In Your Eyes

~ Release by George Benson (see all versions of this release, 8 available)

Tracklist

CD 1
#TitleRatingLength
1Feel Like Making Love
additional recording engineer:
John Agallo, Danny Caccavo (engineer), Bill Dooley, Jay Messina and Bobby Warner
recording engineer:
Jeremy Smith (producer/engineer)
synthesizer programming:
Joe Mardin
assistant engineer:
Michael O’Reilly (engineer)
producer:
Arif Mardin
mixer:
Michael O’Reilly (engineer) and Jeremy Smith (producer/engineer)
baritone saxophone:
Lew Delgatto
bass guitar:
Will Lee (US jazz/rock bassist)
bass synthesizer, electric piano and synthesizer and electric piano:
Robbie Buchanan (Canadian producer)
drums (drum set):
Steve Ferrone
guitar:
David Spinozza
guitar [rhythm guitar]:
Paul Jackson, Jr.
percussion:
Sammy Figueroa
piano:
Jorge Dalto
solo guitar and lead vocals:
George Benson (jazz guitarist/singer)
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer)
trombone:
Tom “Bones” Malone (US trombonist) and Alan Raph
trumpet:
Randy Brecker and Jon Faddis
background vocals:
Mark Stevens (US funk musician/songwriter, brother of Chaka Khan)
brass [horns] arranger:
Randy Brecker
arranger:
Robbie Buchanan (Canadian producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
additionally recorded at:
Music Grinder Studios in Hollywood, Los Angeles, California, United States, The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (New York) in Midtown Manhattan, New York, New York, United States and United Western Recorders in Hollywood, Los Angeles, California, United States
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
cover recording of:
Feel Like Makin’ Love
lyricist and composer:
Eugene McDaniels
publisher:
Skyforest Music Co., Inc. and 日音 Synch事業部
4:24
2Inside Love (So Personal)
additional recording engineer:
John Agallo, Danny Caccavo (engineer), Bill Dooley, Jay Messina and Bobby Warner
recording engineer and mixer:
Michael O’Reilly (engineer) and Jeremy Smith (producer/engineer)
synthesizer programming:
Joe Mardin
assistant engineer:
Michael O’Reilly (engineer)
producer:
Kashif (Michael Jones, B.T. Express)
bass synthesizer, drums (drum set), finger snaps, keyboard, synclavier and synthesizer:
Kashif (Michael Jones, B.T. Express)
drums (drum set):
Leslie Ming
finger snaps:
Stephen Benben
guitar:
Ira Siegel and David Spinozza
percussion:
Bashiri Johnson
solo guitar and lead vocals:
George Benson (jazz guitarist/singer)
background vocals:
Kashif (Michael Jones, B.T. Express), Lillo Thomas, B.J. Nelson, Mark Stevens (US funk musician/songwriter, brother of Chaka Khan) and Brenda White-King
arranger:
Kashif (Michael Jones, B.T. Express)
vocals arranger:
Kashif (Michael Jones, B.T. Express) and Paul Lawrence Jones III
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
additionally recorded at:
Music Grinder Studios in Hollywood, Los Angeles, California, United States, The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (New York) in Midtown Manhattan, New York, New York, United States and United Western Recorders in Hollywood, Los Angeles, California, United States
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Inside Love (So Personal)
lyricist and composer:
Kashif (Michael Jones, B.T. Express)
publisher:
Kashif Music, Songs of Universal, Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
5:16
3Lady Love Me (One More Time)
additional recording engineer:
John Agallo, Danny Caccavo (engineer), Bill Dooley, Jay Messina and Bobby Warner
recording engineer:
Gary Skardina and Jeremy Smith (producer/engineer)
synthesizer programming:
Joe Mardin
assistant engineer:
Randy Burns (Producer / Engineer), Robert Feist and Michael O’Reilly (engineer)
producer:
Arif Mardin
mixer:
Michael O’Reilly (engineer) and Jeremy Smith (producer/engineer)
additional synthesizer:
Greg Phillinganes and Steve Porcaro
baritone saxophone:
Lew Delgatto
bass guitar:
Nathan East
drums (drum set):
Jeff Porcaro
flugelhorn:
Jerry Hey
guitar:
David Spinozza
keyboard and synthesizer:
James Newton Howard (American score composer) and David Paich
percussion:
Lenny Castro
strings:
Jonathan Abramowitz, Al Brown (viola), Julien Barber, Frederick Buldrini, E. Vardi, Ted Hoyle, Harold Kohon, Harry Lookofsky, Guy Lumia, Joe Malin, Richard Maximoff, Gerald Tarack, Marilyn Wright, Richard Young (viola player) and Frederick Zlotkin (cellist)
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer)
trombone:
Tom “Bones” Malone (US trombonist) and Alan Raph
trumpet:
Randy Brecker and Jon Faddis
background vocals:
Babi Floyd, Zachary Sanders, Mark Stevens (US funk musician/songwriter, brother of Chaka Khan) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
lead vocals:
George Benson (jazz guitarist/singer)
brass arranger:
Jerry Hey and David Paich
strings arranger:
James Newton Howard (American score composer) and Marty Paich
arranger:
James Newton Howard (American score composer) and David Paich
concertmaster:
Andre Granat (Hungarian violinist) and Gene Orloff
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
additionally recorded at:
The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (New York) in Midtown Manhattan, New York, New York, United States and United Western Recorders in Hollywood, Los Angeles, California, United States
recorded at:
Music Grinder Studios in Hollywood, Los Angeles, California, United States
recording of:
Lady Love Me (One More Time)
writer:
James Newton Howard (American score composer) and David Paich
publisher:
Hudmar Publishing Co. Inc., Newton House Music, Rocket Music Ltd., Rocket Songs, Inc. (US work publisher), Universal Music Careers, ソニー・ミュージックパブリッシング A事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4:02
4Love Will Come Again
additional recording engineer:
John Agallo, Danny Caccavo (engineer), Bill Dooley, Jay Messina and Bobby Warner
recording engineer:
Jeremy Smith (producer/engineer)
synthesizer programming:
Joe Mardin
assistant engineer:
Michael O’Reilly (engineer)
producer:
Arif Mardin
mixer:
Michael O’Reilly (engineer) and Jeremy Smith (producer/engineer)
bass guitar:
Will Lee (US jazz/rock bassist)
drums (drum set):
Carlos Vega
electric piano:
Robbie Buchanan (Canadian producer)
guitar:
David Spinozza
guitar [rhythm guitar]:
Paul Jackson, Jr.
percussion:
Sammy Figueroa
solo guitar and lead vocals:
George Benson (jazz guitarist/singer)
synthesizer:
Peter Cannarozzi
background vocals:
George Benson (jazz guitarist/singer), Chaka Khan, Mark Stevens (US funk musician/songwriter, brother of Chaka Khan) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
arranger:
Arif Mardin
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
additionally recorded at:
Music Grinder Studios in Hollywood, Los Angeles, California, United States, The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (New York) in Midtown Manhattan, New York, New York, United States and United Western Recorders in Hollywood, Los Angeles, California, United States
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Love Will Come Again
writer:
Arif Mardin and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Deniz Publishing, Joe’s Songs Inc., Triangle Music Company (BMI) and 日音 Synch事業部
5:44
5In Your Eyes
additional recording engineer:
John Agallo, Danny Caccavo (engineer), Bill Dooley, Jay Messina and Bobby Warner
recording engineer:
Jeremy Smith (producer/engineer)
synthesizer programming:
Joe Mardin
assistant engineer:
Michael O’Reilly (engineer)
producer:
Arif Mardin
mixer:
Michael O’Reilly (engineer) and Jeremy Smith (producer/engineer)
bass guitar:
Will Lee (US jazz/rock bassist)
drums (drum set):
Steve Gadd (drummer)
electric piano:
Richard Tee
guitar:
Paul Jackson, Jr. and David Spinozza
piano and synthesizer:
Robbie Buchanan (Canadian producer)
strings:
Jonathan Abramowitz, Al Brown (viola), Julien Barber, Frederick Buldrini, E. Vardi, Ted Hoyle, Harold Kohon, Harry Lookofsky, Guy Lumia, Joe Malin, Richard Maximoff, Gerald Tarack, Marilyn Wright, Richard Young (viola player) and Frederick Zlotkin (cellist)
background vocals:
Mark Stevens (US funk musician/songwriter, brother of Chaka Khan)
lead vocals:
George Benson (jazz guitarist/singer)
strings arranger:
Lee Holdridge
arranger:
Robbie Buchanan (Canadian producer)
concertmaster:
Andre Granat (Hungarian violinist) and Gene Orloff
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
additionally recorded at:
Music Grinder Studios in Hollywood, Los Angeles, California, United States, The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (New York) in Midtown Manhattan, New York, New York, United States and United Western Recorders in Hollywood, Los Angeles, California, United States
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
In Your Eyes (George Benson song)
lyricist:
Dan Hill (Canadian singer/songwriter)
composer:
Michael Masser
publisher:
If Dreams Had Wings Music Ltd., Prince Street Productions, Inc., Songs of Kobalt Music Publishing, Universal Music – Z Tunes LLC, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント, フジパシフィックミュージック and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:21
6Never Too Far to Fall
additional recording engineer:
John Agallo, Danny Caccavo (engineer), Bill Dooley, Jay Messina and Bobby Warner
recording engineer:
Jeremy Smith (producer/engineer)
drum machine [Linn drums] programming:
Robbie Buchanan (Canadian producer)
synthesizer programming:
Joe Mardin
assistant engineer:
Michael O’Reilly (engineer)
producer:
Arif Mardin
mixer:
Michael O’Reilly (engineer) and Jeremy Smith (producer/engineer)
alto saxophone:
David Sanborn
baritone saxophone:
Lew Delgatto
bass synthesizer, electric piano and synthesizer:
Robbie Buchanan (Canadian producer)
drums (drum set):
Steve Ferrone
guitar:
David Spinozza
guitar [rhythm guitar]:
Paul Jackson, Jr.
solo guitar and lead vocals:
George Benson (jazz guitarist/singer)
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer)
trombone:
Tom “Bones” Malone (US trombonist) and Alan Raph
trumpet:
Randy Brecker and Jon Faddis
background vocals:
George Benson (jazz guitarist/singer), Mark Stevens (US funk musician/songwriter, brother of Chaka Khan) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
brass [horns] arranger:
Randy Brecker
arranger:
Robbie Buchanan (Canadian producer)
background vocals arranger:
Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
additionally recorded at:
Music Grinder Studios in Hollywood, Los Angeles, California, United States, The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (New York) in Midtown Manhattan, New York, New York, United States and United Western Recorders in Hollywood, Los Angeles, California, United States
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Never Too Far to Fall
writer:
Ned Doheny and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Joe’s Songs Inc., Longdog Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 and 日音 Synch事業部
34:05
7Being With You
additional recording engineer:
John Agallo, Danny Caccavo (engineer), Bill Dooley, Jay Messina and Bobby Warner
recording engineer:
Jeremy Smith (producer/engineer)
assistant engineer:
Michael O’Reilly (engineer)
producer:
Arif Mardin
mixer:
Michael O’Reilly (engineer) and Jeremy Smith (producer/engineer)
bass guitar:
Anthony Jackson (US bassist)
drums (drum set):
Carlos Vega
electric piano:
Robbie Buchanan (Canadian producer)
guitar:
David Spinozza
guitar [rhythm guitar]:
Paul Jackson, Jr.
solo guitar and lead vocals:
George Benson (jazz guitarist/singer)
strings:
Jonathan Abramowitz, Al Brown (viola), Julien Barber, Frederick Buldrini, E. Vardi, Ted Hoyle, Harold Kohon, Harry Lookofsky, Guy Lumia, Joe Malin, Richard Maximoff, Gerald Tarack, Marilyn Wright, Richard Young (viola player) and Frederick Zlotkin (cellist)
background vocals:
Mark Stevens (US funk musician/songwriter, brother of Chaka Khan)
strings arranger:
Arif Mardin
concertmaster:
Andre Granat (Hungarian violinist) and Gene Orloff
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
additionally recorded at:
Music Grinder Studios in Hollywood, Los Angeles, California, United States, The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (New York) in Midtown Manhattan, New York, New York, United States and United Western Recorders in Hollywood, Los Angeles, California, United States
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Being With You
lyricist and composer:
Omar Hakim
publisher:
Fifth Plane Music and Triangle Music Company (BMI)
3:54
8Use Me
additional recording engineer:
John Agallo, Danny Caccavo (engineer), Bill Dooley, Jay Messina and Bobby Warner
recording engineer:
Jeremy Smith (producer/engineer)
synthesizer programming:
Joe Mardin
assistant engineer:
Michael O’Reilly (engineer)
producer:
Arif Mardin
mixer:
Michael O’Reilly (engineer) and Jeremy Smith (producer/engineer)
bass guitar:
Will Lee (US jazz/rock bassist)
drums (drum set):
Carlos Vega
guitar:
David Spinozza
guitar [rhythm guitar]:
Paul Jackson, Jr.
solo guitar and lead vocals:
George Benson (jazz guitarist/singer)
background vocals:
Robin Clark (soul vocalist), Diva Gray, Lani Groves and Mark Stevens (US funk musician/songwriter, brother of Chaka Khan)
synthesizer arranger:
Arif Mardin
arranger:
Robbie Buchanan (Canadian producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
additionally recorded at:
Music Grinder Studios in Hollywood, Los Angeles, California, United States, The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (New York) in Midtown Manhattan, New York, New York, United States and United Western Recorders in Hollywood, Los Angeles, California, United States
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Use Me
writer:
James Ingram (R&B singer), Barry Mann and Cynthia Weil
publisher:
Dyad Music Ltd., Hen‐Al Publishing Company, Kings Road Music (US work publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:23
9Late at Night
additional recording engineer:
John Agallo, Danny Caccavo (engineer), Bill Dooley, Jay Messina and Bobby Warner
recording engineer:
Jeremy Smith (producer/engineer)
synthesizer programming:
Joe Mardin
assistant engineer:
Michael O’Reilly (engineer)
producer:
Arif Mardin
mixer:
Michael O’Reilly (engineer) and Jeremy Smith (producer/engineer)
bass guitar:
Will Lee (US jazz/rock bassist)
drums (drum set):
Steve Ferrone
guitar:
David Spinozza
piano and synthesizer:
Robbie Buchanan (Canadian producer)
strings:
Jonathan Abramowitz, Al Brown (viola), Julien Barber, Frederick Buldrini, E. Vardi, Ted Hoyle, Harold Kohon, Harry Lookofsky, Guy Lumia, Joe Malin, Richard Maximoff, Gerald Tarack, Marilyn Wright, Richard Young (viola player) and Frederick Zlotkin (cellist)
background vocals:
Mark Stevens (US funk musician/songwriter, brother of Chaka Khan)
lead vocals:
George Benson (jazz guitarist/singer)
vocals:
Vickie Randle
strings arranger:
Arif Mardin
arranger:
Robbie Buchanan (Canadian producer)
concertmaster:
Andre Granat (Hungarian violinist) and Gene Orloff
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
additionally recorded at:
Music Grinder Studios in Hollywood, Los Angeles, California, United States, The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (New York) in Midtown Manhattan, New York, New York, United States and United Western Recorders in Hollywood, Los Angeles, California, United States
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Late at Night
writer:
Barry Mann and Cynthia Weil
publisher:
Dyad Music Ltd. and ソニー・ミュージックパブリッシング A事業部
3:36
10In Search of a Dream
additional recording engineer:
John Agallo, Danny Caccavo (engineer), Bill Dooley, Jay Messina and Bobby Warner
recording engineer:
Jeremy Smith (producer/engineer)
synthesizer programming:
Joe Mardin
assistant engineer:
Michael O’Reilly (engineer)
producer:
Arif Mardin
mixer:
Michael O’Reilly (engineer) and Jeremy Smith (producer/engineer)
baritone saxophone:
Lew Delgatto
bass guitar:
Marcus Miller (jazz musician)
drums (drum set):
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
electric piano:
Jorge Dalto
guitar:
Gus Falcon and David Spinozza
solo guitar and lead vocals:
George Benson (jazz guitarist/singer)
synthesizer:
Peter Cannarozzi
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer)
trombone:
Tom “Bones” Malone (US trombonist) and Alan Raph
trumpet:
Randy Brecker and Jon Faddis
background vocals:
Mark Stevens (US funk musician/songwriter, brother of Chaka Khan)
brass [horns] arranger:
Arif Mardin
arranger:
Gus Falcon
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
additionally recorded at:
Music Grinder Studios in Hollywood, Los Angeles, California, United States, The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (New York) in Midtown Manhattan, New York, New York, United States and United Western Recorders in Hollywood, Los Angeles, California, United States
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
In Search of a Dream
lyricist and composer:
Adam Falcon
publisher:
Adamite Music and Robmar Music Company
4:58

Credits

Release

mastering:George Marino (mastering engineer)
copyrighted (©) by:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
mastered at:Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, United States
Discogs:https://www.discogs.com/release/2271250 [info]
ASIN:US: B000002KYJ [info]