# | Title | Rating | Length |
---|
1 | Sussudio | | 6:52 |
2 | That’s All- recording engineer:
- Mauricio Guerrero (on 1998-07-21) and Christophe Suchet (on 1998-07-21)
- executive producer:
- Phil Collins
- producer:
- Daryl Stuermer and Robert Vosgien
- mixer:
- Don Murray
- alto saxophone:
- Matt James (on 1998-07-21)
- baritone saxophone:
- Kevin Sheehan (on 1998-07-21)
- bass:
- Doug Richeson (on 1998-07-21)
- drums (drum set):
- Phil Collins (on 1998-07-21)
- guitar:
- Daryl Stuermer (on 1998-07-21)
- keyboard:
- Brad Cole (on 1998-07-21)
- percussion:
- Luis Conte (on 1998-07-21)
- solo alto saxophone:
- Gerald Albright (on 1998-07-21)
- solo tenor saxophone:
- Chris Collins (on 1998-07-21)
- solo trombone:
- Arturo Velasco (on 1998-07-21)
- tenor saxophone:
- Ian Nevins (on 1998-07-21) and Larry Panella (on 1998-07-21)
- trombone:
- Antonio J. Garcia (on 1998-07-21), Mark Bettcher (on 1998-07-21), Scott Bliege (on 1998-07-21) and Arturo Velasco (on 1998-07-21)
- arranger:
- John Clayton Jr.
- phonographic copyright (℗) by:
- Philip Collins Ltd.
- recorded at:
- Le Grand Rex in Paris, Île-de-France, France (on 1998-07-21)
- live instrumental cover recording of:
- That’s All (on 1998-07-21)
- lyricist:
- Phil Collins
- composer:
- Tony Banks , Phil Collins and Mike Rutherford
- publisher:
- Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Anthony Banks Ltd. (from 1983 to present), Hit & Run Music (Publishing) Ltd (from 1983 to present), Michael Rutherford Ltd. (from 1983 to present), Philip Collins Ltd. (from 1983 to present), Pun Music, Inc. (from 1983 to present) and Warner Brothers Music Inc. (from 1983 to present)
| | 5:34 |
3 | Invisible Touch- recording engineer:
- Mauricio Guerrero (on 1998-07-21) and Christophe Suchet (on 1998-07-21)
- executive producer:
- Phil Collins
- producer:
- Daryl Stuermer and Robert Vosgien
- mixer:
- Don Murray
- alto saxophone:
- Matt James (on 1998-07-21)
- baritone saxophone:
- Kevin Sheehan (on 1998-07-21)
- bass:
- Doug Richeson (on 1998-07-21)
- drums (drum set):
- Phil Collins (on 1998-07-21)
- guitar:
- Daryl Stuermer (on 1998-07-21)
- keyboard and solo piano:
- Brad Cole (on 1998-07-21)
- percussion:
- Luis Conte (on 1998-07-21)
- solo alto saxophone:
- Gerald Albright (on 1998-07-21)
- solo tenor saxophone:
- Larry Panella (on 1998-07-21)
- tenor saxophone:
- Chris Collins (on 1998-07-21) and Ian Nevins (on 1998-07-21)
- trombone:
- Antonio J. Garcia (on 1998-07-21), Mark Bettcher (on 1998-07-21), Scott Bliege (on 1998-07-21) and Arturo Velasco (on 1998-07-21)
- arranger:
- Sammy Nestico
- phonographic copyright (℗) by:
- Philip Collins Ltd.
- recorded at:
- Le Grand Rex in Paris, Île-de-France, France (on 1998-07-21)
- live instrumental recording of:
- Invisible Touch (on 1998-07-21)
- lyricist:
- Phil Collins
- composer:
- Tony Banks , Phil Collins and Mike Rutherford
- publisher:
- Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. and Philip Collins Ltd.
- written at:
- The Farm in Surrey, England, United Kingdom
| | 5:42 |
4 | Hold On My Heart- recording engineer:
- Mauricio Guerrero (on 1998-07-21) and Christophe Suchet (on 1998-07-21)
- executive producer:
- Phil Collins
- producer:
- Daryl Stuermer and Robert Vosgien
- mixer:
- Don Murray
- alto saxophone:
- Matt James (on 1998-07-21)
- baritone saxophone:
- Kevin Sheehan (on 1998-07-21)
- bass:
- Doug Richeson (on 1998-07-21)
- drums (drum set):
- Phil Collins (on 1998-07-21)
- guitar:
- Daryl Stuermer (on 1998-07-21)
- keyboard:
- Brad Cole (on 1998-07-21)
- percussion:
- Luis Conte (on 1998-07-21)
- solo alto saxophone:
- Gerald Albright (on 1998-07-21)
- solo flugelhorn:
- Harry Kim (on 1998-07-21)
- tenor saxophone:
- Chris Collins (on 1998-07-21), Ian Nevins (on 1998-07-21) and Larry Panella (on 1998-07-21)
- trombone:
- Antonio J. Garcia (on 1998-07-21), Mark Bettcher (on 1998-07-21), Scott Bliege (on 1998-07-21) and Arturo Velasco (on 1998-07-21)
- arranger:
- John Clayton Jr.
- phonographic copyright (℗) by:
- Philip Collins Ltd.
- recorded at:
- Le Grand Rex in Paris, Île-de-France, France (on 1998-07-21)
- live instrumental recording of:
- Hold On My Heart (on 1998-07-21)
- lyricist:
- Phil Collins
- composer:
- Tony Banks , Phil Collins and Mike Rutherford
- publisher:
- Anthony Banks Ltd., Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Music GmbH , Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd., Philip Collins Ltd. and EMI Music Publishing Ltd. (from 2007 to present)
| | 6:37 |
5 | Chips & Salsa | | 5:23 |
6 | I Don’t Care Anymore | | 6:06 |
7 | Milestones | | 6:34 |
8 | Against All Odds- recording engineer:
- Mauricio Guerrero (on 1998-07-21) and Christophe Suchet (on 1998-07-21)
- executive producer:
- Phil Collins
- producer:
- Daryl Stuermer and Robert Vosgien
- mixer:
- Don Murray
- alto saxophone:
- Matt James (on 1998-07-21)
- baritone saxophone:
- Kevin Sheehan (on 1998-07-21)
- bass:
- Doug Richeson (on 1998-07-21)
- drums (drum set):
- Phil Collins (on 1998-07-21)
- guitar:
- Daryl Stuermer (on 1998-07-21)
- keyboard:
- Brad Cole (on 1998-07-21)
- percussion:
- Luis Conte (on 1998-07-21)
- solo alto saxophone:
- Gerald Albright (on 1998-07-21)
- tenor saxophone:
- Chris Collins (on 1998-07-21), Ian Nevins (on 1998-07-21) and Larry Panella (on 1998-07-21)
- trombone:
- Antonio J. Garcia (on 1998-07-21), Mark Bettcher (on 1998-07-21), Scott Bliege (on 1998-07-21) and Arturo Velasco (on 1998-07-21)
- arranger:
- David Stout
- phonographic copyright (℗) by:
- Philip Collins Ltd.
- recorded at:
- Le Grand Rex in Paris, Île-de-France, France (on 1998-07-21)
- live instrumental recording of:
- Against All Odds (Take a Look at Me Now) (on 1998-07-21)
- lyricist and composer:
- Phil Collins
- publisher:
- Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing , EMI Music Publishing Germany GmbH , EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Music GmbH , Imagem Sounds Collins, Philip Collins Ltd., Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Effectsound Ltd. (in 1984), EMI Music Publishing Ltd. (in 1984), Golden Torch Music Corp. (in 1984), Hit & Run Music (Publishing) Ltd (in 1984) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 57th Academy Award for Best Original Song (number: 2)
| | 5:04 |
9 | Pick Up the Pieces- recording engineer:
- Mauricio Guerrero (on 1998-07-21) and Christophe Suchet (on 1998-07-21)
- executive producer:
- Phil Collins
- producer:
- Daryl Stuermer and Robert Vosgien
- mixer:
- Don Murray
- alto saxophone:
- Matt James (on 1998-07-21)
- baritone saxophone:
- Kevin Sheehan (on 1998-07-21)
- bass:
- Doug Richeson (on 1998-07-21)
- drums (drum set):
- Phil Collins (on 1998-07-21)
- guitar:
- Daryl Stuermer (on 1998-07-21)
- keyboard:
- Brad Cole (on 1998-07-21)
- percussion:
- Luis Conte (on 1998-07-21)
- solo alto saxophone:
- Gerald Albright (on 1998-07-21)
- solo piano:
- George Duke (on 1998-07-21)
- solo tenor saxophone:
- James Carter (on 1998-07-21)
- tenor saxophone:
- Chris Collins (on 1998-07-21), Ian Nevins (on 1998-07-21) and Larry Panella (on 1998-07-21)
- trombone:
- Antonio J. Garcia (on 1998-07-21), Mark Bettcher (on 1998-07-21), Scott Bliege (on 1998-07-21) and Arturo Velasco (on 1998-07-21)
- arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- Philip Collins Ltd.
- recorded at:
- Le Grand Rex in Paris, Île-de-France, France (on 1998-07-21)
- live instrumental cover recording of:
- Pick Up the Pieces (on 1998-07-21)
- writer:
- Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh , Onnie McIntyre and Hamish Stuart
- publisher:
- Average Music, BMG Bumblebee, Bug Music Ltd., Fairwood Music (USA) Inc. , Fairwood Music Ltd. and Joe’s Songs Inc.
| | 12:41 |
10 | The Los Endos Suite- recording engineer:
- Mauricio Guerrero (on 1998-07-21) and Christophe Suchet (on 1998-07-21)
- executive producer:
- Phil Collins
- producer:
- Daryl Stuermer and Robert Vosgien
- mixer:
- Don Murray
- alto saxophone:
- Matt James (on 1998-07-21)
- baritone saxophone:
- Kevin Sheehan (on 1998-07-21)
- bass:
- Doug Richeson (on 1998-07-21)
- drums (drum set):
- Phil Collins (on 1998-07-21)
- keyboard:
- Brad Cole (on 1998-07-21)
- percussion:
- Luis Conte (on 1998-07-21)
- solo alto saxophone:
- Gerald Albright (on 1998-07-21)
- solo guitar:
- Daryl Stuermer (on 1998-07-21)
- solo trumpet:
- Harry Kim (on 1998-07-21)
- tenor saxophone:
- Chris Collins (on 1998-07-21), Ian Nevins (on 1998-07-21) and Larry Panella (on 1998-07-21)
- trombone:
- Antonio J. Garcia (on 1998-07-21), Mark Bettcher (on 1998-07-21), Scott Bliege (on 1998-07-21) and Arturo Velasco (on 1998-07-21)
- arranger:
- Harry Kim
- phonographic copyright (℗) by:
- Philip Collins Ltd.
- recorded at:
- Le Grand Rex in Paris, Île-de-France, France (on 1998-07-21)
- live instrumental cover recording of:
- Los Endos (on 1998-07-21)
- composer:
- Tony Banks , Phil Collins , Steve Hackett and Mike Rutherford
- publisher:
- Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Copyright Control , EMI Music Publishing Germany GmbH , EMI Music Publishing Ltd. , Hit & Run Music (Publishing) Ltd, Michael Rutherford Ltd., Philip Collins Ltd. and Stephen Hackett Ltd.
| | 10:26 |