ryan (jazz bassist) (in 1946-05)
drums (drum set):
Nick Fatool (in 1946-05)
guitar:
George van Eps (in 1946-05)
piano:
Stan Wrightsman (in 1946-05)
reeds:
Matty Matlock (in 1946-05) and Fred Stulce (in 1946-05)
trumpet:
Charles Griffard (in 1946-05) and Nate Kazebier (in 1946-05)
orchestra:
Paul Weston and His Orchestra (in 1946-05)
recording of:
By the River Sainte Marie (in 1946-05)
writer:
Edgar Leslie and Harry Warren (US composer and lyricist)
2:17
3Gee Baby, Ain't I Good to You
recorded in:
Los Angeles, California, United States (in 1946-05)
baritone saxophone:
Harry Schuchman (in 1946-05)
double bass:
Jack Ryan (jazz bassist) (in 1946-05)
drums (drum set):
Nick Fatool (in 1946-05)
guitar:
George van Eps (in 1946-05)
piano:
Stan Wrightsman (in 1946-05)
reeds:
Matty Matlock (in 1946-05) and Fred Stulce (in 1946-05)
trumpet:
Charles Griffard (in 1946-05) and Nate Kazebier (in 1946-05)
orchestra:
Paul Weston and His Orchestra (in 1946-05)
instrumental recording of:
Gee, Baby Ain’t I Good to You (in 1946-05)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
2:45
4Mindin' My Business
recorded in:
Los Angeles, California, United States (in 1946-05)
baritone saxophone:
Harry Schuchman (in 1946-05)
double bass:
Jack Ryan (jazz bassist) (in 1946-05)
drums (drum set):
Nick Fatool (in 1946-05)
guitar:
George van Eps (in 1946-05)
piano:
Stan Wrightsman (in 1946-05)
reeds:
Matty Matlock (in 1946-05) and Fred Stulce (in 1946-05)
trumpet:
Charles Griffard (in 1946-05) and Nate Kazebier (in 1946-05)
orchestra:
Paul Weston and His Orchestra (in 1946-05)
1:56
5Sugar
recorded in:
Los Angeles, California, United States (in 1946-05)
baritone saxophone:
Harry Schuchman (in 1946-05)
double bass:
Jack Ryan (jazz bassist) (in 1946-05)
drums (drum set):
Nick Fatool (in 1946-05)
guitar:
George van Eps (in 1946-05)
piano:
Stan Wrightsman (in 1946-05)
reeds:
Matty Matlock (in 1946-05) and Fred Stulce (in 1946-05)
trumpet:
Charles Griffard (in 1946-05) and Nate Kazebier (in 1946-05)
orchestra:
Paul Weston and His Orchestra (in 1946-05)
2:48
6The Object of My Affection
recorded in:
Los Angeles, California, United States (in 1946-05)
baritone saxophone:
Harry Schuchman (in 1946-05)
double bass:
Jack Ryan (jazz bassist) (in 1946-05)
drums (drum set):
Nick Fatool (in 1946-05)
guitar:
George van Eps (in 1946-05)
piano:
Stan Wrightsman (in 1946-05)
reeds:
Matty Matlock (in 1946-05) and Fred Stulce (in 1946-05)
trumpet:
Charles Griffard (in 1946-05) and Nate Kazebier (in 1946-05)
orchestra:
Paul Weston and His Orchestra (in 1946-05)
recording of:
The Object of My Affection (in 1946-05)
writer:
Jimmie Grier (US jazz clarinetist), Coy Poe and Pinky Tomlin
2:43
7Button Up Your Overcoat
recorded in:
Los Angeles, California, United States (in 1946-05)
baritone saxophone:
Harry Schuchman (in 1946-05)
double bass:
Jack Ryan (jazz bassist) (in 1946-05)
drums (drum set):
Nick Fatool (in 1946-05)
guitar:
George van Eps (in 1946-05)
piano:
Stan Wrightsman (in 1946-05)
reeds:
Matty Matlock (in 1946-05) and Fred Stulce (in 1946-05)
trumpet:
Charles Griffard (in 1946-05) and Nate Kazebier (in 1946-05)
orchestra:
Paul Weston and His Orchestra (in 1946-05)
recording of:
Button Up Your Overcoat (in 1946-05)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
2:36
8Sunbonnet Sue
recorded in:
Los Angeles, California, United States (in 1946-05)
baritone saxophone:
Harry Schuchman (in 1946-05)
double bass:
Jack Ryan (jazz bassist) (in 1946-05)
drums (drum set):
Nick Fatool (in 1946-05)
guitar:
George van Eps (in 1946-05)
piano:
Stan Wrightsman (in 1946-05)
reeds:
Matty Matlock (in 1946-05) and Fred Stulce (in 1946-05)
trumpet:
Charles Griffard (in 1946-05) and Nate Kazebier (in 1946-05)
orchestra:
Paul Weston and His Orchestra (in 1946-05)
2:20
9Indiana
recorded in:
Los Angeles, California, United States (in 1946-05)
baritone saxophone:
Harry Schuchman (in 1946-05)
double bass:
Jack Ryan (jazz bassist) (in 1946-05)
drums (drum set):
Nick Fatool (in 1946-05)
guitar:
George van Eps (in 1946-05)
piano:
Stan Wrightsman (in 1946-05)
reeds:
Matty Matlock (in 1946-05) and Fred Stulce (in 1946-05)
trumpet:
Charles Griffard (in 1946-05) and Nate Kazebier (in 1946-05)
orchestra:
Paul Weston and His Orchestra (in 1946-05)
recording of:
Indiana (Back Home Again in Indiana) (in 1946-05)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
1:35
10I Never Knew
recorded in:
Los Angeles, California, United States (in 1946-05)
baritone saxophone:
Harry Schuchman (in 1946-05)
double bass:
Jack Ryan (jazz bassist) (in 1946-05)
drums (drum set):
Nick Fatool (in 1946-05)
guitar:
George van Eps (in 1946-05)
piano:
Stan Wrightsman (in 1946-05)
reeds:
Matty Matlock (in 1946-05) and Fred Stulce (in 1946-05)
trumpet:
Charles Griffard (in 1946-05) and Nate Kazebier (in 1946-05)
orchestra:
Paul Weston and His Orchestra (in 1946-05)
recording of:
I Never Knew (in 1946-05)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
1:36
11I Guess I'll Have to Change My Plan
recorded in:
Los Angeles, California, United States (on 1946-05-23)
alto saxophone:
Fred Stulce (on 1946-05-23)
baritone saxophone:
Harry Schuchman (on 1946-05-23)
double bass:
Jack Ryan (jazz bassist) (on 1946-05-23)
drums (drum set):
Nick Fatool (on 1946-05-23)
guitar:
George van Eps (on 1946-05-23)
piano:
Buddy Cole (on 1946-05-23)
tenor saxophone:
Eddie Miller (US jazz saxophonist) (on 1946-05-23) and Artie Quenzer (on 1946-05-23)
trombone:
Bill Schaefer (on 1946-05-23), Allan Thompson (on 1946-05-23) and Joe Yukl (on 1946-05-23)
trumpet:
Paul Earl Geil (on 1946-05-23), Charles Griffard (on 1946-05-23), Bruce Hudson (on 1946-05-23) and Ray Woods (on 1946-05-23)
orchestra:
Paul Weston and His Orchestra (on 1946-05-23)
instrumental recording of:
I Guess I’ll Have to Change My Plan (on 1946-05-23)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
2:42
12The Object of My Affection
recorded in:
Los Angeles, California, United States (on 1946-05-23)
alto saxophone:
Fred Stulce (on 1946-05-23)
baritone saxophone:
Harry Schuchman (on 1946-05-23)
double bass:
Jack Ryan (jazz bassist) (on 1946-05-23)
drums (drum set):
Nick Fatool (on 1946-05-23)
guitar:
George van Eps (on 1946-05-23)
piano:
Buddy Cole (on 1946-05-23)
tenor saxophone:
Eddie Miller (US jazz saxophonist) (on 1946-05-23) and Artie Quenzer (on 1946-05-23)
trombone:
Bill Schaefer (on 1946-05-23), Allan Thompson (on 1946-05-23) and Joe Yukl (on 1946-05-23)
trumpet:
Paul Earl Geil (on 1946-05-23), Charles Griffard (on 1946-05-23), Bruce Hudson (on 1946-05-23) and Ray Woods (on 1946-05-23)
orchestra:
Paul Weston and His Orchestra (on 1946-05-23)
recording of:
The Object of My Affection (on 1946-05-23)
writer:
Jimmie Grier (US jazz clarinetist), Coy Poe and Pinky Tomlin
2:54
13Ugly Chile
recorded in:
Los Angeles, California, United States (on 1946-05-23)
alto saxophone:
Fred Stulce (on 1946-05-23)
baritone saxophone:
Harry Schuchman
double bass:
Jack Ryan (jazz bassist) (on 1946-05-23)
drums (drum set):
Nick Fatool (on 1946-05-23)
guitar:
George van Eps (on 1946-05-23)
piano:
Buddy Cole (on 1946-05-23)
tenor saxophone:
Eddie Miller (US jazz saxophonist) (on 1946-05-23) and Artie Quenzer (on 1946-05-23)
trombone:
Bill Schaefer (on 1946-05-23), Allan Thompson (on 1946-05-23) and Joe Yukl (on 1946-05-23)
trumpet:
Paul Earl Geil (on 1946-05-23), Charles Griffard (on 1946-05-23), Bruce Hudson (on 1946-05-23) and Ray Woods (on 1946-05-23)
orchestra:
Paul Weston and His Orchestra (on 1946-05-23)
2:39
14My Sugar Is So Refined
recorded in:
Los Angeles, California, United States (on 1946-05-26)
double bass:
Jack Ryan (jazz bassist) (on 1946-05-26)
drums (drum set):
Nick Fatool (on 1946-05-26)
guitar:
Dave Barbour (on 1946-05-26)
piano:
Charles LaVere (on 1946-05-26)
reeds:
Lenny Hartman (on 1946-05-26), Hap Lawson (on 1946-05-26), Matty Matlock (on 1946-05-26), Eddie Miller (US jazz saxophonist) (on 1946-05-26), Artie Quenzer (on 1946-05-26) and Fred Stulce (on 1946-05-26)
trombone:
Bill Schaefer (on 1946-05-26), Elmer Smithers (on 1946-05-26) and Allan Thompson (on 1946-05-26)
trumpet:
Charles Griffard (on 1946-05-26), Bruce Hudson (on 1946-05-26), Ray Linn (on 1946-05-26) and Ray Woods (on 1946-05-26)
vocals:
Hal Hopper (on 1946-05-26), June Hutton (on 1946-05-26), Chuck Lowry (on 1946-05-26), The Pied Pipers (American vocal group, active 1930s-50s) (on 1946-05-26) and Clark Yocum (on 1946-05-26)
orchestra:
Paul Weston and His Orchestra (on 1946-05-26)
recording of:
My Sugar Is So Refined (on 1946-05-26)
lyricist:
Sylvia Dee (American lyricist)
composer:
Sidney Lippman (American songwriter)
2:43
15Baby I'm True to You
recorded in:
Los Angeles, California, United States (on 1946-05-26)
double bass:
Jack Ryan (jazz bassist) (on 1946-05-26)
guitar:
Dave Barbour (on 1946-05-26)
piano:
Charles LaVere (on 1946-05-26)
reeds:
Lenny Hartman (on 1946-05-26), Hap Lawson (on 1946-05-26), Matty Matlock (on 1946-05-26), Eddie Miller (US jazz saxophonist) (on 1946-05-26), Artie Quenzer (on 1946-05-26) and Fred Stulce (on 1946-05-26)
trombone:
Bill Schaefer (on 1946-05-26), Elmer Smithers (on 1946-05-26) and Allan Thompson (on 1946-05-26)
trumpet:
Charles Griffard (on 1946-05-26), Bruce Hudson (on 1946-05-26), Ray Linn (on 1946-05-26) and Ray Woods (on 1946-05-26)
vocals:
Hal Hopper (on 1946-05-26), June Hutton (on 1946-05-26), Chuck Lowry (on 1946-05-26), The Pied Pipers (American vocal group, active 1930s-50s) (on 1946-05-26) and Clark Yocum (on 1946-05-26)
orchestra:
Paul Weston and His Orchestra (on 1946-05-26)
2:58
16Sugar Blues
recorded in:
Los Angeles, California, United States (on 1946-05-26)
double bass:
Jack Ryan (jazz bassist) (on 1946-05-26)
drums (drum set):
Nick Fatool (on 1946-05-26)
guitar:
Dave Barbour (on 1946-05-26)
piano:
Charles LaVere (on 1946-05-26)
reeds:
Lenny Hartman (on 1946-05-26), Hap Lawson (on 1946-05-26), Matty Matlock (on 1946-05-26), Eddie Miller (US jazz saxophonist) (on 1946-05-26), Artie Quenzer (on 1946-05-26) and Fred Stulce (on 1946-05-26)
trombone:
Bill Schaefer (on 1946-05-26), Elmer Smithers (on 1946-05-26) and Allan Thompson (on 1946-05-26)
trumpet:
Charles Griffard (on 1946-05-26), Bruce Hudson (on 1946-05-26), Ray Linn (on 1946-05-26) and Ray Woods (on 1946-05-26)
vocals:
Hal Hopper (on 1946-05-26), June Hutton (on 1946-05-26), Chuck Lowry (on 1946-05-26), The Pied Pipers (American vocal group, active 1930s-50s) (on 1946-05-26) and Clark Yocum (on 1946-05-26)
orchestra:
Paul Weston and His Orchestra
recording of:
Sugar Blues (on 1946-05-26)
writer:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1920)
composer:
Lucy Fletcher and Clarence Williams (US jazz pianist, composer, singer and bandleader)
2:45
17Minding My Business
recorded in:
Los Angeles, California, United States (on 1946-05-26)
double bass:
Jack Ryan (jazz bassist) (on 1946-05-26)
drums (drum set):
Nick Fatool (on 1946-05-26)
guitar:
Dave Barbour (on 1946-05-26)
piano:
Charles LaVere (on 1946-05-26)
reeds:
Lenny Hartman (on 1946-05-26), Hap Lawson (on 1946-05-26), Matty Matlock (on 1946-05-26), Eddie Miller (US jazz saxophonist) (on 1946-05-26), Artie Quenzer (on 1946-05-26) and Fred Stulce (on 1946-05-26)
trombone:
Bill Schaefer (on 1946-05-26), Elmer Smithers (on 1946-05-26) and Allan Thompson (on 1946-05-26)
trumpet:
Charles Griffard (on 1946-05-26), Bruce Hudson (on 1946-05-26), Ray Linn (on 1946-05-26) and Ray Woods (on 1946-05-26)
vocals:
Hal Hopper (on 1946-05-26), June Hutton (on 1946-05-26), Chuck Lowry (on 1946-05-26), The Pied Pipers (American vocal group, active 1930s-50s) (on 1946-05-26) and Clark Yocum (on 1946-05-26)
orchestra:
Paul Weston and His Orchestra (on 1946-05-26)
2:29
18One for My Baby (And One More for the Road)
recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
3:09
19Sweet Georgia Brown
recorded in:
Los Angeles, California, United States (from 1946-09 until 1946-10)
double bass:
Jack Ryan (jazz bassist) (in 1946)
drums (drum set):
Nick Fatool (in 1946)
guitar:
George van Eps (in 1946)
piano:
Stan Wrightsman (in 1946)
reeds:
Matty Matlock (in 1946) and Fred Stulce (in 1946)
tenor saxophone:
Herbie Haymer (in 1946) and Harry Schuchman (in 1946)
trumpet:
Don Anderson (trumpet player) (in 1946), Charles Griffard (in 1946) and Nate Kazebier (in 1946)
orchestra:
Paul Weston and His Orchestra (in 1946)
arranger:
Matty Matlock (in 1946)
instrumental recording of:
Sweet Georgia Brown (in 1946)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2:34
20When the Bloom Is on the Sage
recorded in:
Los Angeles, California, United States (from 1946-09 until 1946-10)
double bass:
Jack Ryan (jazz bassist) (in 1946)
drums (drum set):
Nick Fatool (in 1946)
guitar:
George van Eps (in 1946)
piano:
Stan Wrightsman (in 1946)
reeds:
Matty Matlock (in 1946) and Fred Stulce (in 1946)
tenor saxophone:
Herbie Haymer (in 1946) and Harry Schuchman (in 1946)
trumpet:
Don Anderson (trumpet player) (in 1946), Charles Griffard (in 1946) and Nate Kazebier (in 1946)
orchestra:
Paul Weston and His Orchestra (in 1946)
arranger:
Matty Matlock (in 1946)
recording of:
When the Bloom Is on the Sage
lyricist and composer:
Fred Howard and Nat Vincent
2:02
21Sweet Lorraine
recorded in:
Los Angeles, California, United States (from 1946-09 until 1946-10)
double bass:
Jack Ryan (jazz bassist) (in 1946)
drums (drum set):
Nick Fatool (in 1946)
guitar:
George van Eps (in 1946)
piano:
Stan Wrightsman (in 1946)
reeds:
Matty Matlock (in 1946) and Fred Stulce (in 1946)
tenor saxophone:
Herbie Haymer (in 1946) and Harry Schuchman (in 1946)
trumpet:
Don Anderson (trumpet player) (in 1946), Charles Griffard (in 1946) and Nate Kazebier (in 1946)
orchestra:
Paul Weston and His Orchestra (in 1946)
arranger:
Matty Matlock (in 1946)
instrumental recording of:
Sweet Lorraine (in 1946)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
3:06
22Crazy Rhythm
recorded in:
Los Angeles, California, United States (from 1946-09 until 1946-10)
double bass:
Jack Ryan (jazz bassist) (in 1946)
drums (drum set):
Nick Fatool (in 1946)
guitar:
George van Eps (in 1946)
piano:
Stan Wrightsman (in 1946)
reeds:
Matty Matlock (in 1946) and Fred Stulce (in 1946)
tenor saxophone:
Herbie Haymer (in 1946) and Harry Schuchman (in 1946)
trumpet:
Don Anderson (trumpet player) (in 1946), Charles Griffard (in 1946) and Nate Kazebier (in 1946)
orchestra:
Paul Weston and His Orchestra (in 1946)
arranger:
Matty Matlock (in 1946)
instrumental recording of:
Crazy Rhythm (in 1946)
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer (US songwriter)
1:56
23Margie
recorded in:
Los Angeles, California, United States (from 1946-09 until 1946-10)
double bass:
Jack Ryan (jazz bassist) (in 1946)
drums (drum set):
Nick Fatool (in 1946)
guitar:
George van Eps (in 1946)
piano:
Stan Wrightsman (in 1946)
reeds:
Matty Matlock (in 1946) and Fred Stulce (in 1946)
tenor saxophone:
Herbie Haymer (in 1946) and Harry Schuchman (in 1946)
trumpet:
Don Anderson (trumpet player) (in 1946), Charles Griffard (in 1946) and Nate Kazebier (in 1946)
orchestra:
Paul Weston and His Orchestra (in 1946)
arranger:
Matty Matlock (in 1946)
instrumental recording of:
Margie (aka “My Little Margie”) (in 1946)
lyricist:
Benny Davis (US vaudeville performer and songwriter) (in 1920)
composer:
Con Conrad (in 1920) and J. Russel Robinson (in 1920)
1:59
24Louisville Lou
recorded in:
Los Angeles, California, United States (from 1946-09 until 1946-10)
bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool (in 1946)
guitar:
George van Eps (in 1946)
piano:
Stan Wrightsman (in 1946)
reeds:
Matty Matlock (in 1946) and Fred Stulce (in 1946)
tenor saxophone:
Herbie Haymer (in 1946) and Harry Schuchman (in 1946)
trumpet:
Don Anderson (trumpet player) (in 1946), Charles Griffard (in 1946) and Nate Kazebier (in 1946)
orchestra:
Paul Weston and His Orchestra (in 1946)
arranger:
Matty Matlock (in 1946)
2:46
25Lulu's Back in Town
recorded in:
Los Angeles, California, United States (from 1946-09 until 1946-10)
double bass:
Jack Ryan (jazz bassist) (in 1946)
drums (drum set):
Nick Fatool (in 1946)
guitar:
George van Eps (in 1946)
piano:
Stan Wrightsman (in 1946)
reeds:
Matty Matlock (in 1946) and Fred Stulce (in 1946)
tenor saxophone:
Herbie Haymer (in 1946) and Harry Schuchman (in 1946)
trumpet:
Don Anderson (trumpet player) (in 1946), Charles Griffard (in 1946) and Nate Kazebier (in 1946)
orchestra:
Paul Weston and His Orchestra (in 1946)
arranger:
Matty Matlock (in 1946)
instrumental recording of:
Lulu’s Back in Town (in 1946)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
2:32
26I Can't Get the One I Want
recorded in:
Los Angeles, California, United States (from 1946-09 until 1946-10)
double bass:
Jack Ryan (jazz bassist) (in 1946)
drums (drum set):
Nick Fatool (in 1946)
guitar:
George van Eps (in 1946)
piano:
Stan Wrightsman (in 1946)
reeds:
Matty Matlock (in 1946) and Fred Stulce (in 1946)
tenor saxophone:
Herbie Haymer (in 1946) and Harry Schuchman (in 1946)
trumpet:
Don Anderson (trumpet player) (in 1946), Charles Griffard (in 1946) and Nate Kazebier (in 1946)
orchestra:
Paul Weston and His Orchestra (in 1946)
arranger:
Matty Matlock (in 1946)
1:44
27Love Is Just Around the Corner
recorded in:
Los Angeles, California, United States (from 1946-09 until 1946-10)
double bass:
Jack Ryan (jazz bassist) (in 1946)
drums (drum set):
Nick Fatool (in 1946)
guitar:
George van Eps (in 1946)
piano:
Stan Wrightsman (in 1946)
reeds:
Matty Matlock (in 1946) and Fred Stulce (in 1946)
tenor saxophone:
Herbie Haymer (in 1946) and Harry Schuchman (in 1946)
trumpet:
Don Anderson (trumpet player) (in 1946), Charles Griffard (in 1946) and Nate Kazebier (in 1946)
orchestra:
Paul Weston and His Orchestra (in 1946)
arranger:
Matty Matlock (in 1946)
recording of:
Love Is Just Around the Corner (in 1946)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Lewis E. Gensler
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
2:03
28Someday Sweetheart
recorded in:
Los Angeles, California, United States (from 1946-09 until 1946-10)
double bass:
Jack Ryan (jazz bassist) (in 1946)
drums (drum set):
Nick Fatool (in 1946)
guitar:
George van Eps (in 1946)
piano:
Stan Wrightsman (in 1946)
reeds:
Matty Matlock (in 1946) and Fred Stulce (in 1946)
tenor saxophone:
Herbie Haymer (in 1946) and Harry Schuchman (in 1946)
trumpet:
Don Anderson (trumpet player) (in 1946), Charles Griffard (in 1946) and Nate Kazebier (in 1946)
orchestra:
Paul Weston and His Orchestra (in 1946)
arranger:
Matty Matlock (in 1946)
recording of:
Someday Sweetheart (in 1946)
lyricist and composer:
Benjamin Franklin Spikes (Benjamin Franklin "Reb" Spikes) and John Curry Spikes
publisher:
Spikes Bros. and Carter Music House (on 1919-12-26)
1:49
29Huggin' and a Chalkin'
2:48
▼ CD 3
#TitleRatingLength
1Tuscaloosa Bus
2:37
2Possum Song
2:59
3It Takes Time
3:13
4Moon-Faced, Starry-Eyed
recording of:
Street Scene: Act I. No. 13 "Moon-faced, starry-eyed" (Dick McGann, Mae Jones)
lyricist:
Langston Hughes
composer:
Kurt Weill (composer)
librettist:
Elmer Rice
part of:
Street Scene: Act I.
3:05
5Tallahassee
2:44
6Cecilia
2:44
7Box Car Blues
2:40
8Country Boy Blues
2:49
9Don't Take Your Meanness Out on Me
3:11
10School Days
3:02
11Why Should I Cry Over You?
recording of:
Why Should I Cry Over You
writer:
Chester Conn and Ned Miller (Nathan "Ned" Miller)
3:12
12Save the Bones for Henry Jones
recording of:
Save the Bones for Henry Jones (’Cause Henry Don’t Eat No Meat)
writer:
Danny Barker and Vernon Lee
2:41
13My Baby Likes to Be-Bop
recording of:
My Baby Likes to Be-Bop (And I Like to Be-Bop Too)
lyricist and composer:
Walter Bishop, Sr.
2:28
14You Can't Make Money Dreamin'
recording of:
You Can’t Make Money Dreamin’
writer:
William Dunham and Terry Shand (jazz pianist/composer)
2:30
15The Freedom Train
3:13
16That's the Way He Does It
2:56
17Never Make Eyes (At the Gal With the Guys Who Are Bigger Than You)
2:45
18I Don't Care If It Rains All Night
2:28
19Hooray for Love
recording of:
Hooray for Love
lyricist:
Leo Robin (US composer, lyricist & songwriter) (in 1948)
composer:
Harold Arlen (in 1948)
3:00
20I've Been Hit
3:03
21The Peanut Vendor
recording of:
The Peanut Vendor
lyricist:
L. Wolfe Gilbert and Marion Sunshine
composer:
Moisés Simons
translated version of:
El manisero
3:12
22The Hills of California
2:34
23Limehouse Blues
2:42
24Down Among the Sheltering Palms
recording of:
Down Among the Sheltering Palms
lyricist:
James Brockman (US songwriter) and Leo Wood (American songwriter & lyricist; 1882—1929)
composer:
Abe Olman
2:37
25Would Ya?
2:31