Bach Edition, Volume 8: Cantatas/Kantaten, Volume III

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

5-CD set, CDs 1, 3-5 still missing.

99367/* are the individual disc cat#s. The discs might have individual barcodes as well.

Annotation last modified on 2013-04-27 06:54 UTC.

Tracklist

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CD 1: BWV 172, 182, 90
#TitleRatingLength
1Erschallet, ihr Lieder BWV 172 - I Coro
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
4:02
2Erschallet, ihr Lieder BWV 172 - II Recitativo (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
0:51
3Erschallet, ihr Lieder BWV 172 - III Aria (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
2:16
4Erschallet, ihr Lieder BWV 172 - IV Aria (Tenore)
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
5:00
5Erschallet, ihr Lieder BWV 172 - V Aria (Duetto- Soprano, Alto)
alto vocals:
Sytse Buwalda
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
4:33
6Erschallet, ihr Lieder BWV 172 - VI Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 376)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
1:31
7Himmelskönig, sei willkommen BWV 182 - I Sonate
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": I. Sonata (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
2:14
8Himmelskönig, sei willkommen BWV 182 - II Coro
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": II. Coro "Himmelskönig, sei willkommen" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
3:28
9Himmelskönig, sei willkommen BWV 182 - III Recitativo (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": III. Recitativo (Bass) "Siehe, ich komme" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
0:40
10Himmelskönig, sei willkommen BWV 182 - IV Aria (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": IV. Aria (Bass) "Starkes Lieben" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
2:54
11Himmelskönig, sei willkommen BWV 182 - V Aria (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": V. Aria (Alt) "Leget euch dem Heiland unter" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
7:20
12Himmelskönig, sei willkommen BWV 182 - VI Aria (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": VI. Aria (Tenor) "Jesus, laß durch Wohl und Weh" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
4:34
13Himmelskönig, sei willkommen BWV 182 - VII Choral (Coro)3:29
14Himmelskönig, sei willkommen BWV 182 - VIII Schlußchor (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": VIII. Coro "So lasset uns gehen in Salem der Freuden" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
4:49
15Es reißet euch ein schrecklich Ende BWV 90 - I Aria (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": I. Aria (Tenor) "Es reißet euch ein schrecklich Ende" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
5:33
16Es reißet euch ein schrecklich Ende BWV 90 - II Recitativo (Alto)1:33
17Es reißet euch ein schrecklich Ende BWV 90 - III Aria (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": III. Aria (Bass) "So löschet im Eifer der rächende Richter" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
3:44
18Es reißet euch ein schrecklich Ende BWV 90 - IV Recitativo (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": IV. Recitativo (Tenor) "Doch Gottes Auge sieht auf uns" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
0:43
19Es reißet euch ein schrecklich Ende BWV 90 - V Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": V. Choral "Leit uns mit deiner rechten Hand" (from 1999-10 until 1999-11)
lyricist:
Martin Moller (german poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 319)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
1:02
CD 2: BWV 106, 199,161
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1I. Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106, Ohne Bestimmung: 1. Sonatina
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:43
2I. Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106, Ohne Bestimmung: 2. Gottes Zeit ist die allerbeste Zeit
bass vocals:
Bas Ramselaar (operatic bass)
choir vocals:
Holland Boys Choir
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
?:??
3I. Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106, Ohne Bestimmung: 3. Aria (Alto) In deine Hände
alto vocals:
Sytse Buwalda
bass vocals:
Bas Ramselaar (operatic bass)
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
6:39
4I. Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106, Ohne Bestimmung: Glorie, Lob, Ehr und Herrlichkeit 4. Coro
choir vocals:
Holland Boys Choir
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:51
5II. Mein Herze schwimmt im Blut BWV 199, Am 11. Sonntag nach Trinitatis: Mein Herze schwimmt im Blut 1. Recitativo (Soprano)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo "Mein Herze schwimmt im Blut" (from 1999-10 until 1999-11)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
2:08
6II. Mein Herze schwimmt im Blut BWV 199, Am 11. Sonntag nach Trinitatis: Stumme Seufzer, stille Klagen 2. Aria (Soprano)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" (from 1999-10 until 1999-11)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
6:51
7II. Mein Herze schwimmt im Blut BWV 199, Am 11. Sonntag nach Trinitatis: Doch Gott muß mir genädig sein 3. Recitativo (Soprano)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo "Doch Gott muß mir gnädig sein" (from 1999-10 until 1999-11)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
1:04
8II. Mein Herze schwimmt im Blut BWV 199, Am 11. Sonntag nach Trinitatis: Tief gebückt und voller Reue 4. Aria (Soprano)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria "Tief gebückt und voller Reue" (from 1999-10 until 1999-11)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
9:00
9II. Mein Herze schwimmt im Blut BWV 199, Am 11. Sonntag nach Trinitatis: Auf diese Schmerzensreu 5. Recitativo (Soprano)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo "Auf diese Schmerzensreu" (from 1999-10 until 1999-11)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
0:14
10II. Mein Herze schwimmt im Blut BWV 199, Am 11. Sonntag nach Trinitatis: Ich, dein betrübtes Kind 6. Choral (Soprano)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral "Ich, dein betrübtes Kind" (from 1999-10 until 1999-11)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
1:57
11II. Mein Herze schwimmt im Blut BWV 199, Am 11. Sonntag nach Trinitatis: Ich lege mich in diese Wunden 7. Recitativo (Soprano)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo "Ich lege mich in diese Wunden" (from 1999-10 until 1999-11)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
0:48
12II. Mein Herze schwimmt im Blut BWV 199, Am 11. Sonntag nach Trinitatis: Wie freudig ist mein Herz 8. Aria (Soprano)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz" (from 1999-10 until 1999-11)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
2:26
13III. Komm, du süße Todesstunde BWV 161, Am Sonntag Estomihi: Komm, du süße Todesstunde 1. Aria (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
4:43
14III. Komm, du süße Todesstunde BWV 161, Am Sonntag Estomihi: Welt, deine Lust ist Last 2. Recitativo (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
1:51
15III. Komm, du süße Todesstunde BWV 161, Am Sonntag Estomihi: Mein Verlangen 3. Aria (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
5:44
16III. Komm, du süße Todesstunde BWV 161, Am Sonntag Estomihi: Der Schluß ist schon gemacht 4. Recitativo (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
2:16
17III. Komm, du süße Todesstunde BWV 161, Am Sonntag Estomihi: Wenn es meines Gottes Wille 5. Coro
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
3:38
18III. Komm, du süße Todesstunde BWV 161, Am Sonntag Estomihi: 6. Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden" (from 1999-10 until 1999-11)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Christoph Knoll
part of:
Breitkopf 389 Choralgesänge (number: 161)
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
1:23
CD 3: BWV 99, 35, 17
#TitleRatingLength
1Was Gott tut, das ist wohlgetan BWV 99 - I Coro
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohl getan": I. Coro "Was Gott tut, das ist wohl getan" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
5:03
2Was Gott tut, das ist wohlgetan BWV 99 - II Recitativo (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohl getan": II. Recitativo (Bass) "Sein Wort der Wahrheit stehet fest" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
1:14
3Was Gott tut, das ist wohlgetan BWV 99 - III Aria (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohl getan": III. Aria (Tenor) "Erschüttre dich nur nicht, verzagte Seele" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
5:22
4Was Gott tut, das ist wohlgetan BWV 99 - IV Recitativo (Alto)1:13
5Was Gott tut, das ist wohlgetan BWV 99 - V Aria (Duetto- Soprano, Alto)
alto vocals:
Sytse Buwalda
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohl getan": V. Aria (Duetto Sopran, Alt) "Wenn des Kreuzes Bitterkeiten" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
3:20
6Was Gott tut, das ist wohlgetan BWV 99 - VI Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan": VI. Chorale "Was Gott tut, das ist wohlgetan" (from 1999-10 until 1999-11)
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 341)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
1:01
7Geist und Seele wird verwirret BWV 35 - I Sinfonia
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, I. Sinfonia (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
5:57
8Geist und Seele wird verwirret BWV 35 - II Aria (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, II. Aria (Alto) "Geist und Seele wird verwirret" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
7:55
9Geist und Seele wird verwirret BWV 35 - III Recitativo (Alto)1:29
10Geist und Seele wird verwirret BWV 35 - IV Aria (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, IV. Aria (Alto) "Gott hat alles wohlgemacht" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
3:01
11Geist und Seele wird verwirret BWV 35 - V Sinfonia
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, V. Sinfonia (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
4:06
12Geist und Seele wird verwirret BWV 35 - VI Recitativo (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, VI. Recitativo (Alto) "Ach, starker Gott, laß mich doch" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
1:17
13Geist und Seele wird verwirret BWV 35 - VII Aria (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, VII. Aria (Alto) "Ich wünsche mir, bei Gott zu leben" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
3:28
14Wer Dank opfert, der preiset mich BWV 17 - I Coro
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
4:12
15Wer Dank opfert, der preiset mich BWV 17 - II Recitativo (Alto)1:03
16Wer Dank opfert, der preiset mich BWV 17 - III Aria (Soprano)3:19
17Wer Dank opfert, der preiset mich BWV 17 - IV Recitativo (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, IV. Recitativo (Tenore) "Einer aber unter ihnen" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
0:44
18Wer Dank opfert, der preiset mich BWV 17 - V Aria (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, V. Aria (Tenore) "Welch Übermaß der Güte" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
3:30
19Wer Dank opfert, der preiset mich BWV 17 - VI Recitativo (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, VI. Recitativo (Basso) "Sieh meinen Willen an" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
1:13
20Wer Dank opfert, der preiset mich BWV 17 - VII Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, VII. Choral "Wie sich ein Vat'r erbarmet" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Gramann (in 1530)
part of:
Breitkopf 389 Choralgesänge (number: 271)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
2:02
CD 4: BWV 123, 87, 173
#TitleRatingLength
1Liebster Immanuel, Herzog der Frommen BWV 123 - I Coro
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": I. Coro "Liebster Immanuel, Herzog der Frommen" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
5:43
2Liebster Immanuel, Herzog der Frommen BWV 123 - II Recitativo (Alto)0:49
3Liebster Immanuel, Herzog der Frommen BWV 123 - III Aria (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": III. Aria (Tenor) "Auch die harte Kreuzesreise" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
5:53
4Liebster Immanuel, Herzog der Frommen BWV 123 - IV Recitativo (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": IV. Recitativo (Bass) "Kein Höllenfeind kann mich verschlingen" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
0:45
5Liebster Immanuel, Herzog der Frommen BWV 123 - V Aria (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": V. Aria (Bass) "Laß, o Welt, mich aus Verachtung" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
6:57
6Liebster Immanuel, Herzog der Frommen BWV 123 - VI Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": VI. Choral "Drum fahrt nur immer hin" (from 1999-10 until 1999-11)
lyricist:
Ahasverus Fritsch
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-06)
part of:
Breitkopf 389 Choralgesänge (number: 229)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
1:41
7Bisher habt ihr nichts gebeten in meinem Namen BWV 87 - I Aria (Basso)1:44
8Bisher habt ihr nichts gebeten in meinem Namen BWV 87 - II Recitativo (Alto)0:36
9Bisher habt ihr nichts gebeten in meinem Namen BWV 87 - III Aria (Alto)8:36
10Bisher habt ihr nichts gebeten in meinem Namen BWV 87 - IV Recitativo (Tenore)0:56
11Bisher habt ihr nichts gebeten in meinem Namen BWV 87 - V Aria (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": V. Arioso (Bass) "In der Welt habt ihr Angst" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
2:00
12Bisher habt ihr nichts gebeten in meinem Namen BWV 87 - VI Aria (Tenore)4:43
13Bisher habt ihr nichts gebeten in meinem Namen BWV 87 - VII Choral (Coro)1:36
14Erhöhtes Fleisch und Blut BWV 173 - I Recitativo (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": I. Recitativo (Tenor) "Erhöhtes Fleisch und Blut" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
0:43
15Erhöhtes Fleisch und Blut BWV 173 - II Aria (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": II. Aria (Tenor) "Ein geheiligtes Gemüte" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
4:01
16Erhöhtes Fleisch und Blut BWV 173 - III Aria (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": III. Aria (Alt) "Gott will, o! ihr Menschenkinder" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
1:39
17Erhöhtes Fleisch und Blut BWV 173 - IV Aria (Duetto- Soprano, Basso)
bass vocals:
Bas Ramselaar (operatic bass)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": IV. Aria (Duetto Bass, Sopran) "So hat Gott die Welt geliebt" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
4:24
18Erhöhtes Fleisch und Blut BWV 173 - V Recitativo (Duetto- Soprano, Tenore)
soprano vocals:
Ruth Holton (soprano)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": V. Recitativo (Sopran, Tenor) "Unendlichster, den man doch Vater nennt" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
1:18
19Erhöhtes Fleisch und Blut BWV 173 - VI Coro
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": VI. Coro "Rühre, Höchster, unsern Geist" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
2:44
CD 5: BWV 117, 153, 168
#TitleRatingLength
1Sei Lob und Ehr' dem höchsten Gut BWV 117 - I Coro
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": I. Coro "Sei Lob und Ehr dem höchsten Gut" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
4:27
2Sei Lob und Ehr' dem höchsten Gut BWV 117 - II Recitativo (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": II. Recitativo (Bass) "Es danken dir die Himmelsheer" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
1:09
3Sei Lob und Ehr' dem höchsten Gut BWV 117 - III Aria (Tenore)
oboe:
Vincent van Ballegooien and Eduard Wesley
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": III. Aria (Tenor) "Was unser Gott geschaffen hat" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:04
4Sei Lob und Ehr' dem höchsten Gut BWV 117 - IV Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IV. Choral "Ich rief dem Herrn in meiner Not" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Breitkopf 389 Choralgesänge (number: 90)
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
0:59
5Sei Lob und Ehr' dem höchsten Gut BWV 117 - V Recitativo (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": V. Recitativo (Alt) "Der Herr ist noch und nimmer nicht" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
1:16
6Sei Lob und Ehr' dem höchsten Gut BWV 117 - VI Aria (Basso)
violin:
John Wilson Meyer
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VI. Aria (Bass) "Wenn Trost und Hülf ermangeln muss" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:59
7Sei Lob und Ehr' dem höchsten Gut BWV 117 - VII Aria (Alto)
transverse flute:
Kate Clark (flautist)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VII. Aria (Alt) "Ich will dich all mein Leben lang" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:01
8Sei Lob und Ehr' dem höchsten Gut BWV 117 - VIII Recitativo (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VIII. Recitativo (Tenor) "Ihr, die ihr Christi Namen nennt" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
0:47
9Sei Lob und Ehr' dem höchsten Gut BWV 117 - IX Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IX. Choral "So kommet vor sein Angesicht" (from 1999-10 until 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
1:01
10Schau, lieber Gott, wie meine Feind BWV 153 - I Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": I. Choral "Schau lieber Gott, wie meine Feind" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
David Denicke
part of:
Breitkopf 389 Choralgesänge (number: 5)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
0:54
11Schau, lieber Gott, wie meine Feind BWV 153 - II Recitativo (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": II. Recitativo (Alt) "Mein liebster Gott, ach laß dichs doch erbarmen" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
0:36
12Schau, lieber Gott, wie meine Feind BWV 153 - III Aria (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": III. Arioso (Bass) "Fürchte dich nicht, ich bin mit dir" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Jesaja 41, 10 (Biblical personage)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:50
13Schau, lieber Gott, wie meine Feind BWV 153 - IV Recitativo (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IV. Recitativo (Tenor) "Du sprichst zwar, lieber Gott" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:26
14Schau, lieber Gott, wie meine Feind BWV 153 - V Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": V. Choral "Und ob gleich alle Teufel" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Breitkopf 389 Choralgesänge (number: 160)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:03
15Schau, lieber Gott, wie meine Feind BWV 153 - VI Aria (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VI. Aria (Tenor) "Stürmt nur, stürmt, ihr Trübsalswetter" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
2:37
16Schau, lieber Gott, wie meine Feind BWV 153 - VII Recitativo (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VII. Recitativo (Bass) "Getrost! mein Herz" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:38
17Schau, lieber Gott, wie meine Feind BWV 153 - VIII Aria (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VIII. Aria (Alt) "Soll ich meinen Lebenslauf" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
2:42
18Schau, lieber Gott, wie meine Feind BWV 153 - IX Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IX. Choral "Drum will ich, weil ich lebe noch" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Moller (german poet)
part of:
Breitkopf 389 Choralgesänge (number: 9)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:24
19Tue Rechnung! Donnerwort BWV 168 - I Aria (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Bass) "Tue Rechnung, Donnerwort" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
3:24
20Tue Rechnung! Donnerwort BWV 168 - II Recitativo (Tenore)
oboe:
Vincent van Ballegooien and Eduard Wesley
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitativo (Tenor) "Es ist nur fremdes Gut" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
1:44
21Tue Rechnung! Donnerwort BWV 168 - III Aria (Tenore)
oboe:
Vincent van Ballegooien and Eduard Wesley
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenor) "Kapital und Interessen" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
3:08
22Tue Rechnung! Donnerwort BWV 168 - IV Recitativo (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitativo (Bass) "Jedoch, erschrocknes Herz" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
1:53
23Tue Rechnung! Donnerwort BWV 168 - V Aria (Duetto- Soprano, Alto)
cello:
Frank Wakelkamp (Dutch cellist)
alto vocals:
Sytse Buwalda
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Sopran, Alt) "Herz, zerreiß des Mammons Kette" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
2:41
24Tue Rechnung! Donnerwort BWV 168 - VI Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-10 until 1999-11)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Choral "Stärk mich mit deinem Freudengeist" (from 1999-10 until 1999-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Bartholomäus Ringwaldt (in 1588)
part of:
Breitkopf 389 Choralgesänge (number: 143)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
1:05

Credits

Release group

part of:Bach Edition (number: 8) (order: 8)