Saul

~ Release by George Frideric Handel; Andreas Scholl, Neal Davies, Gabrieli Consort & Players, Paul McCreesh (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
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1Saul, HWV 53: Symphony, I. Allegro
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Symphony: I. Allegro (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Saul, HWV 53: Symphony
Georg Friedrich Händel3:42
2Saul, HWV 53: Symphony, II. Larghetto
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Symphony: II. Larghetto (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Saul, HWV 53: Symphony
Georg Friedrich Händel1:54
3Saul, HWV 53: Symphony, III. Organo ad libitum
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
organ:
Timothy Roberts (conductor and keyboardist) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Symphony: III. Allegro (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Saul, HWV 53: Symphony
Georg Friedrich Händel2:22
4Saul, HWV 53: Symphony, IV. Allegro
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Symphony: III. Allegro (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Saul, HWV 53: Symphony
Georg Friedrich Händel2:49
5Saul, HWV 53: Symphony, V. Andante larghetto
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Symphony: IV. Andante larghetto (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Saul, HWV 53: Symphony
Georg Friedrich Händel2:57
6Saul, HWV 53: Act I, I. Chorus "How excellent thy Name, O Lord"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene I, no. 2a. Chorus "How excellent Thy name, o Lord" (1st) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel2:52
7Saul, HWV 53: Act I, II. Air (Soprano) "An infant rais'd" / III. Chorus "Along the monster atheist strode"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
soprano vocals:
Susan Hemington Jones (soprano) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene I, no. 3. Air "An infant raised by thy command" (Soprano) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene I, no. 4. Trio "Along the monster atheist strode" (Alto, Tenor, Bass) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel2:33
8Saul, HWV 53: Act I, IV. Chorus "The youth inspir'd by thee, O Lord"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene I, no. 5. "The Youth inspired by Thee, o Lord" (Soprano, Alto, Tenor, Bass) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel1:59
9Saul, HWV 53: Act I, V. Chorus "How excellent thy name, O Lord"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene I, no. 2b. Chorus "How excellent Thy name, o Lord" (2nd) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel2:36
10Saul, HWV 53: Act I, VI. Recitative "He comes" (Michal) / VII. Air "O god-like youth!" (Michal)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Nancy Argenta (soprano) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene II, no. 6. Recitative "He comes, he comes" (Michal) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 7. Air "O God-like youth!" (Michal) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel3:11
11Saul, HWV 53: Act I, VIII. Recitative "Behold, O King" (Abner, Saul, David)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Neal Davies (operatic bass) (in 2002-10), Tom Phillips (tenor singer) (in 2002-10) and Andreas Scholl (countertenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene II, no. 8. Recitative "Behold, o King, the brave, victorious youth" (Abner, Saul, David) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel0:52
12Saul, HWV 53: Act I, IX. Air "O King, your favours with delight" (David) / X. Recitative "O early piety!" (Jonathan)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Mark Padmore (British tenor) (in 2002-10) and Andreas Scholl (countertenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene II, no. 9. Air "O king, your favours with delight" (David) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 10. Recitative "Oh early piety!" (Jonathan) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel5:28
13Saul, HWV 53: Act I, XI. Air "What abject thoughts" (Merab) / XII. Recitative "Yet think, on whom this honor" (Merab)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Susan Gritton (soprano) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene II, no. 11. Air "What abject thoughts a prince can have!" (Merab) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 12. Recitative "Yet think, on whom this honour you bestow" (Merab) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel2:24
14Saul, HWV 53: Act I, XIII. Air "Birth and fortune I despise!" (Jonathan)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Mark Padmore (British tenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene II, no. 13. Air "Birth and fortune I despise" (Jonathan) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel4:20
15Saul, HWV 53: Act I, XIV. Recitative "Go on, illustrious pair!" (High Priest) / XV. Air "While yet thy tide of blood" (High Priest)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Paul Agnew (tenor / conductor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene II, no. 14. Recitative "Go on, illustrious pair!" (High Priest) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 15. Air "While yet thy tide of blood runs high" (High Priest) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel2:26
16Saul, HWV 53: Act I, XVI. Recitative "Though, Merab, first in birth" (Saul, Merab) / ... / XIX. Air "Ah! lovely youth!" (Michal)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Nancy Argenta (soprano) (in 2002-10), Neal Davies (operatic bass) (in 2002-10) and Susan Gritton (soprano) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene II, no. 16. Recitative "Thou, Merab, first in birth, be first in honour" (Saul, Merab) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 17. Air "My soul rejects the though with scorn" (Merab) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 18. Air "See, with what a scornful air" (Michal) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 19. Air "Ah, lovely youth, wast thou designed" (Michal) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel3:19
17Saul, HWV 53: Act I, XX. Symphony / XXI. Recitative "Already see, the daughters of the land" (Michal) / XXII. Chorus "Welcome, welcome, mighty king"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
vocals:
Nancy Argenta (soprano) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene II, no. 20. Symphony: Andante Allegro (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 21. Recitative "Already see the daughters of the land" (Michal) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene III, no. 22. Chorus "Welcome, welcome, mighty king!" (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel2:56
18Saul, HWV 53: Act I, XXIII. Accompagnato "What do I hear?" (Saul) / XXIV. Chorus "David his tenthousand slew" / XXV. Accompagnato "To him ten thousands!" (Saul)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
vocals:
Neal Davies (operatic bass) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene III, no. 23. Accompagnato "What do I hear?" (Saul) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene III, no. 24. Chorus "David his ten thousands slew" (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene III, no. 25. Accompagnato "To him ten thousands" (Saul) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel1:13
19Saul, HWV 53: Act I, XXVI. Air "With rage I shall burst" (Saul)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Neal Davies (operatic bass) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene III, no. 26. Air "With rage I shall start burst his praises to hear" (Saul) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel1:21
20Saul, HWV 53: Act I, XXVII. Recitative "Imprudent women!" (Jonathan, Michal)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Nancy Argenta (soprano) (in 2002-10) and Mark Padmore (British tenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene IV, no. 27. Recitative "Imprudent women!" (Jonathan, Michal) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel0:45
21Saul, HWV 53: Act I, XXVIII. Air "Fell rage and black despair" (Michal)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Nancy Argenta (soprano) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene IV, no. 28. Air "Fell rage and black despair possessed" (Michal) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel3:04
22Saul, HWV 53: Act I, XXIX. Recitative "This but the smallest part" (High Priest) / XXX. Accompagnato "By thee, the universal frame" (High Priest)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Paul Agnew (tenor / conductor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene IV, no. 29. Recitative "This but the smallest part of Harmony" (High Priest) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene IV, no. 30. Accompagnato "By thee this universal frame" (High Priest) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel3:37
23Saul, HWV 53: Act I, XXXI. Recitative "Rack'd with infernal pains" (Abner)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Tom Phillips (tenor singer) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene V, no. 31. Recitative "Racked with infernal pains" (Abner) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel0:15
24Saul, HWV 53: Act I, XXXII. Air "O Lord, whose mercies numberless" (David) / XXXIII. Symphony
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Andreas Scholl (countertenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene V, no. 32. Air "Oh Lord, whose mercies numberless" (David) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene V, no. 33. Symphony: Largo (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel5:33
25Saul, HWV 53: Act I, XXXIV. Recitative "'Tis all in vain" (Jonathan) / XXXV. Air "A serpent in my bosom warm'd" (Saul) / XXXVI. Recitative "Has he escap'd my rage?" (Saul)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Neal Davies (operatic bass) (in 2002-10) and Mark Padmore (British tenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene V, no. 34. Recitative "'Tis All In Vain, his fury still continues" (Jonathan) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene V, no. 35. Air "A serpent, in my bosom warned" (Saul) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene V, no. 36. Recitative "Has he escaped my rage?" (Saul) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel2:33
26Saul, HWV 53: Act I, XXXVII. Air "Capricous man" (Merab)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Susan Gritton (soprano) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene V, no. 37. Air "Capricious man" (Merab) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel3:40
27Saul, HWV 53: Act I, XXXVIII. Accompagnato "O filial piety!" (Jonathan)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Mark Padmore (British tenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene VI, no. 38. Accompagnato "O filial piety!" (Jonathan) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel1:39
28Saul, HWV 53: Act I, XXXIX. Air "No, cruel father, no!" (Jonathan)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Mark Padmore (British tenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene VI, no. 39. Air "No, cruel father, no!" (Jonathan) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel1:29
29Saul, HWV 53: Act I, XL. Air "O Lord, whose providence" (High Priest)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Paul Agnew (tenor / conductor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene VI, no. 40. Air "O Lord, whose providence" (High Priest) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel1:15
30Saul, HWV 53: Act I, XLI. Chorus "Preserve him for the glory of thy name"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act I, Scene VI, no. 41. Chorus "Preserve him for the glory of Thy name" (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
Georg Friedrich Händel2:40
▼ CD 2
#TitleArtistRatingLength
1Saul, HWV 53: Act II, XLII. Chorus "Envy! eldest-born of Hell!"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene I, no. 42. Chorus "Envy! Eldest born of hell!" (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel2:31
2Saul, HWV 53: Act II, XLIII. Recitative "Ah! dearest friend" (Jonathan)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Mark Padmore (British tenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene II, no. 43. Recitative "Ah! Dearest friend" (Jonathan) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel0:40
3Saul, HWV 53: Act II, XLIV. Air "But sooner Jordan's stream" (Jonathan)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Mark Padmore (British tenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene II, no. 44. Air "But sooner Jordan's stream, I swear" (Jonathan) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel2:25
4Saul, HWV 53: Act II, XLV. Recitative "O strange vicissitude!" (David, Jonathan)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Mark Padmore (British tenor) (in 2002-10) and Andreas Scholl (countertenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene II, no. 45. Recitative "Oh strange vicissitude!" (David, Jonathan) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel0:59
5Saul, HWV 53: Act II, XLVI. Air "Such haugthy beauties rather move" (David)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Andreas Scholl (countertenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene II, no. 46. Air "Such haughy beauties" (David) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel4:46
6Saul, HWV 53: Act II, XLVII. Recitative "My father comes" (Jonathan) / XLVIII. Recitative "Hast thou obey'd my orders" (Saul, Jonathan)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Neal Davies (operatic bass) (in 2002-10) and Mark Padmore (British tenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene II, no. 47. Recitative "My father comes" (Jonathan) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene III, no. 48. Recitative "Hast thou obeyed my orders" (Saul, Jonathan) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel0:51
7Saul, HWV 53: Act II, XLIX. Air "Sin not, O King" (Jonathan)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Mark Padmore (British tenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene III, no. 49. Air "Sin not, o king, against the youth" (Jonathan) (in 2002-10)
lyricist:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel1:42
8Saul, HWV 53: Act II, L. Air "As great Jehovah lives" (Saul)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Neal Davies (operatic bass) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene III, no. 50. Air "As great Jehovah lives (Saul) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel1:27
9Saul, HWV 53: Act II, LI. Air "From cities storm'd" (Jonathan)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Mark Padmore (British tenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene III, no. 51. Air "From cities stormed, and battles won" (Jonathan) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel1:58
10Saul, HWV 53: Act II, LII. Recitative "Appear my friend" (Jonathan, Saul)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Neal Davies (operatic bass) (in 2002-10) and Mark Padmore (British tenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene IV, no. 52. Recitative "Appear, my friend" (Jonathan, Saul) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel0:29
11Saul, HWV 53: Act II, LIII. Air "Your words, O King" (David) / LIV. Recitative "Yes, he shall wed my daughter" (Saul)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Neal Davies (operatic bass) (in 2002-10) and Andreas Scholl (countertenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene IV, no. 53. Air "Your words, o king, my loyal heart" (David) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene IV, no. 54. Recitative "Yes, he shall wed my daughter!" (Saul) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel1:28
12Saul, HWV 53: Act II, LV. Recitative "A father's will" (Michal)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Nancy Argenta (soprano) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene V, no. 55. Recitative "A father's will has authorised my love" (Michal) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel0:31
13Saul, HWV 53: Act II, LVI. Duet "O fairest of ten thousand fair" (Michal, David) / LVII. Chorus "Is there a man"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
vocals:
Nancy Argenta (soprano) (in 2002-10) and Andreas Scholl (countertenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene V, no. 56. Duet "O fairest of ten thousand fair" (Michal, David) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene V, no. 57. Chorus "Is there a man" (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel4:39
14Saul, HWV 53: Act II, LVIII. Symphony
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene V, no. 58. Symphony: Largo - Allegro (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel6:28
15Saul, HWV 53: Act II, LIX. Recitative "Thy father is as cruel" (David)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Andreas Scholl (countertenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene VI, no. 59. Recitative "Thy father is a cruel!" (David) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel0:36
16Saul, HWV 53: Act II, LX. Duet "At persecution I can laugh" (David, Michal)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Nancy Argenta (soprano) (in 2002-10) and Andreas Scholl (countertenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene VI, no. 60. Duet "At persecution I can laugh" (David, Michal) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel1:08
17Saul, HWV 53: Act II, LXI. Recitative "Whom dost thou seek?" (Michal, Doeg)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Nancy Argenta (soprano) (in 2002-10) and Julian Clarkson (baritone) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene VII, no. 61. Recitative "Whom dost thou seek" (Michal, Doeg) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel0:41
18Saul, HWV 53: Act II, LXII. Air "No, let the guilty tremble" (Michal)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Nancy Argenta (soprano) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene VII, no. 62. Air "No, no, let the guilty tremble" (Michal) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel1:25
19Saul, HWV 53: Act II, LXIII. Recitative "Mean as he was" (Merab)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Susan Gritton (soprano) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene VIII, no. 63. Recitative "Mean as he was, he is my brother now" (Merab) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel0:49
20Saul, HWV 53: Act II, LXIV. Air "Author of piece" (Merab)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Susan Gritton (soprano) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene VIII, no. 64. Air "Author of peace, who canst controul" (Merab) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel3:20
21Saul, HWV 53: Act II, LXV. Symphony
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene IX, no. 65. Symphony: Allegro (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel1:06
22Saul, HWV 53: Act II, LXVI. Accompagnato "The time at length is come" (Saul) / LXVII. Recitative "Where is the son of Jesse?" (Saul, Jonathan)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Neal Davies (operatic bass) (in 2002-10) and Mark Padmore (British tenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene IX, no. 66. Accompagnato "The time at length is come" (Saul) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene X, no. 67. Recitative "Where is the son of Jesse!" (Saul, Jonathan) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel1:43
23Saul, HWV 53: Act II, LXVIII. Chorus "O fatal consequence of rage"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act II, Scene X, no. 68. Chorus "Oh fatal consequence of Rage" (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
Georg Friedrich Händel4:38
▼ CD 3
#TitleArtistRatingLength
1Saul, HWV 53: Act III. LXIX. Accompagnato "Wretch that I am!" (Saul) / ... / LXXI. Recitative "With me what would'st thou?" (Witch, Saul)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Paul Agnew (tenor / conductor) (in 2002-10) and Neal Davies (operatic bass) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act III, Scene I, no. 69. Accompagnato "Wretch that I am" (Saul) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
recording of:
Saul, HWV 53: Act III, Scene I, no. 70. Accompagnato "'Tis said, here lives a woman" (Saul) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
recording of:
Saul, HWV 53: Act III, Scene II, no. 71. Recitative "With me what would'st thou" (Witch, Saul) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
Georg Friedrich Händel4:08
2Saul, HWV 53: Act III. LXXII. Air "Infernal spirits" (Witch)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Paul Agnew (tenor / conductor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act III, Scene II, no. 72. Air "Infernal spirits" (Witch of Endor) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
Georg Friedrich Händel1:36
3Saul, HWV 53: Act III. LXXIII. Accompagnato "Why hast thou forc'd me" (Samuel, Saul)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Neal Davies (operatic bass) (in 2002-10) and Jonathan Lemalu (bass-baritone) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act III, Scene III, no. 73. Accompagnato "Why hast thou forced me from the realm of peace" (Samuel, Saul) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
Georg Friedrich Händel3:35
4Saul, HWV 53: Act III. LXXIV. Symphony
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act III, Scene III, no. 74. Symphony: Allegro (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act III
Georg Friedrich Händel0:36
5Saul, HWV 53: Act III. LXXV. Recitative "Whence comest thou?" (David, Amalekite) / LXXVI. Air "Impious wretch" (David)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Andreas Scholl (countertenor) (in 2002-10) and Angus Smith (tenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act III, Scene IV, no. 75. Recitative "Whence comest thou?" (David, Amalekite) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
recording of:
Saul, HWV 53: Act III, Scene IV, no. 76. Air "Impious wretch, of race accurst!" (David) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
Georg Friedrich Händel3:00
6Saul, HWV 53: Act III. LXXVII. Dead March
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act III, Scene IV, no. 77. March: Grave (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act III
Georg Friedrich Händel4:15
7Saul, HWV 53: Act III. LXXVIII. Chorus "Mourn, Israel, mourn"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act III, Scene V, no. 78. Chorus "Mourn, Israel!" (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
Georg Friedrich Händel3:24
8Saul, HWV 53: Act III. LXXIX. Air (Tenor) "O let it not in Gath be heard"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
tenor vocals:
Mark Padmore (British tenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act III, Scene V, no. 79. Air "Oh let it not in Gath be heard" (High Priest) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
Georg Friedrich Händel2:30
9Saul, HWV 53: Act III. LXXX. Air (Soprano) "From this unhappy day"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
soprano vocals:
Nancy Argenta (soprano) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act III, Scene V, no. 80. Air "From this unhappy day" (Merab) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
Georg Friedrich Händel2:46
10Saul, HWV 53: Act III. LXXXI. Air "Brave Jonathan his bow ne'er drew"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
soprano vocals:
Susan Hemington Jones (soprano) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act III, Scene V, no. 81. Air "Brave Jonathan his bow never drew" (David) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
Georg Friedrich Händel0:30
11Saul, HWV 53: Act III. LXXXII. Chorus "Eagles were not so swift as they"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act III, Scene V, no. 82. Chorus "Eagles were not so swift as they" (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
Georg Friedrich Händel0:26
12Saul, HWV 53: Act III. LXXXIII. Air (Soprano) "In sweetest harmony"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
soprano vocals:
Susan Gritton (soprano) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act III, Scene V, no. 83. Air "In sweetest harmony they lived!" (Michal) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
Georg Friedrich Händel4:25
13Saul, HWV 53: Act III. LXXXIV. Solo and Chorus "O fatal day!" (David)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
vocals:
Andreas Scholl (countertenor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act III, Scene V, no. 84. Solo "O fatal day" (David and Chorus) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
Georg Friedrich Händel4:11
14Saul, HWV 53: Act III. LXXXV. Recitative "Ye men of Judah" (High Priest)
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
vocals:
Paul Agnew (tenor / conductor) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act III, Scene V, no. 85. Recitative "Ye men of Judah, weep no more!" (Abner) (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
Georg Friedrich Händel0:31
15Saul, HWV 53: Act III. LXXXVI. Chorus "Gird on thy sword"
recording engineer:
Andrew Halifax
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-10)
conductor:
Paul McCreesh (conductor) (in 2002-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 2002-10)
recording of:
Saul, HWV 53: Act III, Scene V, no. 86. Chorus "Gird on thy sword, thou man of might" (in 2002-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
Georg Friedrich Händel5:38

Credits

Release

liner notes:Ruth Smith (classical liner notes writer)
orchestra:Gabrieli Consort & Players (UK early music ensemble)
composer:George Frideric Handel (German‐British baroque composer)
ASIN:DE: B0000SWNHU [info]
Allmusic:https://www.allmusic.com/album/release/mr0002851121 [info]