La musique des Lumières

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

CD 30 is CD-ROM, including sung texts.

English title: Music of the Enlightenment

Annotation last modified on 2014-08-31 00:39 UTC.

Tracklist

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▼ CD 1: French harpsichord music
#TitleArtistRatingLength
1Vingt-cinquième ordre: I. La Visionnaire. Gravement et marqué
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1993-09)
recording of:
Vingt-cinquième ordre de clavecin en mi bémol majeur / do mineur: No. 1. La Visionaire (in 1993-09)
composer:
François Couperin (French composer of the Baroque era)
part of:
Vingt-cinquième ordre de clavecin en mi bémol majeur / do mineur
François Couperin3:38
2Vingt-cinquième ordre: II. La Mistérieuse. Modérément
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1993-09)
recording of:
Vingt-cinquième ordre de clavecin en mi bémol majeur / do mineur: No. 2. La Misterieuse (in 1993-09)
composer:
François Couperin (French composer of the Baroque era)
part of:
Vingt-cinquième ordre de clavecin en mi bémol majeur / do mineur
François Couperin5:03
3Vingt-cinquième ordre: III. La Montflambert. Tendrement, sans lenteur
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1993-09)
recording of:
Vingt-cinquième ordre de clavecin en mi bémol majeur / do mineur: No. 3. La Monflambert (in 1993-09)
composer:
François Couperin (French composer of the Baroque era)
part of:
Vingt-cinquième ordre de clavecin en mi bémol majeur / do mineur
François Couperin1:52
4Vingt-cinquième ordre: IV. La Muse victorieuse. Audacieusement
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1993-09)
recording of:
Vingt-cinquième ordre de clavecin en mi bémol majeur / do mineur: No. 4. La Muse victorieuse (in 1993-09)
composer:
François Couperin (French composer of the Baroque era)
part of:
Vingt-cinquième ordre de clavecin en mi bémol majeur / do mineur
François Couperin2:30
5Vingt-cinquième ordre: V. Les Ombres errantes. Languissamment
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1993-09)
recording of:
Vingt-cinquième ordre de clavecin en mi bémol majeur / do mineur: No. 5. Les Ombres errantes (in 1993-09)
composer:
François Couperin (French composer of the Baroque era)
part of:
Vingt-cinquième ordre de clavecin en mi bémol majeur / do mineur
François Couperin5:02
6Vingt-sixième ordre: I. La Convalescente
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1993-09)
recording of:
Vingt-sixième ordre de clavecin en fa dièse mineur: No. 1. La Convalescente (in 1993-09)
composer:
François Couperin (French composer of the Baroque era)
part of:
Vingt-sixième ordre de clavecin en fa dièse mineur
François Couperin5:22
7Vingt-sixième ordre: II. Gavotte
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1993-09)
recording of:
Vingt-sixième ordre de clavecin en fa dièse mineur: No. 2. Gavotte (in 1993-09)
composer:
François Couperin (French composer of the Baroque era)
part of:
Vingt-sixième ordre de clavecin en fa dièse mineur
François Couperin1:54
8Vingt-sixième ordre: III. La Sophie
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1993-09)
recording of:
Vingt-sixième ordre de clavecin en fa dièse mineur: No. 3. La Sophie (in 1993-09)
composer:
François Couperin (French composer of the Baroque era)
part of:
Vingt-sixième ordre de clavecin en fa dièse mineur
François Couperin3:40
9Vingt-sixième ordre: IV. L'Epineuse
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1993-09)
recording of:
Vingt-sixième ordre de clavecin en fa dièse mineur: No. 4. L'Épineuse (in 1993-09)
composer:
François Couperin (French composer of the Baroque era)
part of:
Vingt-sixième ordre de clavecin en fa dièse mineur
François Couperin5:17
10Vingt-sixième ordre: V. La Pantomime. Gayement et marqué, et d'une grande précision
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1993-09)
recording of:
Vingt-sixième ordre de clavecin en fa dièse mineur: No. 5. La Pantomime (in 1993-09)
composer:
François Couperin (French composer of the Baroque era)
part of:
Vingt-sixième ordre de clavecin en fa dièse mineur
François Couperin2:36
11Sixième ordre: I. Les Moissonneurs. Gayement
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1994-05)
recording of:
Sixième ordre de clavecin en si bémol majeur: No. 1. Les Moissoneurs (in 1994-05)
composer:
François Couperin (French composer of the Baroque era)
part of:
Sixième ordre de clavecin en si bémol majeur
François Couperin1:45
12Sixième ordre: II. Les Langueurs tendres. Tendres
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1994-05)
recording of:
Sixième ordre de clavecin en si bémol majeur: No. 2. Les Langueurs-Tendres (in 1994-05)
composer:
François Couperin (French composer of the Baroque era)
part of:
Sixième ordre de clavecin en si bémol majeur
François Couperin3:47
13Sixième ordre: III. Le Gazouillement, Rondeau. Gracieusement et coule
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1994-05)
recording of:
Sixième ordre de clavecin en si bémol majeur: No. 3. Le Gazoüillement (in 1994-05)
composer:
François Couperin (French composer of the Baroque era)
part of:
Sixième ordre de clavecin en si bémol majeur
François Couperin2:01
14Sixième ordre: IV. La Bersan. Légèrement
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1994-05)
recording of:
Sixième ordre de clavecin en si bémol majeur: No. 4. La Bersan (in 1994-05)
composer:
François Couperin (French composer of the Baroque era)
part of:
Sixième ordre de clavecin en si bémol majeur
François Couperin2:30
15Sixième ordre: V. Les Baricades Mistérieuses, Rondeau. Vivement
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1994-05)
recording of:
Sixième ordre de clavecin en si bémol majeur: No. 5. Les Barricades mistérieuses (in 1994-05)
composer:
François Couperin (French composer of the Baroque era)
part of:
Sixième ordre de clavecin en si bémol majeur
François Couperin2:37
16Sixième ordre: VI. Les Bergeries, Rondeau. Naïvement
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1994-05)
recording of:
Sixième ordre de clavecin en si bémol majeur: No. 6. Les Bergeries, rondeau (in 1994-05)
composer:
François Couperin (French composer of the Baroque era)
part of:
Sixième ordre de clavecin en si bémol majeur
François Couperin4:43
17Sixième ordre: VII. La Commère. Vivement
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1994-05)
recording of:
Sixième ordre de clavecin en si bémol majeur: No. 7. La Commére (in 1994-05)
composer:
François Couperin (French composer of the Baroque era)
part of:
Sixième ordre de clavecin en si bémol majeur
François Couperin2:18
18Sixième ordre: VIII. Le Moucheron. Légèrement
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1994-05)
recording of:
Sixième ordre de clavecin en si bémol majeur: No. 8. Le Moucheron (in 1994-05)
composer:
François Couperin (French composer of the Baroque era)
part of:
Sixième ordre de clavecin en si bémol majeur
François Couperin2:01
19Pièces de clavecin en concerts. Premier concert: I. La Coulicam
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1992-03)
viola da gamba:
Kaori Uemura (Japanese-born, Belgium-based viola da gamba player) (in 1992-03)
violin:
Ryo Terakado (violinist) (in 1992-03)
recording of:
Pieces de Clavecin en Concerts, Premier Concert, RCT 7: La Coulicam (in 1992-03)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Pieces de Clavecin en Concerts, Premier Concert, RCT 7
Jean-Philippe Rameau3:22
20Pièces de clavecin en concerts. Premier concert: II. La Livri
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1992-03)
viola da gamba:
Kaori Uemura (Japanese-born, Belgium-based viola da gamba player) (in 1992-03)
violin:
Ryo Terakado (violinist) (in 1992-03)
recording of:
Pieces de Clavecin en Concerts, Premier Concert, RCT 7: La Livri (pour clavecin seul)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Pieces de Clavecin en Concerts, Premier Concert, RCT 7
Jean-Philippe Rameau2:42
21Pièces de clavecin en concerts. Premier concert: III. Le Vézinet
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1992-03)
viola da gamba:
Kaori Uemura (Japanese-born, Belgium-based viola da gamba player) (in 1992-03)
violin:
Ryo Terakado (violinist) (in 1992-03)
recording of:
Pieces de Clavecin en Concerts, Premier Concert, RCT 7: Le Vézinet (in 1992-03)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Pieces de Clavecin en Concerts, Premier Concert, RCT 7
Jean-Philippe Rameau3:24
22Pièces de clavecin en concerts. Cinquième concert: I. La Forqueray
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1992-03)
viola da gamba:
Kaori Uemura (Japanese-born, Belgium-based viola da gamba player) (in 1992-03)
violin:
Ryo Terakado (violinist) (in 1992-03)
recording of:
Pieces de Clavecin en Concerts, Cinquième Concert, RCT 11 : La Forqueray (in 1992-03)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Pieces de Clavecin en Concerts, Cinquième Concert, RCT 11
Jean-Philippe Rameau4:26
23Pièces de clavecin en concerts. Cinquième concert: II. La Cupis
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1992-03)
viola da gamba:
Kaori Uemura (Japanese-born, Belgium-based viola da gamba player) (in 1992-03)
violin:
Ryo Terakado (violinist) (in 1992-03)
recording of:
Pieces de Clavecin en Concerts, Cinquième Concert, RCT 11 : La Cupis (in 1992-03)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Pieces de Clavecin en Concerts, Cinquième Concert, RCT 11
Jean-Philippe Rameau5:39
24Pièces de clavecin en concerts. Cinquième concert: III. La Marais
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1992-03)
viola da gamba:
Kaori Uemura (Japanese-born, Belgium-based viola da gamba player) (in 1992-03)
violin:
Ryo Terakado (violinist) (in 1992-03)
recording of:
Pieces de Clavecin en Concerts, Cinquième Concert, RCT 11 : La Marais (in 1992-03)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Pieces de Clavecin en Concerts, Cinquième Concert, RCT 11
Jean-Philippe Rameau2:25
25Pièces de clavecin en concerts. Cinquième concert: IV. L'indiscrete pour clavecin seul
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1992-03)
recording of:
Pieces de Clavecin en Concerts, Quatrième Concert, RCT 10 : L'indiscrète (pour clavecin seul) (in 1992-03)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Pieces de Clavecin en Concerts, Quatrième Concert, RCT 10
Jean-Philippe Rameau1:23
▼ CD 2: The twilight of lamentation
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1Messe de Requiem: I. Requiem
conductor:
Philippe Herreweghe (Belgian conductor)
performer:
La Chapelle Royale (French baroque vocal ensemble)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1987)
recording of:
Messe de Requiem: Requiem
composer:
André Campra (composer) (in 1722)
part of:
Messe de Requiem
André Campra6:27
2Messe de Requiem: II. Kyrie
conductor:
Philippe Herreweghe (Belgian conductor)
performer:
La Chapelle Royale (French baroque vocal ensemble)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1987)
recording of:
Messe de Requiem: Kyrie
composer:
André Campra (composer) (in 1722)
part of:
Messe de Requiem
André Campra3:58
3Messe de Requiem: III. Graduel
conductor:
Philippe Herreweghe (Belgian conductor)
performer:
La Chapelle Royale (French baroque vocal ensemble)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1987)
recording of:
Messe de Requiem: Graduel
composer:
André Campra (composer) (in 1722)
part of:
Messe de Requiem
André Campra6:01
4Messe de Requiem: IV. Offertoire
conductor:
Philippe Herreweghe (Belgian conductor)
performer:
La Chapelle Royale (French baroque vocal ensemble)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1987)
recording of:
Messe de Requiem: Offertoire
composer:
André Campra (composer) (in 1722)
part of:
Messe de Requiem
André Campra10:31
5Messe de Requiem: V. Sanctus
conductor:
Philippe Herreweghe (Belgian conductor)
performer:
La Chapelle Royale (French baroque vocal ensemble)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1987)
recording of:
Messe de Requiem: Sanctus
composer:
André Campra (composer) (in 1722)
part of:
Messe de Requiem
André Campra3:48
6Messe de Requiem: VI. Agnus Dei
conductor:
Philippe Herreweghe (Belgian conductor)
performer:
La Chapelle Royale (French baroque vocal ensemble)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1987)
recording of:
Messe de Requiem: Agnus Dei
composer:
André Campra (composer) (in 1722)
part of:
Messe de Requiem
André Campra5:21
7Messe de Requiem: VII. Post-Communion
conductor:
Philippe Herreweghe (Belgian conductor)
performer:
La Chapelle Royale (French baroque vocal ensemble)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1987)
recording of:
Messe de Requiem: Post-Communion
composer:
André Campra (composer) (in 1722)
part of:
Messe de Requiem
André Campra7:25
8Stabat mater: I. Duo: Stabat mater dolorosa
engineer:
Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 2009-12)
soprano vocals:
Anna Prohaska (soprano) (in 2009-12)
orchestra:
Akademie für Alte Musik Berlin (in 2009-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (in 2009-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:49
9Stabat mater: II. Aria (soprano): Cujus animam gementem
engineer:
Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
soprano vocals:
Anna Prohaska (soprano) (in 2009-12)
orchestra:
Akademie für Alte Musik Berlin (in 2009-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem (in 2009-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi1:59
10Stabat mater: III. Duo: O quam tristis et afflicta
engineer:
Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 2009-12)
soprano vocals:
Anna Prohaska (soprano) (in 2009-12)
orchestra:
Akademie für Alte Musik Berlin (in 2009-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta (in 2009-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:00
11Stabat mater: IV. Aria (alto): Quae moerebat et dolebat
engineer:
Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 2009-12)
orchestra:
Akademie für Alte Musik Berlin (in 2009-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat (in 2009-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:04
12Stabat mater: V. Duo: Quis est homo, qui non fleret
engineer:
Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 2009-12)
soprano vocals:
Anna Prohaska (soprano) (in 2009-12)
orchestra:
Akademie für Alte Musik Berlin (in 2009-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: V. Duo: Quis est homo, qui non fleret (in 2009-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:42
13Stabat mater: VI. Aria: Vidit suum dulcem natum
engineer:
Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
soprano vocals:
Anna Prohaska (soprano) (in 2009-12)
orchestra:
Akademie für Alte Musik Berlin (in 2009-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria: Vidit suum dulcem natum (in 2009-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:23
14Stabat mater: VII. Aria (alto): Eja, mater, fons amoris
engineer:
Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 2009-12)
orchestra:
Akademie für Alte Musik Berlin (in 2009-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris (in 2009-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:08
15Stabat mater: VIII. Duo: Fac, ut ardeat cor meum
engineer:
Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 2009-12)
soprano vocals:
Anna Prohaska (soprano) (in 2009-12)
orchestra:
Akademie für Alte Musik Berlin (in 2009-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum (in 2009-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:12
16Stabat mater: IX. Duo: Sancta mater, istud agas
engineer:
Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 2009-12)
soprano vocals:
Anna Prohaska (soprano) (in 2009-12)
orchestra:
Akademie für Alte Musik Berlin (in 2009-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas (in 2009-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:50
17Stabat mater: X. Aria (alto): Fac, ut portem Christi mortem
engineer:
Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 2009-12)
orchestra:
Akademie für Alte Musik Berlin (in 2009-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut protem Christi mortem (in 2009-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:40
18Stabat mater: XI. Duo: Inflammatus et accensus
engineer:
Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 2009-12)
soprano vocals:
Anna Prohaska (soprano) (in 2009-12)
orchestra:
Akademie für Alte Musik Berlin (in 2009-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus (in 2009-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi1:53
19Stabat mater: XII. Duo: Quando corpus morietur - Amen
engineer:
Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 2009-12)
soprano vocals:
Anna Prohaska (soprano) (in 2009-12)
orchestra:
Akademie für Alte Musik Berlin (in 2009-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur - Amen (in 2009-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:38
▼ CD 3: Oratorio: Solomon - Part I
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1Solomon, HWV 67: Act I, No. 1 Overture
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I. Overture (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel6:55
2Solomon, HWV 67: Act I, Scene I. No. 2 Chorus "Your harps and cymbals sound" (Priests)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene I. Chorus "Your harps and cymbals" (Chorus) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel3:41
3Solomon, HWV 67: Act I, Scene I. No. 3 Air "Praise ye the Lord for all his mercies past" (Levite)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene I. Air "Praise ye the Lord" (Levite) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel4:59
4Solomon, HWV 67: Act I, Scene I. No. 4 Chorus "With pious heart, and holy tongue" (Priests)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene I. Chorus "With pious heart" (Chorus) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel4:45
5Solomon, HWV 67: Act I, Scene I. No. 5 Accompagnato "Almighty pow'r" (Solomon)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene I. Accompagnato "Almighty Power" (Solomon) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel3:15
6Solomon, HWV 67: Act I, Scene I. No. 6 Recitative "Imperial Solomon" (Zadok)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene I. Recitative "Imperial Solomon" (Zadok) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel0:33
7Solomon, HWV 67: Act I, Scene I. No. 7 Air "Sacred raptures cheer my breast" (Zadok)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene I. Air "Sacred raptures" (Zadok) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel4:33
8Solomon, HWV 67: Act I, Scene I. No. 8 Chorus "Throughout the land Jehovah's praise record" (Israelites)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene I. Chorus "Throughout the land" (Chorus) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel3:51
9Solomon, HWV 67: Act I, Scene I. No. 9 Recitative "Bless'd be the Lord" (Solomon)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene I. Recitative "Bless'd be the Lord" (Solomon) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel0:26
10Solomon, HWV 67: Act I, Scene I. No. 10 Air "What though I trace each herb and flow'r" (Solomon)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene I. Air "What though I trace" (Solomon) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel5:59
11Solomon, HWV 67: Act I, Scene II. No. 11 Recitative "And see my queen, my wedded love" (Solomon)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene II. Recitative "And see my Queen" (Solomon) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel0:42
12Solomon, HWV 67: Act I, Scene II. No. 12 Air "Bless'd the day when first my eyes" (Queen)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene II. Air "Bless'd the day" (Queen) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel4:53
13Solomon, HWV 67: Act I, Scene II. No. 13 Recitative "Thou fair inhabitant of Nile" (Solomon, Queen)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene II. Recitative "Thou fair inhabitant of Nile" (Solomon, Queen) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel0:43
14Solomon, HWV 67: Act I, Scene II. No. 14 Duet "Welcome as the dawn of day" (Queen, Solomon)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene II. Duet "Welcome as the dawn of day" (Solomon, Queen) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel3:29
15Solomon, HWV 67: Act I, Scene II. No. 17 Recitative "My blooming fair" (Solomon)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene II. Recitative "My blooming fair" (Solomon) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel0:10
16Solomon, HWV 67: Act I, Scene II. No. 18 Air "Haste, haste to the cedar grove" (Solomon)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene II. Air "Haste to the cedar grove" (Solomon) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel2:46
17Solomon, HWV 67: Act I, Scene II. No. 19 Recitative "When thou art absent from my sight" (Queen)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene II. Recitative "When thou art absent" (Queen) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel0:15
18Solomon, HWV 67: Act I, Scene II. No. 20 Air "With thee th'unshelter'd moor I'd tread" (Queen)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene II. Air "With thee th'unshelter'd moor l'd tread" (Queen) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel2:26
19Solomon, HWV 67: Act I, Scene II. No. 21 Recitative "Search round the world" (Zadok)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene II: "Search round the world" (Zadok) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel0:11
20Solomon, HWV 67: Act I, Scene II. No. 22 Chorus "May no rash intruder disturb their soft hours"
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act I, Scene II. Chorus "May no rash intruder" (Chorus) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel4:26
21Solomon, HWV 67: Act II, Scene I. No. 23 Chorus "From the censer curling rise" (Israelites)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act II, Scene I. Chorus "From the censer" (Chorus) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
George Frideric Handel5:20
22Solomon, HWV 67: Act II, Scene I. No. 24 Recitative "Prais'd be the Lord" (Solomon)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act II, Scene I. Recitative "Prais'd be the Lord" (Solomon) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
George Frideric Handel0:54
23Solomon, HWV 67: Act II, Scene I. No. 25 Air "When the sun o'er yonder hills" (Solomon)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act II, Scene I. Air "When the sun o'er yonder hills" (Solomon) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
George Frideric Handel4:05
24Solomon, HWV 67: Act II, Scene I. No. 26 Recitative "Great Prince, thy resolution's just" (Levite)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act II, Scene I. Recitative "Great prince" (Levite) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
George Frideric Handel0:20
25Solomon, HWV 67: Act II, Scene I. No. 27 Air "Thrice bless'd that wise discerning king" (Levite)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act II, Scene I. Air "Thrice bless'd that wise discerning king" (Levite) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
George Frideric Handel3:24
26Solomon, HWV 67: Act II, Scene II. No. 28 Recitative "My sovereign leige / Thou son of David, hear a mother's grief" (Solomon)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act II, Scene II. Recitative "My sovereign liege" (Solomon, 1st Harlot) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
George Frideric Handel1:52
27Solomon, HWV 67: Act II, Scene III. No. 29 Trio "Words are weak to paint my fears" (Solomon, Two Harlots)
orchestra:
Akademie für Alte Musik Berlin (in 2006-05)
conductor:
Daniel Reuss (conductor) (in 2006-05)
recording of:
Solomon, HWV 67: Act II, Scene III. Trio "Words are weak" (1st Harlot, 2nd Harlot, Solomon) (in 2006-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
George Frideric Handel5:17
▶ CD 4: Oratorio: Solomon - Part II
▶ CD 5: The apotheosis of the baroque concerto
▶ CD 6: Concerto: The Conquest of Europe
▶ CD 7: Concerto: From Paris to Vienna
▶ CD 8: The Classical concerto
▶ CD 9: From sinfonia to sinfonie...
▶ CD 10: Symphony: Orchestral performance
▶ CD 11: Symphony: The monuments of Classicism
▶ CD 12: Symphony: The 'Ninth'
▶ CD 13: The last glories of 'tragédie lyrique': Castor & Pollux - Part I
▶ CD 14: The last glories of 'tragédie lyrique': Castor & Pollux - Part II
▶ CD 15: The last glories of 'tragédie lyrique': Castor & Pollux - Part III
▶ CD 16: Gluck's reform: Orfeo ed Euridice - PART I
▶ CD 17: Gluck's reform: Orfeo ed Euridice - PART II
▶ CD 18: The spirit of the people: Le nozze di Figaro - PART I
▶ CD 19: The spirit of the people: Le nozze di Figaro - PART II
▶ CD 20: The spirit of the people: Le nozze di Figaro - PART III
▶ CD 21: 'A TRE' - The Baroque trio sonata
▶ CD 22: 'A TRE' - From the sonata to the Classical trio
▶ CD 23: 'A TRE' - The keyboard trio
▶ CD 24: The Classical Sonata: The great piano sonatas - Joseph Haydn
▶ CD 25: The Classical Sonata: The great piano sonatas - Wolfgang Amadeus Mozart
▶ CD 26: The Classical Sonata: The great piano sonatas - Ludwig van Beethoven
▶ CD 27: String Quartet: The birth of the quartet
▶ CD 28: String Quartet:The great Classical quartets
▶ CD 29: String Quartet: The 'Late Quartets'